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Adana (raga)

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Adana is an Indian raga. It is also called Adana kanada.

Aroha and avaroha

Arohana S R M P n P M P n S' is quite small
S R g M P n P S'
Avarohana S' d n P g M R s

Vadi and samavadi

Pakad or Chalan

Organization and relationships

Flat Ga is usually omitted in ascent and in descent always appears in the distinctive Kanada phrase g M R S. Flat Dha is present in descent, but one should never linger on it. In fact it is omitted by some musicians completely. Most movements are in the upper tetrachord, around high Sa. It is very common to begin the elaboration of this raga with high Sa.[1]
Adana is part of the Kanada Raga group

Behaviour

Samay (Time)

Late Night (12 -3)

Seasonality

Rasa

Historical Information

Ādāna was previous called Āḍḍānā[2] Adana was a major raga in the 17th century and a combination of the then current ragas Malhar and Kanada. In a ragamala from Mewar it is depicted as an ascetic man sitting on a tiger skin, however, Somanatha describes him as Kama the god of love. His Adana was quite different from the raga as it is performed today.[1]

Origins

Important Recordings

  • Fateh Ali Khan, Music Today Cassette A94015, Madyalaya and Drut Tintal, "Chalā kahun chhailā"
  • Singh Bandhu, "Taan Kaptaan"

References

  1. ^ a b Bor 1997
  2. ^ Kaufmann

Examples

Literature

(most) entries due to: Moutal, Patrick (1991), Hindustāni Rāga-s Index, New Dheli: Munshiram Manoharlal Publishers Pvt Ltd, ISBN [[Special:BookSources/81-215-0525-7 |81-215-0525-7 [[Category:Articles with invalid ISBNs]]]] {{citation}}: Check |isbn= value: invalid character (help)

  • Bagchee, Sandeep (1998), Nād; Understanding Rāga Music, Mumbai: eshwar, ISBN 81-86982-07-8
  • Bhatkhande, Vishnu Nayaran (1968–73), Hindusthānī Sangīta Paddhaati: Kramika Pustaka Mālikā (6 vols.), Hathras: Sangeet Karyalaya
  • Bhatkhande, Vishnu Nayaran (1968–75), Hindusthānī Sangīta Paddhaati: Sangīta Śāstra (4 vols), Hathras: Sangeet Karyalaya
  • Bhatkhande, Vishnu Nayaran, Svara Mālikā, Hathras: Sangeet Karyalaya
  • Bhatt, Balvantray (1977), Bhāvaranga Lahāri, Varanasi: Motilal Barnasidas
  • Bor, Joep (1997?), The Raga Guide, Charlottesville,Virginia: Nimbus Records {{citation}}: Check date values in: |year= (help)CS1 maint: year (link)
  • Gandharva, Kumar (1965), Anūparāgavilāsa, Bombay: Mauj Prakashan
  • Kaufmann, Walter (1968), The ragas of North India, Calcutta, New Dheli, Bombay: Oxford & IBH Publishing Company
  • Khan, Raja Nawab Ali (1924), Māriphunnagamāta, Hathras: Sangeet Karyalaya
  • Nijenhuis, E. te (1976), The Ragas of Somanatha Vol I-II, Leiden: E.J.Brill
  • Patwaradan, Narayan Rao (1972), Tarala Prabandhāvalī, Rajasthan: Vanasthali Vidyapith
  • Patwaradan, Vinayak Rao (1961–74), Raga Vijñāna (7 vols), Poona: Sangeet Gaurav Granthamala
  • Phulambrikar, Krishnarao, Rāga Sangraha, Poona
  • Ratanjankar, S.N., Abhinava Gīta Manjarī, Bombay: Popular Prakashan
  • Shah, Jaisuklal (1972), Kānada Ke Prakāra, Bombay: Jaisuklal Shah
  • Srivastava, Jaisuklai (1969), Malhāra Ke Prakāra, Bombay: Jaisuklal Shah
  • Thakur, Omkarnath (1955–75), Sangītāñjali (6 vols), Varanasi{{citation}}: CS1 maint: location missing publisher (link)
  • Vaze, Ramkrishna Narahar (1938), Sangīta Kala Prakāśa, Poona: Ramkrishna Sangeet Vidyalaya