Jump to content

Bobby Byrne (musician)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 14.200.14.212 (talk) at 13:14, 12 November 2014 (→Discography). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Bobby Byrne
Byrne in 1946
Byrne in 1946
Background information
Born(1918-10-10)October 10, 1918
Columbus, Ohio
DiedNovember 25, 2006(2006-11-25) (aged 88)
Irvine, California
GenresJazz, Big band
Occupation(s)bandleader, trombonist, arranger
Years active1930s–1960s
LabelsDecca, Cosmo Records, Top Rank Records, Command Records

Bobby Byrne (October 10, 1918 – November 25, 2006) was an American bandleader, trombonist, and music executive. His big band was well regarded, although it never achieved the level of popularity that was expected. He flew aircraft in World War II. Later he became a musical producer for television and for albums credited to other artists.

Biography

Early life and career

Bobby was born October 10, 1918 on near Columbus, Ohio[1] on a farm to Clarence Byrne and his wife.[2] Both of his parents were musicians. His mother was a concert pianist before marriage, and at the time of Bobby's birth Clarence was in France with the U.S. Army band.[2] When Bobby was one year old, the family moved to Detroit so that Clarence could take a position[2] at Cass Technical High School,[3] where he became a music teacher of high repute[4] Bobby was musically instructed by his parents, both at home from an early age and at Cass Technical where Bobby was later to attend as a student. His father taught Bobby musical technique with a mixture of tough criticism and high praise.[2] In addition to trombone and harp he studied piano, piccolo/flute, cello, and percussion.[4] Later, the senior Byrne invited Tommy Dorsey to hear the school's band, which was led by Bobby. Mr. Dorsey was impressed enough to start a sequence of positively escalating experiences. He invited the teenager to meet his brother and hear the Dorsey Brothers band perform, then asked Bobby to accompany the band to hear them play their next one-night-stand, and when there, asked him to sit in with the band for several minutes during the performance, taking Tommy's chair. Both Dorseys were impressed by his performance.[5] Thus his professional career began early. The Dorsey Brothers, in an argument, ceased to speak to each other on May 30, 1935. As a result, Tommy Dorsey refused to play with the band. Their manager called in several replacements for the crucial trombone part, but through either personal or professional reluctance they all declined. The next offer was given to a sixteen-year-old Bobby Byrnes, at 75 dollars a week, and instantly his mother drove him (with a harp in addition to his three trombones)[6] to the Glen Island Casino[5] where the orchestra was under contract to play for several months. Taking over Tommy's charts, Bobby was a success. Under contractual obligations, Tommy returned to play with the orchestra, and Byrne was relegated to offstage. In the meantime, Byrne learned from watching Tommy Dorsey performances. Escaping his contract, Tommy permanently left the band in September.[5] When the Dorsey Brothers split, Byrne joined Jimmy's outfit, and took Tommy Dorsey's place leading the trombone section.[7] By August, Bobby had recorded his first solo with the band, with the hit single "From the Top of Your Head to the Tip of Your Toes."[5] He married his first wife, Pat, in March of 1939 two months after having met her in Dallas, Texas.[2]

As bandleader and war interruption

He formed his own band, based out of Detroit,[3] in November of 1939 with the assistance of manager Tommy Rockwell[2] and the backing of Jimmy Dorsey. Armed with contracts with Decca Records and the Glen Island Casino, things were looking very positive for Byrne's professional prospects.[8] An attack of appendicitis provided early adversity for the new bandleader in July of 1940. Bobby conspired to keep news of his ailment from his father, but none other than Glenn Miller found out about Byrne's illness and relayed the news home. Hew was able to delay surgery until fall of that year.[2] His theme, "Meditation at Moonlight", was composed expressly for him by Peter de Rose and Mitchell Parish.[9] However, World War II would wreak havoc on the big-band scene. Like many other bandleaders at the time, Byrne struggled to keep his band going in the early part of the war,[10] needing to replace bandmembers lost to the draft. In 1943, while touring Florida,[11] Byrne entered the Army Air Corps.[12] His band continued under Jack Jenney, but not for long as Jenney also joined the service after a couple of months.[11] He left the army in 1945.[4] After the war, his first records were for the Cosmo label, performing sides that were positively reviewed as both sweet and hot.[13] He formed another band in 1949, featuring woodwind and French horn tone colorings. Bill Simon liked the sophisticated aural shadings, but felt they were not suited to many of the venues where the band performed. It was at this time Byrne signed with Mercury Records and became musical director for the ABC Television show Club Seven[14][15] He re-built his band yet again in 1950, eliminating woodwinds, and focusing on brass and saxes, not to mention his occasional harp solo. This band included his brother Don and a sax section led by Larry Elgart. Bill Simon considered this ensemble to be an improvement over his previous one, and applauded the improvements in singing and in the rhythmic numbers while noticing the improved attendance at his performances.[16]

Later career and death

In 1953 He was the musical director for WNBT-TV, which included providing music for Steve Allen's late-night show[17] with a Dixieland band.[8] However, when NBC decided to add Allen's show to their network lineup, it was Skitch Henderson who was asked to lead the Tonight Show band. Henderson felt badly for Byrne, but band member Doc Severinsen felt that the type of music demanded by the show did not fit Byrne's style.[17] In 1956 he recoded in three sessions with Cannonball Adderley[18] which appeared on the album In the Land of Hi-Fi with Julian Cannonball Adderley. He joined Enoch Light's Grand Award Records, in the A&R department, in 1961.[19] Byrne became an executive at Command Records in the late 1960s.[20] His death occurred on November 25, 2006 in Irvine, California. Byrne's wife, Marilyn, said he had recently suffered a stroke and had Alzheimer's disease.[1][20]

Style

Byrne closely modelled his playing after Tommy Dorsey.[7] In the Jimmy Dorsey outfit, Byrne was comfortable playing either sweet or hot.[7] His jazz solos are considered ahead of their time by Gunther Schuller.[7] and Simon considered his embellishments on slow numbers to be "breathtaking."[14] He was an extreme perfectionist, and this perfectionism is given as a reason his 1940 band was never very successful.[3] He overworked himself and his band, even after suffering appendicitis around 1941.[12] A 1942 review praised his "clean, solid swing" but found him to be verbose.[21] Although known for his perfectionism, he was also known for his personal affability.[5]

Discography

Albums

  • Bobby Byrne Plays Great Themes. (1958, Grand Award)[22]
  • Bobby Byrne and the Alumni Orchestra. (1959, Top Rank 35-028)[23]
  • The Jazzbone's Connected to the Trombone (1959, Grand Award)[22]
  • Tribute to the Dorseys (Command 33-382) [24]
  • 1966-Magnificent Movie Themes. (1966, Command 894)[25]
  • Sound in the Eighth Dimension (1968, Command)[22]
  • Shades of brass (1969, Evolution)

Singles

Year Title Peak chart positions B-side Issued on
1940 "Easy Does It" 27[26] ? Decca 3020
"Maybe" 18[26] ? Decca 3392
1941 "You Walk By" 22[26] ? Decca 3613
1946 "Hey Bobby!" - "Hymn to the Sun" Cosmo 492[13]

Other appearances

With the Henri René Orchestra

References

  1. ^ a b Wynn, Ron. "Bobby Byrne Artist Biography by Ron Wynn". Allmusic. Retrieved May 30, 2014.
  2. ^ a b c d e f g Alden, Ken (November 1940). "Very Young Man With a Horn". Radio and Television Mirror. MacFadden Publications. p. 39. Retrieved June 19, 2014.
  3. ^ a b c Bjorn, Lars (2001). Before Motown: A History of Jazz in Detroit, 1920-60. University of Michigan Press. p. 53. ISBN 9780472067657.
  4. ^ a b c Feather, Leonard; Gitler, Ira (1999). The Biographical Encyclopedia of Jazz. Oxford University Press. ISBN 0-19-507418-1.
  5. ^ a b c d e Levinson, Peter J. (2006). Tommy Dorsey: Livin' in a Great Big Way. Da Capo Press. pp. 59–64. ISBN 9780306815027.
  6. ^ Cusack, Bob (2005). Nostalgia Is What It Was. iUniverse. p. 189. ISBN 9780595361793.
  7. ^ a b c d Schuller, Gunther (1991). The Swing Era: The Development of Jazz, 1930–1945. Oxford University Press. p. 650. ISBN 9780195071405. Cite error: The named reference "doj" was defined multiple times with different content (see the help page).
  8. ^ a b Walker, Leo (1989). The Big Band Almanac. Da Capo Press. p. 64. ISBN 9780306803451.
  9. ^ Alden, Ken (August 1940). "Facing the Music". Radio and Television Mirror. MacFadden Publications. p. 35. Retrieved May 30, 2014.
  10. ^ "Byrne Finds Sidemen". Billboard. December 5, 1942. p. 20.
  11. ^ a b Walker, Leo (1989). The Big Band Almanac. Da Capo Press. p. 213. ISBN 9780306803451.
  12. ^ a b Behrens, John (2011). America's Music Makers: Big Bands & Ballrooms 1912-2011. AuthorHouse. p. 87. ISBN 9781456729523.
  13. ^ a b "Reviews of New Records". Billboard. August 17, 1946. p. 32.
  14. ^ a b Simon, Bill (January 8, 1949). "On the Stand: Bobby Byrne". Billboard. p. 35.
  15. ^ "Music-As Written". Billboard. January 1, 1949. p. 38.
  16. ^ Simon, Bill (May 20, 1950). "On the Stand". Billboard. p. 18.
  17. ^ a b Alba, Ben (2005). Inventing Late Night: Steve Allen and the Original Tonight Show. Prometheus Books. pp. 51, 179–180. ISBN 9781615922208.
  18. ^ Ruppli, Michel (1993). The Mercury Labels: The 1945–1956 era. ABC-CLIO. ISBN 9780313290312.
  19. ^ "Bobby Byrne off to Grand Award". Billboard. March 27, 1961. p. 5.
  20. ^ a b "Bobby Byrne, 88; played trombone for the Dorsey brothers, led his own bands". LA Times. December 2, 2006. Retrieved May 31, 2014.
  21. ^ Honigberg, Sam (January 10, 1942). "Sherman Hotel, Panther Room, Chicago". Billboard. p. 21.
  22. ^ a b c Larkin, Colin (2006). The Guinness Encyclopedia of Popular Music (4 ed.). Oxford University Press. ISBN 978-0-19-531373-4.
  23. ^ The Gramophone. 37 (2): 38. February 1960. {{cite journal}}: |access-date= requires |url= (help); Missing or empty |title= (help)
  24. ^ Gammond, Peter; Horricks, Raymond (1981). Music on Records Vol. 2: Big Bands. P. Stephens. p. 159. ISBN 9780850594959.
  25. ^ "Album Reviews". Billboard. March 26, 1966. p. 68.
  26. ^ a b c Whitburn, Joel (1986). Pop Memories 1890-1954. Menomonee Falls, Wisconsin: Record Research, Inc. p. 72. ISBN 0-89820-083-0.

Template:Persondata

Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Bobby_Byrne_(musician)&oldid=633519500"