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The Epic of American Civilization

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The Epic of American Civilization
The Epic of American Civilization is located in New Hampshire
The Epic of American Civilization
LocationBaker Memorial Library, Dartmouth College, Hanover, New Hampshire
Built1932
NRHP reference No.13000283[1]
Added to NRHPFebruary 27, 2013

The Epic of American Civilization is a mural by the social realist painter José Clemente Orozco. It is located in the basement reading room of the Baker Memorial Library on the campus of Dartmouth College in Hanover, New Hampshire. The mural, painted between 1932 and 1934, consists of a series of 24 fresco panels, whose principal themes are the impact of both indigenous Native Americans and European colonists on North America, and the impact of war (particularly the Mexican Civil War and the First World War) and rapid industrialization on the human spirit.[2] The mural was designated a National Historic Landmark in 2013.[3]

The Coming and Departure of Quetzalcoatl

The two themes of the mural are arranged in separate wings of the reading room. The west wing contains ten panels on the first theme, that of Native Americans.

Migration

This panel is located on the short western wall, to the left of the doors. It depicts the arrival of natives as a grim march, echoing the industrially-oriented panel at the far eastern end of the room.

Snake and Spears

Located over the western doors, this panel shows a rattlesnake flanked by spears. Its color palette suggests it was painted when Orozco worked on the eastern panels.

Ancient Human Sacrifice

This panel, to the right of the western doors, depicts human sacrifice as practiced by ancient Mesoamericans, in which the living heart is removed from the sacrificial victim. The panel has an analog (as the first one does) on the opposite wall of the east wing.

Aztec Warriors

This and the next four panels are on the north wall of the west wing. This one depicts Aztec warriors wearing eagle and jaguar costumes, and includes a representation of the head of the plumed serpent god Quetzalcoatl.

Coming of Quetzalcoatl

Quetzalcoatl is presented as a benevolent god in human form. He is shown granting the benefits of education and culture on his people, and driving off older gods.

The Pre-Columbian Golden Age

The benefits of agriculture, arts, and science brought by Quetzalcoatl bring a golden age. A man works crops, another creates a stone stele, and a third studies the stars.

Departure of Quetzalcoatl

Adherents of the banished gods band together to drive Quetzalcoatl away. Sorcerers massed in front of a pyramidal temple oppose the departing god.

The Prophecy

This small panel, located above a door, depicts Spanish conquistadors on horseback wielding a giant Christian cross as a weapon.

Totem Poles

This pair of vertical panels are applied to poles in the western half of the room. They are caricatures of totem poles found in the Pacific Northwest.

Cortez and the Modern Era

See also

Wikimedia Commons has media related to Orozco Murals at Dartmouth College.

References

  1. ^ "National Register Information System". National Register of Historic Places. National Park Service. March 13, 2009.
  2. ^ "American Latino Heritage: The Epic of American Civilization". National Park Service. Retrieved 2014-03-24.
  3. ^ "AMERICA'S GREAT OUTDOORS: Secretary Salazar, Director Jarvis Designate 13 New National Historic Landmarks". US Department of the Interior. Retrieved 2014-03-24.
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