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This article is within the scope of WikiProject United States, a collaborative effort to improve the coverage of topics relating to the United States of America on Wikipedia. If you would like to participate, please visit the project page, where you can join the ongoing discussions.
In what way did he actively "hide" that he was working for Whit? However it sounds, omitting information is different from hiding information. Taking the $40,000 and telling Jeff she didn't take it is lying. Keeping her bank book away from Jeff is hiding. Joe not telling Jeff that Kathie is already with Whit is withholding. Besides, she already suspected it. As an aside, being passive to the fate that was going to befall him is what he was, but that is a different question.Gunbirddriver (talk) 02:20, 31 December 2011 (UTC)[reply]
Aware that his connection to Whit would be something that Kathie would really want to know, Jeff consciously decided and made no little effort to give her a false impression about him. I consider that pretty active.
Why did you take out the fact that Jeff was found by accident? A major theme of the story is the bad luck that dogs him. As it is phrased now, the reader is given the impression that Stephanos was actively searching for him and somehow knew to look in Bridgeport. Also, "foreboding looking" is WP:POV, while saying she suspects is, as far as I can recall, WP:OR.
Since this discussion shows no sign of ending, maybe it would be better to transfer this to the film's talk page, where others can contribute their two cents. Clarityfiend (talk) 02:33, 31 December 2011 (UTC)[reply]
Okay. In answer, the interaction between Jeff and Kathy is somewhat subtle, but the idea is that Jeff becomes ensnared by Kathie. That was suggested when Jeff first went to report to Whit and found himself glad the telegraph office was closed. The same is suggested most visually when Jeff first kissed Kathie at the beach. The fishing nets surrounding the two were not placed there out of whimsy. Thus Kathie, the femme fatale, ensnared the man that Whit sent to get her. For this narrative to work there has to be the subtext that Jeff is after Kathie and Kathie defends herself by trapping her pursuer. She senses Jeff doesn't fit in the Acapulco cantina from word go. You must allow she is aware that she shot Whit and stole $40,000 (that is overtly in the plot). She also knows that Whit is going to come after her, and that he will never forget what happened between them (from the exchange at Kathie's room later). For her to be consistent as a character she had to be aware that a private investigator was going to come looking for her, and that she met that challenge by turning him. This is hardly original research. These are conclusions the film expects us to draw. Thus the description in the plotline should allude to the fact that Kathie is manipulative, deceitful, irresistible and deadly. Kathie was not in the least bit surprised when Jeff told her Whit had survived and just wanted her back. There was no outrage, no "What, you mean you work for Whit?!" It was already known by both characters, or if not known, so strongly suspected that it was really a little game they were playing where they refused to acknowledge a little lie. Thus the word "hidden" doesn't work well. "Withheld" is better. I have no problem with someone changing how I wrote the plot, but the change should improve the narrative.Gunbirddriver (talk) 03:47, 31 December 2011 (UTC)[reply]
As to Stephano, it is expected that the viewer will realize that he doesn't fit in the little town where he pulls up. He is a rather large man, wearing all dark clothing, and his interaction with the Kid is hostile and threatening. You see Stephano and you know he's bad news. The word that would describe this would be "foreboding".Gunbirddriver (talk) 03:51, 31 December 2011 (UTC)[reply]
