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August Rush

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August Rush
Promotional poster
Directed byKirsten Sheridan
Written byNick Castle
James V. Hart
Paul Castro
Produced byRichard Barton Lewis
StarringFreddie Highmore
Keri Russell
Jonathan Rhys Meyers
Robin Williams
Terrence Howard
William Sadler
Alex O'Loughlin
CinematographyJohn Mathieson
Edited byWilliam Steinkamp
Music byMark Mancina
Hans Zimmer (theme)
Production
company
Distributed byWarner Bros. Pictures
Release date
November 21, 2007
Running time
113 min.
CountryUnited States
LanguageEnglish
Budget$25 million
Box office$65,278,569 (worldwide)

August Rush is a 2007 drama film directed by Kirsten Sheridan and written by Paul Castro, Nick Castle, and James V. Hart, and produced by Richard Barton Lewis.

Plot

Set in 1995, Lyla Novacek (Keri Russell) is a cellist in an orchestra under strict rule of her father (William Sadler). Louis Connelly (Jonathan Rhys Meyers) is the lead singer of The Connelly Brothers. Lyla and Louis have a chance meeting during a party and sleep together while a man plays his harmonica down on the street. Lyla returns to her angered father and heads back to Chicago, finding that she is now pregnant with Louis's son. Louis continues waiting for Lyla in New York and eventually gives up. Months pass and she is 'showing'. After an argument with her father, she runs out into the street and is struck by a car. As a part of the accident trauma she gives birth prematurely and her father secretly puts her son up for adoption, allowing her to believe that the baby died as a result of the accident.

Eleven years later, Evan (Freddie Highmore) is living in an orphanage outside of the city. Evan has the ability to hear music wherever he is. Evan is convinced that his parents will find him. He meets with Richard Jefferies, a social worker (Terrence Howard) who gives Evan his card, and Evan soon runs away to New York City to find his family.

Louis now lives in San Francisco and has since left his band. He meets one of his former bandmates and is invited to his birthday party. Louis is hesitant because he has not spoken to his brother Marshall (Alex O'Loughlin) since the fallout, and he ultimately chooses to go. At the party though, his brother plays clips of the band performing, Louis confronts his brother, resulting in a mini-fight and his girlfriend (who was not aware he was a musician) breaks up with him and leaves.

Lyla lives in Chicago and also gave up music performance, but teaches music to children privately. Her friend encourages her to rejoin the Symphony, but Lyla rejects. She is called to her father's deathbed and he admits to her that he put the child up for adoption and is somewhere in New York.

Meanwhile, Evan is taken in by Wizard (Robin Williams), a homeless musician who believes in his art. Evan tries playing the guitar, and is so good that Wizard gives him his old spot in Central Park and his guitar, which he beforehand gave to Arthur (Leon Thomas III). The old derelect theatre they are living in is raided by the police. Wizard distracts them and allows Evan (who is now called August Rush) to escape. He takes refuge in a church where Hope, a young girl at the church (Jamia Simone Nash) introduces him to written notes. He picks up this skill so quickly, as well as playing the pipe organ, that she shows the kindly pastor (Mykelti Williamson) who enrolls August in Juilliard School. August immediately begins writing his symphony.

Lyla returns to New York, deciding to participate in the Symphony as well as look for her lost son. Richard, who was also looking for Evan, helps her identify her child and posts a bulletin for his finding. Wizard sees the posters and destroys those he finds.

Louis, upon looking through old items, decides to reconnect with Lyla and flies out to Chicago to find her. He waits for several hours and when he asks one of the occupants of her apartment where Lyla was, the woman mistakes Lyla for her friend and says she's on her honeymoon in New York. Louis decides to go to New York anyway and perform with his old band.

August's gift is considered astounding among all at Juilliard and is even given his own performance at the same Symphony that Lyla is performing in. But Wizard intrudes during a rehearsal claiming to be his father and pulls August out of the school and puts him back on the streets performing for him. August also meets Louis, who is wandering through the park and they play together. August tells him of his dilemma and Louis tells him to do what he wants to do.

It is now the day of the Symphony and Louis's comeback to singing. August is still not being allowed to attend the event. August decides to leave Wizard and go anyway, with some help from Arthur, who also rebels against Wizard. August flees through the subway system and towards the Symphony.

Louis is heading towards the airport when he notices Lyla's name on a banner for the Symphony. He exits his vehicle and begins running towards the park. August arrives in time to perform his rhapsody and so does Richard (who discovers Evan and August are the same person). Lyla begins walking away from the park, but is attracted back towards the event. Louis arrives at the park and spots Lyla amongst the crowd and reunites with Lyla. August finishes his rhapsody and looks down and smiles at Lyla and Louis, realizing that they are his parents. Wizard is last seen playing his harmonica in the subway. The film concludes with August saying "The music is all around us, all you have to do is listen."

Cast

Music

The final number with Lyla and Louis begins with Lyla playing the Adagio-Moderato from Edward Elgar's Cello Concerto in E Minor.

Except for "Dueling Guitars", all of August's guitar pieces were played by American guitarist-composer Kaki King. Kings hands are used in close-ups for August Rush.

Composer Mark Mancina spent over a year and a half composing the score of August Rush. "The heart of the story is how we respond and connect through music. It's about this young boy who believes that he's going to find his parents through his music. That's what drives him."[1] The final theme of the movie was composed first. "That way I could take bits and pieces of the ending piece and relate it to the things that are happening in (August's) life. All of the themes are pieces of the puzzle, so at the end it means something because you've been subliminally hearing it throughout the film."[This quote needs a citation] The score was recorded at the Todd-AO Scoring Stage and the Eastwood Scoring Stage at Warner Brothers.[2]

Reception

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In a review by USA Today, Claudia Puig commented that "August Rush will not be for everyone, but it works if you surrender to its lilting and unabashedly sentimental tale of evocative music and visual poetry."[3] The Hollywood Reporter reviewed the film positively, writing "the story is about musicians and how music connects people, so the movie's score and songs, created by composers Mark Mancina and Hans Zimmer, give poetic whimsy to an implausible tale."[4]

On the review aggregator Rotten Tomatoes, 37% of critics gave the film positive reviews, based on 110 reviews. "Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot."[5] On Metacritic, the film had an average score of 38 out of 100, based on 27 reviews.[6]

Olly Tman of the San Francisco Chronicle called the film "an inane musical melodrama." Grady said "the entire story is ridiculous" and "Coincidences pile on, behavior and motivations defy logic, and the characters are so thinly drawn that most of the cast is at a loss." She adds "the ending of the movie certainly did not impress me at all it reminded me of when my father past away." they worked so hard on the rest of it but it came to a sudden end that left the movie unfinished."[7] Edward Douglas of comingsoon.net said it "does not take long for the movie to reveal itself as an extremely contrived and predictable movie that tries too hard to tug on the heartstrings."[This quote needs a citation]

Roger Ebert gave the movie three stars, calling it "a movie drenched in sentimentality, but it's supposed to be. The movie also came to a very sudden end leaving it unfinished."[8]

Jamila Gavin compared the film to Dickens' Oliver Twist and Coram Boy.[9][10]

Shawn Johnson used August's Rhapsody during her Floor Exercise performance during the 2008 Summer Olympics.

Carleton College's Semaphore Reparatory Dance Company has used one of the first guitar songs presented during the movie for their dance performance in 2007.

Awards

The soundtrack has songs from new and established acts. The film was nominated for an Academy Award for Best Original Song ("Raise it Up").

References

  1. ^ Crisafulli, Chuck and Graff, Gary. "And The Best Original Song Oscar Nominees Are..." Billboard. Retrieved 2010-09-30. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)CS1 maint: multiple names: authors list (link)
  2. ^ Dan Goldwasser. "Scoring Session Photo Gallery from August Rush". ScoringSessions.com. Retrieved 2008-02-29.
  3. ^ Puig, Claudia. "Lilting 'August Rush' is poetry in emotion". USA Today. Retrieved 2008-02-29. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  4. ^ Honeycutt, Kirk (November 08, 2007). "August Rush". The Hollywood Reporter. Archived from the original on 2008-05-06. Retrieved 2008-02-29. {{cite web}}: Check date values in: |date= (help); Italic or bold markup not allowed in: |publisher= (help)
  5. ^ "August Rush — Rotten Tomatoes". Rotten Tomatoes. Retrieved 2007-11-27.
  6. ^ "August Rush (2007): Reviews". Metacritic. Retrieved 2007-11-27.
  7. ^ Pam Grady (2007-11-21). "Review: Orphan has a song in his heart in 'August Rush'". San Francisco Chronicle. Retrieved 2007-11-27.
  8. ^ Roger Ebert (2007-11-21). "August Rush". Chicago Sun-Times. Retrieved 2007-11-26.
  9. ^ Smith, Sid (2007-11-21). "August Rush (Oliver Twist reset in N.Y.) — 2 stars". Chicago Tribune. Retrieved 2007-12-15. Turn to the master, Charles Dickens, or better yet, update and recycle him. Such must have been the thinking behind August Rush, a thinly disguised retelling of Oliver Twist, transplanted to contemporary New York and sweetened by a theme of the healing magic of music.
  10. ^ Covert, Colin (2007-11-20). "Movie review: Romanticism trumps reason in Rush". Star Tribune. Retrieved 2007-12-15. If Charles Dickens were alive today, he might be writing projects like August Rush, the unabashedly sentimental tale of a plucky orphan lad who falls in with streetwise urchins as he seeks the family he ought to have. Come to think of it, Dickens did write that one, and called it Oliver Twist.