Jump to content

Topophilia

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 86.151.125.141 (talk) at 12:57, 2 September 2012 (minor - corrected spelling of John Betjeman). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Topophilia is described in Webster's New International Dictionary of the English Language as literally "love of place". It is a term used to describe the strong sense of place or identity among certain peoples. More specifically, if can be defined as love of certain aspects of a place, rather than a more general unthinking patriotism.

It combines the Greek word topos (topo- or top-), meaning place, with the ending -philia, meaning love of/for.

History of the term

Alan Watts's autobiography, In My Own Way (1972), starts with the sentence: "Topophilia is a word invented by the British poet John Betjeman for a special love for peculiar places." But it was W. H. Auden who used the term in his 1948 introduction to John Betjeman's poetry book Slick but Not Streamlined. The term later appeared in the French philosopher Gaston Bachelard's highly influential The Poetics of Space (1958). James W. Gibson, in his book A Reenchanted World (2009) also argues that topophilia or "love of place" is a biologically based, close cultural connection to place. Gibson says that such connections mostly have been destroyed in modernity but argues that "more and more people are trying to reinvent them."

In relation to local sports

Sports geographer John Bale in his article "Enshrined in Blood" (The Sports Historian, 17, 2) has noted the opportunities sport stadia have for topophilia, citing five metaphors that make stadiums particularly topophilic:

  1. They are 'sacred spaces' for their followers, particularly if euphoric or tragic incidents have taken place within them, such as the Hillsborough disaster.
  2. They often have 'scenic' qualities, such as the view of the Gateway Arch at Busch Stadium in St. Louis, Missouri.
  3. As a 'home' to the team and the fans, it can have psychological advantages to both.
  4. The stadium might be a 'tourist' attraction to visitors, a must-see venue. Some stadiums, such as the Melbourne Cricket Ground have fee-charging tours when matches are not even occurring.
  5. Deep local pride may be tied up with particular stadiums.[1]

Footnotes

  1. ^ Giulianatti, Richard, Sport: A Critical Sociology, p 122

See also