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Jessica Jones (season 1)
Season 1
Promotional poster
Starring
No. of episodes13
Release
Original networkNetflix
Original releaseNovember 20, 2015 (2015-11-20)
Season chronology
Next →
Season 2
List of episodes

The first season of the American web television series Jessica Jones, which is based on the Marvel Comics character of the same name, follows a former superhero who opens her own detective agency after an end to her superhero career at the hands of Kilgrave. It is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films and other television series of the franchise. The season was produced by Marvel Television in association with ABC Studios and Tall Girls Productions, with Melissa Rosenberg serving as showrunner.

Krysten Ritter stars as Jones, while David Tennant plays Kilgrave. The two are joined by principal cast members Mike Colter, Rachael Taylor, Wil Traval, Erin Moriarty, Eka Darville, and Carrie-Anne Moss. Jessica Jones entered development in late 2013, with Rosenberg reworking a series she had previously developed for ABC. Ritter was cast as Jones in December 2014, with production on Jessica Jones beginning in New York City in February 2015 and lasting until late August.

The first two episodes of the season premiered in New York City on November 17, 2015, with the full season of 13 episodes released on Netflix on November 20 to an estimated high viewership and critical acclaim. Critics praised Ritter's and Tennant's performances as well as the series' noir tone, approach to sexuality and coverage of darker topics such as rape, assault and posttraumatic stress disorder (PTSD). The series was renewed for a second season on January 17, 2016.[1]

Episodes

No.
overall		No. in
season		TitleDirected byWritten byOriginal release date
11"AKA Ladies Night"S. J. ClarksonMelissa RosenbergNovember 20, 2015 (2015-11-20)
22"AKA Crush Syndrome"S. J. ClarksonMicah SchraftNovember 20, 2015 (2015-11-20)
33"AKA It's Called Whiskey"David PetrarcaStory by : Liz Friedman
Teleplay by : Liz Friedman & Scott Reynolds		November 20, 2015 (2015-11-20)
44"AKA 99 Friends"David PetrarcaHilly Hicks, Jr.November 20, 2015 (2015-11-20)
55"AKA The Sandwich Saved Me"Stephen SurjikDana BarattaNovember 20, 2015 (2015-11-20)
66"AKA You're a Winner!"Stephen SurjikEdward RicourtNovember 20, 2015 (2015-11-20)
77"AKA Top Shelf Perverts"Simon Cellan JonesJenna Reback & Micah SchraftNovember 20, 2015 (2015-11-20)
88"AKA WWJD?"Simon Cellan JonesScott ReynoldsNovember 20, 2015 (2015-11-20)
99"AKA Sin Bin"John DahlJamie King & Dana BarattaNovember 20, 2015 (2015-11-20)
1010"AKA 1,000 Cuts"Rosemary RodriguezDana Baratta & Micah SchraftNovember 20, 2015 (2015-11-20)
1111"AKA I've Got the Blues"Uta BriesewitzScott Reynolds & Liz FriedmanNovember 20, 2015 (2015-11-20)
1212"AKA Take a Bloody Number"Billy GierhartHilly Hicks, Jr.November 20, 2015 (2015-11-20)
1313"AKA Smile"Michael RymerStory by : Jamie King & Scott Reynolds
Teleplay by : Scott Reynolds & Melissa Rosenberg		November 20, 2015 (2015-11-20)

Cast and characters

Main article: List of Jessica Jones characters

Main

Recurring

Guest

Production

Development

In October 2013, Marvel and Disney announced that they would provide Netflix with live action series centered around Daredevil, Jessica Jones, Iron Fist, and Luke Cage, leading up to a miniseries based on the Defenders.[14] Melissa Rosenberg was brought on to write and produce the series, to be reconfigured from the original project Rosenberg was developing in December 2010 for ABC,[15][16][17] which she called a "page one do-over" from her original vision.[18] In December 2014, the official title was revealed to be Marvel's A.K.A. Jessica Jones.[19] However, in June 2015, Marvel revealed that the title for the series would be shortened to Marvel's Jessica Jones.[20] The season consisted of 13 hour-long episodes.[21]

Writing

The writers for the series worked in Los Angeles, with one member of the writing team on set in New York for filming.[22] Actress Carrie-Anne Moss talked about how the scripts developed through the production of the series, explaining that the dialogue usually did not change much while filming, but scenes were altered to accommodate the filming locations when necessary.[23]

In July 2015, Rosenberg stated that, since Jones is a private investigator, there would be some procedural elements to the show, "but that’s not our focus. There are cases. In particular, there is a large case that carries over the season." Elaborating on this, Loeb said that the "fun about being a private detective is that the line between what’s legal and what’s not legal gets very blurred....her drive is not always necessarily to solve the case, as much as it is to go, 'Okay, can I pay the rent? How am I going to get through this day?'" He also added that inspiration for the series came from "the noir films from the ‘40s" and "film[s] like Chinatown."[18]

Casting

The main cast for the season includes Krysten Ritter as Jessica Jones,[2] Mike Colter as Luke Cage,[3] Rachael Taylor as Patricia "Trish" Walker,[4] Wil Traval as Will Simpson,[5][6] Erin Moriarty as Hope Shlottman,[5][6] Eka Darville as Malcolm Ducasse,[5] Carrie-Anne Moss as Jeri Hogarth,[7][8] and David Tennant as Kilgrave.[9]

Cast in recurring roles are Susie Abromeit as Pam,[10] Colby Minifie and Kieran Mulcare as Robyn and Ruben,[12] Clarke Peters as Oscar Clemons,[6] Michael Siberry and Lisa Emery as Albert and Louise Thompson,[citation needed] and Robin Weigert as Wendy Ross-Hogarth.[11] Danielle Ferland, Gillian Glasco, Ryan Farrell, and Paul Pryce also recur as victims of Kilgrave who join a support group established by Jones.[citation needed] Rosario Dawson and Royce Johnson reprise their roles of Claire Temple and Brett Mahoney from Daredevil.[6][13]

Design

Stephanie Maslansky returned as the costume designer for Jessica Jones from Daredevil,[24] and was assisted on the first episode by Jenn Rogien, who crafted Jessica Jones' leather jacket, faded jeans, and boots costume.[25] On Jones's costume, Maslansky said she "considers her clothing to be an armor and a shield and something that helps her maintain a distance from other people and privacy. It keeps her from having to deal with the rest of humanity in a certain sort of way." At least 10 versions of Jones's jacket were made, which started as an Acne Studios leather motorcycle jacket that had any "bells and whistles and any additional superfluous design details" removed, while 20 pairs of jeans were used, with both being aged and distressed.[25]

Because Jones's costume does not evolve much throughout the series, Maslansky used flashbacks to show how her costume had evolved to the present day: for 'pre-Kilgrave' Jessica Jones, Maslansky gave the character "more pulled together" clothes, albeit "still kind of edgy" clothes that did not change who she was as a character, but were just "different". For instance, in a flashback to Jones working in a corporate environment, she does not wear a suit, instead "wear[s] her jeans and find[s] a really cool jacket, maybe a vintage thing, maybe something that she borrowed from Trish". For a flashback where Jones wears a large sandwich costume, a "variety" of costumes were ordered online, with the chosen suit then distressed to "look dirty and old"; "a mere shadow of its former sandwich self," becoming "more of a hoagie than a sandwich." In another flashback, Jones imagines escaping Kilgrave's control. The bright yellow dress the character wears in the dream sequence was chosen for its juxtaposition to the character's real situation, with Maslansky calling it "so beautiful and so free and so light".[26]

Maslansky, who originally was planning to custom-make Kilgrave's wardrobe, used many suits created by designer Paul Smith from the previous fashion season for him, as Smith "was all about purple." On his outfits, Maslansky added the designers "wanted to find a place where we could utilize clothing in shades of purple, but not go so over the top that it would look silly and that he would stop feeling ominous or menacing."[25] Expanding on this, Maslansky noted that "purple is kind of traditionally a fairly friendly color, and he’s anything but friendly. So I had to find ways to make him be ominous and frightening and terrifying. I found that I needed the right proportion of shades of purple to other shades that were similar: navy, black, maroon."[26] Maslansky felt Luke Cage was also someone "who wears his clothing like an armor," with his wardrobe consisting of T-shirts, jeans, leather jackets or an army jacket.[25] For a character like Trish Walker, who does not have the same kind of "statement costume" as Jones, Maslansky tried to create a certain character style. Maslansky said that Walker's uniform is fashion, so "She was a very stylish woman who was very connected, so even when she was hanging around the house, she was wearing a pair of Rag and Bone jeans with a Chloé top, and this was her version of a T-shirt and jeans." Maslansky added that Robin was "a blast to dress" because of her "quirky" personality, yet she was still able to "put herself together aesthetically." For Malcolm, as his story progressively became brighter throughout the season, so did his wardrobe, becoming "a little brighter and a little more hopeful."[26]

Filming

In February 2014, Marvel announced that Jessica Jones would be filmed in New York City.[21] In April 2014, Marvel Comics' editor-in-chief Joe Quesada stated that the show would be filming in areas of Brooklyn and Long Island City that still look like the old Hell’s Kitchen, in addition to sound stage work.[27] The series went into production in February 2015 in The Bronx at Lehman College with the working title Violet,[28][29][30] and concluded in mid-late August.[31][32] Filming locations in New York City included: the East Village's Horseshoe Bar for Luke's Bar; the 33rd Street PATH station and a PATH train; the 101st Street area for the exterior of Jessica's apartment (with the interior apartment settings created on a sound stage); Douglaston, Queens for Jessica's childhood home; the Angel Orensanz Center for Jessica and Luke's fight in "AKA Take a Bloody Number"; and Williamsburgh Savings Bank Tower and Pier 88 for locations in "AKA Smile".[33]

To achieve the explosion at Luke's Bar, Weeks said, "We could not take out the windows [at Horseshoe Bar], which are [made up of] multiple small colored glass and metal frames. We didn’t know frankly when we picked that location that we would have that explosion... What we did was build a fireproof box in the entrance and we had a cannon in there which blew out debris and smoke and some fire. And then we did a lighting effect on the inside and then the rest of the explosion was handled by visual effects." For the scenes on the PATH train and station, Jason Farrar, the location manager for the season, noted the production had exclusive use of the tracks and platform during the day when ridership was low to get their shots.[33]

Concerning inspirations on the series, Loeb revealed that "Chinatown... is one of the things that influenced Brian Michael Bendis and Michael Gaydos when they created the character. So those kind of beautiful, long, wide expansive shots, where people sort of come into frame and go back out of frame and someone’s in the foreground and then someone is way in the background and they’re having a conversation, that’s the stuff that makes it interesting."[34] Production designer Loren Weeks described Marvel's Hell's Kitchen as having "a little more [East] Village quality."[33]

Marvel Cinematic Universe tie-ins

On existing in the MCU, specifically in the same world as the other Netflix series, Rosenberg said, "Jessica Jones is a very, very different show than Daredevil. We exist in a cinematic universe, [and] the mythology of the universe is connected, but they look very different, tonally they’re very different… That was my one concern coming in: Am I going to have to fit into Daredevil or what’s come before? And the answer is no."[35] On references or "easter eggs" in the series, Rosenberg explained that "A little is always there and in the writer’s room we have some fanboys that know all this stuff and they’re all geeking out with different stuff....a lot of references are to the [Alias comic]." She also said that nods to the larger MCU are in the series, with each episode having a "little something in it."[31]

Jeryn Hogarth is closely associated with Iron Fist in the comics, and also worked with Luke Cage as part of those characters' Heroes for Hire team.[8] Like Daredevil, the series makes references to the events of The Avengers and the Avengers (specifically Hulk and Captain America, though not by name).[36] Jessica also mentions Angela del Toro as another private investigator,[36] who in the comics is the hero White Tiger and has connections with K'un-Lun and Iron Fist.[6] Paul Tassi, writing for Forbes, was disappointed with how the series fit into the larger MCU, feeling the series seemed "removed from the world of The Avengers" and did not acknowledge Daredevil enough given that "it’s supposed to be sharing at least this little corner of the Marvel Cinematic Universe with it."[37]

Release

Jessica Jones was released on November 20, 2015 on the streaming service Netflix, in all territories where it is available,[19][38] in Ultra HD 4K.[39] In January 2015, a month after Marvel announced a 2015 release for the series,[19] Sarandos said it was "too hard to say now" if the series would release in 2015, with Netflix's plan to release a Marvel series approximately a year apart from each other after Daredevil's April 2015 release.[40] In July 2015, Netflix confirmed the series would release in 2015,[41] later announcing a November 20, 2015 release date in September 2015.[38]

Marketing

Disney Consumer Products created a small line of products to cater to a more adult audience, given the show’s edgier tone. Paul Gitter, senior VP of Marvel Licensing for Disney Consumer Products explained that the focus would be more on teens and adults than very young people, with products at outlets like Hot Topic. Additionally, a Marvel Knights merchandise program was created to support the series, which creates new opportunities for individual product lines and collector focused products. Licensing partners wanted to pair up with Marvel, despite this not being a film project, given its previous successes.[42]

In May 2015, Marvel announced plans to reprint Alias, the comic that the series is based on, with new covers from David Mack, the original cover artist on the comic who is also providing artwork for the series' opening credits. The reprints, which were all released digitally in June 2015, and up to issue 15 in two trade paperbacks in September, are intended to both celebrate the history of Jessica Jones, and introduce new audiences to the character ahead of the release of the series.[43] In late September 2015 through early October, Marvel and Netflix released short teasers for the series, which chronicled a day of Jones' life.[44][45] Also in early October, Marvel released digitally a 12-page one-shot comic by the original Alias creative team, Bendis, Gaydos and Mack, set in the universe of the television series.[46] The one-shot was created as an exclusive for New York Comic Con, where a print version was distributed.[47] The comic sees Jessica Jones visiting Turk Barrett in the hospital to collect money for one of his baby mamas. Barrett is in the hospital because of the "devil of Hell's Kitchen", which is the first Jones is hearing about him.[48] Also during New York Comic Con, Marvel set up a street marketing campaign, and screened "AKA Ladies Night" on October 10, while at the Marvel Booth, fans could take their picture with the Alias Investigations desk, with Kilgrave's eyes appearing in the background of the final animation.[47][49] Marvel also partnered with Uber during New York Comic Con to provide select riders with complimentary trips to or from the convention in custom designed SUVs for the series.[50]

At the end of October, a full trailer was released. Meagan Damore of Comic Book Resources felt the trailer helped establish the same tone as Daredevil and introduced "Marvel's creepiest villain yet" with Kilgrave. She also compared Jessica to some of the other female characters of the MCU—Black Widow, Melinda May and Peggy Carter—feeling that Jessica stood out from the others because she does not have "a sense of togetherness" and was the most relatable because of her struggle with her trauma, and that the series would have ample amount of creative space to explore the character that the other female characters were lacking.[51] On November 10, 2015, a second trailer was released. Sarene Leeds of The Wall Street Journal felt that this trailer highlighted empowerment, compared to the first that "was about illustrating the fear behind Jones’s past".[52] On November 17, the series held its premiere in New York City.[53]

Reception

Audience viewership

As Netflix does not reveal subscriber viewership numbers for any of their original series, Symphony Technology Group compiled data for the series based on a sample size of 15,000 people using software on their phones that measures television viewing by capturing the soundtrack of the program. According to Symphony, from September to December 2015, "the average episode of... Jessica Jones averaged 4.8 million viewers during a 35-day viewing cycle." The data was presented by Alan Wurtzel, NBCUniversal president of research and media development, in a presentation aimed to provide "perspective" when stating "digital platforms are hurting the traditional TV business, broadcast networks in particular."[54] Netflix CCO Ted Sarandos responded to the data, questioning why NBC was spending time talking about Netflix's viewers instead of their own. He also added, "the whole methodology and the measurement and the data itself doesn’t reflect any sense of reality of anything that we keep track of."[55]

Critical response

Krysten Ritter (top) and David Tennant (bottom) received near universal praise for their portrayals of Jessica Jones and Kilgrave, respectively, with Ritter able to "display her impressive range" to give "an exceptional performance" and Tennant being called "a horrific joy to behold".[56][57]

The review aggregator website Rotten Tomatoes reported a 93% approval rating with an average rating of 8.1/10 based on 54 reviews. The website's critical consensus reads, "Jessica Jones builds a multifaceted drama around its engaging antihero, delivering what might be Marvel's strongest TV franchise to date."[58] Metacritic, which uses a weighted average, assigned a score of 81 out of 100 based on 31 critics, indicating what the website considers to be "universal acclaim".[59]

The early screening of the first episode at New York Comic Con was met by a very positive reaction from the crowd.[60] George Marston of Newsarama gave the first episode a 10 out of 10, saying the series "strikes a balance between self-aware noir and Marvel’s first flirtations with psychological horror....not just another hit for Marvel and Netflix, but a landmark moment for female superheroes on TV."[61] Eric Goldman of IGN felt that "Jessica Jones starts out with a strong premiere episode that...easily goes further than anything in the MCU in terms of sexuality." He called Ritter "a commendably tough, sardonic" Jessica Jones and praised the supporting cast for the strong impressions they made,[60] later scoring the episode an 8.5 out of 10.[62] Evan Valentine of Collider.com gave the episode 5 stars out of 5, feeling that Tennant would "ascend to the same level as Tom Hiddleston’s Loki and Vincent D’onfrio’s Wilson Fisk as one of the cornerstones of villainy in the MCU".[63] Katharine Trendacosta of io9 also had positive thoughts on "AKA Ladies Night", highlighting the episode's use of light and color, especially with purple, and the way it portrays New York as how it "actually looks—not overly bright and shiny and clean, but not suffering a never-ending power-outage either".[64] Abraham Riesman noted the episode's presentation of sexuality, which "was shockingly and refreshingly honest", compared to Marvel's other films and television series. He concluded by applauding the series' bringing up of the topics of rape and PTSD.[65]

Reviewing the first seven episodes of the series, Maureen Ryan of Variety gave positive thoughts on Jessica Jones, stating, "The show, which features an exceptional performance from Krysten Ritter and sure-handed guidance from executive producer Melissa Rosenberg, is not just a contender for the title Best Marvel-related TV property; in a supremely crowded TV scene, it is one of the year’s most distinctive new dramas."[56] Jack Shepard of The Independent, also on the first seven episodes, felt the series "not only matches [Daredevil] but exceeds expectations." Shepard gave exceptional praise to Tennant's Kilgrave, feeling he was one of the best villains produced by Marvel, and possibly "the best on-screen comic book villain since Heath Ledger’s Joker."[66] Forbes' Merrill Barr stated that after seeing the first seven episodes, "the answer is a resounding yes" if lightning could strike twice for Marvel Television, claiming, "In no uncertain terms, Jessica Jones is the best thing Marvel Television has ever produced. It contains all the hopeful anticipation of [Agents of ] S.H.I.E.L.D., all the feminist-overtones of Agent Carter and all the grittiness of Daredevil."[67]

Deadline.com's Dominic Patten also had praise for the series, particularly Rosenberg's influence on the series, the coverage of topics such as "PTSD, abuse, assault, shame, and death" and the cast, highlighting Tennant's Kilgrave as Tennant's best role as well as the MCU's best villain.[68] Mary McNamara from the Los Angeles Times felt Jessica Jones "rewrote the definition of superhuman" and was "a marvel", lauding the series' "breathtaking" examination of recovery from a sexually, emotionally and physically abusive relationship.[57] Daniel Fienberg for The Hollywood Reporter was also positive, saying the series "looks and feels a bit like a cable anti-hero series — but it's really more of a post-hero story, making it fascinating and unique in a marketplace that doesn't lack for costumed do-gooders of all types." His one criticism was that "the show shares Jessica's monomaniacal fixation on [Kilgrave] and the result is a sort of narrative claustrophobia... Everything in these opening episodes ties back to Kilgrave and Kilgrave is such a twisted figure that it's hard for any light to get in."[69] Melissa Maerz of Entertainment Weekly was slightly more critical of the series, awarding it a "B". Though Maerz felt Ritter was a good choice for Jessica and enjoyed the cinematography, she felt the series "could've made for a gritty character drama if it weren't for the noir clichés (saxophone music, shadows through glass) and a procedural structure that's very CSI: Marvel. The show's biggest weakness is the same as Jessica's: It starts out with extraordinary potential, but somewhere along the way, it loses what make it special."[70]

Goldman, later reviewing the whole season, gave it a 9.3 out of 10. He commended all the actors, the relationship of Jessica and Trish, and the episode "Sin Bin", though was critical of the character Robyn. Additionally, Goldman also felt the series spent "too many scenes devoted to Jeri’s marital strife" and that it hit its peak "a bit before the actual end of the season" similar to Daredevil, with most of the thrilling moments earlier in the season.[71]

Analysis

Libby Hill of the Los Angeles Times commented on how Jessica Jones exposed modern day sexism and misogyny through Kilgrave's use of the phrase "Smile", calling the series "the most innocuous and incisive cultural critique" from Marvel to date. Hill likened an early scene that shows Kilgrave asking Jones to smile, and her obliging, to "similar well-meaning scenarios [that] play out in the real world time and again each day" many in the form of gendered street harassment, that resonates with many women. Hill also added that "Kilgrave serves as an exaggerated representation of perceived consent," due to the response he gives later in the series to Jessica about never knowing if someone is doing what they want or what he tells them to do. She concludes that "Jessica Jones is revolutionary because in acknowledging casual misogyny and exaggerating its most destructive tendencies, it exposes the pervasive toxicity therein. It does all of this without making a show of its politics, instead resting easy on the knowledge that all too many women will relate to the subtleties of its premise."[72]

Kwame Opam of The Verge chose to examine rape and the nature of consent in the series. Comparing Jessica Jones to other television series that have depicted rape (Game of Thrones, Orange Is the New Black, and Outlander), Opam felt that "since rape is one of the show’s core themes, we never need to see it... rape is a foundational part of the text, and its presence is constant. Even if it’s invisible, it’s always there." He also felt the series took the time to examine how rape happens and what it means, especially in terms of power and consent, concluding, "Jessica Jones moves the conversation about rape forward by treating it as a complex subject worth investigating, rather than as spice for a story... Maybe we don’t need to see it anymore to grasp how violent it is. Maybe our energies are better spent thinking deeply about why it happens at all."[73]

Accolades

Jessica Jones was included on multiple Best/Top TV Shows of 2015 lists, ranking on People's (1st, along with Daredevil),[74] Indiewire and The Star-Ledger's (2nd),[75][76] NPR's (3rd),[77] ScreenCrush's (4th),[78] Digital Spy's (5th),[79] Complex's (6th),[80] Vulture's (7th),[81] Slate Magazine's (9th),[82] and TV Guide's (11th).[83] It was also included on the lists from Maureen Ryan of Variety,[84] Mary McNamara of the Los Angeles Times,[85] The Week,[86] and Wired.[87] In December 2015, IGN named Jessica Jones the best Netflix original programming series released to date.[88] The series was named one of the Best New Shows of 2015 by Ryan, and was tenth on the Best New Show list from Entertainment Weekly's Jeff Jensen.[89][90] The Atlantic named "AKA WWJD?" one of the best television episodes of 2015.[91] Jessica Jones was the second trending television show search on Google for 2015.[92]

Year Award Category Recipient Result Ref.
2016 People's Choice Awards Favorite Sci-Fi/Fantasy TV Actor David Tennant Nominated [93]
Critics' Choice Awards Best Actress in a Drama Series Krysten Ritter Nominated [94]
Saturn Awards Best Supporting TV Actor David Tennant Pending [95]
Best TV Actress Krysten Ritter Pending
Best New Media Television Series Jessica Jones Pending
Nebula Awards Ray Bradbury Award for Outstanding Dramatic Presentation Scott Reynolds, Melissa Rosenberg, and Jamie King for "AKA Smile" Pending [96]
Empire Awards Best TV Series Jessica Jones Nominated [97]

References

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