Die Gezeichneten
| Die Gezeichneten | |
|---|---|
| Opera by Franz Schreker | |
 Opéra National de Lyon, 2015 | |
| Librettist | Franz Schreker |
| Language | German |
| Based on | Hidalla by Frank Wedekind |
| Premiere | 25 April 1918 |
Die Gezeichneten (The Branded or The Stigmatized) is an opera in three acts by Franz Schreker with a German-language libretto by the composer.
Composition history
Schreker wrote the libretto in 1911 at the request of composer Alexander Zemlinsky based on the 1904 play Hidalla by German playwright Frank Wedekind.[1] However, Schreker decided to set the text himself and he completed the composition in 1915.
The score is currently published by Universal Edition Vienna.[2]
Performance history
An expanded concert version of the overture to the opera, entitled "Vorspiel zu einem Drama", was performed at the Vienna Musikverein on 8 February 1914 by the Vienna Philharmonic, conducted by Felix Weingartner.[3]
The complete opera was first performed on 25 April 1918 by the Frankfurt Opera in the Alte Oper, conducted by Ludwig Rottenberg.[4][5] It established Schreker as the pre-eminent opera composer of his generation and won him the support of Germany's foremost music critic Paul Bekker. Before the composer's music was banned in 1933, due to his Jewish ancestry, a further two dozen productions followed in fifteen different cities in Germany and Austria.[6] The playbill of the first performance in Vienna, in January 1920, mentions 66 previous performances of the opera in five different opera houses (Frankfurt, Nuremberg, Munich, Dresden and Breslau).[7]
Conductor Michael Gielen revived the opera at the Frankfurt Opera in 1979.[8] In the performance, which was recorded, William Cochran appeared as Alviano Salvago, Barry Mora as Tamare, June Card as Carlotta, and Günter Reich as the Duke.[1]
It was staged at the Salzburg Festival in 2005, directed by de and conducted by Kent Nagano with Robert Brubaker (Alviano) and Anne Schwanewilms (Carlotta) in the leading roles, although the opera was heavily cut for this production.[9]
The American premiere was staged at the Los Angeles Opera on 10 April 2010, followed by three more performances.[10] James Conlon conducted and Robert Brubaker (Alviano), Anja Kampe (Carlotta) and Martin Gantner (Tamare) sang the principal roles. This event was hailed by critics as the first ever performance of a Schreker opera in the Western Hemisphere.[11]
In April 2010 it was performed six times at the Teatro Massimo in Palermo in a production by Graham Vick.[12][failed verification] The French premiere took place in March 2015 at the Opéra de Lyon conducted by Alejo Perez.[13]
Roles
| Role[2] | Voice type | Premiere cast[4] 25 April 1918 (Conductor: Ludwig Rottenberg) |
|---|---|---|
| Duke Antoniotto Adorno | bass | Walter Schneider |
| Count Vitelozzo Tamare | baritone | Robert vom Scheidt |
| Lodovico Nardi, Podestà | bass | Willy Roos |
| Carlotta Nardi, his daughter | soprano | Else Gentner-Fischer |
| Alviano Salvago, a Genoan nobleman | tenor | Karl Ziegler |
| Guidobald Usodimare, a Genoan nobleman | tenor | Hermann Schramm |
| Menaldo Negroni, a Genoan nobleman | tenor | Erik Wirl |
| Michelotto Cibo, a Genoan nobleman | baritone | Rudolf Brinkmann |
| Gonsalvo Fieschi, a Genoan nobleman | baritone | Fritz Meurs |
| Julian Pinelli, a Genoan nobleman | bass | Josef Gareis |
| Paolo Calvi, a Genoan nobleman | bass | Josef Gareis |
| Capitaneo di Giustizia | bass | Leo Kaplan |
| Ginevra Scotti | soprano | Marta Uersfeld |
| Martuccia, Alviano's housekeeper | contralto | Marie Welling-Bertram |
| Pietro, a cutthroat | tenor | |
| A youth | tenor | Franz Wartenberg |
| His friend | bass | Willy Schürmann |
| A young girl | soprano | Elisabeth Kandt |
| First senator | tenor | Erik Wirl |
| Second senator | baritone | Rudolf Brinkmann |
| Third senator | bass | Josef Gareis |
| A servant | bass | |
| A maidservant | mezzo-soprano | Anita Franz |
| First citizen | tenor | |
| Second citizen | baritone | Carl Bauermann |
| Third citizen | bass | Willy Schürmann |
| Father | bass | Paul Neumann |
| Mother | contralto | Frieda Hammerschmidt |
| A small boy, (silent part) | ||
| First young man | tenor | Franz Wartenberg |
| Second young man | baritone | Carl Bauermann |
| Third young man | bass | Willy Schürmann |
| A giant citizen | bass | Karl Kröff |
Instrumentation
The orchestral score requires:
- 4 flutes (all 4 doubling piccolo), 4 oboes (oboe 4 doubling English horn), 4 clarinets (in A/B-flat, 4 doubling E-flat clarinet), bass clarinet in B-flat (doubling basset horn), 2 bassoons, contrabassoon;
- 6 horns in F, 4 trumpets in C (4 doubling bass trumpet), 3 trombones, bass tuba (doubling contrabass tuba);
- timpani, percussion (3 players), 2 harps, celesta, piano;
- strings (violins I, violins II, violas, violoncellos, double basses).[2]
Synopsis
- The opera is set in 16th-century Genoa
Act 1
The young Genoan nobleman Alviano Salviago, hunchbacked and deformed, does not dare dream of the love of women. He wants to donate to the people of Genoa the island paradise called "Elysium" he has created. His friends, a group of dissolute young noblemen, have been using an underground grotto on the island for orgies with young women abducted from prominent Genoan families, and intervene with Duke Adorno to stop the transfer of ownership. One of them, Count Tamare, has set his sights on Carlotta, daughter of the Podestà. Carlotta rejects him, as she is only interested in Salviago, whose soul she wants to paint.
Act 2
Infuriated by Carlotta's rejection, Tamare swears to Adorno that he will take her by force. He also reveals the secret of the grotto to Adorno. Not wanting Salviago to become more popular than himself as a result of the gift, Adorno decides to use the existence of the secret grotto as an excuse to veto the transfer. While Salviago is sitting for Carlotta, she complains that she can't paint his soul if he keeps avoiding looking at her. To which he responds that ugly as he is, he still has the feelings of a man in the presence of a beautiful woman... Eventually Carlotta confesses that she loves him, but faints in his arms as both are overcome with emotion.
Act 3
The citizens of Genoa take possession of the island. Salviago asks the Podestà for Carlotta's hand in marriage. She evades him, wanders off alone, and in the grotto finally succumbs to Tamare who's wearing a mask. The Duke accuses Salviago of masterminding the abductions. Salviago, besides himself with worry for Carlotta, leads everyone to the underground grotto. Carlotta lies senseless on a bed, while Tamare prides himself on his conquering abilities. Salviago stabs him. Carlotta awakens, Salviago rushes to her side, but with her dying breath she calls for Tamare. Salviago, completely deranged, stumbles over Tamare's body as he makes his way through the stunned crowd.
Recordings
- In December 1992 Marco Polo released a recording (catalogue#: 223328) with Edo de Waart conducting the Netherlands Radio Symphony and the Netherlands Radio Chorus. Soloists are Hans van Heiningen, Alex Vermeulen, William Cochran, Marilyn Schmiege.
- In 1995 Decca released a recording made at the de in August 1993 / February 1994 as part of their Entartete Musik series, with Lothar Zagrosek conducting the Deutsches Symphonie-Orchester Berlin. The principal roles were sung by Heinz Kruse (Salviago), Elizabeth Connell (Carlotta) and Monte Pederson (Tamare).[7] This recording was re-issued in August 2012.[14]
- In 2003 ORFEO released a 1984 live recording from the Salzburger Festspiele, with Gerd Albrecht conducting the Radio-Symphonieorchester Wien.[15]
References
Notes
- ^ a b "Die Gezeichneten". operone.com. 2010. Retrieved 12 August 2010.
- ^ a b c "Franz Schreker – Die Gezeichneten, opera in 3 acts". Universal Edition. Retrieved 31 July 2010.
- ^ "Musical events 8 February 1914". AmadeusOnline. 2010. Retrieved 3 August 2010.
- ^ a b "Musical events 25 April 1918". Italy: Amadeusonline. Retrieved 31 July 2010.
- ^ "Chronology". Franz Schreker Foundation. Retrieved 8 August 2010.
- ^ Hailey 1993, p. ?? [page needed]
- ^ a b Die Gezeichneten (Media notes). Franz Schreker. Decca Record Company. 1995. 444442-2.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Peters, Rainer (2010). "The Ernst von Siemens Music Prize-Winner Michael Gielen". Ernst von Siemens Musikstiftung. Retrieved 12 August 2010.
- ^ Peter Franklin, The Opera Quarterly, Vol.23, Autumn 2007.
- ^ "L. A. Opera: Productions – The Stigmatized". Los Angeles Opera. 2010. Retrieved 3 August 2010.
- ^ "Opera review: Franz Schreker's The Stigmatized". Los Angeles Times. April 2010. Retrieved 3 August 2010.
- ^ "Performances of Die Gezeichneten by city". Operabase. 2010. Retrieved 5 August 2010.
- ^ Les Stigmatisé, production details. Retrieved 29 March 2015. Template:Fr icon
- ^ "On-line catalogue entry Franz Schreker Die Gezeichneten". Decca. Retrieved 28 August 2012.
- ^ Rob Barnett (February 2003). "Franz Schreker: Die Gezeichneten". MusicWeb International. Retrieved 31 July 2010.
Sources
- Batta, András, Opera – Komponisten, Werke, Interpreten, Könemann Verlagsgesellschaft mbH, 2000, (Dutch translation)
- Hailey, Christopher, Franz Schreker: A Cultural Biography Cambridge University Press, 1993
External links
- Free scores by Die Gezeichneten at the International Music Score Library Project (IMSLP)
- Libretto, synopsis, opera-guide.ch Template:De icon
- Performance and recording details, operone.de
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