Helen Hayes Award

A Helen Hayes Award is a theater award named for the famed actress Helen Hayes to recognize excellence in professional theater in the Washington, D.C. area since 1983. The awards are named in tribute to Helen Hayes, known as the "First Lady of American theatre." They are presented by theatreWashington (formerly known as the Helen Hayes Awards organization), which is the unified voice of Washington theatre since the 1980s. The organization – led by Linda Levy Grossman – works full-time to promote, represent and support all segments of Washington’s professional theatre community as well as strengthen Washington theatre’s powerful economic engine and world class brand .

Helen Hayes Award
Description	Excellence in professional theatre in the Washington, D.C. area
Country	United States
Presented by	theatreWashington
First awarded	1983
Website	www.theatrewashington.org

About

theatreWashington

In the early 1980s the Washington Theatre Awards Society was founded to recognize and encourage excellence in professional theatre in the Washington region through the presentation of The Helen Hayes Awards. After the first few Helen Hayes Awards presentations, the region and the country understood the quality of theatrical excellence to be found on Washington area stages. Using this prestigious credential, theatres attracted new audiences and support, they invested in programming and infrastructure, and in response, audiences grew and artists came to Washington to do the work they loved.

The organization launched innovative education and communication programs, but the early success of the Helen Hayes Awards suggested that the organization do business under the name of its most visible program.

By building audiences, by introducing students to theatre, by promoting Washington across the nation as a vibrant cultural capital, and with the national and international significance of The Helen Hayes Awards, the organization has helped drive the continually growth of Washington theatre. Now, at the request of the theatre community and the encouragement of a wide range of stakeholders, a stronger and more robust organization has evolved — and with a new name theatreWashington has became a structure that better reflects the breadth and geographic scope of the organization’s realigned activities.

History of the Awards

The story begins in 1983 on a flight from Chicago back home to Washington D.C.,when Broadway producer Bonnie Nelson Schwartz pondered the state of theatre in her hometown. Chicago's Joseph Jefferson Awards had just been presented. Impressed with the way the Jefferson Awards had galvanized Chicago theatre, Bonnie wondered what could be done to strengthen and cultivate live theatre in Washington.

Together with producing partner Arthur Cantor and Washington Post Critic Emeritus Richard L. Coe, they presented a plan to the first lady of the American theatre and native Washingtonian, Helen Hayes, who wholeheartedly embraced the idea of her namesake awards honoring theatrical excellence in her hometown.

The idea of Washington's own theatre awards program – a signature event that would promote the concept of Washington as a theatre town – was born. The stage was set. As young theatres received Helen Hayes for artistic excellence, they attracted new audiences and support. With greater support, the theatres could invest in their programming and facilities. Audiences grew.

Along with this concept, came to the organization the dream of improving the community by helping artists make a living doing what they love in a place where they had established roots. In order to better serve the growing demand, restaurants and stores opened – more people came. Neighborhoods were revitalized.

The bounty of talent and world-class productions make theatre an essential priority for thousands of Washingtonians each day – to feed their spirit and soul, to help educate their children, to encourage cultural diversity, and to provide a more vibrant quality of life.

Helen Hayes MacArthur: First Lady of American Theatre

Main article: Helen Hayes

Born on October 10, 1900 in Washington D.C., Helen Hayes saw her first play at the National Theatre when she was five years old. At the age of nine, she made her professional debut. Later that same year, she appeared on Broadway for the first time in the play Old Dutch. Perhaps the greatest actress in the history of the American stage, her astonishing career in theatre, film, television, recording, and publishing spanned the twentieth century.

Miss Hayes authored eight books and worked extensively in radio for more than half a century. She was the recipient of the first Tony Award for Best Actress, two Oscars, an Emmy Award, a Grammy Award, The Kennedy Center Honors and the Presidential Medal of Freedom, and was regarded as the "First Lady of the American Theatre."

The Helen Hayes Awards is a vibrant living legacy to her legendary work ethic, standards of excellence, and inspiration to Washington artists who followed in her footsteps. Eighty years after her first visit to the National Theatre, Miss Hayes presided over the inaugural presentation of her namesake awards. She died on March 17, 1993.

The Awards

Awards Categories

With nearly 80 professional theatre companies, Washington, DC is second only to New York for the number of productions produced each year. During the 2011 season, 53 theatres produced 192 productions in the January 1 – December 31 judging cycle. From these shows, 153 artists, ensembles and productions from 26 theatres were nominated for Helen Hayes Awards. The Helen Hayes are given for resident and non-resident productions. There are awards for acting, directing, design, choreography, productions and more:

• Resident Play
  • Outstanding Director
  • Outstanding Supporting Actress
  • Outstanding Lead Actress
  • Outstanding Ensemble
  • Outstanding Resident Play

• Resident Musical
  • Outstanding Director
  • Outstanding Supporting Actor
  • Outstanding Supporting Actress
  • Outstanding Ensemble
  • Outstanding Lead Actor
  • Outstanding Lead Actress
  • Outstanding Resident Musical

• Resident Production
  • Outstanding Set Design
  • Outstanding Lighting Design
  • Outstanding Sound Design
  • Outstanding Musical Direction
  • Outstanding Choreography
  • Outstanding Costume Design

• Non-Resident Production
  • Outstanding Supporting Performer`
  • Outstanding Lead Actor
  • Outstanding Lead Actress
  • Outstanding Non-Resident Production

• • Special Awards
  • The Outstanding Stepin Fetchit Walk-On Award
  • The Charles MacArthur Award – For Outstanding New Play or Musical
  • The Washington Post Award – For Innovative Leadership in the Theatre Community
  • The John Aniello Award – For Outstanding Emerging Theatre Company
  • The James MacArthur Award – For Outstanding Supporting Actor, Resident Play
  • The Robert Prosky Award – For Outstanding Lead Actor, Resident Play
  • Outstanding Production – Theatre for Young Audiences

The 2012 Recipients

Category	2012 Winner
Outstanding Resident Play	Ruined – Arena Stage
Outstanding Resident Musical	Hairspray – Signature Theatre
Outstanding Production, Theatre for Young Audiences	Charlotte’s Web – Adventure Theatre
Outstanding Lead Actress, Resident Play	Erica Sullivan – Venus in Fur – Studio Theatre
Outstanding Lead Actress, Resident Play	Rena Brown – Wit – Bay Theatre Company, Inc.
The Robert Prosky Award for Outstanding Lead Actor, Resident Play	Mitchell Hebert – After the Fall – Theater J
Outstanding Lead Actress, Resident Musical	Carolyn Cole – Hairspray — Signature Theatre
Outstanding Lead Actor, Resident Musical	Euan Morton – Parade – Ford's Theatre and Theater J
Outstanding Non-Resident Production	Edward Albee's – Who's Afraid of Virginia Woolf? – Arena Stage
Outstanding Ensemble, Resident Play	King Lear – Synetic Theater
Outstanding Ensemble, Resident Musical	Hairspray – Signature Theatre
Outstanding Supporting Actress, Resident Play	Gabriela Fernandez-Coffey – After the Fall – Theater J
Outstanding Supporting Actor, Resident Play	Ted van Griethuysen – Much Ado About Nothing – Shakespeare Theatre Company
Outstanding Lead Actor, Non-Resident Production	Sahr Ngaujah – FELA! – Shakespeare Theatre Company
Outstanding Lead Actress, Non-Resident Production	Cate Blanchett – Uncle Vanya – Kennedy Center
The John Aniello Award for Outstanding Emerging Theatre Company	Faction of Fools Theatre Company
Outstanding Supporting Actress, Resident Musical	Nova Payton – Hairspray – Signature Theatre
Outstanding Supporting Performer, Non-Resident Production	Hugo Weaving – Uncle Vanya – Kennedy Center
Outstanding Supporting Actor, Resident Musical	Matthew Delorenzo – Pop! – Studio Theatre 2ndStage
Outstanding Costume Design, Resident Production	Kendra Rai – Green Bird – Constellation Theatre Company
Outstanding Choreography, Resident Production	Ben Cunis – King Lear – Synetic Theater
Outstanding Choreography, Resident Production	Irina Tsikurishvili – King Lear – Synetic Theater
Outstanding Musical Direction, Resident Production	Jon Kalbfleisch – Hairspray – Signature Theatre
Outstanding Sound Design, Resident Production	Konstantine Lortkipanidze – King Lear – Synetic Theater
Outstanding Sound Design, Resident Production	Irakli Kavsadze – King Lear – Synetic Theater
Outstanding Sound Design, Resident Production	Chris Baine – A Bright New Boise – Woolly Mammoth Theatre Company
Outstanding Lighting Design, Resident Production	Andrew Griffin – King Lear – Synetic Theater
Outstanding Set Design, Resident Production	Lee Savage – Much Ado About Nothing – Shakespeare Theatre Company
Outstanding Director, Resident Play	Aaron Posner – Cyrano – Folger Theatre
Outstanding Director, Resident Musical	Michael Baron – A Year With Frog and Toad – Adventure Theatre
The Charles MacArthur Award for Outstanding New Play or Musical	Marc Acito – Birds of a Feather – Hub Theatre

For more information on the previous years recipients:

The Nominees and Recipients Selection Method

• Eight judges from a judging pool, specifically endorsed for the purpose by a panel of Washington area artistic directors, are dispatched to see each eligible production.

• Each judge evaluates each artist’s work in the production on a 0-10 graded point scale in each of applicable categories.Ballots must be submitted within 24 hours of the judge’s attendance.

• Judges have no idea as to the Awards status of any work they have seen and scored until the public does, i.e., when the nominees (and then the recipients) are announced.

• At the conclusion of the 12-month judging cycle (January–December), the scores from the eight judges who saw each production are tabulated by an independent analysis firm.

• In all, approximately 22,000 scores are analyzed annually; using standardized and widely accepted statistical models.

• The productions, designs, and performances receiving the top five final scores in each category become the nominees. In the case of tie votes, a tie-breaking system is used; and, if the tie still cannot be broken, the number of nominees is simply increased.

• Following the public announcement of the nominees, the process continues to determine the Award recipient in each category. Again, in the case of tie votes, a tie-breaking system is used; and, if the tie still cannot be broken, the number of Award recipients is simply increased.

For more information on the selection process:

Criticism

Some critics feel that the Helen Hayes Awards tend to overlook smaller theatres and productions at the expense of rewarding the larger, more established theatres. It has been suggested that the awards be "two-tiered" with separate categories for large and small theatres.

See also

• Theater in Washington, D.C.
• Helen Hayes Award for Outstanding Supporting Actress, Resident Play
• Resident Productions
• Acting in Resident Productions
• Design in Resident Productions
• Non-Resident Productions
• Acting in Non-Resident Productions
• John Aniello Award for Outstanding Emerging Theatre Company

External links

• theatreWashington Website
• theatreWashington Facebook Page
• theatreWashington Twitter Page