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Moorish architecture

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Berber-Moorish tile work widely used in classic north-Morocco and Andalusian buildings

Moorish architecture is the articulated Berber–Islamic and Islamic architecture of North Africa, and Al-Andalus.

Characteristic elements

Characteristic elements include muqarnas, horseshoe arches, voussoirs, domes, crenellated arches, lancet arches, ogee arches, courtyards, and decorative tile work.

Examples

Paderne Castle, Portugal.

Among the surviving examples are the Mezquita in Córdoba (784-987, in four phases); the Alhambra (mainly 1338-1390[1]) and Generalife (1302–9 and 1313–24) in Granada and the Giralda in Seville in 1184;[2] Paderne Castle in the Algarve, Portugal; the mosque of Koutoubia and University of Al-Karaouine in Morocco; the Great Mosque of Algiers and the Great Mosque of Tlemcen in Algeria; and the Mosque of Uqba in Kairouan, Tunisia.

Other notable examples include the ruined palace city of Medina Azahara (936-1010), the church (former mosque) San Cristo de la Luz in Toledo, the Aljafería in Zaragoza and baths at for example Ronda and Alhama de Granada.

The term is sometimes used to include the products of the Islamic civilisation of Southern Italy.[3] The Palazzo dei Normanni in Sicily was begun in the 9th century by the Emir of Palermo.

There is archeological evidence of an eighth-century mosque in Narbonne, France.[4]

Moorish architecture by countries

Spain

Major monuments

Caliphate of Córdoba (929-1031):

Period of Taifas (11th-13th century):

Nasrid Emirate of Granada (1212–1492):

  • the Alhambra (mainly 1338-1390) and the Generalife (1302-24 in two phases), a country palace initially linked to the Alhambra by a covered walkway across the ravine that now divides them.
  • Granada Hospital (Maristan) (1365-7)
  • Masjid of the madrasa of Yusuf I (1349) in the so-called Palacio de la Madraza
  • New Funduq of Granada (14th century)
  • Qaysariyya of Granada (15th century)

Portugal

Church of Nossa Senhora da Anunciação (formerly a mosque), Mértola.

Morocco

The cooling effect of the Riad Laksiba courtyard is no accident. Design: A water feature at the base of a Riad courtyard serves two purposes. Firstly, the obvious focal point but more importantly, the courtyard's open-air aperture channels warm air entering into the Riad which in turn passes over the water feature, cools down, thus assisting in the convection of heat to exit back through the Riad's open-air aperture. This style of natural air-conditioning has been prevalent in Morocco for millennia and is remarkably successful.

Riads are inward-focused, which allowed for family privacy and protection from the weather in Morocco. This inward focus was expressed in the central location of most of the interior gardens and courtyards and the lack of large windows on the exterior clay or mud brick walls. This design principle found support in Islamic notions of privacy, and hijab for women. Entrance to these houses is a major transitional experience and encourages reflection because all of the rooms open into the central atrium space. In the central garden of traditional riads there are often four orange or lemon trees and possibly a fountain. The walls of the riads are adorned with tadelakt plaster and zellige tiles, usually with Arabic calligraphy, with quotes from the Quran.

The style of these riads has changed over the years, but the basic form is still used in designs today. Recently,[when?] there has been a surge in interest in this form of house after a new vogue of renovation in towns such as Marrakech, Fes and Essaouira, where many of these often-crumbling buildings have been restored to their former glory. Many riads are now used as hotels or restaurants.

See also

Notes

  1. ^ Curl p.502
  2. ^ Pevsner The Penguin Dictionary of Architecture
  3. ^ The Industrial Geography of Italy, Russell King, Taylor & Francis, 1985, page 81
  4. ^ Islam Outside the Arab World, David Westerlund, Ingvar Svanberg, Palgrave Macmillan, 1999, page 342

References

  • Curl, James Stevens (2006). A Dictionary of Architecture and Landscape Architecture (Second ed.). Oxford University Press. p. 880 pages. ISBN 0-19-860678-8. {{cite book}}: |format= requires |url= (help); Cite has empty unknown parameters: |origmonth=, |month=, |chapterurl=, and |coauthors= (help)
  • Barrucand, Marianne (2002). Moorish Architecture in Andalusia. Taschen. p. 240 pages. ISBN 3-8228-2116-0. {{cite book}}: Cite has empty unknown parameters: |origmonth=, |month=, and |chapterurl= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
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