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Alejandro Jodorowsky

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Alejandro Jodorowsky
Born (1929-02-17) 17 February 1929 (age 95)
Tocopilla, Chile
Other namesAlexandro, "Jodo"
CitizenshipChilean and French
Occupation(s)Filmmaker, actor, writer
Years active1948–present
SpousePascale Montandon
WebsiteAlejandro Jodorowsky

Alejandro Jodorowsky (Spanish: [aleˈxandɾo xoðoˈɾofski]; born 17 February 1929)[1][2][3] is a Chilean[4][5] filmmaker, playwright, actor, author, musician, comics writer and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation".[6]

Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry. Dropping out of college, he became involved in theater and in particular mime, working as a clown before founding his own theater troupe, the Teatro Mimico, in 1947. Moving to Paris in the early 1950s, Jodorowsky studied mime under Étienne Decroux before turning to cinema, directing the short film Les têtes interverties in 1957. From 1960 he divided his time between Paris and Mexico City, in the former becoming a founding member of the anarchistic avant-garde Panic Movement of performance artists. In 1966 he created his first comic strip, Anibal 5, whilst in 1967 he directed his first feature film, the surrealist Fando y Lis, which caused a huge scandal in Mexico, eventually being banned.

His next film, the acid western El Topo (1970), became a hit on the midnight movie circuit in the United States, considered as the first-ever midnight cult film, garnering high praise from John Lennon, which led to Jodorowsky being provided with $1 million to finance his next film. The result was The Holy Mountain (1973), a surrealist exploration of western esotericism. Disagreements with the film's distributor Allen Klein, however, led to both The Holy Mountain and El Topo failing to gain widespread distribution, although both became classics on the underground film circuit.[6]

After an aborted attempt at filming Frank Herbert's novel Dune, Jodorowsky produced three more films, the family film Tusk (1980), the surrealist horror Santa Sangre (1989), and the failed blockbuster The Rainbow Thief (1990). Meanwhile, he has simultaneously written a series of science fiction comic books, most notably The Incal (1981–1989), which has been described as having a claim to be "the best comic book" ever written,[7] but also Technopriests and Metabarons. Accompanying this, he has also written books and regularly lectures on his own spiritual system, which he calls "psychomagic" and "psychoshamanism" and which borrows from his interests in alchemy, the Tarot, Zen Buddhism, and shamanism.[8] His son, Cristóbal, has followed his teachings on psychoshamanism; this work is captured in the feature documentary Quantum Men directed by Carlos Serrano Azcona.[9]

Biography

Early years (1929–1952)

Jodorowsky was born in 1929 in the coastal town of Tocopilla, Chile, to parents who were Jewish immigrants from Yekaterinoslav (act. Dnipropetrovsk), Elisavetgrad (act. Kirovohrad) and other Ukrainian cities of the Russian Empire. His father, Jaime Jodorowsky Groismann, was a merchant,[10] who was largely abusive to his wife Sara Felicidad, at one time accused her of flirting with a customer. Angered, he subsequently beat and raped her, getting her pregnant, which led to the birth of Alejandro. Because of this brutal conception, Sara both hated her husband and disliked her son, telling him that "I cannot love you" and rarely showing him tenderness.[11] Alejandro also had an elder sister, Raquel Jodorowsky, but disliked her for he believed that she was selfish, doing "everything to expel me from the family so that she could be the centre of attention."[12] Alongside his dislike for his family, he also held contempt for many of the local people, who viewed him as an outsider because of his status as the son of immigrants, and also for the American mining industrialists who worked locally and treated the Chilean people badly.[6] It was this treatment at the hands of Americans that led to his later condemnation of American imperialism and neo-colonialism in Latin America in several of his films. Nonetheless he liked his local area, and was greatly unhappy when he was forced to leave it aged nine years old, something for which he blamed his father.[13] His family subsequently moved to the city of Santiago, Chile.

He immersed himself in reading, and also began writing poetry, having his first poem published when he was sixteen years old, alongside associating with such Chilean poets as Nicanor Parra and Enrique Lihn.[14] Becoming interested in the political ideology of anarchism, he began attending college, studying psychology and philosophy, but stayed for only two years. After dropping out, and having an interest in theatre and particularly mime, he took up employment as a clown in a circus and began a career as a theatre director.[6] Meanwhile, in 1947 he founded his own theatrical troupe, the Teatro Mimico,[14] which by 1952 had fifty members, and the following year he wrote his first play, El Minotaura (The Minotaur). Nonetheless, Jodorowsky felt that there was little for him left in Chile, and so that year he moved to Paris, France.[6]

France, Mexico, and Fando y Lis (1953–1969)

It was whilst in Paris that Jodorowsky began studying mime with Etienne Decroux and joined the troupe of one of Decroux's students, Marcel Marceau. It was with Marceau's troupe that he went on a world tour, and he wrote several routines for the group, including 'The Cage' and 'The Mask Maker'. After this, he returned to theatre directing, working on the music hall comeback of Maurice Chevalier in Paris.[6] In 1957, Jodorowsky turned his hand to film making, creating Les têtes interverties (The Severed Heads), a 20-minute adaptation of Thomas Mann's novella. It consisted almost entirely of mime, and told the surreal story of a head-swapping merchant who helps a young man find courtship success. Jodorowsky played the lead role. The director Jean Cocteau admired the film, and wrote an introduction for it. It was considered lost, until a print of the film was discovered in 2006.

In 1960, Jodorowsky moved to Mexico, where he settled down in Mexico City. Nonetheless, he continued to return occasionally to France, on one occasion visiting the surrealist artist André Breton, but he was disillusioned in that he felt Breton had become somewhat conservative in his old age.[6] Continuing his interest in surrealism, in 1962 he founded the Panic Movement along with Fernando Arrabal and Roland Topor. The movement aimed to go beyond the conventional surrealist ideas by embracing absurdism. Its members refused to take themselves seriously, whilst laughing at those critics who did.[6] In 1966 he produced his first comic strip, Anibal 5, which was related to the Panic Movement. The following year he created a new feature film, Fando y Lis,[14] loosely based on a play written by Fernando Arrabal, who was working with Jodorowsky on performance art at the time. Fando y Lis premiered at the 1968 Acapulco Film Festival, where it instigated a riot amongst those objecting to the film's content,[15] and subsequently it was banned in Mexico.[16]

It was in Mexico City that he encountered Ejo Takata (1928–1997), a Zen Buddhist monk who had studied at the Horyuji and Shofukuji monasteries in Japan before traveling to Mexico via the United States in 1967 to spread Zen. Jodorowsky became a disciple of Takata and offered his own house to be turned into a zendo. Subsequently Takata attracted other disciples around him, who spent their time in meditation and the study of koans.[17] Eventually, Takata instructed Jodorowsky that he had to learn more about his feminine side, and so he went and befriended the English surrealist, Leonora Carrington, who recently had moved to Mexico.[18]

El Topo and The Holy Mountain (1970–1974)

In 1970, Jodorowsky released the film El Topo, which sometimes is known in English as The Mole,[14] which he had both directed and starred in. An acid western, El Topo tells the story of a wandering Mexican bandit and gunslinger, El Topo (played by Jodorowsky), who is on a search for spiritual enlightenment, taking his young son along with him. Along the way, he violently confronts a number of other individuals, before finally being killed and being resurrected to live within a community of deformed people who are trapped inside a mountain cave. Describing the work, he stated that "I ask of film what most North Americans ask of psychedelic drugs. The difference being that when one creates a psychedelic film, he need not create a film that shows the visions of a person who has taken a pill; rather, he needs to manufacture the pill."[19] Knowing how ''Fando y Lis'' had caused such a scandal in Mexico, Jodorowsky decided not to release El Topo there,[16] instead focusing on its release in other countries across the world, including Mexico’s northern neighbour, the United States. It was in New York City where the film would play as a "midnight movie" for several months at Ben Barenholtz's The Elgin cinema. It attracted the attention of rock musician and counter-cultural figure, John Lennon, who thought very highly of it, and convinced the president of The Beatles' company Apple Corps, Allen Klein, to distribute it in the United States.[20]

Klein also agreed to give Jodorowsky $1 million to go toward creating his next film. The result was The Holy Mountain, released in 1973. It has been suggested that The Holy Mountain may have been inspired by René Daumal's surrealist novel, Mount Analogue. The Holy Mountain was another complex, multi-part story that featured a man credited as "The Thief" and equated with Jesus Christ, a mystical alchemist played by Jodorowsky, seven powerful business people representing seven of the planets (Venus and the six planets from Mars to Pluto), a religious training regimen of spiritual rebirth, and a quest to the top of a holy mountain for the secret of immortality. During the completion of The Holy Mountain, Jodorowsky received spiritual training from Oscar Ichazo of the Arica School, who encouraged him to take LSD and guided him through the subsequent psychedelic experience.[21] Around the same time (2 November 1973), Jodorowsky participated in an isolation tank experiment conducted by John Lilly.[22]

Shortly thereafter, Allen Klein demanded that Jodorowsky create a film adaptation of Pauline Réage's classic novel of female masochism, Story of O. Klein had promised this adaptation to various investors. Jodorowsky, who had discovered feminism during the filming of The Holy Mountain, refused to make the film, going so far as to leave the country to escape directing duties. In retaliation, Allen Klein made El Topo and The Holy Mountain, to which he held the rights, completely unavailable to the public for more than 30 years. Jodorowsky frequently decried Klein's actions in interviews.[23][24]

Soon after the release of The Holy Mountain, Jodorowsky gave a talk at the Teatro Julio Castillo, University of Mexico on the subject of koans (despite the fact that he initially had been booked on the condition that his talk would be about cinematography), at which Ejo Takata appeared. After the talk, Takata gave Jodorowsky his kyosaku, believing that his former student had mastered the art of understanding koans.[25]

Dune and Tusk (1975–1980)

In December 1974, a French consortium led by Jean-Paul Gibon purchased the film rights to Frank Herbert's epic 1965 science fiction novel Dune and asked Jodorowsky to direct a film version. In the role of Emperor Shaddam Corrino IV, Jodorowsky planned to cast the surrealist artist Salvador Dalí, who requested a fee of $100,000 per hour. He also planned to cast Orson Welles as Baron Vladimir Harkonnen; Welles only agreed when Jodorowsky offered to get his favourite gourmet chef to prepare his meals for him throughout the filming.[26] The book's protagonist, Paul Atreides, was to be played by Jodorowsky's son, Brontis Jodorowsky. The music would be composed by Pink Floyd, Magma,[27] Henry Cow, a.P.A.t.T.. and Karlheinz Stockhausen.[citation needed] Jodorowsky set up a pre-production unit in Paris consisting of Chris Foss, a British artist who designed covers for science fiction publications, Jean Giraud (Moebius), a French illustrator who created and also wrote and drew for Metal Hurlant magazine, and H. R. Giger.[27] Frank Herbert travelled to Europe in 1976 to find that $2 million of the $9.5 million budget had already been spent in pre-production, and that Jodorowsky's script would result in a 14-hour movie ("It was the size of a phonebook", Herbert later recalled).[28] Jodorowsky took creative liberties with the source material, but Herbert said that he and Jodorowsky had an amicable relationship. The production for the film collapsed when no film studio could be found willing to fund the movie to Jodorowsky's terms. The aborted production was chronicled in the documentary Jodorowsky's Dune. Shot by Frank Pavich circa 2011–2013, the film premiered at the Director's Fortnight at the 2013 Cannes Film Festival.[29] Subsequently, the rights for filming were sold to Dino de Laurentiis, who employed the American filmmaker David Lynch to direct, creating the film Dune in 1984.

After the collapse of the Dune project, Jodorowsky completely changed course and, in 1980, premiered his children's fable Tusk, shot in India. Taken from Reginald Campbell's novel Poo Lorn of the Elephants, the film explores the soul-mate relationship between a young British woman living in India and a highly prized elephant. The film exhibited little of the director's outlandish visual style and was never given wide release.

Santa Sangre and The Rainbow Thief (1981–1990)

In 1982 Jodorowsky divorced his wife.[30]

In 1989, Jodorowsky completed the Mexican-Italian production Santa sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealist film with a plot similar to Alfred Hitchcock's Psycho. It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.

He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars", Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Domínguez D., wrote the screenplay).

That same year (1990), Jodorowsky and his family returned to live in France.[31]

In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again.[32]

Alejandro Jodorowsky and Spanish writer Diego Moldes, Paris, 2008

Attempts to return to film making (1990–2011)

In 2000, Jodorowsky won the Jack Smith Lifetime Achievement Award from the Chicago Underground Film Festival (CUFF). Jodorowsky attended the festival and his films were shown, including El Topo and The Holy Mountain, which at the time had grey legal status. According to festival director Bryan Wendorf, it was an open question of whether CUFF would be allowed to show both films, or whether the police would show up and shut the festival down.

Until 2007, Fando y Lis and Santa Sangre were the only Jodorowsky works available on DVD. Neither El Topo nor The Holy Mountain were available on videocassette or DVD in the United States or the United Kingdom, due to ownership disputes with distributor Allen Klein. After settlement of the dispute in 2004, however, plans to re-release Jodorowsky's films were announced by ABKCO Films. On 19 January 2007, the website,[33] announced that on 1 May 2007, Anchor Bay released a box set including El Topo, The Holy Mountain, and Fando y Lis. A limited edition of the set includes both the El Topo and The Holy Mountain soundtracks. And, in early February 2007, Tartan Video announced its 14 May 2007, release date for the UK PAL DVD editions of El Topo, The Holy Mountain, and the six-disc box set which, alongside the aforementioned feature films, includes the two soundtrack CDs, as well as separate DVD editions of Jodorowsky's 1968 debut feature Fando y Lis (with his 1957 short La cravate a.k.a. Les têtes interverties, included as an extra) and the 1994 feature-length documentary La constellation Jodorowsky. Notably, Fando y Lis and La cravate were digitally restored extensively and remastered in London during late 2006, thus providing the perfect complement to the quality restoration work undertaken on El Topo and The Holy Mountain in the States by Abkco, and ensuring that the presentation of Fando y Lis is a significant improvement over the 2001 Fantoma DVD edition. Prior to the availability of these legitimate releases, only inferior quality, optically censored, bootleg copies of both El Topo and The Holy Mountain have been circulated on the Internet and on DVD.

Jodorowski in Sitges, Spain

In the 1990s and early 2000s, Jodorowsky attempted to make a sequel to El Topo, called at different times The Sons of El Topo and Abel Cain, but could not find investors for the project.

In an interview with Premiere Magazine, Jodorowsky said he intended his next project to be a gangster film called King Shot. In an interview with The Guardian newspaper in November 2009, however, Jodorowsky revealed that he was unable to find the funds to make King Shot, and instead, would be entering preparations on Sons of El Topo, for which he claimed to have signed a contract with "some Russian producers".[34] (Raymond J. Markovich, Olga Mirimskaya, and Arcadiy Golybovich) – Parallel Media Films on a film entitled, Abel Cain, which is the sequel to his 1970 film El Topo.

The Dance of Reality and El Topo sequel (2011–present)

In August 2011, Alejandro arrived in a town in Chile where he grew up, also the setting of his autobiography The Dance of Reality, to promote an autobiographical film based upon his book.

The Museum of Modern Art honored Jodorowsky on Halloween night, 31 October 2011, by showing The Holy Mountain. He attended, and spoke about his work and life.[35] The next evening he presented El Topo at the Walter Reade Theatre at Lincoln Center.

Alejandro has stated that after he is finished filming The Dance of Reality he will shoot his long-gestating El Topo sequel, Abel Cain.[36][37] By January 2013, Alejandro finished filming on The Dance of Reality and entered into post-production. Alejandro's son and co-star in the film, Brontis, claims the film will be finished by March 2013, stating that the film is "very different than the other films he made".[38] On 23 April, it was announced that the film will have its world premiere at the Filmfestival in Cannes.[29] It is a fitting coincidence that The Dance of Reality premiered alongside the similarly long-anticipated documentary film Jodorowsky's Dune, which premiered in May 2013 at the Cannes Film Festival, creating a "Jodorowsky double bill".[39][40]

Personal life

Jodorowsky is married to Pascale Montandon.[41]

On his religious views, Jodorowsky called himself an "atheist mystic".[42]

Psychomagic

Jodorowsky spent almost a decade reconstructing the original form of the Tarot de Marseille.[35] From this work he moved into more therapeutic work in three areas: psychomagic, psychogenealogy and initiatic massage. Psychomagic aims to heal psychological wounds suffered in life. This therapy is based on the belief that the performance of certain acts can directly act upon the unconscious mind, releasing it from a series of traumas, some of which practitioners of the therapy believe are passed down from generation to generation. Psychogenealogy includes the studying of the patient's personality and family tree in order to best address their specific sources. It is similar, in its phenomenological approach to genealogy, to the Constellations pioneered by Bert Hellinger.

Jodorowsky has several books on his therapeutic methods, including Psicomagia: La trampa sagrada (Psychomagic: The Sacred Trap) and his autobiography, La danza de la realidad (The Dance of Reality), which he was filming as a feature length film in March 2012. To date he has published more than 23 novels and philosophical treatises, along with dozens of articles and interviews. His books are widely read in Spanish and French, but are for the most part unknown to English-speaking audiences.

Throughout his career, Jodorowsky has gained a reputation as a philosopher and scholar who presents the teachings of religion, psychology, and spiritual masters, by molding them into imaginative endeavors. All of his enterprises integrate an artistic approach. Currently, Jodorowsky dedicates much of his time to lecturing about his work.

For a quarter of a century, Jodorowsky held classes and lectures for free, in cafés and universities all over the city of Paris. Typically, such courses or talks would begin on Wednesday evenings as tarot divination lessons, and would culminate in an hour long conference, also free, where at times hundreds of attendees would be treated to live demonstrations of a psychological "arbre généalogique" ("tree of genealogy") involving volunteers from the audience. In these conferences, Jodorowsky would pave the way to building a strong base of students of his philosophy, which deals with understanding the unconscious as the "over-self", composed of many generations of family relatives, living or deceased, acting on the psyche, well into adult lives, and causing compulsions. Of all his work, Jodorowsky considers these activities to be the most important of his life. Though such activities only take place in the insular world of Parisian cafés, he has devoted thousands of hours of his life to teaching and helping people "become more conscious," as he puts it.

Since 2011 these talks have dwindled to once a month and take place at the "Librairie Les Cent Ciels" in Paris.

Comics

Jodorowsky at the 2008 Japan Expo in Paris

Jodorowsky started his comic career in Mexico with the creation of Anibal 5 series in mid-1966 with illustrations by Manuel Moro. He also drew his own comic strip in the weekly series Fabulas pánicas that appeared in the Mexican newspaper, El Heraldo de México. He also wrote original stories for at least two or three other comic books in Mexico during those days: Los insoportables Borbolla was one of them. After his fourth film, Tusk, he started The Incal, with Jean Giraud (Mœbius). This graphic novel has its roots deep in the tarot and its symbols, e.g., the protagonist of The Incal, John Difool, is linked to the Fool card. The Incal (which would branch off into a prequel and sequel) forms the first in a sequence of several science fiction comic book series, all set in the same space opera Jodoverse (or "Metabarons Universe") published by Humanoids Publishing.

Comic books set in this milieu are Incal (trilogy: Before the Incal/ Incal/ Final Incal), Metabarons (trilogy: Castaka/ The Caste of the Metabarons/ Weapons of the Metabaron), and The Technopriests and also a RPG adaptation, The Metabarons Roleplaying Game. Many ideas and concepts derived from Jodorowsky's planned adaptation of Dune (which he would have only loosely based upon Frank Herbert's original novel) are featured in this universe.

Mœbius and Jodorowsky sued Luc Besson, director of The Fifth Element, claiming that the 1997 film borrowed graphic and story elements from The Incal, but they lost their case.[43] The suit was plagued by ambiguity since Mœbius had willingly participated in the creation of the film, having been hired by Besson as a contributing artist, but had done so without gaining the approval of Incal co-creator Jodorowsky, whose services Besson did not call upon. For more than a decade, Jodorowsky pressured his publisher Les Humanoïdes Associés to sue Luc Besson for plagiarism, but the publisher refused, fearing the inevitability of the final outcome. In a 2002 interview with the Danish comic book magazine Strip!, Jodorowsky stated that he considered it an honour that somebody stole his ideas.

Other action comics by Jodorowsky outside the genre of science fiction include the historically-based Bouncer illustrated by Francois Boucq, Juan Solo (Son of the Gun), and Le Lama blanc (The White Lama), the later were illustrated by Georges Bess.

Le Cœur couronné (The Crowned Heart, translated into English as The Madwoman of the Sacred Heart), a racy satire on religion set in contemporary times, won Jodorowsky and his collaborator, Jean Giraud, the 2001 Haxtur Award for Best Long Strip. He is currently working on a new graphic novel for the U.S. market.

Jodorowsky's comic book work also appears in Taboo volume 4 (ed. Stephen R. Bissette), which features an interview with the director, designs for his version of Frank Herbert's Dune, comic storyboards for El Topo, and a collaboration with Moebius with the illustrated Eyes of the Cat.

He collaborated with Milo Manara in Borgia (2006), a graphic novel about the history of the House of Borgia.

Comics bibliography

  • Astéroïde Hurlant (2006)
  • Mégalex, artwork by Fred Beltran, Les Humanoïdes Associés
    • 1 L'anomalie, 1999
    • 2 L'ange Bossu, 2002
    • 3 Le cœur de Kavatah, 2008
  • Le Cœur couronné, artwork by Moebius, Les Humanoïdes Associés
    • 1 La Folle du Sacré Cœur, 1992
    • 2 Le Piège de l'irrationnel, 1993
    • 3 Le Fou de la Sorbonne, 1998

Theatre director (incomplete)

Jodorowsky has directed more than one hundred plays in Paris, Mexico City, London, Madrid, and Italy (Turin, Milano, Florence, and Siena).

  • Zaratustra (Mexico, 1970)
  • El ensueño
  • La ópera del orden
  • Las sillas
  • Penélope
  • El diario de un loco
  • Año 2001 (Mexico, 1974)
  • El juego que todos jugamos (Mexico, 1976)
  • Lucrecia Borgia (Mexico, 1977)
  • Opera panique (Paris, 2001) (Turin, 2002)
  • El sueño sin fin (Mexico, 2008)**Opening night 15 April. Paris, Italy...
  • Le gorille (El gorila) : The gorilla, The Leicester Square Theatre (London, 2009)

Other work

Jodorowsky is a weekly contributor of "good news" to the nightly "author newsreport" of his friend, Fernando Sánchez-Dragó in Telemadrid.[44]

He also released a 12" vinyl with the Original Soundtrack of Zarathustra (Discos Tizoc, Mexico, 1970)

He has cited the filmmaker Federico Fellini as his primary cinematic influence;[45] other artistic influences included George Gurdjieff, Antonin Artaud,[46] and Luis Buñuel.[47] He has been described as an influence on such figures as Marilyn Manson,[48] David Lynch,[49] Nicolas Winding Refn, Jan Kounen, and Dennis Hopper.[50]

Filmography

Year Title Language Awards
1957 La cravate
1968 Fando y Lis Spanish
1970 El Topo Spanish
1973 The Holy Mountain English
1978 Tusk English / French
1989 Santa Sangre English / Spanish
1990 The Rainbow Thief English
2013[38] The Dance of Reality Spanish
TBA Abel Cain or The Sons of El Topo

The Jodorowsky Constellation documentary (1994) directed by Louis Mouchet.

Literature (novels, novellas, short stories, poetry, and essays, in Spanish)

Plays

  • La fantasma cosquillosa (farsa iniciática) (1948)
  • La princesa Araña (asquerosa opereta surrealista para niños mutantes, escrita con Leonora Carrington) (1958)
  • Melodrama sacramental (1965)
  • Zaratustra (aventura metafísica) (1970)
  • El túnel que se come por la cola (auto sacramental pánico) (1970)
  • El mirón convertido (tragedia pánica) (1971)
  • Pedrolino (mimodrama ballet) (1998)
  • Ópera pánica (cabaret trágico) (2001)
  • Escuela de ventrílocuos (comedia absurda) (2002)
  • Las tres viejas (melodrama grotesco) (2003)
  • Hipermercado (paporreta infame) (2004)
  • El sueño sin fin (drama sublime) (2006)
  • Sangre real (drama antiguo) (2007)
  • Teatro sin fin (tragedias, comedias y mimodramas) (Madrid, 2007). Antology
  • Le gorille / The gorilla (2009), inspired by Franz Kafka's short story A Report to an Academy (Ein Bericht für eine Akademie, 1917)

Bibliography in English

  • El Topo: A Book of the Film. Alexandro.Jodorowsky (translation of El Topo, fábula pánica con imágenes, 1970) (screenplay from the film El Topo), Putnam Pub Group (Paper), January 1972.
  • The Spiritual Journey of Alejandro Jodorowsky, Inner Traditions Bear and Company, 2008.
  • The Way of Tarot: The Spiritual Teacher in the Cards, with Marianne Costa (translation of La vía del tarot), Inner Traditions Bear & Company, 2009.
  • Psychomagic: The Transformative Power of Shamanic Psychotherapy by Alejandro Jodorowsky, translated by Rachael LeValley, Inner Traditions Bear and Company, 2010 (originally published in Spanish in 1995 as Psicomagia).
  • The Dance of Reality: A Psychomagical Autobiography, translated by Ariel Godwin ((translation of La danza de la realidad, 2001), Park Street Press, Rochester, Canada, 2014.
  • Where the Bird Sings Best, translated by Alfred MacAdam ((translation of Donde mejor canta un pájaro, 1999), Restless Books, New York, 2014.[51]

Other information

In 2005, Jodorowsky officiated at the wedding of Marilyn Manson and Dita Von Teese.[14]

Fans included musicians Luke Steele, Peter Gabriel, Cedric Bixler-Zavala, Omar Rodríguez-López, and Nick Littlemore (of the pop-duo Empire of the Sun).[14]

Furthermore, he was interviewed by Daniel Pinchbeck for the Franco-German television show, Arte, in a very personal discussion, spending a night together in France, continuing the interview in different locations such as a park and a hotel.[52]

Jodorowsky once stated: "the panic man is not, he is ever becoming," which references Alfred Korzybski's influence on his thought.[53]

Danish director Nicolas Winding Refn thanks Alejandro Jodorowsky in the ending titles of his 2011 American crime thriller romance film, Drive[54] and also to his 2013 Thai crime thriller, Only God Forgives.[55]

Notes

  1. ^ El libro de la sabiduría – Daniel Ramos – Google Libros. Books.google.com.mx. Retrieved 28 June 2012.
  2. ^ "¡Feliz cumpleaños!". 16 February 2011. Retrieved 11 December 2011.
  3. ^ "Alejandro Jodorowsky: ¡Gracias infinitas mis queridos amigos!". 18 February 2011. Retrieved 11 December 2011.
  4. ^ "Jodorwsky vs. Adanowsky". Ccaa.elpais.com.
  5. ^ "Entrevista a Alejandro Jodorowsky". YouTube. 4 November 2013.
  6. ^ a b c d e f g h Church, David. "Alejandro Jodorowsky". Senses of Cinema.
  7. ^ Parkin, Lance (2001). The Pocket Essential: Alan Moore. Pocket Essentials. Page 7.
  8. ^ Jodorowsky 2005, p. xi.
  9. ^ "Sitges Film Festival 'Quantum Men'". Sitgesfilmfestival.com. 1 January 1980.
  10. ^ Jodorowsky 2005, p. ix.
  11. ^ Jodorowsky 2005, p. 39-40.
  12. ^ Jodorowsky 2005, p. 140.
  13. ^ Jodorowsky 2005, p. 115.
  14. ^ a b c d e f Braund, Simon (October 2009). "All about Alejandro". Empire Magazine. Bauer Media Group. p. 139.
  15. ^ Rosenbaum, 1992. p. 92
  16. ^ a b Rosenbaum, 1992. p. 93
  17. ^ Jodorowsky 2005, p. 02-04.
  18. ^ Jodorowsky 2005, p. 24.
  19. ^ Jodorowsky, El Topo: The Book of the Film, p. 97
  20. ^ Jodorowsky 2005, p. 237.
  21. ^ Jodorowsky's audio commentary on the Anchor Bay DVD of The Holy Mountain.
  22. ^ John C. Lilly, The Deep Self: Profound Relaxation and the Tank Isolation Technique, Simon & Schuster (1977), pp. 220–221.
  23. ^ Premiere – Q&A: Alejandro Jodorowsky
  24. ^ "Trance Mutations on the Holy Mountain". Electricsailor.blogspot.com. 19 June 2007.
  25. ^ Jodorowsky, Alejandro (2005). The Spiritual Journey of Alejandro Jodorowsky. Rochester, Vermont: Park Street Press. pp. 194–216.
  26. ^ Jodorowsky 2005, p. 227-230.
  27. ^ a b Jodorowsky, Alejandro. "The Film You Will Never See". duneinfo.com.
  28. ^ Anderson, Ariston; Jodorowsky, Alejandro (17 June 2013). "10 Lessons on Filmmaking from Director Alejandro Jodorowsky". Filmmaker. Independent Feature Project.
  29. ^ a b Elsa Keslassy @elsakeslassy (23 April 2013). "U.S. Fare Looms Large in Directors' Fortnight". Variety.
  30. ^ Jodorowsky 2005, p. 235.
  31. ^ Jodorowsky 2005, p. 216.
  32. ^ Jodorowsky 2005, p. 216-218.
  33. ^ Jahnke, Adam. "Celebrating Film in the Digital Age". The Digital Bits.
  34. ^ Steve Rose (14 November 2009). "'Lennon, Manson and me: the psychedelic cinema of Alejandro Jodorowsky' | Interviews | Guardian Film". London: Guardian.
  35. ^ a b David Coleman (11 November 2011). "When the Tarot Trumps All". Fashion & Style. New York Times. Retrieved 13 November 2011.
  36. ^ "Confirma Jodorowsky su regreso al cine" (in Spanish). El Economista.
  37. ^ "Jodorowsky: 'Todos los problemas vienen de la familia' | Cultura". elmundo.es. 30 November 2011.
  38. ^ a b Morgenstern, Hans (29 January 2013). "Brontis Jodorowsky on His Father's New Film The Dance of Reality – Miami – Arts – Cultist". Blogs.miaminewtimes.com.
  39. ^ Peter Bradshaw (18 May 2013). "Cannes 2013: La Danza de la Realidad (The Dance of Reality) – first look review | Film". London: theguardian.com.
  40. ^ Fred Topel (22 May 2013). "Cannes Roundtable: Alejandro Jodorowsky on La Danza de la Realidad". M.craveonline.com.
  41. ^ Family, Alejandro Jodorowsky
  42. ^ David Church (February 2007). "Alejandro Jodorowsky". Senses of Cinema. Retrieved 13 October 2013. However, while Buñuel's attacks on religion are primarily confined to Catholicism, Jodorowsky not only violates but de-centres Western religious traditions by creating a hybrid amalgamation of Western, non-Western and occult beliefs. A self-described "atheist mystic", he has claimed to hate religion (for it "is killing the planet"), but he loves mysticism and occult practices like alchemy.
  43. ^ "Mœbius perd son procès contre Besson". ToutenBD.com (in French). 28 May 2004. Retrieved 20 January 2007.
  44. ^ Sánchez Dragó asegura que "Diario de la noche" será "ecuánime, veraz y neutral", Telemadrid
  45. ^ Jodorowsky 2005, p. 232.
  46. ^ Ben Cobb, Anarchy and Alchemy: The Films of Alejandro Jodorowsky, Creation Books, 2007, p. 34.
  47. ^ Leo Braudy, The World in a Frame, University of Chicago Press, 2002, p. 73.
  48. ^ Jodorowsky 2005, p. 236-237.
  49. ^ Antony Todd, Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood, I. B. Tauris, 2012, p. 17.
  50. ^ Damien Love. "Bright Lights Film Journal – ''The Mole Man'': Interview with Alejandro Jodorowsky". Brightlightsfilm.com.
  51. ^ http://www.restlessbooks.com/where-the-bird-sings-best/
  52. ^ Hasko Baumann, Thorsten Hanisch, Alexander Stahl (25 November 2009). "Dasmanifest.com". Dasmanifest.com.{{cite web}}: CS1 maint: multiple names: authors list (link)
  53. ^ Unofficial biography of Alejandro Jodorowsky.
  54. ^ Lim, Dennis (22 May 2011). "Cannes Q. and A.: Driving in a Noir L.A." The New York Times. Retrieved 31 August 2013. The film is dedicated to [Alejandro] Jodorowsky [...] and there's a bit of Jodorowsky existentialism.
  55. ^ Patterson, John (27 July 2013). "Only God Forgives this level of tedium". The Guardian. Kings Place. Retrieved 30 July 2013.

References

Further reading

  • Cobb, Ben (2007). Anarchy and Alchemy: The Films of Alejandro Jodorowsky (Persistence of Vision 6), ed. Louise Brealey, pref. Alan Jones, int. Stephen Barber. London, April 2007 / New York, August 2007, Creation Books.
  • Coillard, Jean-Paul (2009), De la cage au grand écran. Entretiens avec Alejandro Jodorowsky, Paris. K-Inite Editions.
  • Chignoli, Andrea (2009), Zoom back, Camera! El cine de Alejandro Jodorowsky, Santiago de Chile, Uqbar Editores.
  • Dominguez Aragones, Edmundo (1980). Tres extraordinarios: Luis Spota, Alejandro Jodorowsky, Emilio “Indio” Fernández; Mexicali, Mexico DF, Juan Pablos Editor. P. 109-146.
  • Gonzalez, Házael (2011), Alejandro Jodorowsky: Danzando con la realidad, Palma de Mallorca, Dolmen Editorial.
  • Larouche, Michel (1985). Alexandre Jodorowsky, cinéaste panique, París, ça cinéma, Albatros.
  • Moldes, Diego (2012). Alejandro Jodorowsky, Madrid, Col. Signo e Imagen / Cineastas, Ediciones Cátedra. Prologue by Alejandro Jodorowsky. ISBN 978-84-376-3041-0
  • Monteleone, Massimo (1993). La Talpa e la Fenice. Il cinema di Alejandro Jodorowsky, Bologna, Granata Press.
  • Neustadt, Robert (May 1997). "Alejandro Jodorowsky: Reiterating Chaos, Rattling the Cage of Representation". Chasqui. 26 (1): 56–74. JSTOR 29741325.
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