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Venkateswara Temple, Tirumala

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Tirumala Venkateswara Devasthanam
Religion
AffiliationHinduism
DistrictChittoor
Governing bodyTirumala Tirupati Devasthanams
Location
LocationTirupati
StateAndhra Pradesh
CountryIndia
Architecture
TypeDravidian architecture
InscriptionsDravidian language
Elevation853 m (2,799 ft)
Website
tirumala.org

Tirumala Venkateswara Temple is a Hindu temple in the hill town of Tirumala, near Tirupati in the Chittoor district of Andhra Pradesh. The cities which are nearest to the temple are Chennai - 138 km (86 mi) [2], Bangalore - 291 km (181 mi) [3] and Hyderabad - 600 km (370 mi)[4].

The Tirumala Hill is 853m above sea level and is about 10.33 square miles (27 km2) in area. It comprises seven peaks, representing the seven heads of Adisesha, thus earning the name Seshachalam. The seven peaks are called Seshadri, Neeladri, Garudadri, Anjanadri, Vrushabhadri, Narayanadri, and Venkatadri. The temple is on Venkatadri (also known as Venkatachala or Venkata Hill), the seventh peak, and is also known as the "Temple of Seven Hills". The presiding deity of the temple is Lord Venkateswara, a form of the Hindu god Vishnu. Venkateswara is known by other names: Balaji, Govinda, and Srinivasa.[5] The temple lies on the southern banks of Sri Swami Pushkarini, a holy water tank. The temple complex comprises a traditional temple building, with a number of modern queue and pilgrim lodging sites.

The temple is the richest pilgrimage center, after the Sree Padmanabhaswamy Temple in Thiruvananthapuram, Kerala, of any faith (at more than 50,000 crore[6][7]) and the most-visited place of worship in the world.[8][9][10] The temple is visited by about 50,000 to 100,000 pilgrims daily (30 to 40 million people annually on average), while on special occasions and festivals, like the annual Brahmotsavam, the number of pilgrims shoots up to 500,000, making it the most-visited holy place in the world.[11]

There are several legends associated with the manifestation of the Lord in Tirumala. According to one legend, the temple has a murti (deity) of Lord Venkateswara, which it is believed shall remain here for the entire duration of the present Kali Yuga.

Etymology

Tiru means 'Holy' or 'Sacred' and mala means hills/mountain in Dravidian languages. Therefore it translates as Holy mountains.

History of the temple

Medieval history

Tirumala was under the rule of the Vijayanagara emperors, during which time the temple's assets were accumulated.[12][13] Coronation ceremonies of the emperors were also held at Tirupati. In 1517 Krishnadevaraya, on one of his many visits to the temple, donated gold and jewels. It enabled the Vimana (inner shrine) and the roofing to be plated with gold. The Maratha general Raghoji Bhonsle set up a permanent administration for the conduct of worship in the temple. The rulers of Mysore and Gadwal endowed large gifts to the temple.

The Pallavas of Kanchipuram (9th century AD), the Cholas of Tanjore (10th century), and Vijayanagara pradhans (14th and 15th centuries) were committed devotees of Lord Venkateswara. During the invasion of Srirangam by Malik Kafur in 1310-11 AD, the Ranga Mandapam of the temple served as the shelter for the presiding deity of Srirangam, Ranganatha Swamy. Later, under the rule of the Vijayanagara emperors, was when the temple gained most of its current wealth and size, with the donation of diamonds and gold.[12] In 1517 Vijayanagara ruler Sri Krishna Deva Raya, on one of his many visits to the temple, donated gold and jewels, enabling the Vimana (inner shrine) roofing to be gilded. Statues of Sri Krishna Deva Raya and his spouse stand in the premises of the temple. After the decline of Vijayanagara Empire, kings from states such as Mysore and Gadwal worshiped as pilgrims and gave ornaments and valuables to the temple. Maratha general Raghoji I Bhonsle (died 1755) visited the temple and set up a permanent administration for the conduct of worship in the temple.[14] There is an idol of Raja Todar Mal who was the revenue minister of Akbar, greeting pilgrims in the premises of the temple.

Modern history

Swami Pushkarni of Tirumala

In 1843, with the coming of the Madras Presidency, the administration of the Sri Venkateswara Temple and a number of shrines was entrusted to Seva Dossji of the Hathiramji Mutt at Tirumala as Vicaranakarta for nearly a century until the Tirumala Tirupati Devasthanams (TTD) was established as a result of the TTD Act in 1932.

After independence Andhra state was created on linguistic grounds, wherein Tirupati which had and still has a majority of Telugu speaking population was assigned by Govt. of India, integrating it as part of Andhra.

TTD is operated by a Board of Trustees that has increased in size from five (1951) to fifteen (1987) through the adoption of Acts. The daily operation and management of TTD is the responsibility of an executive officer who is appointed by the government of Andhra Pradesh.

The temple attracts approximately 75,000 pilgrims every day.[15] The annual budget, estimated at Rs 10 billion in 2008, iferer: http://en.wikipedia.org/wD runs charitable trusts whose funds are derived from the budget and donations from the devotees.[16]

Temple today

TTD is operated by a Board of Trustees, and has increased in size through adoption of various Acts from five in 1951 to fifteen in 1987. The operations and management of TTD is the responsibility of an Executive Officer (EO), who is appointed by the government of Andhra Pradesh.

The temple attracts, on an average of approximately 60,000 pilgrims every day.[17] The popularity of the temple can be judged by its annual budget. The annual income is estimated at INR 10 billion in 2008. Most of its income is derived from the donations. Devotees donate to the TTD, which runs into the millions of rupees. TTD, the organisation running the welfare of the temple, runs various charitable trusts, whose funds are derived from the budget, and donations from the devotees.[18]

Songs and hymns

Lord Srinivasa has been the central theme for many a saint-minstrel. The Alwars were the first to be inspired by Lord Balaji. Portions of the Naalayira Divya Prabandham, comprising the songs of the Alwars, are sung every day in the temple.

The Prabandhams and the outpouring divine grace of Sri Balaji inspired Tallapaka Annamacharya to sing His glories in Telugu and in Sanskrit. Of the 32000 songs composed by him, only 12000 are available. Keertanas like 'Brahma Kadigina Paadamu' and 'Adivo Alladivo Sriharivaasamu' are popular even today.

Purandaradasa was another who composed thousands of songs regarding Lord Venkateshwara. Only a few hundred of his songs are available. 'Daasana Maadiko Enna', 'Nambide Ninna Paadava Venkataramana' are worthy of mention.

Ramabhakta and Sri Tyagaraja (writer of over 4000 songs), were also among the devotees of Lord Venkateshwara. 'Tera Teeyagarada', 'Venkatesa! Ninnu Sevimpanu' are among his well-known Keertanas on the Lord Venkateshwara.

Vimanam

Tirumala Temple and Vaikuntam Queue Complex (semicircular building in the foreground) as seen from Srivari Padalu on Narayanagiri hill

The vimanam is a monumental tower with a golden roof. Its inner temple or vimanam houses the main deity, Lord Sri Venkateswara. The deity stands directly beneath a gilt dome called the Ananda Nilaya Divya Vimana. This exquisitely wrought deity, called the Mulaberam, is believed to be self-manifested, and no human being is known to have installed it in the shrine. The Lord wears a gold crown with a large emerald embedded in the front. On special occasions, he is adorned with a diamond crown. The Lord has a thick double tilaka drawn on his forehead, which screens his eyes. His ears are decorated with golden earrings. His right hand is raised in a fist, which is decorated with a gem-set chakra; the left fist contains a Shankha (conch shell). The front right hand has its fingers pointing to his feet. His front left hand is akimbo. His body is dressed with yellow clothing tied with gold string and a gold belt with gold bells. He has a yajnopavita (sacred thread) flowing down crosswise from his left shoulder. He bears Sri Lakshmi Devi on his right chest and Sri Padmavathi Devi on his left chest. His feet are covered with gold frames and decked with gold anklets. A curved gold belt encompasses his legs. The Ananda Nilaya Divya Vimana was covered with gilt copper plates and surmounted with a golden vase in the 13th century, during the reign of the Vijayanagara king Yadava Raya.The ancient and sacred temple of Sri Venkateswara is located on the seventh peak, Venkatachala (Venkata Hill) of the Tirupati Hill, and lies on the southern banks of Sri Swami Pushkarini.

It is by the Lord’s presidency over Venkatachala, that He has received the appellation, Venkateswara (Lord of the Venkata Hill). He is also called the Lord of the Seven Hills.

The temple of Sri Venkateswara has acquired unique sanctity in Indian religious lore. The Sastras, Puranas, Sthala Mahatyams and Alwar hymns unequivocally declare that, in the Kali Yuga, one can attain mukti, only by worshipping Venkata Nayaka or Sri Venkateswara.

The benefits acquired by a piligrimage to Venkatachala are mentioned in the Rig Veda and Asthadasa Puranas. In these epics, Sri Venkateswara is described as the great bestower of boons. There are several legends associated with the manifestation of the Lord at Tirumala.

The temple has its origins in Vaishnavism, an ancient sect which advocates the principles of equality and love, and prohibits animal sacrifice.

The sanctum sanctorum which houses the awe-inspiring idol of the Lord of the Seven Hills is situated in the main temple complex of Tirumala.

Bangaru Vakili

[19]
From the Tirumamani Mandapam, one can enter the Bangaru Vakili (Golden Corridor in Telugu) to reach the inner sanctum sanctorum. There are two tall copper images of the dwarapalakas Jaya and Vijaya on either side of the door. The thick wooden door is covered with gilt plates depicting the dasavataram of Sri Maha Vishnu.

The doorway is directly in line with the Padi Kavali and the Vendi Vakili(Silver Corridor in Telugu). It admits pilgrims to the Snapana Mandapam.

Suprabhatam is sung in front of this door.

Garbha Griha

The Garbha Griha or sanctum is where the idol of Lord Sri Venkateswara is placed. The idol stands majestically in the Garbha Griha, directly beneath a gilt-dome called the "Ananda Nilaya Divya Vimana".

This idol, called the Mulaberam, is believed to be self-manifested. As there is no known sculptor possessing the capability to sculpt idols of god so proportionately. Further, no human being is known to have installed it in the shrine.[citation needed]

The idol of the Lord wears a gold crown (Kiritam), which has a large emerald embedded on its front. On special occasions, it is replaced with a diamond kiritam. On the forehead of the idol, two thick patchs of tilak drawn with refined camphor, almost covers the eyes of the idol. In between the two white patches is a Kasturitilakam.

Golden makara kundalas hang to the ears of the idol. The palm of its raised right hand is embedded with a gem-set Sudershana Chakra, and the left palm with the Holy Cone. The slightly outstretched front right hand, has its fingers pointing toward the feet, as if Lord is the only recourse to his devotees to dissolve in him and enjoy eternal bliss. The akimbo of the front left hand implies lord's protection to devotees, and to show that the Samsara Sagara (Ocean of Life) is never deeper than to hip's height, if they seek his refuge.

The body of the Idol is spun with a Gold-stringed-Pitambaram, with a belt of golden-bells. The idol is decorated with precious ornaments. It has a Umbilical Chord flowing down, cross from the left shoulder. It bears Goddess Lakshmi on the right chest and Sri Padmavathi Devi on the left. Nagaabharanam ornaments are on both of the idol's shoulders.The lotus feet are covered with gold frames and decked with clinging gold anklets. A strong curved belt of gold encompasses the legs. During Abhishekam, we can have darshan of Goddess Lakshmi.

The Ananda Nilaya Divya Vimana was covered with gilt copper plates and covered with a golden vase, in the thirteenth century, during the reign of the Vijayanagara king, Yadava Raya.

Pilgrims are not allowed to enter the Garbha Gruha (beyond Kulasekhara padi (path)).

Ramanuja

Ramanuja was the architect of Tirupati and the father of the Sri Vaishnava community there. He designed the flower gardens of the temple. He was responsible for managing the worship procedures and other affairs of the Sri Venkateswara temple. His shrine was built around the 13th century. It overlooks the western end of the Tirumamani Mandapam. There are two tall copper images of the Dvarapalas (door guardians) Jaya and Vijaya on either side of the door. The door is covered with gilt plates depicting the Dashavatara of Sri Maha Vishnu. The doorway is directly in line with the Padi Kavali and the Vendi Vakili. It admits pilgrims to the Snapana Mandapam. Suprabhatam is sung in front of this door. The right hand of the stone image of Ramanuja is held in the gesture of exposition (vyakhyana mudra), and the left hand in the form of boon bestowal (varada hasta) or of holding a book (pustaka hasta). The shrine figures prominently during the festival of Adhyayanotsavam, which is a typical Pancharatra observance. Special worship is conducted in this shrine during Gandhapodi Utsavam and Bhashyakara Utsavam. The presiding deity of Ramanuja is taken in a grand procession to meet Malayappa near the Padi Kavali.

With the call of the Divine that made today's Chinna Jeeyar Swamy the young Srimannarayana Ramanujacharyulu to take up the ascetic order of JEEYAR(Lion) at a very young age of 23 years. He is reckoned very high among the monks of the India and abroad as the pioneer and Crusader of Peace.

Annamacharya

Sri Tallapaka Annamacharya (Telugu: శ్రీ తాళ్ళపాక అన్నమాచార్య) (or Annamayya) (May 9, 1408 – February 23, 1503) was the official songmaster of the Tirumala Venkateswara Temple, and a Telugu composer who composed around 36000 keertana songs, many of which were in praise of Venkateswara, the presiding deity of the temple. The musical form of the keertana songs that he composed have strongly influenced the structure of Carnatic music compositions, which are still popular among Carnatic music concert artists. Sri Annamacharya is remembered for his saintly life, and is honoured as a great Bhakta/devotee of Bhagwaan Govinda by devotees and saintly singers. He is widely regarded as the Pada-kavita Pitaamaha (grand old man of song-writing) of the Telugu language.

Annamacharya is said to have composed as many as 36,000 sankeertanas (songs) on Bhagwaan Govinda Venkateswara, of which only about 12,000 are available today. Annamacharya considered his compositions as floral offerings to Bhagwaan Govinda. In the poems, he praises Venkateswara, describes his love for him, argues and quarrels with the Lord, confesses the devotee's failures and apprehensions, and surrenders himself to Venkateshwara. His songs are classified into the Adhyaatma (spiritual) and Sringaara (romantic) sankeertanas genres. His songs in the "Sringaara" genre worship Bhagwaan Venkateswara by describing his amorous and romantic adventures of Venkateswara and Alamel Manga, while others describe the Bhakti of his devotees. In his later keertanas, he espouses subjects such as morality, dharma and righteousness. He was one of the first few who opposed the social stigma towards the untouchable castes in his era, with his sankeertanas explaining that the relationship between God and human is the same irrespective of the latters' color, caste and financial status, in beautiful yet powerful usage of words in his songs "Brahmam Okkate Parabrahmam Okkate..." and "E Kulajudainanemi Evvadainanemi..." His choice of words gives a mellifluous tone to his songs, charming the listener. His prodigious literary career earned him a place among the all-time greats of Telugu literature.

Tarikonda Venkamamba

Tarikonda Venkamamba (Telugu: తరిగొండ వెంకమాంబ; alternate spelling: Vengamamba, born 1730) was a poetess and staunch devotee of Lord Venkateswara in the 18th century. She wrote numerous poems and songs. Her first poem was Tarigonda Nrusimha Satakam and it was followed by Nrusimha Vilasa Katha, Siva Natakam and Balakrishna Natakam as Yakshaganam and Rajayogamrutha Saram, a Dwipada Kavyam. These works were completed when she was in Tarikonda. On her return to Tirumala from Tumburakona caves, Venkamamba composed Vishnu Parijatham, Chenchu Natakam, Rukmini Natakam and Jala Krida Vilasam and Mukthi Kanthi Vilasam (all Yaksha Ganams), Gopi Natakam (Golla Kalapam-Yakshaganam), Rama Parinayam, Sri Bhagavatham, Sri Krishna Manjari, Tatva Keerthanalu and Vashista Ramayanam (Dwipada), Sri Venkataachala Mahatyam (Padya Prabhandam) and Ashtanga Yoga,Saram (Padyakruthi).

Tyagaraja

Kakarla Tyagabrahmam (Telugu: త్యాగరాజు) (May 4, 1767–January 6, 1847), colloquially known as Tyāgarājar and Tyagayya, was one of the greatest composers of Carnatic music or classical South Indian music. He, along with his contemporaries Muthuswami Dikshitar and Shyama Shastry, forms the Trinity of Carnatic music. He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja composed thousands of devotional compositions, most of them in praise of Lord Rama — most of which remain very popular even today. Of special mention are five of his compositions called the Pancharatna Krithis (English: 'five gems'), which are often sung in programs in his honor.

His compositions in praise of Lord Venkateswara include - Tirupati Venkateswara Krithis

Deities in the temple

  1. Moolavirat or Dhruva Beram — The main stone deity of Lord Venkateshwara is called Dhruva Beram (beram means "deity", and dhruva means "pole star" or "fixed"). The deity is about 8 feet (2.4 m) from the toes to the top of the crown and is considered the main source of energy for the temple.
  2. Kautuka Beram or Bhoga Srinivasa — This is a tiny one-foot (0.3 m) silver deity, which was given to the temple in 614 AD by Pallava Queen Samavai Perindevi, and has never been removed from the temple from the day it was installed. This deity is popularly known as Bhoga Srinivasa, because it enjoys all the Bhoga (worldly pleasures) which the Moolavirat has. This deity sleeps in a golden cot every night and receives Sahasra Kalashabishekam every Wednesday. This deity is always placed near the left foot of Moolavirat and is always connected to the main deity by a holy Sambandha Kroocha. The deity is always faced at an angle of 45 degrees towards the devotees, because it holds a Prayoga ("ready to strike") Chakra.
  3. Snapana Beram or Ugra Srinivasa — This idol of the Lord represents the anger part of Lord Venkateshwara. He remains inside the sanctum sanctorum, and comes out on only one day each year: on Kaishika Dwadasi, before the sunrise. Snapana means "cleansing". The idol is cleansed daily with holy waters, milk, curds, ghee, sandalwood paste, turmeric, and so on.
  4. Utsava Beram — This is the form of the Lord which comes out of the temple to see the devotees. This deity is also called Malayappa, and its consorts are Sridevi and Bhudevi. These three deities were found in a cave called Malayappan Konai in the holy Tirumala Hills. Originally Ugra Srinivasa was the Utsava Beram (the procession deity), and frequently disastrous fires were happening whenever the deity was taken out for processions. People prayed to the Lord for a solution. The Lord appeared in dreams, and ordered the people to find a suitable set of idols hidden in the Holy Tirumala hills for the Utsavar (procession). The hunt began, and the villagers called the idol they found Malayappa, which means "king of the hills". After these idols were brought to the temple, the number of programmes increased to include Nitya Kalyanaotsavam, Sahasra Deepalankara Seva, Arjita Brahmotsavam, Nityaotsvam, Dolotsavam, and others. Jewels worth millions of rupees have been donated as offerings to these idols.
  5. Bali Beram or Koluvu Srinivasa — This panchaloha idol resembles the main deity, and represents the presiding officer for all activities and rituals in the temple. The idol is also called Bali Beram. Koluvu Srinivasa is regarded as the guardian deity of the temple that presides over its financial and economic affairs. Daily offerings are made to the deity, with a presentation of accounts. every year during July i.e. according to Hindu calendar "Dakshinaya Sankaramana" the temple celebrates "Anivar Asthanam" which is the end of the fiscal year.

Worship

Tirumala Temple entrance

The names ascribed to the main deity are Balaji, Srinivasa, Venkateswara,Edukondalavadu(Lord of seven hills in Telugu) and Venkatachalapathyor Venkataramana. The goddess Sri or Lakshmi (Vishnu's consort) resides on the chest of Venkateswara; thus, he is also known by the epithet "Srinivasa" (the one in whom Sri resides). The goddesses Lakshmi and Padmavathi reside on either side of his chest. The deity is considered the Kali yuga varada, that is, 'the boon-granting Lord of Kali yuga'. (Kali yuga is the fourth and final age of the Hindu cycle of ages). The temple is held in particular reverence by the sect who hails from of "Naimisharanya" (north India), known as the Sri Vaikhanasa/ Adhi Vaikhanasas followers of Sri Vikanasa Muni.

For worshippers, the deity Venkateswara symbolises goodness. When people travel to Tirupati, they chant the mantra Yedu Kondala Vada Venkataramana Govinda Govinda (in Telugu) or Om namo narayanaaya or Om Sri Venkatesaya Namah (in Sanskrit). Lord Venkateswara is believed by followers to be a very merciful form of Vishnu, being the fulfiller of every wish made to him by the devotees.

Several composers composed beautiful kirtanas about Lord Venkateswara, the most notable amongst them being Tyagaraja and Annamacharya, who composed mostly in Telugu. Annamacharya (1408–1503) was a legendary devotee of Lord Venkateswara and composed songs almost exclusively about the deity.

Lord Vishnu is worshiped in the Temple as per Vaikhanasa traditions. The ancient texts of the sage Marichi (the Bhagvad Shastram and Vimanarchana Kalpam) state that Lord Vishnu here should be worshipped six times a day.

  1. UshaKala Aradhana — worship (or Aradhana) should start and finish before sunrise
  2. Prathakala Aradhana — worship should start after sunrise and finish before noon
  3. Madhyanika Aradhana — worship should start and finish at noon
  4. Aparahana Aradhana — worship should start when the sun starts to descend
  5. SandhyaKala Aradhana — worship should start and finish around the sunset
  6. Ardharatri Aradhana — worship should start after the horizon is completely dark

All the Aradhana is done by hereditary Vaikhanasa priests, who have performed the services for generations. Only these priests have the right to touch and offer services to the Lord. These set of Archakas are called Mirasidars (owners and shareholders of the temple). The four families of the Tirumala Temple which are in this Mirasi are the Gollapalli, Peddintti, Paidipalli, and Tirupathammagari family.

To assist the Archakas in temple work and rituals,other Vaikhanasa who don't belongs to this family & Jeeyar Mattam established by Ramanuja, would take care of the temple work.

Epigraphical lore of tirupati

The holy shrine of Tirumala is a celebrated one from times immemorial. It has been attracting large number of pilgrims from all parts of India. Its earliest mention is found in the Tamil literature of the Sangam age. It was known as Vada Vengadam, which was at that time on the border land between the Tamil country and that of the Vadugar (Andhras) Country.

This Temple bears on its walls several inscriptions which are of historical, cultural and linguistic importance. The number of inscriptions on the Hill Temple and in the temples of Lower Tirupati and Tiruchanur exceed one thousand and they furnish a continuous and authentic record of the transactions of the Tirumala Tirupati Devasthanams for over seven or eight centuries. We have evidence to believe that many early inscriptions on the walls of the temples have disappeared beyond recovery due to restorations and renovations undertaken from time to time.

As many as 1060 inscriptions are found engraved on the walls of the temples under the management of the Devasthanam. They are published by the T.T, Devasthanams and are classified as follows:

  • Sri Venkateswara's Temple, Tirumala : No. of inscriptions. 640
  • Sri Govindaraja's Temple, Tirupati : No. of inscriptions. 340
  • Other Temples : No. of inscriptions. 80

Excepting a few, almost all the epigraphs of the Tirupati Temples are in Tamil language and in alphabet interspersed with Grantha characters. About 50 inscriptions are in Telugu and Kannada. Earlier to Sri Krishna- devaraya (16th century) there were even fewer Telugu inscriptions that of Saluva Mangideva Maharaya dated saka 1281 (No.237 T.T.) and Kannada inscriptions, of Vira Pratapa-Devaraya Maharaya dated saka 351 (No. 188 T.T.) and of Saluva Narasimha dated saka 1389 (No.8 G.T.). All the gifts of Sri Krishnadevaraya and his two queens and one of Achyutaraya are recorded in the three languages, Telugu, Kannada and Tamil in their respective alphabets. After Achyutaraya there is a conspicuous absence of both Telugu and Kannada inscriptions with the exception of one Telugu Inscription of the local chief Matli Anantarajayya (No.269 G. T.) of the saka year 1550 and one in Kannada of saka 1606 (No.263 T.T.).

In addition to the epigraphical lore of the temple there is a unique collection of about 3000 copper plates on which the Telugu Sankirtanas of Tallapaka Annamacharya and his descendants are inscribed. This collection forms a valuable source of material for a historical linguist in Telugu, apart from its importance to musicologists.

Under the patronage of almost all important dynasties of South India, this sacred Temple of Tirumala enjoyed the full benefits and glories. The Pallavas, the Cholas, the Pandyas, Kadavarayas, Yadavarayas, Telugu Cholas, Telugu Pallavas, Vijayanagara kings (Sangama, Saluva and Tuluva lines) have left the marks of their patronage and endowments on the walls of the Temples of Tirumala and Tirupati.[20]

Temple activities

Prasadam

Laddu is the world famous prasadam given at Tirumala Temple.[21] Recently the Trust has taken Geographical Indication of Laddu prasaddam, hence, no one can prepare the same Laddu. Many other prasadams are also available including daddojanam (curd rice), pulihora (tamarind rice), vada and chakkera-pongali (sweet pongal), miryala-pongali, Appam, Paayasam, Jilebi, Muruku, Dosa, seera (kesari). Free meals are given daily to the pilgrims. On Thursdays, the Tirupavadai seva occurs, where food items are kept for naivedyam to Lord Srinivasa.

Hair tonsuring

Many devotees have their head tonsured as an offer. The daily amount of hair collected is over a ton.[22] The hair thus gathered is sold by the temple organization a few times a year by public auction to international buyers for use as hair extensions and in cosmetics,[23] bringing over $6 million to the temple's treasury.[citation needed][22]

When Lord Balaji was hit on his head by a shepherd, a small portion of his scalp became bald. This is noticed by Neela Devi, a Gandharva princess. She feels "such an attractive face should not have a flaw". Immediately she cuts a portion of her hair and with her magical power she implants it on his scalp. Lord Balaji notices her sacrifice. As hair is a beautiful aspect of the female, he promises her that all his devotees who come to his abode should render their hair to him, and she would be the recipient of all the hair received. Hence it is believed that hair offered by the devotees is accepted by Neela Devi. The hill Neeladri, one among seven hills is named after her.

Hundi (donation pot)

It is believed that Srinivasa had to make arrangements for his wedding. Lord Kubera credited money to the god Venkateshwara (a form of the god Vishnu) for his marriage with Padmavati. Srinivasa sought a loan of one crore and 14 lakh (11,400,000) coins of gold from Kubera and had Viswakarma, the divine architect, create heavenly surroundings in the Seshadri hills. Together, Srinivasa and Padmavathy lived for all eternity while Goddess Lakshmi, understanding the commitments of Lord Vishnu, chose to live in his heart forever. In remembrance of this, devotees go to Tirupati to donate money in Venkateshwara's hundi (donation pot) so that he can pay it back to Kubera. The hundi collections go as high as 22.5 million INR a day.[8] Devotees offer gold as a token of their love for God. The annual gold offering goes as high as 3000 kg.[24]

Thulabharam

One of the most important offering in this temple, is the ‘thulabharam.’ In the Thulabaram ritual, a devotee sits on a pan of a weighing balance and the other pan is filled with materials greater than the weight of the devotee. Devotees usually offer sugar, jaggery, tulsi leaves, banana, gold, coins. This is mostly performed with newborn babies or children.

Arjitha seva (paid services)

Pilgrims can view and participate (in a limited fashion) in the various sevas performed to Dhruva bera (main idol), Bhoga Srinivasa, Sri Malayappa swami and other idols in the temple.

When pilgrims purchase arjitha seva tickets, they get the opportunity to see a seva performed to the Lord, obtain prasadam in the form of vastram (clothes), akshantalu (sacred and blessed rice) and food articles (laddus, vadas, dosas, pongal, rice items) and a darshan of the utsava murti.[25]

The Seven Hills

The seven hills, also called Saptagiri (Telugu: సప్తగిరి)(Tamil:ஸப்தகிரி), represent the Saptarishi (seven sages). They sometimes called the Sapathagiri. Hence the Lord is named Saptagirinivasa. The following are the seven hills:

  • Vrushabhadri (Telugu: వృశభాద్రి)( Tamil:விருஷபாத்ரி)( Kannada:ವೃಶಭಾದ್ರಿ)— Hill of Nandi, the vahana of Lord Shiva
  • Anjanadri (Telugu: అంజనాద్రి)(Tamil:அஞ்சனாத்ரி) (Kannada:ಅಂಜನಾದ್ರಿ)— Hill of Lord Hanuman
  • Neeladri (Telugu: నీలాద్రి)(Tamil:நீலாத்ரி) (Kannada:ನೀಲಾದ್ರಿ)— Hill of Neela Devi — It is believed that hair offered by the devotees is accepted by Neela Devi. It is because of boon granted by Lord Venkateswara to Neela Devi.
  • Garudadri (Telugu: గరుడాద్రి)(Tamil: கருடாத்ரி)(Kannada: ಗರುಡಾದ್ರಿ) or Garudachalam — Hill of Garuda, the vahana of Lord Vishnu
  • Seshadri (Telugu: శేషాద్రి)(Tamil:ஸேஷாத்ரி) (Kannada:ಶೇಷಾದ್ರಿ)or Seshachalam — Hill of Sesha, the dasa of Lord Vishnu
  • Naraynadri (Telugu: నారాయణాద్రి)(Tamil: நாராயணாத்ரி) (Kannada:ನಾರಾಯಣಾದ್ರಿ)— Hill of Narada Muni
  • Venkatadri (Telugu: వేంకటాద్రి)(Tamil: வெங்கடாத்ரி)(Kannada:ವೆಂಕಟಾದ್ರಿ) — Hill of Lord Venkateswara

Festivals

Elephants marching during a festival at Tirumala

The town celebrates most Vaishnava festivals, including Vaikuntha Ekadasi, Rama Navami, and Janmashtami with great splendor, while the Brahmotsavam celebrated every year during September is the most important festival in Tirumala. The temple receives millions of devotees over the short span of a week. Other major festivals include Vasanthotsavam (spring festival), conducted in March–April, and Rathasapthami (Magha Shuddha Saptami), celebrated in February, when Lord Venkateswara's deity is taken on procession around the temple chariots.

Nearby temples

Srikalahasti Temple is an ancient temple of Lord Shiva situated on the banks of the River Swarnamukhi.The renowned devotee of Lord Shiva, Kannappa, attained salvation here. This temple is 38 kilometres (24 mi) away from Tirupati, and is connected by frequent buses.

Srinivasa Mangapuram is situated 5 kilometres (3.1 mi) from Tirupati.This temple houses Lord Venkateswara, also known as Prasanna Venkateswara or Kalyana Venkateswara. Bus connections are available from Tirupati.

Sri Padmavati Devi Alayam (Alamelu Mangapuram), located 4 kilometres (2.5 mi) south of Tirupati, is an important temple which is visited by every pilgrim who visits Tirupati. It is this temple that houses the spouses of the Lord, Sri Padmavathi Devi (Alamelu Mangamma) and Thayaru. According to the legends, the goddess Padmavathi was born in a tank called Pushakarini at this place. The temples of Sri Krishna Swamy and Sri Sundara Raja Swamy are also inside the complex.

Sri Govinda Raja Swami Temple is located in Tirupati near the railway station. The highlight of the temple is its outer pinnacle (Gaali Gopuram), which is visible from a distance. In addition to a shrine to Sri Govinda Raja Swami, the temple complex also houses the shrines of Andal Ammavaru, Sri Krishna, Sri Ramanuja Thirumangai Alwar, Sri Vedanta Desika, Sri Lakshmi, and Sri Manevala Mahamunlu. The Bramhotsavam of Govinda Raja Swami during the month of Vaisakha (May–June) attracts a large number of devotees every year.

Sri Kodanda Rama Swami Temple is also situated in Tirupati. This temple houses the shrines of Lord Rama, Sita, and Lakshmana. The beautiful idols of this temple are famous. Bramhotsavam in this temple takes place in the month of Falgun (March–April).

Sri Kapileswara Swami Temple is the only temple of Lord Shiva in Tirupati. Pilgrims normally proceed to Tirumala for Darshan after taking a customary dip in the temple tank. Located amidst foothills of Tirumala, the place is also known for its waterfalls.

Sri Kalyana Venkateswara Swami Temple is located at Narayanavanam, according to legends. Lord Venkateswara courted and married goddess Padmavathi Devi here. Soumyanatha Swami Temple, Soumyanatha Swami is another name and form of Lord Venkateshwara in Nandalur Kadapa District

Prominent scholars and devotees of Lord Venkateswara

See also

References

  1. ^ Tirumala.org
  2. ^ distance from Chennai as in maps.Yahoo.com
  3. ^ Distance from Bangalore as in maps.yahoo.com
  4. ^ Distance from Hyderabad as in maps.Yahoo.com
  5. ^ "Tirumala Temple". Retrieved 2007-09-13.
  6. ^ "Kerala's Padmanabha Swami Temple richest in the country with treasure worth Rs 1 lakh crore; overtakes Tirupati". The Times Of India. 2011-07-04.
  7. ^ "Richest Temples". moneycontroll.com. Retrieved 2011-07-06.
  8. ^ a b "NDTV Report". Retrieved 2007-09-13.
  9. ^ Sivaratnam, C (1964). An Outline of the Cultural History and Principles of Hinduism (1 ed.). Colombo: Stangard Printers. OCLC 12240260. Koneswaram temple. Tiru-Kona-malai, sacred mountain of Kona or Koneser, Iswara or Siva. The date of building the original temple is given as 1580 BCE according to a Tamil poem by Kavi Raja Virothayan translated into English in 1831 by Simon Cassie Chitty ...
  10. ^ Ramachandran, Nirmala (2004). The Hindu legacy to Sri Lanka. Pannapitiya: Stamford Lake (Pvt.) Ltd. 2004. ISBN 955-8733-97-0 9789558733974. OCLC 230674424. Portuguese writer De Queyroz compares Konesvaram to the famous Hindu temples in Rameswaram, Kanchipuram, Tirupatti-Tirumalai, Jagannath and Vaijayanthi and concludes that while these latter temples were well visited by the Hindus, the former had surpassed all the latter temples by the early 1600s {{cite book}}: Check |isbn= value: length (help)
  11. ^ "Ghazal programme at Tirumala temple". The Hindu. Chennai, India. 30 September 2003.
  12. ^ a b Dr. N.Ramesan (1981). The Tirumala Temple. Tirumala: Tirumala Tirupati Devasthanams. Cite error: The named reference "Tirumalatemple" was defined multiple times with different content (see the help page).
  13. ^ http://www.tirumala.org/maintemple_history.htm Official source of Temple History - Tirumala.org
  14. ^ "Tirumala Tirupati Devasthanams: Temple History". Retrieved 2011-07-15.
  15. ^ Jatania, Prachi (2 November 2006). "Tirumala, the epicentre of faith". CNN-IBN. Retrieved 2011-07-15.
  16. ^ "Tirumala Tirupati Devasthanams: Social Service". Retrieved 2011-07-15.
  17. ^ "CNN-IBN - Tirumala, the epicentre of faith".
  18. ^ "TTD-social service activities".
  19. ^ http://www.tirumala.org/maintemple_tour_bangaruvakili.htm Tirumala.org - Bangaru Vakili
  20. ^ http://www.tirumala.org/sapthagiri/122002/epic.htm
  21. ^ "Record sale of Tirupati laddoos". The Times of India. 7 May 2007.
  22. ^ a b Saritha Rai (July 14, 2004). "A Religious Tangle Over the Hair of Pious Hindus". The New York Times. Retrieved 26 April 2009.
  23. ^ Der Spiegel: Hindu Locks Keep Human Hair Trade Humming (19/02/2008)
  24. ^ "Times of India – TTD Deposits Gold with SBI". The Times of India. Retrieved 2007-09-13.
  25. ^ The Hindu. Chennai, India. 23 November 2000 http://www.hindu.com/2000/11/23/stories/0223000n.htm. {{cite news}}: Missing or empty |title= (help)

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