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Jahrhundertring

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This is an old revision of this page, as edited by 96.231.113.61 (talk) at 21:46, 6 November 2013 (→Centenary: "won" doesn't make sense, changed to "selected". W Wagner ran the whole show as festival director.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Jahrhundertring
A scene from Götterdämmerung, part four of the Ring Cycle, in the centenary production at the Bayreuth Festival, conducted by Pierre Boulez and staged by Patrice Chéreau, with Gwyneth Jones as Brünnhilde
Time
  • 1976 (1976)
  • 1977
  • 1978
  • 1979
  • 1980

The Jahrhundertring (Centenary Ring) was the production of Richard Wagner's Ring Cycle, Der Ring des Nibelungen, at the Bayreuth Festival in 1976, celebrating the centenary of both the festival and the first performance of the complete cycle. The festival was directed by Wolfgang Wagner and the production was created by the French team of conductor Pierre Boulez, stage director Patrice Chéreau, stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot. The cycle was shown first in 1976, then in the following years until 1980. It was filmed for television in 1979 and 1980. While the first performance caused "a near-riot", the staging, termed the beginning of Regietheater (director's theater), established a standard for later productions.

Centenary

Festival director Wolfgang Wagner selected the composer Pierre Boulez as the conductor for the centenary celebration of Wagner's most complex work which had been first performed at the first Bayreuth festival. The conductor's first choice for a stage director was Ingmar Bergman. When he refused,[1] Boulez recommended as stage director Patrice Chéreau.[2] Chéreau brought in the team of stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot,[3][4] with whom he had collaborated already in his first theatre, the Public-Theatre in the Parisian suburb of Sartrouville, from 1966.[5]

The French team revolutionised the understanding of Wagner in Germany, as music critic Eleonore Büning wrote in the Frankfurter Allgemeine Zeitung.[2] Unprecedented, the scene was set in Industrial Revolution, "dressing the gods as capitalists at war with the Nibelung proletariat".[6] Set at the time of the composition, it took a critical view of the time's capitalism, industrialism and spiritual background.[2][6] The Rhinemaidens appeared as 19th-century cancan dancers, Wotan as banker in a frock coat. Siegfried enters the hall of the Gibichungs dressed in the "ragged clothes of a mythical hero" and meets Gunther wearing a dinner jacket, visualising how alien the hero is to the world. The director's approach was described as a mix of "a vague sense of 19th-century melodrama with Shaw's messianic socialism and Strindberg's psychodrama.[1]

Singers

The singers for the production had to act as much as to sing, especially for the filming in 1980.

The following table shows singers of the first year 1976 and of the last year, when it was filmed. The parts of Wagner's work are abbreviated R for Das Rheingold, W for Die Walküre, S for Siegfried, G for Götterdämmerung.

Singers in the first and last year of Jahrhundertring
Role In part Singer 1976 Singer 1980 Both
Wotan R W S G Donald McIntyre[3] Donald McIntyre[7] *
Donner R Jerker Arvidson Martin Egel
Froh R Heribert Steinbach Siegfried Jerusalem
Loge R Heinz Zednik Heinz Zednik *
Fricka R Yvonne Minton Hanna Schwarz
Freia R Rachel Yakar Carmen Reppel
Erda R Ortrun Wenkel Ortrun Wenkel *
Alberich R S Zoltán Kélemen Hermann Becht
Mime R Wolf Appel Helmut Pampuch
Fasolt R S Matti Salminen Matti Salminen *
Fafner R Bengt Rundgren Fritz Hübner
Woglinde R G Yoko Kawahara Norma Sharp
Wellgunde R G Ilse Gramatzki Ilse Gramatzki *
Floßhilde R G Adelheid Krauss Marga Schiml
Siegmund W Peter Hofmann[8] Peter Hofmann[9] *
Hunding W Matti Salminen Matti Salminen *
Sieglinde W Hannelore Bode Jeannine Altmeyer
Brünnhilde W S G Gwyneth Jones Gwyneth Jones *
Gerhilde W Rachel Yakar Carmen Reppel
Ortlinde W Irja Auroora Karen Middleton
Waltraute W Doris Soffel Gabriele Schnaut
Schwertleite W Adelheid Krauss Gwendolyn Killebrew
Helmwige W Katie Clarke Katie Clarke *
Siegrune W Alicia Nafé Marga Schiml
Grimgerde W Ilse Gramatzki Ilse Gramatzki *
Rossweisse W Elisabeth Glauser Elisabeth Glauser *
Siegfried S René Kollo[10] Manfred Jung[11]
Mime S Heinz Zednik Heinz Zednik *
Waldvogel S Yoko Kawahara Norma Sharp
Siegfried G Jess Thomas[12] Manfred Jung[13]
Gunther G Jerker Arvidson Franz Mazura
Hagen G Karl Ridderbusch Fritz Hübner
Gutrune G Irja Auroora Jeannine Altmeyer
Waltraute G Yvonne Minton Gwendolyn Killebrew
First Norn G Ortrun Wenkel Ortrun Wenkel *
Second Norn G Dagmar Trabert Gabriele Schnaut
Third Norn G Hannelore Bode Katie Clarke *

Alternate singers were in 1976 Hans Sotin as Wotan, Eva Randová as Fricka in Rheingold, Hanna Schwarz as Erda, Karl Ridderbusch as Hunding, Roberta Knie as Brünnhilde in Götterdämmerung and Bengt Rundgren as Hagen.

Reception

The Ring production was initially met with controversial reactions.[14] provoking "a near-riot".[6] Later it was understood as "a thoughtful allegory of man's exploitation of natural resources".[6] After its final performance in 1980 it was celebrated in a 45-minute standing ovation.[15][16] It set a standard for productions of the Ring Cycle to follow.[2] Called the beginning of Regietheater (director's theater), the production influenced directors and designers.[6]

The production was filmed for television in 1979 and 1980.[17] Die Walküre was shown in the ARD on 28 August 1980.[18] The cycle was shown completely in 1983, in memory of the composer's death, and also presented in the cinema internationally.[19]

While a DVD review of the BBC criticized Boulez's "ruthless tempi" and "pervasive lack of expressiveness",[20] James Leonard noted: "... more controversial than Chéreau's dramatic conception was Boulez's musical execution. With startlingly clear textures, spectacularly bright colors, and stunningly light tempos, Boulez obtains a Wagner sound like no other. And for those with ears to hear, it works. Wagner's music doesn't have to be murky to be metaphysical or massive to be overwhelmingly moving and Boulez gets playing from the too-often turgid Bayreuth Festival Orchestra that makes the music crackle and blaze with musical and dramatic meaning."[21] Edward Rothstein wrote for the New York Times: "Aspects of the score emerge with unexpected clarity. In the opening of 'Die Walküre', he deliberately understates the bass line, giving the music's aggressive restlessness an eerie disembodied character. Throughout 'The Ring', filigree and details are crisply articulated without undue stress on the leitmotifs; nothing is made sentimental or obvious. Particularly drawn to the intricately shifting sound world of the late, last opera, Mr. Boulez gives it a dramatic sweep along with a crystalline gleam."[1]

References

  1. ^ a b c Rothstein, Edward (16 April 1993). "Worthy Versions Of 'The Ring': A Critical Selection; Pierre Boulez". New York Times. New York. Retrieved 19 October 2013.
  2. ^ a b c d Büning, Eleonore (8 October 2013). "Nachruf auf Patrice Chéreau / Erschütterer der Opernwelt". Frankfurter Allgemeine Zeitung (in German). Frankfurt. Retrieved 11 October 2013. Cite error: The named reference "Büning" was defined multiple times with different content (see the help page).
  3. ^ a b "Das Rheingold" (in German). Bayreuth Festival. Retrieved 24 October 2013.
  4. ^ Kirkup, James (9 October 2013). "Patrice Chéreau: Film, theatre and opera director hailed for his Bayreuth Ring Cycle and for La Reine Margot". The Independent. London. Retrieved 11 October 2013.
  5. ^ "L'homme de théâtre Patrice Chéreau est mort". Le Figaro (in French). Paris. 7 October 2013. Retrieved 11 October 2013. {{cite news}}: Unknown parameter |trans_title= ignored (|trans-title= suggested) (help)
  6. ^ a b c d e Wise, Brian (7 October 2013). "Patrice Chéreau, Iconoclastic Opera Director, Dies at 68". New York City: WQXR-FM. Retrieved 8 October 2013.
  7. ^ "Rheingold 1980". Bayreuth Festival.
  8. ^ "Walküre". Bayreuth Festival.
  9. ^ "Walküre 1980". Bayreuth Festival.
  10. ^ "Siegfried". Bayreuth Festival.
  11. ^ "Siegfried 1980". Bayreuth Festival.
  12. ^ "Götterdämmerung". Bayreuth Festival.
  13. ^ "Götterdämmerung 1980". Bayreuth Festival.
  14. ^ "Der Ring-Kampf von Bayreuth". Der Spiegel (in German). Hamburg. 2 August 1976. Retrieved 13 October 2013.
  15. ^ Kozinn, Allan (7 October 2013). "Patrice Chéreau, Opera, Stage and Film Director, Dies at 68". The New York Times. Retrieved 8 October 2013.
  16. ^ Millington, Barry (8 October 2013). "Patrice Chéreau and the bringing of dramatic conviction to the opera house". The Guardian. London. Retrieved 11 October 2013.
  17. ^ Braun, Wlliam R. "Berg: Wozzeck". operanews.com. Retrieved 11 October 2013.
  18. ^ "Diese Woche im Fernsehen Freitag, 29. 8.". Der Spiegel (in German). Hamburg. 25 August 1980. Retrieved 18 October 2013.
  19. ^ "Ein Maskenball zum Tod in Venedig". Der Spiegel (in German). Hamburg. 7 February 1983. Retrieved 18 October 2013.
  20. ^ Tanner, Michael. "Michael Tanner's Guide to audio recordings of Der Ring des Nibelungen". BBC. Retrieved 19 October 2013.
  21. ^ Leonard, James. "Bayreuth Festival Orchestra / Pierre Boulez / Wagner: Der Ring des Nibelungen". Allmusic. Retrieved 19 October 2013.

Literature

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