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Finding Dory
Theatrical release poster
Directed byAndrew Stanton
Screenplay by
  • Andrew Stanton
  • Victoria Strouse
Story by
  • Andrew Stanton
Produced byLindsey Collins[1]
Starring
CinematographyJeremy Lasky
Edited byAxel Geddes
Music byThomas Newman
Production
companies
Distributed byWalt Disney Studios
Motion Pictures
Release dates
  • June 8, 2016 (2016-06-08) (El Capitan Theatre)
  • June 17, 2016 (2016-06-17) (United States)
Running time
97 minutes[2]
CountryUnited States
LanguageEnglish
Budget$200 million[3]
Box office$455.7 million[4]

Finding Dory is a 2016 American 3D computer-animated comedy-drama adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. Directed and co-written by Andrew Stanton with co-direction by Angus MacLane,[5][6] the screenplay was co-written by Victoria Strouse and Stanton.[7] The film is a sequel to 2003's Finding Nemo, and features the voices of Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O'Neill, Kaitlin Olson, Ty Burrell, Diane Keaton and Eugene Levy.

Finding Dory focuses on the amnesiac fish Dory, who journeys to be reunited with her parents.[8] Along the way, she is captured and taken to a California public aquarium, from which Marlin and Nemo attempt to rescue her.[9]

The film premiered at the El Capitan Theatre in Los Angeles on June 8, 2016, and was released in the United States on June 17, 2016.[10] It received positive reviews from critics and has grossed over $455 million worldwide.[4][11][12]

Plot

One year after the events of Finding Nemo, Dory, a regal blue tang, experiences dreams of her life prior to meeting Marlin and Nemo, particularly about her parents. Mr. Ray's lecture triggers Dory's memories, and she suddenly longs to find her parents, though the only thing she remembers is that they lived at the Jewel of Morro Bay.

Marlin, initially reluctant, and Nemo decide to accompany Dory in her quest. With the help of Crush, the trio rides the water current to California. On arrival, they are forced to flee from a predatory giant squid that nearly devours Nemo. Afterwards, Marlin snaps at Dory for endangering Nemo. Although hurt, Dory seeks help and travels to the surface, where she is rescued by volunteers from the Marine Life Institute after being caught in six pack rings.

Dory is sent to the Quarantine section and tagged. There, she meets an ill-tempered, seven-legged octopus named Hank. He deciphers Dory's tag, which means she will be sent to a permanent aquarium in Cleveland, instead of being released. Due to a past trauma, Hank wants to live in an enclosed area, and he agrees to help Dory find her parents in exchange for her tag. Discovering her birthplace in the aquarium's Open Ocean exhibit, she enlists the help of her childhood friend Destiny, a nearsighted whale shark, and Bailey, a beluga whale who believes he is unable to echolocate. Dory learns that the blue tangs are receiving their own exhibit in Cleveland and have been sent to Quarantine.

Meanwhile, Marlin and Nemo attempt to rescue Dory. After an encounter with a pair of sea lions and a common loon named Becky, they manage to get into the Institute. By traveling through various exhibits and places, they reunite with Dory in the institute's pipe system. The trio travels back to Quarantine with the help of Destiny and Bailey.

The group locates a tank of blue tangs, but they tell her that Dory's parents escaped to search for Dory and haven't been back since. Dory is shocked, believing her parents to be dead. Hank manages to retrieve Dory from the tank while Marlin, Nemo, and the blue tangs are loaded in a truck bound for Cleveland. An anxious Hank, who is apprehended by one of the Institute's employees, accidentally drops Dory into the drain that takes her to the ocean. Dory wanders around inconsolably before she comes across a trail of shells that leads her to her parents, who tell her they had thought she was sucked into the ocean. Hoping to reunite with her, they had gone into the drain and spent years forming trails of shells for her to follow.

Dory's family, with Destiny, Bailey, a group of sea otters and Becky, help Dory in rescuing Marlin and Nemo. Dory manages to persuade Hank to live in the ocean. The group finally manages to reach the ocean by hijacking the truck and crashing it into the water, freeing the other fish in the process. Dory returns with Marlin and Nemo to the reef, taking her parents, Hank, Destiny, and Bailey along.

In a post-credits scene, the Tank Gang, still trapped in their now algae-covered plastic bags, reach California after a year of swimming across the Pacific. They are then captured by volunteers.

Voice cast

Production

Prior to work on Finding Dory, Disney had planned to make a Finding Nemo sequel without Pixar's involvement, through Circle 7 Animation, a studio Disney announced in 2005 with the intention to make sequels to Pixar properties.[14][15] However, in 2006, Circle 7 was shut down by Disney without ever having produced a film.[16]

In July 2012, it was reported that Andrew Stanton was developing a sequel to Finding Nemo,[17] with Victoria Strouse writing the script and a release date scheduled for 2016.[18] However, the same day the news of a potential sequel broke, Stanton posted a message on his personal Twitter calling into question the accuracy of these reports. The message said, "Didn't you all learn from Chicken Little? Everyone calm down. Don't believe everything you read. Nothing to see here now. #skyisnotfalling".[19] According to a report by The Hollywood Reporter published in August 2012, Ellen DeGeneres was in negotiations to reprise her role of Dory.[20] In September 2012, it was confirmed by Stanton, saying: "What was immediately on the list was writing a second Carter movie. When that went away, everything slid up. I know I'll be accused by more sarcastic people that it's a reaction to Carter not doing well, but only in its timing, but not in its conceit".[21] In February 2013, it was confirmed by the press that Albert Brooks would reprise the role of Marlin in the sequel.[22]

In April 2013, Disney announced the sequel, Finding Dory, for November 25, 2015, confirming that Ellen DeGeneres and Albert Brooks would be reprising their roles as Dory and Marlin, respectively.[23] Following a long campaign for a sequel on The Ellen DeGeneres Show, DeGeneres stated:

I have waited for this day for a long, long, long, long, long, long time. I'm not mad it took this long. I know the people at Pixar were busy creating Toy Story 16. But the time they took was worth it. The script is fantastic. And it has everything I loved about the first one: It's got a lot of heart, it's really funny, and the best part is—it's got a lot more Dory.[23]

In a July 2013 interview with Los Angeles Times, Stanton spoke of the sequel's origin: "There was polite inquiry from Disney [about a Finding Nemo sequel]. I was always 'No sequels, no sequels.' But I had to get on board from a VP standpoint. [Sequels] are part of the necessity of our staying afloat, but we don't want to have to go there for those reasons. We want to go there creatively, so we said [to Disney], 'Can you give us the timeline about when we release them? Because we'd like to release something we actually want to make, and we might not come up with it the year you want it'".[24]

In a 2016 interview Stanton stated how the film's story came to be; "I don't watch my films that often after they're done because I have to watch them so many times before they come out. So about 2010 when we were getting Finding Nemo ready for the 10-year re-release in 3D, it was interesting to watch again after all that time. Something kind of got lodged in the back of my brain and started to sort of stew. I started to think about how easily Dory could get lost and not find Marlin and Nemo again. She basically was in the same state that she was when Marlin found her. I didn't know where she was from. I knew that she had spent most of her youth wandering the ocean alone, and I wanted to know that she could find her new family, if she ever got lost again. It's almost like the parental side of me was worried". Stanton additionally stated: "I knew if I ever said Finding Dory or mentioned a sequel to Finding Nemo out loud, I’d be done, [T]here would be no way I'd be able to put that horse back in the barn. So I kept it very quiet until I knew I had a story that I thought would hold, and that was in early 2012. So I pitched it to John Lasseter and he was all into it. Then I got a writer, and once we had a treatment that we kind of liked, I felt comfortable calling Ellen".[25]

The writer that Stanton selected to write the screenplay was Victoria Strouse. She later said, "It was always collaborative with Andrew, but really the screenwriting was me. Of course, Andrew would do passes, and he and I would brainstorm a lot together and then we would bring it to the group of story artists. People would weigh in and share ideas."[26] She pointed to Dory's forgetfulness as a challenge when writing the script, adding, "You don’t realize until you sit down to write a character who can’t remember things how integral memory is to absolutely everything we do, and that’s what creates a narrative that people can follow. When a main character can’t self-reflect and can’t tell a story, that character is very difficult to design because she can’t really lead. To get her to be able to lead and to get an audience to be able to trust her was the hardest thing to do."[26]

The film's ending was revised after Pixar executives viewed Blackfish, a 2013 documentary film which focuses on the dangers of keeping orca whales in captivity. Initially, some of the characters were to end up in a SeaWorld-like marine park, but the revision gave them an option to leave.[27][28] On September 18, 2013, it was announced that the film would be pushed back to a June 17, 2016, release. Pixar's The Good Dinosaur was moved to the November 25, 2015, slot to allow more time for production of the film.[29]

In June 2014, it was revealed through Stanton's Twitter feed that the film would be co-directed by Angus MacLane.[30]

In August 2015, at Disney's D23 Expo, it was announced that Hayden Rolence would voice Nemo, replacing Alexander Gould from the first film, whose voice has deepened since reaching adulthood (Gould voiced a minor character in the sequel instead).[31][32] In addition to Rolence, Ed O'Neill was revealed to be the voice of Hank.[31]

Soundtrack

Untitled

Finding Dory: Original Motion Picture Soundtrack is the soundtrack for the film and it is composed by Thomas Newman.[33] It was released on June 17, 2016.[34]

Louis Armstrong's version of "What a Wonderful World" is heard as the fish are released by accident in to the bay.

On May 20, 2016, Sia performed a cover of Nat King Cole's "Unforgettable" on The Ellen DeGeneres Show after it was announced it would be featured in the film.

Track listing

No.TitlePerformerLength
1."Kelpcake" 0:46
2."Finding Dory (Main Title)" 0:55
3."Lost at Sea" 1:36
4."One Year Later" 2:24
5."Migration Song" 0:35
6.""O, We're Going Home"" 1:38
7."Jewel of Morro Bay" 2:00
8."Gnarly Chop" 1:39
9."Squid Chase" 1:28
10."Sigourney Weaver" 1:21
11."Hank" 3:19
12."Nobody's Fine" 3:29
13."Rebecca Darling" 1:54
14."Meet Destiny" 1:07
15."Joker at Work" 1:16
16."Becky Files" 3:53
17."Hands!" 2:24
18."Almost Home" 2:01
19."Open Ocean" 3:18
20."Two Lefts and a Right" 3:57
21."Everything About You" 1:41
22."Quarantine" 2:41
23."Warp" 1:03
24."All Alone" 0:53
25."...Shells" 4:47
26."No Walls" 2:25
27."Okay with Crazy" 1:50
28."Hide and Seek" 1:51
29."Quite a View" 1:25
30."Unforgettable (End Title)"Sia Furler3:17
31."Three Hearts (End Title)" 3:29
32."Loon Tune" 1:20
33."Fish Who Wander" 1:18
34."Release" 1:13

Release

Finding Dory premiered at the El Capitan Theatre in Los Angeles on June 8, 2016, and was theatrically released in the United States on June 17, 2016, in 2D, Disney Digital 3-D and RealD 3D.[5][6] It was also released to IMAX 3D theaters.[35] In April 2016, it was announced that a new Pixar short, Piper, directed by Alan Barillaro and with music by Adrian Belew, would be shown in front of the film.[36] It had its UK premiere at the Edinburgh International Film Festival on June 18, 2016.[37][38]

Finding Dory premiered in Indonesia the same day as its U.S. release and was released in both English and Bahasa Indonesia to allow young Indonesian children to have more appreciation of the Indonesian language. It was released under the title, Mencari Dory. This is the second Pixar film to be dubbed in Indonesian, after The Good Dinosaur.[39][40][41]

Box office

As of July 1, 2016, Finding Dory has grossed $343.8 million in North America and $111.9 million in other territories for a worldwide total of $455.7 million, against a budget of $200 million.[4] It had a worldwide opening of $185.7 million, which is the second biggest of all time for an animated film behind only Ice Age: Dawn of the Dinosaurs and an IMAX global opening of $6.4 million.[42][43]

North America

In the United States and Canada, Finding Dory opened on June 17, 2016, alongside Central Intelligence, with projections having the film grossing $110–120 million[44][45][46][47] in its opening weekend, with some estimates going as high as $130 million.[48][49] It received the widest release for a Pixar film (4,305 theaters, breaking Brave's record), of which 3,200 venues were in 3D, along with 425 premium large format locales, approximately 100 IMAX theaters and a handful of Dolby Cinema sites.[46] It was Fandango's top pre-selling animated film of all time, outselling the previous record-holder, Minions.[50] The film grossed $9.2 million from Thursday night previews, a record for both Pixar and any animated film,[51][52] and $54.9 million on its opening day, marking both the biggest opening day and single-day for an animated film. This also marks the first time that an animated film has grossed over $50 million in a single day.[53][54] It went on to gross $135.1 million in its opening weekend, finishing first at the box office and setting the record for the highest opening weekend for an animated film (breaking Shrek the Third's record) and the third biggest adjusted for inflation.[55] It is also the second highest opening for Walt Disney Studios Motion Pictures behind Pirates of the Caribbean: Dead Man's Chest's $135.6 million that isn't a Marvel film or Star Wars: The Force Awakens and is the studio's seventh-biggest debut overall.[42][56] It also became the fifth animated film and the fifth film of 2016 to open above $100 million.[57] Morever, its opening also marked the second biggest for the month of June, behind only Jurassic World.[58] Its opening was 93.8% above Finding Nemo's $70.2 million debut.[59] It further broke the record for the biggest PLF and Cinemark XD opening for an animated film with $10.4 million and $2.6 million respectively. In IMAX, it made $5 million from 211 IMAX theaters,[60] the third best animated IMAX opening, behind Zootopia ($5.2 million) and Toy Story 3 ($8.4 million).[61]

Following its record breaking openings, it scored the biggest Pixar Monday by grossing $19.5 million, breaking Toy Story 3's $15.6 million, and the best Monday in June for an animated film. However, among all animated films, it is second, behind only Shrek 2 which made $23.4 million on its first Monday.[62][63] And also, the biggest Tuesday for an animated film with $23.1 million, besting Minions's $16.8 million.[64] It jumped 18.5% over its Monday gross, a rare achievement for a film.[65] It crossed the $200 million mark in its first seven days, becoming the first (and fastest) animated film to pass the said milestone in just a week.[66] It fell only 46% in its second weekend earning $73 million to record the biggest second weekend animated film (breaking Shrek 2's $72.1 million previous record), the biggest for Disney and 2016 (surpassing Captain America: Civil War's $72.6 million) and the eighth biggest second weekend gross of all time overall.[67][68] This was despite facing stiff competition from newcomer Independence Day: Resurgence.[69] It crossed $300 million in a record breaking 12 days a new record for an animated film, surpassing the previous record held by Shrek 2 and Toy Story 3 which both took 18 days,[70] and became the second animted film of 2016 (after Zootopia), the fourth Walt Disney film of 2016 and the sixth overall film of the year to cross the milestone.[71]

Outside North America

Outside North America, Finding Dory will receive a staggered release in a span of four months (June–September). This was done in order take advantage of key holidays and competitive dates around the world.[72] It was released across 29 countries – which is 32% of its entire international release territories – the same weekend as its U.S. premiere. It made an estimated $50.7 million to take the No. 1 spot at the international box office.[60] In its second weekend, it added $38.7 million from 37 markets, falling in third place behind Independence Day: Resurgence and Now You See Me 2.[72] In the same weekend along with its $73 million take in North America, the film helped Pixar cross the $10 billion mark worldwide since Toy Story (1995).[72]

It had the biggest opening of all time for a Disney/Pixar film in Australia ($7.7 million), the Philippines ($2.1 million), Singapore ($1.3 million), India ($1 million), Indonesia, Peru and Central America and in Russia it opened with $3.19 million,[60] and the second biggest in Argentina ($3.5 million), and that’s despite amidst the country's Copa America soccer match, and Colombia ($2.1 million), behind Monsters University.[60] It had further number one openings in Spain ($4.9 million) and France ($4.7 million).[72]

In China, where Pixar films have been struggling to find broad audiences and accrue lucrative revenues, the film was projected to make around $30 million in its opening weekend.[73] The film ended up grossing $17.7 million – the highest Pixar opening in the country's history – debuting in second place, behind Warcraft.[60] It has so far grossed a total of $30.1 million in two weeks and will soon unset Monsters University to become the biggest Pixar film there.[72]

Critical response

Finding Dory has received positive reviews from critics. On review aggregator website Rotten Tomatoes, the film has an approval rating of 95%, based on 200 reviews, with an average rating of 7.7/10. The site's critical consensus reads, "Funny, poignant, and thought-provoking, Finding Dory delivers a beautifully animated adventure that adds another entertaining chapter to its predecessor's classic story."[74] On Metacritic, the film has a score of 77 out of 100 based on 48 reviews, indicating "generally favorable reviews".[12] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[75]

Mike Ryan of Uproxx gave the film a positive review, saying: "I never thought I wanted a sequel to Finding Nemo, but here we are and I’m pretty happy it exists. And, for me, it was a more emotional experience than the first film. Finding Dory got me – it made me cry."[76] A.O. Scott of The New York Times said that while the film lacks "dazzling originality" he overall wrote, "it more than makes up for in warmth, charm and good humor."[77] In his review for Variety, Owen Gleiberman wrote, "It’s a film that spills over with laughs (most of them good, a few of them shticky) and tears (all of them earned), supporting characters who are meant to slay us (and mostly do) with their irascible sharp tongues, and dizzyingly extended flights of physical comedy."[78] The Wall Street Journal's Joe Morgenstern said, "Finding Dory can be touching, sweet and tender, but it’s compulsively, preposterously and steadfastly funny."[79] Peter Travers of Rolling Stone gave the film three and one half out of four stars and said that the film, "brims with humor, heart and animation miracles" despite lacking, "the fresh surprise of its predecessor".[80]

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  67. ^ Anthony D'Alessandro (June 26, 2016). "'Dory' Posts Best Second Weekend For Animated Movie As Fireworks Die For 'Resurgence'; 'Shallows' Chomps $16M+". Deadline.com. Retrieved June 26, 2016. {{cite web}}: Italic or bold markup not allowed in: |work= (help)
  68. ^ "TOP WEEKENDS: 2ND – 12TH". Box Office Mojo. Retrieved June 26, 2016.
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  73. ^ Jonathan Papish (June 17, 2016). "On Screen China: Despite Upstream Struggle, Pixar's 'Dory' Could Haul It In". China Film Insider. Retrieved June 17, 2016.
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