Jump to content

Archie Marshek

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Paul A (talk | contribs) at 05:44, 24 September 2013 (bio date format; that's not six decades; redundant category tag). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Archie Marshek (February 15, 1902 – March 29, 1992) was an American movie editor whose 44-year career ran from the late 1920s to the early 1970s. He was a staff editor at R.K.O.-Radio Pictures from 1929 to 1936 and at Paramount Pictures from 1937 to 1967. Born in Cass Lake, Minnesota, he started his career at Joseph P. Kennedy's Film Booking Offices of America (FBO) in 1927. When Kennedy formed R.K.O. in 1929 by merging F.B.O. with the Keith-Orpheum vaudeville circuit and striking a deal with David Sarnoff of Radio Corporation of America in order to access his sound technology patents, Marshek moved to the new studio.

Marshek was the first editor to cut a three-strip, live-action Technicolor film, the 1934 short La Cucaracha. He also was the first to cut a full-length, three-strip Technicolor feature film, Becky Sharp (1935). He worked with directors King Vidor, Gregory La Cava, Lewis Milestone, Rouben Mamoulian, Frank Tuttle, Jack Smight and the actors Anthony Quinn and Marlon Brando when they made their feature-film directing debuts. He cut films featuring the top stars at Paramount, including Bing Crosby, Bob Hope, Dean Martin and Jerry Lewis, and Elvis Presley.

Marshek died at the age of 90 in Lawton, Oklahoma.

Selected filmography

References

Template:Persondata