Jump to content

Gardar Eide Einarsson

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by KasparBot (talk | contribs) at 23:48, 13 June 2016 (migrating Persondata to Wikidata, please help, see challenges for this article). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Gardar Eide Einarrson
270kBytes
"An Inside Look at Outlaw Motorcycle Gangs", 2008, acrylic and graphite on canvas, 72" x 84"
Born1976 (age 47–48)
Norway
NationalityNorwegian
Known forPainting, Installation art, Sculpture

Gardar Eide Einarsson (born January 12, 1976) is a Norwegian-born artist currently living and working in Tokyo and New York City.

Education

  • Whitney Museum of American Art Independent Study Program, 2002–03
  • Cooper Union School of Architecture, Architecture and Urban Studies Program, New York, 2002–03
  • Whitney Museum of American Art Independent Study Program, Studio Program, New York, 2001–02
  • Staatliche Hochschule fur Fine Arts - Städelschule, Frankfurt am Main, 1999 - 2000
  • National Academy of Fine Art, Bergen, 1996 - 2000
  • Einar Granum School of Fine Art, Oslo, 1994 – 96

Work

File:Gardar Eide Einarsson studio 2008.jpg
Gardar Eide Einarsson in his studio

Gardar Eide Einarsson (Norwegian, b. 1976) is an artist whose work encompasses installation, printmaking, painting and sculpture. In his work, he critically explores various forms of social transgression and arguments for political subversion and appropriates and recontextualizes imagery from subcultures. His artistic practice comprises a wide range of media, such as text, installations, and drawing.[1]

Einarsson’s work incorporates acts of appropriation and the re-contextualization of imagery and information. He adopts and endows elements of cultural ephemera with a political charge, attempting to transform various materials into signifiers of dissent. His sources range from book cover graphics, mail-order catalogues, police instruction manuals, everyday objects and institutional architecture.[2]

He lives and works in New York City and Tokyo.

His work is in the following public collections:

  • Astrup Fearnley Museum of Modern Art, Oslo, Norway
  • Berkeley Art Museum, Berkeley
  • Los Angeles County Museum of Art
  • Malmo Art Museum, Malmo
  • Moderna Museet, Stockholm
  • Museum of Contemporary Art, Los Angeles
  • Museum of Modern Art, New York
  • Norwegian National Museum of Art, Oslo, Norway
  • Sweden Museum für Moderne Kunst, Frankfurt Am Main, Germany

Exhibitions

Solo exhibitions
Special Projects
  • Versuchsstation des Weltuntergangs, Bergen Kunsthall, 2013
  • Power Has a Fragrance, Kunsthalle Fridericianum, Kassel, 2011
  • Power Has a Fragrance, Reykjavik Art Museum, 2011
  • Whitney Biennial, Whitney Museum of American Art, New York, 2008
  • South of Heaven, Frankfurter Kunstverein, Frankfurt (Germany), 2007
Selected group exhibitions
  • Speak through Art, Kaviar Factory, Henningsvær, Norway, 2014
  • The Disappearance of the Fireflies, Prison Sainte Anne Avignon, France, 2014
  • The Moderna Museet Collection/ Unpainted Paintings, Moderna Museet, Stockholm, Sweden, 2014
  • Take Liberty, The National Museum of Art, Architecture and Design, Oslo, Norway, 2014
  • Chez Perv, with Oscar Tuazon and Matias Faldbakken, Team, New York, USA, 2014
  • New Ways of Doing Nothing, (curated by Vanessa Joan Müller and Cristina Ricupero), Kunsthalle Wien, Vienna, Austria, 2014
  • El Teatro Del Mundo/The Theatre of the World, Museuo Tamayo, Mexico City, Mexico, 2014
  • The Crime Was Almost Perfect (curated by Cristina Ricupero), Witte de With Center for Contemporary Art, Rotterdam, The Netherlands, 2014
  • Lies about Painting, Moderna Museet, Gasverksgatan, Malmö. Sweden, 2013
  • Awaiting Immanence (curated by Peter J. Amdam), Carl Kostyál, Stockholm, Sweden, 2013
  • Out of Memory (curated by Eleanor Cayre), Marianne Boesky Gallery, New York, USA, 2013
  • To be with art is all we ask, Astrup Fearnley Museum of Modern Art, Oslo, Norway, 2012
  • A Child’s Guide to Good & Evil, Ramiken Crucible, New York, USA, 2012
  • La Décadence, Yvon Lambert, Paris, France, 2012
  • Unpainted paintings – materials that speak (curated by Magnus af Petersens), Rathole Gallery, Tokyo, Japan, 2012
  • At the Edge – Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA, USA, 2012
  • Oscar knows Gardar. Gardar knows Matias. Matias knows Fredrik. Fredrik sort of knows Gardar.Gardar knows Marius. And that Gardar knows Matias we already know. But Matias also knows Anders, STANDARD (OSLO), Oslo, Norway, 2012
  • Breuning, Bäckström, Einarsson, Gamdrup, Kvie, Kvium, Lagomarsino, Rødland, Storch, Superflex – Nils Stærk, Copenhagen, Denmark, 2012
  • F for Freedom – Galeria Filomena Soares, Lisbon, Portugal, 2012
  • Black Swan (curated by Dominic Sidhu), Regen Projects, Los Angeles, USA, 2011
  • In the Name of the Artists – American Contemporary Art from the Astrup Fearnley Collection, Biennal Pavilion, São Paulo, Brazil, 2011
  • I love ALDI, Wilhelm Hack Meseum, Ludwigshafen am Rhein, Germany, 2011
  • Vanishing Points: paint and paintings from the Debra and Dennis Scholl collection, Miami, USA, 2011
  • New York Minute, Garage Center for Contemporary Culture, GCCC, Moscow, Russia, 2011
  • Pawnshop, Thessaloniki Biennial, Thessaloniki, Greece, 2011
  • It’s Great To Be In New Jersey, Honor Fraser Gallery, Los Angeles, USA (Curator), 2011
  • Ricupero and Alexis Valliant, Schirn Kunsthalle, Frankfurt, Germany, 2011
  • I don’t know if it makes any sense – I feel quite dizzy and a little drunk due to the blow. I will return with more info shortly…, IMO, Copenhagen, Denmark, 2011
  • LITOS GRAFERA, Kunst Centret Silkeborg Bad, Silkeborg, Denmark., 2011
  • Investigations of a Dog, Magasin 3, Stokholm, Sweden, (curated by Tessa Praun) North By New York: New Nordic Art, Scandinavia House, New York, USA, 2011
  • The Last First Decade, Ellipse Foundation, Cascais, Portugal, 2011
  • To The Arts, Citizens!, Serralves Museum of Contemporary Art, Porto, Portugal, 2011
  • Secret Societies: To Know, To Dare, To Will, To Keep Silence, Schirn Kunsthalle, Frankfurt, Germany, 2011
  • Supernature: An Exercise in Loads, AMP, Athens, Greece, 2011
  • Ever Prosperit, Bugada & Cargnel, Paris, France, 2011
  • It is it, Espacio 1414, Santurce, Puerto Rico, 2011
  • RE-DRESSING, Bortolami Gallery, New York City, New York, September 2010
  • Tracks, New acquisitions in Malmö Art Museum collection of Nordic Contemporary Art, Konstmuseum, Malmö, Sweden, 2010
  • To The Arts, Citizens!, Museu Serralves, Museu de Art Contemporanea, Porto, Portugal, 2010
  • Les Recherches d’un Chien, La Maison Rouge, Paris, France, 2010
  • Where Do We Go From Here?, Selections from La Coleccion Jumex, CAC, Cincinnati, USA, 2010
  • When Do You See Yourself in Ten Years?, STANDARD (OSLO), Oslo, Norway, 2010
  • Is There Any Hope for an Optimistic Art?, Moscow Museum of Modern Art, Moscow, Russia, 2010
  • Investigations of a Dog, Ellipse Foundation, Alcoitao, Portugal, 2010
  • Ever Prosperity, Bugada & Cargnel, Paris, France, 2010
  • Is is it, Espacio 1414, Santurce, Puerto Rico, 2010
  • 17th Biennale of Sydney – The Beauty and the Distance (curated by David Elliot), Sydney, Australia, 2010
  • I Like the Work, but my Wife Is Still Concern. Please Keep Me Inform about New Works – Gardar Eide Einarsson, Marius Engh and Matias Faldbakken, STANDARD (OSLO), Oslo, Norway, 2010
  • Chasing Napoleon, Palais de Tokyo, Paris, France, 2009
  • That’s All Folks, Stadshallen, Bruges, Belgium, 2009
  • Where Do We Go From Here?: Works from the Jumex Collection, The Bass Museum, Miami, FL, USA, 2009
  • Zwischen Zonen: La Coleccion Jumex Mexiko, MUMOK, Vienna, Austria, 2009
  • Beg, Borrow and Steal, Rubell Family Collection, Miami, USA, 2009
  • I love Malmö, Kumuu Art Museum, Tallinn, Estonia, 2009
  • Investigations of a Dog, Works from the FACE Collections, Turin, Italy, 2009
  • Minimal Means, Frank Cohen Collection, Wolverhampton, UK, 2009
  • Living Together (curated Emma Dexter and Xabier Arakistain), The Centro Cultural Montehermoso, Victoria-Gasteiz, Spain, TOUR: MARCO Museum, Vigo, Spain, 2009
  • Dark Summer, Galerie Rodolphe Janssen, Brussels, Belgium, 2009
  • The World is Yours, Louisiana Museum for Moderne Kunst, Humlebæk, Denmark, 2009
  • New York Minute, Museo D’Arte Contemporanea Roma, Rome, Italy, 2009
  • Every Revolution is A Roll of the Dice, (curated by Bob Nickas) Paula Cooper Gallery, New York, USA, 2009
  • Lessons in the Art of Falling, (curated by Jonas Ekeberg and Elisabeth Byre), Preus Museum, Horten, Norway, 2009
  • Rotating Views #2, Astrup Fearnley Museum of Modern Art, Oslo, Norway, 2009
  • Einarsson, Rhodes, Whitney, Team Gallery, New York, 2009
  • We Never Met Before, But It’s With Great Anticipation Of Your Understanding That I’m Writing You And I Hope You Will In Good Faith Give A Deep Consideration To My Proposal Below, STANDARD (OSLO), Oslo, 2008
  • Whitney Biennial 2008, (curated by Shamim Momin and Henriette Huldisch), Whitney Museum, New York, USA, 2008
  • Listen Darling…The World is Yours, (curated by Lisa Phillips), Ellipse Foundation, Cascais, Portugal, 2008
  • Norsk Hydros Kunstsamling, Heine Onstad Kunstsenter, Høvikodden, Norway, 2008
  • The Soft Shields of Pleasure, Den Frie Udstilling, Copenhagen, Denmark, 2008
  • Hardcore, Sørlandet Kunstmuseum, Kristiansand, Norway, 2008
  • That was then..This is Now, P.S.1, New York, USA, 2008
  • Lights On: Norsk Samtidskunst, (curated by Gunnar Kvaran, Hanne Beate Ueland and Greta Arbu), Astrup Fearnley Museum of Modern Art, Oslo, Norway, 2008
  • Murder Letters, (curated by David Rimanelli), Galeria Filomena Soares, Lisbon, Portugal, 2008
  • Meet Me Around the Corner: Works from the Astrup Fearnley Collection, Astrup Fearnley Museum for Modern Art, Oslo, Norway, 2008
  • Carnegie Art Award 2008; Royal College of Art, London, UK; Konstakademien, Stockholm, Sweden; The Göteborg Museum of Art, Sweden; Listasafn Kópavogs, Kópavogur /Reykjavík, Iceland; Den Frie Udstilling, Copenhagen, Denmark; Museum of Contemporary Art Kiasma, Helsinki, Finland; Genève or/Centre International d’Art Contemporain, Switzerland, 2008
  • Heine Onstad Kunstsenter, Høvikodden, Oslo, Norway, 2008
  • Norsk Hydros Kunstsamling, Heine Onstad Kunstsenter, Høvikodden, Norway, 2008
  • Sweet Bird of Youth, (curated by Hedi Slimane), Arndt & Partner, Berlin, Germany, 2007
  • Paintings, Props and Problems (Still Unresolved) (curated by Eivind Furnesvik), STANDARD (OSLO), Oslo, Norway, 2007
  • Time Past – Time Present – Istanbul Museum of Modern Art, Istanbul, Turkey, 2007
  • Every Revolution is a Roll of the Dice, (curated by Bob Nickas), Ballroom Marfa, Marfa, Texas, USA, 2007
  • Mafia: Or One Unopened Packet of Cigarettes, (curated by Eivind Furnesvik), Gagosian Gallery, New York, USA, 2007
  • My Sweet Sixteen Party, Galerie Rodolphe Janssen, Brussels, Belgium, 2007
  • Painting, Space, and Society, Gotensborgs Konsthall, Gotensborgs, Sweden, 2007
  • Kick it til it breaks, (curated by Debra Singer), The Kitchen, New York, USA, 2007
  • Last Attraction Next Exit, (curated by Neville Wakefield), Max Wigram, London, England, 2007
  • Conditions of Display, (curated by Gean Moreno), The Moore Space, Miami, USA, 2007
  • Extraordinary Rendition, (curated by Max Andrews), Nogueras Blanchard, Barcelona, Spain, 2007
  • Bastard Creature, Palais de Tokyo, Paris, France, 2007
  • In Practice Projects, (curated by Sarina Basta), Sculpture Center, New York, USA, 2007
  • White Light, Sorlandets Kunstmuseum, Kristiansand, Norway, 2007
  • Group Show, Taka Ishii Gallery, Tokyo, Japan, 2007
  • I Love Malmo- Works from the Malmo Art Museum, Turku Art Museum, Turku, Finland, 2007
  • Survivor, Bortolami Dayan, New York, (curated by David Rimanelli), 2006
  • War on 45/My Mirrors are Painted Black for You, (curated by Banks Violette), Bortolami Dayan, New York, USA, 2006
  • In The Poem About Love… Artists Space, New York, USA, 2006
  • And Yet It Moves! MOT London, UK, 2006
  • Bring the War Home, Elizabeth Dee Gallery, New York, USA, 2006
  • Collection 2005/06 Galerie Rodolphe Janssen, Brüssel, Belgium, 2006
  • Déjà 5 ans seulement! Galerie Loevenbruck, Paris, France, 2006
  • I Love My Scene 2, Mary Boone Gallery, New York, USA, 2006
  • Opacity Wiener Secession, Vienna, Austria, 2006
  • Gardar Eide Einarsson / Performance Swiss Institute, New York, USA, 2006
  • Defamation of Character, (curated by Neville Wakefield), P.S.1., New York, USA, 2006
  • Coming Together, The National Museum of Art, Architecture and Design, Oslo, Norway, 2006
  • View Nine: Scene 2, Mary Boone Gallery, New York, USA, 2006
  • Down By Law, Wrong Gallery for the 2006 Whitney Biennal, Whitney Museum, New York, USA, 2006
  • The Complex of Respect, (curated by Philipe Pirotte), Kunsthalle Bern, Bern, Switzerland, 2006
  • Marc Selwyn Fine Art, (curated by Clarissa Dalrymple), Los Angeles, USA, 2006
  • Samle Sammen, National Museum of Art, Architecture and Design, Oslo, Norway, 2006
  • Skate Culture, (curated by Jonas Ekeberg and Gardar Eide Einarsson), Preus Museum, Horten, Norway, 2006
  • Theater of Life – Rhetorics of Emotions, (curated by Nicholas Schafhausen), Stadtische Galerie im Lenbachhaus, Munich, Germany, 2006
  • Mafia: Or One Unopened Packet of Cigarettes, STANDARD (OSLO), Oslo, Norway, 2006
  • Norwegian Sculpture Biennial, Vigelandsmuseet, Oslo, Norway, 2006
  • Street: behind the Cliché, (curated by Nicholas Schafhausen), Witte de With, Rotterdam, The Netherlands, 2006
  • Downstrokes and Feedback, (curated by Lisa Schiff), Allston Skirt Gallery, Boston, 2005
  • In the Poem About Love You Don’t Write The Word Love, (curated by Tanya Leighton), CCA Glasgow, Glasgow, Scotland, 2005
  • L’Altro, Lo Stesso, (curated by Irene Calderoni), FrancoSoffiantino Artecontemporanea, Turin, Italy, 2005
  • Blast G Fine Art, (curated by Paul Brewer), Washington D.C. USA, 2005
  • The 9th International Istanbul Biennale, (curated by Vasif Kortun and Charles Esche), Istanbul, Turkey, 2005
  • Next Generation: no ordinary sanctity, (curated by Shamim M. Momin), Kunstraum Deutsche Bank, Salzburg, Austria, 2005
  • Walls ‘n Things, (curated by Clarissa Dalrymple), Nicole Klagsbrun, New York, USA, 2005
  • To Be Continued, Nils Stærk Contemporary Art, Copenhagen, Denmark, 2005
  • Greater New York, P.S.1, New York, USA, 2005
  • Roberts and Tilton Gallery, Los Angeles, USA, 2005
  • Populism, (curated by Lars Bang Larsen, Cristina Ricupero & Nicolaus Schaffhausen), Stedelijk Museum, Amsterdam, The Netherlands; TOUR: National Museum of Art, Oslo, Norway; Contemporary Art Centre, Vilnius, Lithuania; Frankfurter Kunsverein, Frankfurt, Germany, 2005
  • Damien Deroubaix, Gardar Eide Einarsson, Jakob Kolding, Team Gallery, New York, USA, 2005
  • Blast, G Fine Art, Washington D.C., USA, 2005
  • 15 minutes, Stedelijk Museum Bureau, Amsterdam, The Netherlands, 2005
  • Opacity, (curated by Nina Montmann and Trude Iversen), UKS, Oslo, Norway, 2005
  • Adaptations, Apex Art, New York, USA & Museum Friedericianum, Kassel, Germany, 2004
  • Art Film Basel, Art 35 Basel/ Stadtkino Basel, Switzerland, 2004
  • Boys Keep Swinging, (curated by Mai-Thu Perret), Champion Fine Arts, New York, USA, 2004
  • Black Friday, (curated by Christoph Keller), Galerie Kamm, Berlin, Germany, 2004
  • France, La Piste Noir, (curated by Marc-Olivier Wahler), Galerie Loevenbruck, Paris, France, 2004
  • Now And Ten Years Ago, (curated by Stephan Dillemuth), Kunstwerke, Berlin, Germany, 2004
  • Planet B: Das B-Movie in der zeitgenössichen Kunst, Magazin 4, Brussels, Belgium, touring exhibition: Palais Thurn und Taxis, Bregenz, Austria, 2004
  • New Acquisitions, Malmo Art Museum, Malmo, Sweden, 2004
  • No More Reality, Nils Staerk Contemporary Art, Copenhagen, Denmark, 2004
  • The Spectacle and Pleasure Principle or the Carnivalesque, Shedhalle, Zürich, Switzerland, 2004
  • The Lines, (curated by Rebecca Gordon Nesbitt), Apex Art, New York, USA, 2003
  • 10th Biennale de l’image en mouvement, (curated by Charles Esche), Centre pour l’image Contemporaine, Geneva, Switzerland, 2003
  • 24/7: New York-Vilnius, Contemporary Art Centre, Vilnius, Lithuania, 2003
  • Kunstladen, (curated by Maria Lind), Kunstverein München, Munich, Germany, 2003
  • Art For the People, National Touring Exhibitions, Bergen Kunsthall, Kunstnernes Hus, Norway, 2003
  • Electric Visions, The State Hermitage Museum, St. Petersburg, Russia, 2003
  • Put Out More Flags, Sutton Lane, London, UK, 2003
  • Definitively Provisional, Whitechapel Project Space, London, UK, 2003
  • Esplanaden, Charlottenborg Exhibition Hall, Copenhagen, Denmark, 2002
  • Where am I Now 2, National Museum of Contemporary Art, Oslo, Norway, 2002
  • CMYK/Greyscale, Tramway, Glasgow, Scotland, 2002
  • Strike, Wolverhampton Art Gallery, Wolverhampton, UK, 2002
  • Schpaa, Bergen Kunstforening/ Bergen Kunsthall/ Den Frie Udstilling, Copenhagen/ Bergen, Denmark/Norway, 2001
  • Audit, Casino Luxembourg Forum d’ Art Contemporain, Luxembourg, 2001
  • Reol, Galleri OTTO, Copenhagen, Denmark, 2001
  • Kosmos, (curated by Charles Esche), Rooseum Center for Contemporary Art, Malmo, Sweden, 2001
  • What’s Wrong, The Trade Apartment, London, UK, 2001
  • Coal by Any Other Name, American Fine Arts, New York, USA, 2000
  • Festival Junge Talente, Offenbach am Main, Germany, 2000
  • Presenting the Piece, Galleri OTTO/ Rhizom, Aarhus, Denmark, 2000
  • Propaganda Village, Galleri G.I/ Henie Onstad Artcenter, Oslo, Norway, 2000
  • Momentum- Nordic Festival for Contemporary Art, Moss, Norway, 2000

Residencies

  • IASPIS, Stockholm, Sweden, 2004
  • Künstlerhaus Bethanien, Berlin, Germany, 2002–03
  • NIFCA Nordic Institute for Contemporary Art, Suomenlinna, Helsinki, Finland, 2001

Solo Publications

  • The Mess, Karma, New York, USA, 2014
  • Stainless Steel/ Fluorescent Pink, Rathole Books, Tokyo, Japan, 2014
  • Gardar Eide Einarsson, Versuchsstation Des Weltuntergangs, Bergan Kunsthall, and Sternberg Press, Norway, 2013
  • Power Has a Fragrance, Astrup Fearnley Museum of Modern Art, Norway, 2011
  • South of Heaven, Revolver, Frankfurt am Main, Germany, 2007

Catalogues

  • Kvaran, Gunnar; Ueland, Hanne Beate and Årbu, Grete (ed.): Lights On!, Astrup Fearnley Museum of Modern Art / Skira, Oslo, 2008
  • Huldisch, Henriette and Momin, Shamim M.: The Whitney Biennial, Whitney Museum of American Art, New York, USA, 2008
  • Einarsson, Gardar Eide and Keller, Christoph: South of Heaven, Revolver Verlag, Frankfurt am Main, Germany, 2007
  • Einarsson, Gardar Eide and Keller, Christoph: Long Haired and Freaky People Need Not Apply, Revolver Verlag, Frankfurt am Main, Germany, 2004
  • Art For the People, Riksutstillinger, Bergen Kunsthall a.o, Norway, 2003
  • CMYK/Greyscale, Tramway, Glasgow, Scotland, 2002
  • Strike, Wolverhampton Art Gallery, Wolverhampton, UK, 2002
  • Esplanaden, Charlottenborg Exhibition Hall, Copenhagen, Denmark, 2002
  • Audit, Casino Luxembourg Forum d’ Art Contemporain, Luxembourg, 2001
  • Kosmos, Rooseum Center for Contemporary Art, Malmö, Sweden, 2001
  • Osculum Infame, Nordic Institute for Contemporary Art, Helsinki, Iceland, 2001
  • Schpaa, Bergen Kunstforening/ Bergen Kunsthall/ Den Frie Udstilling, Copenhagen/
  • Bergen, Denmark/Norway, 2001
  • Festival Junge Talente, Offenbach am Main, Germany, 2000
  • Momentum- Nordic Festival for Contemporary Art, Moss, Norway, 2000

Published Work

  • Bunch of Motherfuckers: Unfinished Individuation and Meshworks of Equivalence, The Vital Coincidence, Walther Koenig Verlag, Cologne, 2004
  • Lars Von Trier, Something is going to happen, Frotté Factory, Oslo, 2004
  • You Just Don’t Get it Dad, So Fuck Off, The Academy and the Corporate Public, Permanent Press Verlag, Cologne, 2004
  • Hardcore, Self-organization and Alternativity, We Are All Normal- Nordic Artist Writings, NIFCA, Copenhagen/ Helsinki, 2004
  • Oh My What A Dazzling Display, The Mock Commodity Fetishism of Klaus Thejl Jacobsen, Galleri Nicolai Wallner Notes on Asskissing & Corporate Strategies of the *RAF, Corporate Mentality, Lukas and Sternberg, New York, 2004
  • Total Revolution, True Lies, Pork Salad Press, Copenhagen, 2004
  • Rotation a NIFCA Project in Media Space, Nordic Institute for Contemporary Art/Morgenbladet, Oslo/Helsinki, 2001
  • Terje Nicolaisen’s Deriving Practice, Terje Nicolaisen, Tegneforbundet, Oslo, 2001
  • Billedkunst Magazine, regular critic and member of editorial board Publication Series for Oslo Kunsthall, editor, 2001
  • Metronome, Frankfurt/Main a.o., 2000
  • UKS Forum For Samtidskunst 1/2 2000, guest editor, 2000

Further reading

  • JDama, Francesco, "Mining the Art World", Hyperallergic.com, July 4, 2014
  • Johansen, Rune and Vigeland, Pål, Speak Through Art, Teknisk Industri, Olso, 2014
  • Messinger, Kate, Chez Perv @ Team Gallery, thewildmagazine.com, 23 April 2014
  • Steverlynck, Sam, The Crime Was Almost Perfect, ArtReview, p. 118, May 2014
  • Taiuti, Lorenzo, Un elogio del rifiuto. In mostra a Vienna, artribune.com, 30 September 2014
  • ———“Chez Perv”: Gardar Eide Einarsson, Matias Faldbakken, and Oscar Tuazon, artinamericamagazine.com, 25 May 2014
  • Art Media Agency, Yvon Lambert Accuelle Gardar Eine Einarsson, March 2013
  • Lawson, Kate, Art Meets Fashion: BLK DNM x Gardar Eide Einarsson, huffingtonpost.com, 23 October 2013
  • ———Gardar Eide Einarsson at Bergen Kunsthall, www.contemporaryartdaily.com, 12 August 2013
  • Bourriaud, Nicolas, Hétérochronie, L’Officiel Art, Number 1, pp. 98–107, April–June 2012
  • Creahan, D. New York: Nate Lowman, Hanna Linden, and Leo Fitzpatrick’s Home Alone Gallery Opens in Tribeca, Art Observed, pp. 1–3, August 2012
  • De Pury, Simon, Simon De Pury’s Greatest Show on Earth, Baku, p. 70, Spring 2012
  • Dessanay, Margherita, Where Is The Bomb, Elephant, pp. 122 – 131, Summer 2012
  • Raphael, Sarah. i-Profile: Gardar Eide Einarsson, i-Donline.com, July 26, 2012
  • Sack, Emily, Saskia Olde Wolbers and Garder Eide Einarsson, artistsinsight.co.uk, February 1, 2012
  • Wilson, Michael, Not Going Out Like That: Andre Saraiva at the Hole and Gardar Eide Einarsson at Team, The New York Observer, July 16, 2012
  • Wolfe, Tom, Monopol, p. 68, January 2012
  • Gardar Eide Einarsson and Matias Faldbakken, Flash Art, pp. 72–75, March/April 2012
  • ———Gardar Eide Einarsson/Santiago Sierra, New York, p. 155, June 2012
  • Balestin, Juliana, Gardar Eide Einarsson Curates His First Show at Honor Fraser, Purple Diary, July 20, 2011
  • Davis, Jacquelyn, Gardar Eide Einarsson, Artforum, April 2011
  • Johnson, Ken, Chilly Scenes (and Sounds) of Scandinavia, The New York Times, July 7, 2011
  • Linden, G. Art Review: It’s Great to be in New Jersey, Art Observed, August 21, 2011
  • Luke, Ben, Basel Sets the Agenda, Apollo, June 2011
  • Miller, Michael H., It’s (Probably) Great to Be In Los Angeles for Honor Fraser Show, New York Observer, July 2011
  • Mizota, Sharon, Art Review: Eide Einarsson at Honor Fraser, Los Angeles Times, January 2011
  • Morgan, Robert C., Does Nordic Art Exist? A Lesson In Transculture, The Brooklyn Rail, July 2011
  • Roed, Kjetil, Gardar Eide Einarsson’s “Discourses, Institutions, Buildings, Laws, Police Measures, Philosophical Propositions, and so on, Art Agenda, September 2011
  • Rus, Mayer, A Cut Above, Los Angeles Times Magazine, July 2011
  • ———A man fights, and fights, and then fights some more. Because surrender is death, and death is for pussies, Paris, L.A., Do.Pe. Press, March 2011
  • ———Gardar Eide Einarsson, The Artists Artist: Best of 2010, Artforum, p. 101, December 2010
  • ———Gardar Eide Einarsson, Details, April 2010
  • ———Gardar Eide Einarsson, New York Minute, June 2010
  • ———Northern Stars Rising…And One Prodigal Son Returns, Vman, Issue 10, Summer 2010
  • ———Gardar Eide Einarsson Interview at Gallery Koko, Vogue Hommes Japan, November, 2010
  • Berghe, Jos ten, De Schellen van de Ogen: Drugs in De Kunst, Mister Motley, pp. 96–99, 2009
  • Smith, Roberta, Einarsson, Rhodes, Whitney, The New York Times, February 13. Robinson, Gaile, Insecurity, Paranoia Infuse Norwegian Artist’s Work, Star-Telegram, December 10, 2009
  • Wilson, Michael, Every Revolution is a Roll of the Dice, Time Out New York, p. 49, January 29-February 4, 2009
  • ———Gardar Eide Einarsson, Flash Art, January/February, 2009
  • ———Gardar Eide Einarsson, PALAIS, p. 78, Fall/Autumn, 2009
  • Bollen, Christopher, Gardar Eide Einarsson, Interview, pp. 110–112, November 2008
  • Carlin, T.J., This Was Then…This Is Now, Time Out New York, September 11–17, 2008
  • Carlson, Ben, Emerging Artists: Nineteen to watch in 2009, Modern Painters, December 2008-January 2009
  • Duncan, Thomas, New Art City: Young Artists in New York, Tokion, pp. 72–75, July 2008
  • Forsund, Joachim, Troll-Mannen fra ås, ELLE Norge, pp. 102–105, February/March 2008
  • Halle, Howard, Whitney Biennial 2008, Time Out New York, p. 78., March 13–19, 2008
  • Haramis, Nick, The New Art Star, BlackBook, p. 46, December 2008/January 2009
  • Kielland, Ingrid Roise, Outsider På Innsiden, D2 Dagens Naeringsliv, pp. 26–33, February 8, 2008
  • Schlaegel, Andreas, Summer’s White Nights, Flash Art, pp. 116–118, March/April 2008
  • Sherwin, Skye, Black on Black, ArtReview, pp. 64–9, January 2008
  • Taft, Catherine, Gardar Eide Einarsson: All My Friends Are Dead, Art Review, p. 122, February 2008
  • Walleston, Aimee, Black & White, HE, pp. 76–81, Summer 2008
  • ———Work in Progress: Gardar Eide Einarsson, V Magazine, p. 130., 2008
  • Boije af Gennas, Staffan, Gardar Eide Einarsson, Frieze, p. 193, March 2007
  • Cotter, Holland, Who Needs Objects?, The New York Times, p. 39, January 12, 2007
  • Coulson, Amanda, Gardar Eide Einarsson, Modern Painters, p. 99, November 2007
  • Mendelsohn, Adam, Gardar Eide Einarsson, Spike, pp. Cover, 63-9, Winter 2007
  • Rosen, Misako, Banks & Gardar, Tokion, pp. 32–7, 137, January 2007
  • Sennert, Kate, Gardar Eide Einarsson, Tokion, April/May, pp. 56–66
  • Smith, Roberta, Gardar Eide Einarsson, The New York Times, p.E41, October 5, 2007
  • Amdam, Peter, Gardar Eide Einarsson, Natt og Dag, November 2006
  • Baker, R.C., Best in Show: War On .45/My Mirrors Are Painted Black (For You), Village Voice, p. 58, August 2–8, 2006
  • Flor, Harold, Avmakt og voldelighet: Gardar Eide Einarsson, Dagbladet, November 2006
  • Nerdrum, Nora C., Anarki, Klassekampen, November 12, 2006
  • Nickas, Bob, Gardar Eide Einarsson: Remember Kids, Purple, pp. 138–45, Fall/Winter 2006
  • Ramberg, Truls, Vanskelig Kvalitets-kunst, Aftenposten, November 2006
  • Schwendener, Martha, War on 45, Time Out New York, Aug 31- September 6, 2006
  • Taft, Catherine, Group Show Organized by Clarissa Dalrymple, Artforum.com, February 9, 2006
  • Cotter, Holland, Fanciful to Figurative to Wryly Inscrutable: Walls ‘n’ Things, The New York Times, p.E31, July 8, 2005
  • Honigman, Ana Finel, Gardar Eide Einarsson, Tema Celeste, pp. 44–9, September–October 2005
  • Jacobsen, Louis, Blasts, Washington City Paper, p. 60, October 14, 2005
  • Moreno, Gean, Gardar Eide Einarsson, ArtUS, p. 25, December 2005
  • Ribas, Joao, “City Limits,” Art Review, March 2005
  • Scott, Andrea K., Local Heroes, Time Out, p. 62, March 31-April 6, 2005
  • Sholis, Brian, Critics’ Picks: Walls ‘n’ Things, Artforum.com, July 20, 2005
  • Wilson, Michael, Gardar Eide Einarsson, Artforum, p. 279, December 2005
  • Blom, Ina, A Problem of Style: Art vs. Subculture. On the Work of Gardar Eide Einarsson, Kunstkritikk.no, Heier, Marianne, Andre Helter, Billedkunst, #1, 2004
  • Lind, Maria, Soft and strict strands, 00tal #17/18, Stockholm, 2004
  • Macel, Christine, “Dada et Moi”, Les Cahiers du Musée national d’art moderne/ Centre Pompidou #85/ Autumn 2003
  • Koether, Jutta, Was tun mi dem Schwung/What to do with the Momentum BE Magazin, #10, autumn 2003
  • Pethick, Emily, Critics Picks, Artforum.com, August 2003
  • Clark, Robert, The Guardian, Oct 8, 2002
  • Deliss, Clementine, Texte sur Kunst, December 2002
  • Griffin, Tim, Time Out New York, July 4–11, 2002
  • Nesbitt, Rebecca Gordon, Osculum Infame, the Dark Side of the White Cube, NIFCA Info, March 1, 2001
  • Tannert, Christoph, Kunstzeitung, November 2001
  • Andreassen, Soren, Bang Larssen, Lars, NU: The Nordic Art Review, March. McDavid, Ralph, NU: The Nordic Art Review, February 2000

Public Collections

  • Astrup Fearnley Museum of Modern Art, Oslo, Norway
  • Berkeley Art Museum, Berkeley
  • Los Angeles County Museum of Art
  • Malmo Art Museum, Malmo
  • Moderna Museet, Stockholm
  • Museum of Contemporary Art, Los Angeles
  • Museum of Modern Art, New York
  • Norwegian National Museum of Art, Oslo, Norway
  • Sweden Museum für Moderne Kunst, Frankfurt Am Main, Germany

References

  1. ^ "Witte de With Contemporary Art, The Crime Was Almost Perfect, Cristina Ricupero (January 2014)"
  2. ^ "GARDAR EIDE EINARSSON“He likes the fiestas. He likes the music. He likes to dance.”, Maureen Paley (June 2014)"
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Gardar_Eide_Einarsson&oldid=725164032"