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Edward Boccia

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This is an old revision of this page, as edited by RJHB (talk | contribs) at 17:18, 9 January 2015. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

  • Comment: Additionally, please see WP:REFB on how to properly format inline citations. Primefac (talk) 16:40, 9 January 2015 (UTC)
  • Comment: Please see other articles on Artists to get an idea of how to properly format the text into sections. Additionally, there are a lot of weasel words and puffery in the draft as it currently reads which will need to be taken care of. Primefac (talk) 16:39, 9 January 2015 (UTC)

Introduction:

American artist and poet Edward Eugene Boccia lived and worked in St. Louis, Missouri and served as a university professor at Washington University, St. Louis. Boccia's work was mostly comprised of large scale paintings in Neo-Expressionist style, and reflect an interest in religion and its role in the modern world, his primary format was the altarpiece painting. [1]

Boccia was prolific artist; there are over a thousand paintings in existence including more than fifty monumental altarpieces featuring allegorical scenes in an Expressionist style. [2]

The American collector of avant garde European modernism Morton D. May was the artist's most important patron, and he had a large collection of Boccia's work. [3]

Artist's Life:

Born in Newark in 1921, the artist first studied at the Pratt Institute and the Art Students League, New York. [4] Boccia served in WW II in a unique battalion made up of his artistic peers. [5] After the war, Boccia earned a BA and an MA at Columbia University while concurrently teaching art at the Columbus Art School in Ohio where he introduced the Bauhaus teaching method to his students. In 1951, he was appointed Assistant Dean of Fine Arts at the Washington University in St. Louis, Missouri, where he taught painting for over 30 years. [6]

St. Louis, Washington University:

Boccia's appointment followed in the steps of other modernist artists including Phillip Guston, Stephen Greene, and the German Expressionist master Max Beckmann, all of whom worked at the university for a period of time. [7][8] The development of the vibrant artistic culture of the university owed much to the collecting activities of the art historian H.W. Jansen who headed the university gallery and was committed to modern art. [9]

Artwork:

A dedicated craftsman, Boccia pictured his work as a mediation of a universal moral struggle. He is also linked to the mystical, occult, and theosophical traditions of modern art including the belief in the messianic role of the artist, seen in the work of the Symbolists, as well as the pictures of Paul Gauguin and Oskar Kokoschka among others. [10] Specifically, Boccia includes numerous self-portraits, and uses examples of esoteric imagery such as the androgyne and the hermaphrodite.

Boccia's work shows the influence of Max Beckmann, and he was well aware of the older artist's work through May's collection. [11]

Boccia is currently the subject of all large-scale critical monograph in progress, authored by Rosa JH Berland, in cooperation with the Edward E. and Madeleine P. Boccia Artist Trust, St. Louis, Missouri.

In addition to his painting, Boccia was a published poet and the subject of numerous solo exhibits and group shows, the most recent being the posthumous show at St. Louis University Art Museum as well as an exhibit at The Sheldon Art Galleries in 2013.[12] [13][14]

Museum Collections:

Boccia’s art is found in the collections of art museums including The Kemper Art Museum, St. Louis [15]; St. Louis University Museum of Art; St. Louis Art Museum; Denver Art Museum; Nelson-Atkins Museum, Kansas City [16]; Museum of Art, Fort Lauderdale [17] ; The Weatherspoon Art Museum, The University of North Carolina, Greensboro and the National Gallery Athens, Greece. [18]

A number of commissioned works are on view in religious and public institutions and the artist’s work is held by over 600 private collectors. [19]

References

  1. ^ https://mocra.wordpress.com/tag/edward-boccia/
  2. ^ Archives of The Edward E. Boccia & Madeline P. Boccia Trust, St. Louis, Missouri. Boccia, Edward E. 2007.
  3. ^ https://en.wikipedia.org/wiki/Morton_D._May
  4. ^ http://www.huffingtonpost.com/2012/10/18/renowned-american-painter_n_1979861.html
  5. ^ https://www.stlbeacon.org/#!/content/26916/edward_boccia_obit_090712
  6. ^ http://news.wustl.edu/news/Pages/24205.aspx
  7. ^ Boston Modern: Figurative Expressionism as Alternative Modernism, Judith Arlene Bookbinder, UPNE, 2005. While Boccia spent the majority of his time in his studio, his time at the university was important to his artistic growth.
  8. ^ http://www.stltoday.com/news/local/obituaries/edward-boccia-dies-washington-university-teacher-and-artist-who-became/article_20e4c60c-b419-5eb9-8498-0544ad5ad519.html
  9. ^ Sabine Eckmann, “Exilic Vision: H.W. Janson and the Legacy of Modern Art at Washington University.” (St. Louis: Washington University Gallery of Art, 2002), 9-42.
  10. ^ St. Louis Museum of Art, Edward Boccia Figural Expressionist, Exhibit Catalog, January 2013
  11. ^ The Morton D. May Collection of 20th century German Masters, St. Louis City Art Museum, 1970.
  12. ^ http://www.slu.edu/x70635.xml
  13. ^ http://www.stlmag.com/arts/Edward-Boccia-Remembered/
  14. ^ http://www.slu.edu/sluma-home/past-exhibitions/2013/edward-boccia-figurative-expressionist
  15. ^ http://www.kemperartmuseum.wustl.edu/collection/explore/artist/122
  16. ^ http://www.nelson-atkins.org/collections/collection-history-american-viewall.cfm
  17. ^ http://www.moafl.org/museum
  18. ^ http://www.nationalgallery.gr/site/content.php
  19. ^ http://www.kodnergallery.com/two-heads/

Additional reading

  • Boccia and Friends, McCaughen & Burr Fine Arts Gallery, St. Louis, Missouri.
  • Hills, Patricia. 2001. Modern art in the USA: issues & controversies of the 20th century. Upper Saddle River: Prentice Hall.
  • Barron, Stephanie, Sabine Eckmann, & Matthew Affron. 1997. Exiles + Emigrés: The Flight of European Artists from Hitler. Los Angeles County Museum of Art.
  • Beckmann, Max, & George Scrivani. 1988. On My Painting. Madras [India]: Hanuman Books.
  • Bronner, Stephen E. & Douglas Kellner, Editors. 1988. The Passion & Rebellion: The Expressionist Heritage. New York: Columbia University Press.
  • Cohn, S. L. 1985. Edward Boccia, The Triptychs. Washington University, St. Louis, School of Fine Arts, Exhibit Catalog.
  • Dijkstra, Bram. 2003. American Expressionism: Art and Social Change, 1920-1950. New York: Harry N. Abrams.
  • Herskovic, Marika Editor. 2009. American Abstract and Figurative Expressionism: Style is Timely, Art is Timeless. New York School Press.
  • Schimmel, Paul, & Judith E. Stein. 1988. The Figurative Fifties: New York Figurative Expressionism. Newport Beach, Calif: Newport Harbor Art Museum.
  • Sidney Janis Gallery. 1984. Modern Expressionists: German, Italian & American painters. New York: Sidney Janis Gallery.
  • Schulz-Hoffmann, Carla. 1984. Max Beckmann: Retrospective. St. Louis: Saint Louis Art Museum.
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