National Archaeological Museum, Athens

National Archaeological Museum of Athens

Established	1829
Location	Patission Street, Athens, Greece
Coordinates	37.989170°N 23.731827°E / 37.989170; 23.731827
Type	National museum
Public transit access	Template:OASA icons Template:OASA icons Victoria station Template:OASA icons Template:OASA icons Template:OASA icons Omonoia station
Website	Official website

The National Archaeological Museum (Template:Lang-el) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of artifacts from Greek antiquity worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university.

History

The Antikythera Ephebe

The first national archaeological museum in Greece was established by prime minister of Greece Ioannis Kapodistrias in Aigina in 1829. Subsequently the archaeological collection was relocated to a number of exhibition places until 1858, when an international architectural competition was announced for the location and the architectural design of the new museum.

The current location was proposed and the construction of the museum's building began in 1866 and was completed in 1889 using funds from the Greek Government, the Greek Archaeological Society and the society of Mycenae. Major benefactors were Eleni Tositsa who donated the land for the building of the museum, and Demetrios and Nikolaos Vernardakis from Saint Petersburg who donated a large amount for the completion of the museum.

The initial name for the museum was The Central Museum. It was renamed to its current name in 1881 by Prime Minister of Greece Charilaos Trikoupis. In 1887 the important archaeologist Valerios Stais became the museum's curator.

During World War II the museum was closed and the antiquities were sealed in special protective boxes and buried, in order to avoid their destruction and looting. In 1945 exhibits were again displayed under the direction of Christos Karouzos. The south wing of the museum houses the Epigraphic Museum with the richest collection of inscriptions in the world. The inscriptions museum expanded between 1953 and 1960 with the architectural designs of Patroklos Karantinos.

The building

Detail of the building.

The museum has an imposing neo-classical design which was very popular in Europe at the time and is in accordance with the classical style artifacts that it houses. The initial plan was conceived by the architect Ludwig Lange and it was later modified by Panagis Kalkos who was the main architect, Armodios Vlachos and Ernst Ziller. At the front of the museum there is a large neo-classic design garden which is decorated with sculptures.

Expansions and renovations

The building has undergone many expansions. Most important were the construction of a new east wing in the early 20th century based on the plans of Anastasios Metaxas and the construction of a two-storeyed building, designed by George Nomikos, during 1932–1939. These expansions were necessary to accommodate the rapidly growing collection of artifacts. The most recent refurbishment of the museum took more than 1.5 years to complete, during which the museum remained completely closed. It reopened in July 2004, in time for the Athens Olympics and it included an aesthetic and technical upgrade of the building, installation of a modern air-conditioning system, reorganisation of the museum's collection and repair of the damage caused by the 1999 earthquake. The Minoan frescoes rooms opened to the public in 2005. On May 2008 the Culture Minister Mihalis Liapis inaugurated the much anticipated collection of Egyptian antiquities and the collection of Eleni and Antonis Stathatos. Today, there is a renewed discussion regarding the need to further expand the museum to adjacent areas. A new plan has been made for a subterranean expansion at the front of the museum.

Collections

The museum's collections are organised in sections:

Section	Rooms	Sample inventories
Prehistoric collection (Neolithic, Cycladic, Mycenaean)	3-6 and 48	The Mask of Agamemnon, a gold funeral mask, dated 1550–1500 BC	Gold elliptical funeral diadems from Shaft Grave III (Grave Circle A, Mycenae).	Mycenean gold cups from Grave IV and V.
Sculptures collection	7-34	The bronze statue of Zeus or Poseidon, the Artemision Bronze in room 15.	Varvakeios Athena, replica of Athena Parthenos.	Statue of Asklepius. Roman copy (c.160 AD), from a 4th-century BC Greek original.
Vase and Minor Objects Collection	46-49	-	-	-
Santorini findings	48	The boxing boys fresco is one of many well preserved frescoes from the island of Thera.	Fresco with landscape in spring time at Akrotiri.	-
Metallurgy Collection	36-39	The Antikythera mechanism (main fragment) in room 38.	The philosopher's head from the Antikythera wreck.	Bronze pitcher
Stathatos Collection	42	-	-	-
Vlastos Collection	-	-	-	-
Egyptian Art collection	40-41	-	-	-
Near Eastern Antiquities Collection	-	-	-	-
Epigraphical Museum	1, 9 & 11		-	-

Prehistoric collection

The prehistoric collection displays objects from the Neolithic era (6800–3000 BC), Early and Mid-Bronze age (3000–2000 BC and 2000 to 1700 BC respectively), objects classified as Cycladic and Mycenaean art.

Neolithic era and early and mid-Bronze age collection

There are ceramic finds from various important Neolithic sites such as Dimini and Sesclo from middle Helladic ceramics from Boeotia, Attica and Phthiotis. Some objects from Heinrich Schliemann excavations in Troy are also on display.

Cycladic art collection

Cycladic collection features the famous marble figurines from the Aegean islands of Delos and Keros including the Lutist. These mysterious human representations, which resemble modern art and inspired many artists such as Henry Moore, came from the 3rd millennium BC old cemeteries of Aegean islands along with bronze tools and containers.

Mycenean art collection

Mycenean civilization is represented by stone, bronze and ceramic pots, figurines, ivory, glass and faience objects, golden seals and rings from the vaulted tombs in Mycenae and other locations in the Peloponnese (Tiryns and Dendra in Argolis, Pylos in Messinia and Vaphio in Lakonia). Of great interest are the two golden cups from Vafeio showing a scene of the capture of a bull.

Heinrich Schliemann finds

Mycenean collection includes also the magnificent 19th-century finds of Heinrich Schliemann in Mycenae from the Grace Circle A and the earlier Grave Circle B. Most notable are the golden funerary masks which covered the faces of deceased Mycenean nobles. Among them, the most famous is the one that was named erroneously as the mask of Agamemnon. There are also finds from the citadel of Mycenae including relief stelae, golden containers, glass, alabaster and amber tools and jewels. Other features include an ivory carving of two goddesses with a child, a painted limestone head of a goddess and the famous warrior's vase dating from the 12th century.

Egyptian Art collection

The Egyptian collection dates back to the last twenty years of the 19th century. Notable is the donation of the Egyptian government which in 1893 offered nine mummies of the era of the Pharaohs. However, the Egyptian collection is mainly by two donors, Ioannis Dimitriou (in 1880) and of Alexandros Rostovic (in 1904). In total the collection includes more than 6000 artifacts, 1100 of which are available presently for the public. The collection is considered to be one of the best collections of Egyptian art in the world. The exhibition features rare statues, tools, jewels, mummies, a wooden body tag for a mummy, a stunning bronze statue of a princess, intact bird eggs and a 3000-year-old loaf of bread with a bite-sized chunk missing. The exhibition centrepiece is a bronze statue of the princess-priestess Takushit, dating to around 670 BC. Standing 70 cm high and wearing a gown covered in hieroglyphs, the statue was found south of Alexandria in 1880.

Stathatos collection

The Stathatos collection is named for the donors and major Greek benefactors Antonis and Eleni Stathatos. The collection features about 1000 objects, mainly jewels as well as metal objects, vases, and pottery from the Middle Bronze Age to post-Byzantine era. Features of special note are the Hellenistic period golden jewels from Karpenissi and Thessaly.

Artists and artifacts

Some of the ancient artists whose work is presented in the museum are Myron, Scopas, Euthymides, Lydos, Agoracritus, Agasias, Pan Painter, Wedding Painter, Meleager Painter, Cimon of Cleonae, Nessos Painter, Damophon, Aison (vase painter), Analatos Painter, Polygnotos (vase painter), Hermonax.

Collections include sculpture work, Loutrophoros, amphora, Hydria, Skyphos, Krater, Pelike, and lekythos vessels, Stele, frescoes, jewellery, weapons, tools, coins, toys and other ancient items.

Artifacts derive from archaeological excavations in Santorini, Mycenae, Tiryns, Dodona, Vaphio, Rhamnous, Lycosura, Aegean islands, Delos, the Temple of Aphaea in Aegina, the Sanctuary of Artemis Orthia in Sparta, Pylos, Thebes, Athens, Vari Cave, the Antikythera wreck and from various other places in Greece.

The museum houses the archaic terracota statuette daidala that inspired the designers of the 2004 Athens Olympics maskots Athena and Phevos.

New exhibits

Two of the newest exhibits of the museum include a 4th-century BC golden funerary wreath and a 6th-century BC marble statue of a woman, which were returned as stolen artifacts to Greece in 2007 by the Getty Museum in California, after a 10-year-old legal dispute between the Getty Center and the Greek Government. One year earlier, the Los Angeles foundation agreed to return a 4th-century BC tombstone from near Greek Thebes and a 6th-century BC votive relief from the island of Thassos.

Museum highlights

• Antikythera mechanism
• Nestor's Cup
• Mask of Agamemnon
• Dipylon inscription
• Poseidon of Cape Artemision
• Antikythera Ephebe
• Diadumenos
• Marathon Boy
• Lemnos stela
• Kroisos Kouros
• Sounion Kouros
• Aphrodite of Cnidus
• Pitsa panels
• Aritacata tomb
• Collection of Kouros and Kore (sculpture)

• Daidala
• Ninnion Tablet
• Theseus Ring
• Wall frescoes from Tiryns and Santorini
• The Lutist from Keros
• Capitoline Venus
• Aphrodite and Pan from Delos
• Poseidon of Milos
• The Harp Player from Keros
• Rhyton in the shape of a bull head
• Statue of a Nereid
• Jockey of Artemision
• Varvakeios Athena
• Mycenean Warrior Vase

Library of archaeology

The museum houses a 118-year-old library of archeology with rare ancient art, science and philosophy books and publications. The library has some 20,000 volumes, including rare editions dating to the 17th century. The bibliography covers archaeology, history, arts, ancient religions and ancient Greek philosophy, as well as Ancient Greek and Latin literature. Of particular value are the diaries of various excavations including those of Heinrich Schliemann. The collection of archaeology books is the richest of its kind in Greece. The Library has been recently renovated with funds from the Alexander S. Onassis Foundation. Its renovation was completed on 26 May 2008 and is now named after Alexander Onassis.

Museum activities

• Conservation laboratories
• Photographic archive and chemistry laboratories
• Organises temporary exhibitions in the museum and abroad
• Hosts a large number of archaeology related lectures in its lecture-hall annually

Visitors' information

The museum is accessible by the Athens metro. The nearest stations are Viktoria station and Omonia station. The museum houses a gift shop with artifact replicas and a café in the sculpture garden. The museum is fully wheelchair accessible. There are also facilities and guides for hearing impaired visitors.

Gallery

• 
  The so-called "Mycenean lady"
• 
  Silver rhyton with gold horns
• 
  Gold rhyton from Mycenae
• 
  Funeral mask
• 
  The Warrior Krater (mixing bowl)
• 
  Early Greek alphabet painted on the body of an Attic black-figure cup
• 
  Kroisos Kouros
• 
  Minotaur bust
• 
  Phrasikleia Kore, c. 550 BC
• 
  Reconstructed appearance of Myrtis
• 
  Statue of Poseidon
• 
  The Atalante Hermes
• 
  Statue of Asklepius. Roman copy (c.160 AD), from a 4th-century BC Greek original
• 
  Aphrodite, Pan and Eros
• 
  Rhamnous Themis (3rd BC)
• 
  Aphrodite of the Syracuse type (Aphrodite Pudica)
• 
  Goddess Hygeia
• 
  Artemis Diadoumena (1st BC)
• 
  The Marathon Boy
• 
  Diadumenos
• 
  Nude child wearing a diadema, leaning on a duck (3rd century BC)
• 
  Statue of Thanatos (1st century BC)
• 
  A bust of Antinous (130-138 CE)
• 
  Sculpture of a theater mask dating from the Hellenistic period
• 
  Base of a funerary kouros from Kerameikos decorated with reliefs: chariots, hoplites and hockey players (510-500 BC)
• 
  Family group on a grave marker
• 
  Funerary naiskos of Aristonautes
• 
  Table support with a Dionysus group (170/180 AD). A few relics of the polychromy are visibile
• 
  Wounded Gaul
• 
  Augustus
• 
  Funerary statue of a woman wearing a chiton and himation, type of the Small Herculaneum woman. Roman copy of the 2nd century after an original of c.300 BC

See also

• Ancient Greek sculpture
• Ancient Greek technology and innovation
• Art in Ancient Greece
• Gorgon
• Greek Terracotta Figurines
• Kouros
• List of museums in Greece
• List of museums with major collections of Greek and Roman antiquities
• Pottery of ancient Greece
• Typology of Greek Vase Shapes
• Valerios Stais

External links

• National Archaeological Museum of Athens Official website
• Artifacts in the National Museum of Archaeology Photographs of Richard Speaker Greece, 2000
• National Archaeological Museum - Ebook by Latsis Foundation
• Photo album
• Review of The National Archaeological Museum in Athens at UNRV.com
• Αρχαιολογικό Μουσείο Αθηνών - Archaeological Museum Of Athens Unofficial page on Facebook