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Mr. Robinson Crusoe

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Mr. Robinson Crusoe
movie poster
Directed byA. Edward Sutherland
Written byDouglas Fairbanks (story)
Thomas J. Geraghty (adaptation)
Produced byDouglas Fairbanks
CinematographyMax Dupont
Edited byRobert Kern
Music byAlfred Newman
Distributed byUnited Artists
Release date
  • August 19, 1932 (1932-08-19)
Running time
76 minutes
70 minutes (American DVD)
66 minutes (Ontario, Canada)
CountryUnited States
LanguageEnglish

Mr. Robinson Crusoe is a 1932 American film. It is one of the few "talkie" films starring Douglas Fairbanks in his penultimate film role, who also produced the film and provided the story. The film was directed by A. Edward Sutherland, a veteran silent film director, for Fairbanks's Elton Productions, and released by United Artists. Steve Drexel (played by Fairbanks) shows a fiery optimism and can-do spirit that matches the Fairbanks screen persona that appears in his most popular films.

The South Seas comedy adventure featured location filming on Tahiti[1] with working titles being Tropical Knight, A Modern Robinson Crusoe and Robinson Crusoe of the South Seas.

Plot summary

The film opens with a title card that reads "From the time Adam and Eve were banished from the Garden of Eden, man has vainly sought to find solace, comfort and earthly pleasures in an artificial world of his own creation. Down through the ages has come that eternal heritage of the urge in every man to turn his back on so-called civilization, to get back to nature and revel in the glories and freedom of a primitive paradise."

The Fairbanks character Steve Drexel voluntarily strands himself on a deserted island on a bet. He intends to re-create civilization (in the form of New York) and carves a miniature city of 52nd Street and Park Avenue out of the jungle. Drexel is befriended by his dog, a native monkey, and a wild goat that is captured in one of his traps. He attempts to cultivate a native as his Man Friday from Robinson Crusoe, but fails as the native escapes.

A woman played by actress Maria Alba is trapped in one of his devices. He names her Saturday and she becomes the love interest of the film. In an attempt to communicate with Saturday, he tries German, Spanish, and then Pig Latin. Over the course of the film, she slowly learns rudimentary English.

Eventually, the hostile natives on a nearby island attack the Fairbank's settlement at the behest of the men that bet against the main character. The hero defeats the hostile natives, but ends up escaping with the girl on the yacht that brought him there. He takes her back to New York where she performs to an appreciative crowd in the Ziegfeld Follies.

Self Reliance

The lead character exemplifies the can-do spirit of early twentieth-century America. Drexel launches his subjugation of the jungle by creating construction tools including an axe made from a sharpened shell lashed to a wooden branch. He uses the axe to make a shovel, plow, bow, arrows, saw, table, and many more items.

Drexel speaks to a monkey in much the same way Tom Hanks speaks to the volleyball in the later film Cast Away. He explains to the monkey he learned his survival skills from his time in the Boy Scouts of America and Dan Beard's American Boy's Handy Book. At the time, the book was a popular young adult wilderness and outdoor survival skills manual.

In recreating civilization, the main character even creates an 18-hole golf course on the island.

Cast

Soundtrack

During the filming the sound equipment failed and the film had to be dubbed back in California.[2]

Alfred Newman who had previously scored Fairbanks' Reaching for the Moon composed the score. Newman reused one of his musical themes for the 1937 film The Hurricane where it became a popular song called Moon of Manakoora.[3]Newman's scorre for The Hurricane was nominated for an Academy Award.

Legacy

Fairbanks biographer Jeffrey Vance writes "Mr. Robinson Crusoe, his last personal production, was designed to meet his responsibilities in the least demanding way. The film was conceived as an inexpensive travelogue masquerading as a narrative film...Free from the hated dialogue that had so confined his type of film, Fairbanks should have been in his element. And yet, despite the primarily visual aspect of the film, his customary ebullience is not in evidence; his character is a hypomanic middle-aged man."[4]

Further Reading

  • Vance, Jeffrey. Douglas Fairbanks. Berkeley, CA: University of California Press, 2008. ISBN 978-0-520-25667-5.

References

  1. ^ Vance, Jeffrey (2008). Douglas Fairbanks. Berkeley, CA: University of California Press, pg. 293. ISBN 978-0-520-25667-5.
  2. ^ Vance, Jeffrey (2008). Douglas Fairbanks. Berkeley, CA: University of California Press, pg. 295. ISBN 978-0-520-25667-5.
  3. ^ p.295 Vance, Maietta & Cushman
  4. ^ Vance, Jeffrey (2008). Douglas Fairbanks. Berkeley, CA: University of California Press, pg. 295. ISBN 978-0-520-25667-5.

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