Jump to content

Nāga

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Mikhailovich (talk | contribs) at 02:44, 5 February 2012 (language cleanup). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Template:Two other uses

A Hoysala sculpture of a Naga couple. Halebidu.
Vishnu resting on Ananta-Shesha, with consort Lakshmi.
Naga stone worship at Hampi
Nag temple at Baba Dhansar, Reasi district, Jammu & Kashmir

Nāga (Template:Lang-sa, IPA: [nəɡá], Template:Lang-my, Javanese: någå, Template:Lang-km [neak] Error: {{Lang}}: text has italic markup (help), Template:Lang-th [nak] Error: {{Lang}}: text has italic markup (help), Chinese: 那伽, Tibetan: ཀླུ་, Bengali: নাগ) is the Sanskrit and Pāli word for a deity or class of entity or being, taking the form of a very great snake—specifically the King Cobra, found in Hinduism and Buddhism. The use of the term nāga is often ambiguous, as the word may also refer, in similar contexts, to one of several human tribes known as or nicknamed "Nāgas"; to elephants; and to ordinary snakes, particularly the King Cobra and the Indian Cobra, the latter of which is still called nāg in Hindi and other languages of India. A female nāga is a nāgī or nāginī.

Etymology

In Sanskrit, a nāgá (नाग) is a cobra, a specific type of snake (hooded snake). A synonym for nāgá is phaṇin (फणिन्). There are several words for "snake" in general, and one of the very commonly used ones is sarpá (सर्प). Sometimes the word nāgá is also used generically to mean "snake".[1][2] The word is cognate with English 'snake', Germanic: *snēk-a-, Proto-IE: *(s)nēg-o-.[3]

Mahabharata

In the great epic Mahabharata, the depiction of Nagas tends toward the negative, and they are portrayed as the deserving victims of the snake sacrifice and of predation by the eagle-king Garuda. The epic calls them "persecutors of all creatures", and tells us "the snakes were of virulent poison, great prowess and excess of strength, and ever bent on biting other creatures" (Book I: Adi Parva, Section 20). At the same time, nagas are important players in many of the events narrated in the epic, frequently no more evil nor deceitful than the other protagonists, and sometimes on the side of good.

The epic frequently characterizes Nagas as having a mixture of human and serpent-like traits. Sometimes it characterizes them as having human traits at one time, and as having serpent-like traits at another. For example, the story of how the Naga prince Sesha came to hold the world on his head begins with a scene in which he appears as a dedicated human ascetic, "with knotted hair, clad in rags, and his flesh, skin, and sinews dried up owing to the hard penances he was practising." Brahma is pleased with Shesha, and entrusts him with the duty of carrying the world. At that point in the story, Shesha begins to exhibit the attributes of a serpent. He enters into a hole in the Earth and slithers all the way to bottom, where he then loads the Earth onto his head. (Book I: Adi Parva, Section 36.)

Enmity with Garuda

The great nemesis of the Nagas in the Mahabharata is the gigantic eagle-king Garuda. Garuda and the Nagas began life as cousins. The sage Kasyapa had two wives (amongst his 13 wives, all prajapati Daksha's daughters), Kadru and Vinata, the former of whom desired many offspring, and the latter of whom desired few but powerful offspring. Each got her wish. Kadru laid 1000 eggs which hatched into snakes, and Vinata laid two, which hatched into the charioteer of Surya the sun god and Garuda. Through a foolish bet, Vinata became enslaved to her sister, and as a result Vinata's son Garuda was required to do the bidding of the snakes. Though compliant, he chafed and built up a grudge that he would never relinquish. When he asked the snakes what he would have to do in order to be released from his bondage, they told him he would have to bring them amrita, the elixir of immortality. Garuda stole the elixir from the gods and brought it to the serpents in fulfillment of their requirement, but through a ruse prevented them from partaking of it and achieving immortality. From that point onward, he regarded them as enemies and as food. (Book I: Adi Parva, Sections 16ff.)

Kadru

Kadru, the ancestral mother of snakes, made a bet with her sister Vinata, the stakes being that the loser would be enslaved to the winner. Eager to secure victory, Kadru requested the cooperation of her offspring in order to fix the bet so that Kadru would win. When her offspring balked at the request, Kadru grew angry and cursed them to die a fiery death in the snake-sacrifice of King Janamejaya, the son of Parikshit, who was the son of Abhimanyu the son of Arjuna. The king of the snakes Vasuki was aware of the curse, and knew that his brethren would need a hero to rescue them from it. He approached the renowned ascetic Jaratkaru with a proposal of marriage to a snake-goddess, Manasa, Vasuki's own sister. Out of the union of the ascetic and the snake-maiden was born "a son of the splendor of a celestial child." This son was named Astika, and he was to be the savior of the snakes.

In accordance with Kadru's curse, Janamejaya prepared a snake sacrifice of a type described in the scriptures, the Puranas. He erected a sacrificial platform and hired priests and other professionals needed for the rites. Following the proper form, the priests lit the sacrificial fire, duly fed it with clarified butter, uttered the required mantras, and began calling the names of snakes. The power of the rite was such that the named snakes were summoned to the fire and were consumed by it. As the sacrifice took on genocidal proportions, Astika came to the rescue. He approached Janamejaya and praised the sacrifice in such eloquent terms that the king offered to grant him a boon of his choosing. Astika promptly requested that the sacrifice be terminated. Though initially regretful of his offer, Janamejaya was true to his word, and the sacrifice came to an end. (Book I: Adi Parva, Sections 13-58.)

Other mentions

  • The serpent king Vasuki helped the gods to recover amrita, the elixir of immortality, from the Ocean of Milk by serving as the cord they wrapped around Mount Mandara in order to churn up the depths of the ocean. (Book I: Adi Parva, Section 18.)
  • The naga princess Ulupi had a son Iravat by the Pandava hero Arjuna. (Book I: Adi Parva, Section 216.) Though he had the support of many nagas, Iravat was eventually slain by the Rakshasa Alamvusha at the battle of Kurukshetra. (Book VI: Bhishma Parva, Section 91.)
  • Matali, the charioteer of the god Indra, sought a husband for his daughter Gunakesi. He approached the naga Aryaka and proposed the marriage of Gunakesi with the naga's handsome grandson Sumukha. Alas, Aryaka replied, Garuda had already declared his intent to devour the comely youth, having previously murdered his father. Matali, however, persuaded Indra and Vishnu to give Sumukha a draught of amrita, the elixir of immortality. Sumukha drank the potion, and thus was rendered impervious to any assault by the lord of the birds. The young couple were happily married. (Book V: Udyoga Parva, Section 103.)

Hinduism

See also: Tiamat and Apsu
An open-air Lingam (symbol of god Shiva) from Lepakshi sheltered by a naga

Stories involving the nāgas are still very much a part of contemporary cultural traditions in predominantly Hindu regions of Asia (India, Nepal, and the island of Bali). In India, nāgas are considered nature spirits and the protectors of springs, wells and rivers. They bring rain, and thus fertility, but are also thought to bring disasters such as floods and drought.

Nagas are snakes that may take human form. They tend to be very curious. According to traditions nāgas are only malevolent to humans when they have been mistreated. They are susceptible to mankind's disrespectful actions in relation to the environment. They are also associated with waters—rivers, lakes, seas, and wells—and are generally regarded as guardians of treasure. According to Beer (1999),[page needed] Naga and cintamani are often depicted together and associated directly in the literature.

They are objects of great reverence in some parts of southern India where it is believed that they bring fertility and prosperity to their venerators. Expensive and grand rituals like Nagamandala[4] are conducted in their honor (see Nagaradhane). In India, certain communities called Nagavanshi consider themselves descendants of Nagas.

Varuna, the Vedic god of storms, is viewed as the King of the nāgas. Nāgas live in Pātāla, the seventh of the "nether" dimensions or realms.[5] They are children of Kashyapa and Kadru. Among the prominent nāgas of Hinduism are Manasa, Sesha, and Vasuki.

The nāgas also carry the elixir of life and immortality. Garuda once brought it to them and put a cup with elixir on the ground but it was taken away by Indra. However, few drops remained on the grass. The nāgas licked up the drops, but in doing so, cut their tongues on the grass, and since then their tongues have been forked.[6]

Vishnu is originally portrayed in the form sheltered by a Shesha naga or reclining on Shesha, but the iconography has been extended to other deities as well. The serpent is a common feature in Ganesha iconography and appears in many forms: around the neck,[7] use as a sacred thread (Sanskrit: yajñyopavīta)[8] wrapped around the stomach as a belt, held in a hand, coiled at the ankles, or as a throne.[9] Shiva is often shown garlanded with a snake.[10]

Patanjali as Adi-Sesha

Maehle (2007: p.?) affirms that according to tradition, Patañjali is held to be an incarnation of Ādi S'esha.

Buddhism

Mucalinda sheltering Gautama Buddha at Wat Phrathat Doi Suthep in Chiang Mai, Thailand

Traditions about nāgas are also very common in all the Buddhist countries of Asia. In many countries, the nāga concept has been merged with local traditions of great and wise serpents or dragons. In Tibet, the nāga was equated with the klu, wits that dwell in lakes or underground streams and guard treasure. In China, the nāga was equated with the lóng or Chinese dragon.

The Buddhist nāga generally has the form of a great cobra-like snake, usually with a single head but sometimes with many. At least some of the nāgas are capable of using magic powers to transform themselves into a human semblance. In Buddhist painting, the nāga is sometimes portrayed as a human being with a snake or dragon extending over his head. One nāga, in human form, attempted to become a monk; when telling it that such ordination was impossible, the Buddha told it how to ensure that it would be reborn a man, able to become a monk [11].

In the 'Devadatta' chapter of the Lotus Sutra, an eight year old female Naga, after listening to Manjushri preach the Lotus Sutra, transforms her body into that of a male human and immediately reaches full enlightenment.[12] This narrative reinforces the ironic viewpoint prevalent in Mahayana scriptures that a male human body is required for Buddhahood, even if a being is so advanced in her realization that she can magically transform her body at will and demonstrate the emptiness of the physical form itself.

File:SalaKeoku.jpg
Gigantic naga protecting Buddha amongst the other sculptures of Bunleua Sulilat's Sala Keoku.

Nāgas are believed to both live on Mount Sumeru, among the other minor deities, and in various parts of the human-inhabited earth. Some of them are water-dwellers, living in streams or the mer; others are earth-dwellers, living in underground caverns.

The nāgas are the servants of Virūpākṣa (Pāli: Virūpakkha), one of the Four Heavenly Kings who guards the western direction. They act as a guard upon Mount Sumeru, protecting the devas of Trāyastriṃśa from attack by the Asuras.

Among the notable nāgas of Buddhist tradition is Mucalinda, protector of the Buddha. In the Vajrayana and Mahasiddha traditions according to Beer (1999),[page needed] many notable fully enlightened nagas also transmitted and/or transported terma into and out of the human realm that had been elementally encoded by adepts.

Norbu (1999: p.?) states that according to tradition the Prajnaparamita terma teachings are held to have been conferred upon Nagarjuna by Nagaraja, the King of the nagas, who had been guarding them at the bottom of a lake. Refer Lotus Sutra.

Other traditions

Naga at the steps of a building in the Wat Phra Kaew in Bangkok

For Malay sailors, nāgas are a type of dragon with many heads; in Thailand and Java, the nāga is a wealthy underworld deity. In Laos they are beaked water serpents. Phaya Naga, Water Dragon, is a well-known dragon in Thailand. People in Thailand see it as a holy creature and worship it in the temple. It allegedly lives in Mekong river.

Lake Chinni

In Malay and Orang Asli traditions, the lake Chinni, located in Pahang is home to a naga called Sri Gumum. Depending on legend versions, her predecessor Sri Pahang or her son left the lake and later fought a naga called Sri Kemboja. Kemboja is the former name of what is Cambodia. Like the naga legends there, there are stories about an ancient empire in lake Chinni, although the stories are not linked to the naga legends.[13][14]

Cambodia

Cambodian Naga at the Royal Palace in Phnom Penh

In a Cambodian legend, the nāga were a reptilian race of beings who possessed a large empire or kingdom in the Pacific Ocean region. See Kaliya. The Nāga King's daughter married an Indian Brahmana named Kaundinya, and from their union sprang the Cambodian people. Therefore still Cambodians say that they are "Born from the Nāga". Cambodia or Kambhuja is also said to have been derived from the word Kambhoj. Kambhoj are the Indo-Aryan people from the Northwest of India & Iran. They are mentioned in the ancient Sanskrit texts and epigraphy. The Naga (clan) is also said to have its origins in Kashmir (North India), indicating a link due to close geographical proximity of both peoples.

The Seven-Headed Nāga serpents depicted as statues on Cambodian temples, such as Angkor Wat, apparently represent the seven races within Nāga society, which has a mythological, or symbolic, association with "the seven colors of the rainbow". Furthermore, Cambodian Nāga possess numerological symbolism in the number of their heads. Odd-headed Nāga symbolise the Male Energy, Infinity, Timelessness, and Immortality. This is because, numerologically, all odd numbers come from One (1). Even-headed Nāga are said to be "Female, representing Physicality, Mortality, Temporality, and the Earth."

Naga guarding Anouvong's Wat Sisaket in Vientiane

Laos

The Lao language poem San Lup Bo Sun (or San Leupphasun Lao: ສານລຶພສູນ) uses enmity with the garuda as an allegory for Siam's victory in the Laotian Rebellion of 1826 – 1829, led by Lord Anou of Vientiane in what was then southwestern Lao territory and is now Isan, the northeastern territory of Thailand, which uses a red Garuda as her national emblem[15].

Mekong

Main article: Naga fireballs
Naga emerging from the mouth of a Makara in the style of a Chinese dragon
File:Nagayon Paya.JPG
Nagayon Paya ( means Dragon-roofed-Buddha ) at Monywa, Myanmar

The legend of the Nāga is a strong and sacred belief held by Thai and Lao people living along the Mekong River. Many pay their respects to the river because they believe the Nāga still rule in it, and locals hold an annual sacrifice for the Nāga. Each ceremony depends on how each village earns its living from the Mekong River — for instance, through fishing or transport. Local residents believe that the Nāga can protect them from danger, so they are likely to make a sacrifice to Nāga before taking a boat trip along the Mekong River.[citation needed]

Also, every year on the night of 15th day of 11th month in the Lao lunar calendar at the end of Vassa, an unusual phenomenon occurs in the area of the Mekong River stretching over 20 kilometres between Pak-Ngeum and Phonephisai districts in Nong Khai province, Thailand. Fireballs appear to rise from the river into the nighttime sky. Local villagers believe that Nāga under Mekong River shoot the fireballs into the air to celebrate the end of Vassa, because Nāga meditate during this time.[16]

In 2000, Richard Freeman from the Centre for Fortean Zoology visited the area and talked with witnesses who claimed to have seen gigantic snakes far larger than any python. The general description was of a 60 foot serpent with black scales that had a greenish sheen. Freeman speculated that the nāga legend was based on a real animal, possibly a giant madtsoiid snake.[17]

A popular photograph on display in bars, restaurants, guesthouses, and markets around Thailand captioned, Queen of Nagas seized by American Army at Mekhong River, Laos Military Base on June 27, 1973 with the length of 7.80 meters is a hoax. The photograph is actually that taken by USN LT DeeDee Van Wormer, of an oarfish found in late 1996 by US Navy SEAL trainees on the coast of Coronado, California.[18][19]

Philippines

In many parts of pre-Hispanic Philippines, the naga is used as an ornament in the hilt ends of longswords locally known as Kampilans.

Several Bollywood films have been made on the theme of Nagin (female nāga), including Nagin (1954 film), Nagin (1976 film), Nagina (1986 film), Jaani Dushman: Ek Anokhi Kahani(2002), Hisss (2010 film) and the television series Naaginn (2007-9).

Nāgas

Lord Krishna dancing on the serpent Kaliya; while the serpent's wives pray to Krishna

Residences

See also

References

  1. ^ For the specific terminology for cobra see p. 432, Vaman Shivram Apte, The Student's English-Sanskrit Dictionary (Motilal Banarsidass: 2002 reprint edition) ISBN 81-208-0299-3.
  2. ^ Vaman Shivram Apte. A Practical Sanskrit Dictionary. p. 539. The first definition of nāgaḥ given reads "A snake in general, particularly the cobra."
  3. ^ Proto-IE: *(s)nēg-o-, Meaning: snake, Old Indian: nāgá- m. 'snake', Germanic: *snēk-a- m., *snak-an- m., *snak-ō f.; *snak-a- vb. http://starling.rinet.ru/cgi-bin/response.cgi?single=1&basename=/data/ie/piet&text_number=2649&root=config
  4. ^ http://www.udupipages.com/home/temple/naga.html
  5. ^ Patala
  6. ^ Mahābhārata 1.30.20, Sanskrit: http://sacred-texts.com/hin/mbs/mbs01030.htm, English: http://sacred-texts.com/hin/m01/m01035.htm
  7. ^ For the story of wrapping Vāsuki around the neck and Śeṣa around the belly and for the name in his sahasranama as Sarpagraiveyakāṅgādaḥ ("Who has a serpent around his neck"), which refers to this standard iconographic element, see: Krishan, Yuvraj (1999), Gaņeśa: Unravelling An Enigma, Delhi: Motilal Banarsidass Publishers, ISBN 81-208-1413-4 pp=51-52.
  8. ^ For text of a stone inscription dated 1470 identifying Ganesha's sacred thread as the serpent Śeṣa, see: Martin-Dubost, p. 202.
  9. ^ For an overview of snake images in Ganesha iconography, see: Martin-Dubost, Paul (1997). Gaņeśa: The Enchanter of the Three Worlds. Mumbai: Project for Indian Cultural Studies. ISBN 81-900184-3-4. , p. 202.
  10. ^ Flood, Gavin (1996). An Introduction to Hinduism. Cambridge: Cambridge University Press. ISBN 0-521-43878-0. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help) ; p. 151
  11. ^ Brahmavamso, Ajahn. [www.budsas.org/ebud/ebsut020.htm "VINAYA The Ordination Ceremony of a Monk"]. {{cite web}}: Check |url= value (help)
  12. ^ Soka Gakkai Dictionary of Buddhism, 'Devadatta Chapter'
  13. ^ http://www.nici.ru.nl/~peterh/srigumum/doc/stories.html
  14. ^ http://www.journeymalaysia.com/ML_chini.htm
  15. ^ Ngaosīvat, Mayurī (1998). "III.13". Paths to conflagration : fifty years of diplomacy and warfare in Laos, Thailand, and Vietnam, 1778-1828. Studies on Southeast Asia. Vol. 24. Ithaca, N.Y.: Southeast Asia Program Publications, Cornell University. p. 68. ISBN 1000877277230. OCLC 38909607. Retrieved November 16, 2011. The first stanza of the San lup bo sun depicted the situation allegorically {{cite book}}: Check |isbn= value: invalid prefix (help); Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |laydate= ignored (help); Unknown parameter |laysummary= ignored (help)
  16. ^ Bang Fai Phaya Nark (Naga fireballs)
  17. ^ "In the coils of the Naga," ForteanTimes, January 2003
  18. ^ Ranges, Trevor (2002 – 2006). "A Big Fish Tale". thailandroad.com. p. 2. We were on our morning physical fitness run when we came across this huge fish lying on the sand. {{cite web}}: Check date values in: |year= (help)CS1 maint: year (link)
  19. ^ "SEALs and a serpent of the sea" (PDF). ALL HANDS. Naval Media Center. 1997. pp. 20–21. The silvery serpent of the sea – an oarfish – was discovered last year by Basic Underwater Demolition/SEAL (BUD/S) Instructor Signalman 2nd Class (SEAL) Kevin Blake. {{cite web}}: |first= missing |last= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)
  20. ^ Bhāgavata Purāṇa 3.26.25
  21. ^ Bhāgavata Purāṇa 10.1.24
  22. ^ Bhāgavata Purāṇa 1.11.11
  • Beer, Robert (1999). The Encyclopedia of Tibetan Symbols and Motifs (Hardcover). Shambhala. ISBN 157062416X, ISBN 978-1570624162
  • Claudia Müller-Ebeling, Claudia and Christian Rätsch and Surendra Bahadur Shahi (2002). Shamanism and Tantra in the Himalayas. Transl. by Annabel Lee. Rochester, Vt.: Inner Traditions.
  • Maehle, Gregor (2007). Ashtanga Yoga: Practice and Philosophy (Paperback). New World Library. ISBN 1577316061 & ISBN 978-1577316060
  • Norbu, Chögyal Namkhai (1999). The Crystal and The Way of Light: Sutra, Tantra and Dzogchen. Snow Lion Publications. ISBN 1-55939-135-9

Further reading

Wikimedia Commons has media related to Nāga.
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Nāga&oldid=475069120"