List of compositions by Django Reinhardt
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List of compositions by Django Reinhardt
- Anouman
- Appel Indirect
- Are you in the Mood (with Stéphane Grapelli)
- Babik
- Belleville
- Black and White (with Stéphane Grapelli)
- Black Night
- Diminushing
- Diminushing Blackness
- Blues
- Blues Clair
- Blues d’Autrefois
- Blues en Mineur
- Blues for Barclay
- Blues for Ike
- Blues Riff
- Boléro
- Boogie Woogie
- Bricktop (with Stéphane Grapelli)
- Cavalerie
- Chez Jacquet (Never recorded by Django)
- Choti (Never recorded by Django)
- Christmas Swing
- Crépuscule
- D.R.Blues
- Daphné
- Del Salle
- Deccaphonie
- Dinette
- Djalamichto (Never recorded by Django)
- Djangology (with Stéphane Grapelli)
- Django Rag
- Django’s Blues
- Django’s Tiger (with Stéphane Grapelli)
- Double Whiskey
- Douce Ambiance
- Duke and Dukie
- Echoes of Spain
- En Verdine (Never recorded by Django)
- Fantaisie (from Danse Norvegienne by Grieg)
- Fat
- Féerie
- Festival 48
- Fiddle Blues
- Fleche d’Or
- Fleur d’Ennui
- Folie à Amphion
- Gagoug (Never recorded by Django)
- Gaiement
- Gypsy with a Song Pt1 & Pt2
- HCQ Strut (with Stéphane Grapelli)
- Hungaria (Some say the melody of this tune came from a traditional pop song)
- Impromptu
- Improvisation #1
- Improvisation #2
- Improvisation #3
- Improvisation #4
- Improvisation #5
- Improvisation #6
- Incidental Music for Racine's Andromaque
- Just For Fun
- Lentement Madamoiselle
- Mabel
- Mano
- Manoir de mes rêves
- Django's Castle
- Castle of My Dreams
- Mélodie au crépuscule (Always credited to Django Reinhardt but written by Joseph Reinhardt - as per Michael Dregni/Francis-Alfred Moerman/Matelo Ferret)
- Love's melody
- Messe des Saintes-de Maries-de-la-Mer (Never recorded by Django)
- Micro
- Mike
- Swing Dynamique
- Minor Blues
- Moppin' The Bride (with Stéphane Grapelli)
- Danse nuptiale
- Minor Swing (with Stéphane Grapelli)
- No Name Blues
- Montagne Saint Genevieve (Never recorded by Django)
- My Serenade
- Mystery Pacific
- Naguine
- Nocturne (with Stéphane Grapelli)
- Nuages
- Nuits de Saint-Germain-des-Prés
- Nymphéas
- Oiseaux des iles
- Oriental Shuffle (with Stéphane Grapelli)
- Oubli
- Paramount Stomp
- Parfum
- Pêche à la Mouche
- Place de Brouckère
- Porto Cabello
- Pour que Ma Vie Demeure
- R. vingt-six (the last of those pieces co-authored by Stéphanne Grapelli)
- Rhythme Futur
- Souvenirs (with Stéphane Grapelli)
- Spivy (with Stéphane Grapelli)
- Speevy
- Stephane's Blues
- Stockholm
- Stompin’ at Decca (with Stéphane Grapelli)
- Sweet Chorus
- Swing 39 (with Stéphane Grapelli)
- Swing 41
- Swing 42
- Swing 48
- Swing de Paris (with Stéphane Grapelli)
- Swing From Paris
- Swing Guitars (with Stéphane Grapelli)
- Swinging With Django
- Swingtime in Springtime
- Tears (with Stéphane Grapelli) - Based on a Gypsy lullaby “Muri wachsella an u sennelo weesch” recorded on April 3, 1937. Dregni (2008) p. 64.
- This Kind of Friend
- Troublant Boléro
- Twelfth Year
- Two Improvised Guitar Choruses
- Ultrafox (with Stéphane Grapelli)
- Vamp
- Vendredi 13
- Vette
- Webster
Django’s waltzes: Montagne Sainte-Genevieve, Gagoug, Chez Jazquet, and Choti were recorded by Pierre (Jean) Ferret (Ferré) : “Matelo” Ferret in Paris, 1960. Djalamichto and En verdine were recorded by Ferret in 1961.
Matelo Ferret (g) acc by (b) and (d) - Paris, 1960 - Vogue (F)EPL7740 Chez Jacquet, Montagne Sainte Genevieve, Gagoug, Choti
Matelo Ferret Plays Unissued Django Numbers : Jean "Matlo" Ferret (g) solo acc by unknown other (g's), (b) and (d) - Paris, 1961 - Vogue (F)EPL7829 En verdine, Djalmichito
NOTE: Chpile t'chavo and Tchoucar wago were composed by Matelo Ferret.
There exists a brief recording of Django's "Messe" played on the Organ.
With regard to the music for Racine's Andromaque -
Antonietto, Alain, François Billard, and François Billard. Django Reinhardt : Rythmes Futurs. Paris: Fayard, 2004. Pages 344-345
Quite unaware of the dangers he faced as a Gypsy, during the German occupation, Django agreed to compose incidental music for a "modern" version of Andromaque by Racine, which promised to be dangerously scandalous . Directed by Jeans Marais, and with avant-guard staging and scenery, the play, opened in May 1944 at the Theatre Edouard VII. Those involved in the production were provoked with physical threats by the Militia, and the vengeance of the collaborationist press. André Castelot in the publication, La Gerbe - June 1, 1944 - even attacked the music of Django ... advising him to "go green" (camouflage) while traveling around France - whether with his quintet, or when in the company of his memorable nomadic "cousins". Django went to the Riviera, especially Toulon, where in August 1944, he joined an orchestra of American G.I.s which had just arrived.
_______________________
Ideology, Cultural Politics and Literary Collaboration at la Gerbe.
http://www.questia.com/googleScholar.qst?docId=5002192213 by Richard J. Golsan
Of the major weekly reviews published in Paris during the Occupation, perhaps none is more representative of the period itself and the spirit of collaboration with Nazi Germany than La Gerbe. Created 'out of whole cloth' by the German Embassy to serve its political and cultural objectives,[2] la Gerbe began publication in July 1940 and ceased publication in August 1944. Two hundred and fourteen issues of the journal appeared in all. A large-scale poster campaign in the streets of Paris preceded the appearance of the first number of La Gerbe on 11 July 1940,[3] and the offices of the journal on the Rue des Pyramides were ransacked following the Liberation.