Crouching Tiger, Hidden Dragon
Crouching Tiger, Hidden Dragon | |
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File:Crouching tiger hidden dragon poster.jpg | |
Directed by | Ang Lee |
Screenplay by |
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Produced by |
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Starring | |
Cinematography | Peter Pau |
Edited by | Tim Squyres |
Music by | Tan Dun |
Distributed by | Sony Pictures Classics |
Release dates |
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Running time | 120 minutes[2] |
Countries | |
Language | Standard Mandarin[3] |
Budget | $17 million |
Box office | $213.5 million[3] |
Crouching Tiger, Hidden Dragon | |||||||||||||||||||||
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Traditional Chinese | 臥虎藏龍 | ||||||||||||||||||||
Simplified Chinese | 卧虎藏龙 | ||||||||||||||||||||
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Crouching Tiger, Hidden Dragon (simplified Chinese: 卧虎藏龙; traditional Chinese: 臥虎藏龍) is a 2000 Taiwanese–Chinese–Hong Kong–American martial arts film. A Chinese co-production, the film was directed by Ang Lee and featured an international cast of Chinese actors, including Chow Yun-fat, Michelle Yeoh, Zhang Ziyi and Chang Chen. The film was based on the fourth novel, of the same name, in the wuxia book series Crane Iron Pentalogy, by Chinese novelist Wang Dulu. The martial arts and fighting action sequences were choreographed by Yuen Wo Ping, who later directed the English language sequel Crouching Tiger, Hidden Dragon: Sword of Destiny, released in 2016.
Made on a US$17 million budget, with dialogue in Mandarin, Crouching Tiger, Hidden Dragon became a surprise international success, grossing $213.5 million. It grossed US$128 million in the United States, becoming the highest-grossing foreign-language film in American history. It has won over 40 awards. The film won the Academy Award for Best Foreign Language Film (Taiwan) and three other Academy Awards, and was nominated for six other Academy Awards, including Best Picture.[4] The film also won four BAFTAs and two Golden Globe Awards, one for Best Foreign Film. Along with its awards success, Crouching Tiger continues to be hailed as one of the greatest and most influential foreign language films in the United States, especially coming out of Taiwan. It has been praised for its martial arts sequences, story, direction, musical score, and cinematography.
Plot
This article's plot summary may be too long or excessively detailed. (October 2015) |
The film is set in the Qing Dynasty during the 43rd year (1779) of the reign of the Qianlong Emperor. Li Mu Bai (Chow Yun-fat) is an accomplished Wudang swordsman. Long ago, his master was murdered by Jade Fox (Cheng Pei-pei), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (Michelle Yeoh), a female warrior. Mu Bai and Shu Lien have developed feelings for each other, but they have never acknowledged or acted on them due to Yu's deceased fiancé Meng Sizhao, who was also Mu Bai's best friend. Mu Bai, intending to give up his warrior life, asks Shu Lien to transport his sword, also referred to as the Green Destiny, to the city of Beijing, as a gift for their friend Sir Te (Sihung Lung). At Sir Te's estate, Shu Lien meets Jen (Zhang Ziyi), the daughter of Governor Yu (Li Fazeng), a visiting Manchu aristocrat. Jen, destined for an arranged marriage and yearning for adventure, seems envious of Shu Lien's warrior lifestyle.
One evening, a masked thief sneaks into Sir Te's estate and steals the sword. Mu Bai and Shu Lien trace the theft to Governor Yu's compound and learn that Jade Fox has been posing as Jen's governess for many years. Mu Bai makes the acquaintance of Inspector Tsai (Wang Deming), a police investigator from the provinces, and his daughter May (Li Li), who have come to Peking in pursuit of Fox. Fox challenges the pair and Sir Te's servant Master Bo (Gao Xi'an) to a showdown that night. Following a protracted battle, the group is on the verge of defeat when Mu Bai arrives and outmaneuvers Fox. Before Mu Bai can kill Fox, the masked thief reappears and partners with Fox to fight. Fox resumes the fight and kills Tsai before fleeing with the thief (who is revealed to be Fox's protégé, Jen). After seeing Jen fight Mu Bai, Fox realizes Jen had been secretly studying the Wudang manual and has surpassed her in combative skills.
At night, a desert bandit named Lo (Chang Chen) breaks into Jen's bedroom and asks her to leave with him. A flashback reveals that in the past, when Governor Yu and his family were traveling in the western deserts, Lo and his bandits had raided Jen's caravan and Lo had stolen her comb. She chased after him, following him to his desert cave seemingly in a quest to get her comb back. However, the pair soon fell passionately in love. Lo eventually convinced Jen to return to her family, though not before telling her a legend of a man who jumped off a cliff to make his wishes come true. Because the man's heart was pure, he did not die. Lo came to Peking to persuade Jen not to go through with her arranged marriage. However, Jen refuses to leave with him. Later, Lo interrupts Jen's wedding procession, begging her to come away with him. Nearby, Shu Lien and Mu Bai convince Lo to wait for Jen at Mount Wudang, where he will be safe from Jen's family, who are furious with him. Jen runs away from her husband on the wedding night before the marriage could be consummated. Disguised in male clothing, she is accosted at an inn by a large group of warriors; armed with the Green Destiny and her own superior combat skills, she emerges victorious.
Jen visits Shu Lien, who tells her that Lo is waiting for her at Mount Wudang. After an angry dispute, the two women engage in a duel. Shu Lien is the superior fighter, but Jen wields the Green Destiny: the sword destroys each weapon that Shu Lien wields, until Shu Lien finally manages to defeat Jen with a broken sword. When Shu Lien shows mercy and lowers the sword, Jen injures Shu Lien's arm. Mu Bai arrives and pursues Jen into a bamboo forest. Following a duel where Mu Bai regains possession of the Green Destiny, he decides to throw the sword over a waterfall. In pursuit, Jen dives into an adjoining river to retrieve the sword and is then rescued by Fox. Fox puts Jen into a drugged sleep and places her in a cavern; Mu Bai and Shu Lien discover her there. Fox suddenly reappears and attacks the others with poisoned darts. Mu Bai blocks the needles with his sword and avenges his master's death by mortally wounding Fox, only to realize that one of the darts hit him in the neck. Fox dies, confessing that her goal had been to kill Jen because she was furious that Jen had hid the secrets of Wudang's far superior fighting techniques from her.
As Jen exits to gather up an antidote for the poisoned dart, Mu Bai prepares to die. With his last breaths, he finally confesses his romantic affections for Shu Lien. He dies in her arms as Jen returns, too late to save him. The Green Destiny is returned to Sir Te. Jen later goes to Mount Wudang and spends one last night with Lo. The next morning, Lo finds Jen standing on a balcony overlooking the edge of the mountain. In an echo of the legend that they spoke about in the desert, she asks him to make a wish. He complies and wishes for them to be together again; back in the desert. Jen then suddenly leaps over the side of the mountain.
Cast
- Chow Yun-fat as Li Mu Bai (C: 李慕白, P: Lǐ Mùbái)
- Michelle Yeoh as Yu Shu Lien (T: 俞秀蓮, S: 俞秀莲, P: Yú Xiùlián)
- Zhang Ziyi as Jen Yu (English subtitled version) / Yu Jiaolong (English dubbed version) (T: 玉嬌龍, S: 玉娇龙, P: Yù Jiāolóng)
- Chang Chen as Lo "Dark Cloud" (English subtitled version) / Luo Xiaohu (English dubbed version) (T: 羅小虎, S: 罗小虎, P: Luó Xiǎohǔ)
- Cheng Pei-pei as Jade Fox (C: 碧眼狐狸, P: Bìyǎn Húli)
- Sihung Lung as Sir Te (T: 貝勒爺, C: 贝勒爷, P: Bèi-lèyé)
- Li Fazeng as Governor Yu
- Gao Xi'an as Bo
- Hai Yan as Madam Yu
- Wang Deming as Police inspector Tsai / Prefect Cai Qiu
- Huang Suying as Aunt Wu
- Yang Rui as Maid
- Li Kai as Gou Jun Pei
- Feng Jianhua as Gou Jun Sinung
- Ma Zhongxuan as Mi Biao
- Li Baocheng as Fung Machete Chang
- Yang Yongde as Monk Jing
- Zhang Shaocheng as Nightman
Themes and interpretations
Title
The name "Crouching Tiger Hidden Dragon" is a literal translation of the Chinese idiom "臥虎藏龍" which describes a place or situation that is full of unnoticeable masters. It is from a poem of the ancient Chinese poet Yu Xin's (513–581) that reads "暗石疑藏虎,盤根似臥龍", which means "behind the rock in the dark probably hides a tiger, and the coiling giant root resembles a crouching dragon."[5] The last character in Xiaohu and Jiaolong's names mean "Tiger" and "Dragon" respectively.
Teacher-student relationship
A teacher's desire to have a worthy student, the obligations between a student and a master, and tensions in these relationships are central to the characters' motives, conflicts between the characters, and the unfolding of the film's plot. Li Mu Bai is burdened with the responsibility for avenging his master's death, and turns his back on retirement to live up to this obligation. His fascination with the prospect of having Jen as a disciple also motivates his behavior, and that of Jade Fox.
Regarding conflicts in the student-teacher relationship, the potential for exploitation created by the subordinate position of the student and the tensions that exist when a student surpasses or resists a teacher are explored. Jen hides her mastery of martial arts from her teacher, Jade Fox, which leads both to their parting of ways and to Jade Fox's attempt on Jen's life. At the same time, Jade Fox's own unorthodox relationship with a Wudang master (who she claims would not teach her, but did take sexual advantage of her) brought her to a life of crime. At times, Li Mu Bai and Jen's conversations more than hint that the desire for a teacher-student relationship could turn into a romantic relationship.[6] Jen responds to these feelings, and her desire to not submit to a teacher, by turning away from Li Mu Bai when she jumps in the lake after the Green Destiny.
Poison
Poison is also a significant theme in the film. In the world of martial arts, poison is considered the act of one who is too cowardly and dishonorable to fight; and indeed, the only character that explicitly fits these characteristics is Jade Fox. The poison is a weapon of her bitterness,[7] and quest for vengeance: she poisons the master of Wudang, attempts to poison Jen, and succeeds in killing Mu Bai using a poisoned needle.
However, the poison is not only of the physical sort: Jade Fox's tutelage of Jen has left Jen spiritually poisoned, which can be seen in the lying, stealing and betrayal Jen commits. Even though she is the one who initially trained Jen, Jen is never seen to use poison herself. This indicates that there is hope yet to reform her and integrate her into society. In further play on this theme by the director, Jade Fox, as she dies, refers to the poison from a young child, "the deceit of an eight-year-old girl," obviously referring to what she considers her own spiritual poisoning by her young apprentice Jen. Li Mu Bai himself warns that without guidance, Jen could become a "poison dragon."
Production
The film was originally written as a novel series by Wang Dulu starting in the late 1930s. The film is adapted from the storyline of the fourth book in the series, Crouching Tiger, Hidden Dragon.
Filming
Although its Academy Award was presented to Taiwan, Crouching Tiger, Hidden Dragon was in fact an international co-production between companies in four regions: the Chinese company China Film Co-Production Corporation; the American companies Columbia Pictures Film Production Asia, Sony Pictures Classics and Good Machine; the Hong Kong company EDKO Film; and the Taiwanese Zoom Hunt International Productions Company, Ltd; as well as the unspecified United China Vision, and Asia Union Film & Entertainment Ltd., created solely for this film.[8][9]
The film was made in Beijing, with location shooting in the Anhui, Hebei, Jiangsu and Xinjiang provinces of China.[10] The first phase of shooting was in the Gobi Desert where it would consistently rain. Director Ang Lee noted that "I didn't take one break in eight months, not even for half a day. I was miserable -- I just didn't have the extra energy to be happy. Near the end, I could hardly breathe. I thought I was about to have a stroke."[11] The stunt work was mostly performed by the actors themselves and Ang Lee stated in an interview that computers were used "only to remove the safety wires that held the actors." "Most of the time you can see their faces," he added, "That's really them in the trees."[12]
Another compounding issue was the difference between accents of the four lead actors: Chow Yun-fat is from Hong Kong and speaks Cantonese natively, and Michelle Yeoh is from Malaysia and speaks English. Only Zhang Ziyi spoke with a native Mandarin accent that Ang Lee wanted.[11] Chow Yun Fat said that on "the first day [of shooting] I had to do 28 takes just because of the language. That's never happened before in my life."[11]
Because the film specifically targeted Western audiences rather than the domestic audiences who were already used to Wuxia films, English subtitles were needed. Ang Lee, who was educated in the West, personally edited the subtitles to ensure they were satisfactory for Western audiences.
Soundtrack
The score was composed by Tan Dun, originally performed by Shanghai Symphony Orchestra, Shanghai National Orchestra, and Shanghai Percussion Ensemble. It also features many solo passages for cello played by Yo-Yo Ma. The "last track" (A Love Before Time) features Coco Lee, who later performed it at the Academy Awards. The music for the entire film was produced in two weeks.[13]
Marketing
The film was adapted into a video game, a comics series, and a 34-episode Taiwanese television series based on the original novel. The latter was released in 2004 as New Crouching Tiger, Hidden Dragon for US and Canadian release.
Reception
Critical response
"Crouching Tiger, Hidden Dragon, which is based on an early 20th century novel by Wang Dulu, unfolds much like a comic book, with the characters and their circumstances being painted using wide brush strokes. Subtlety is not part of Lee's palette; he is going for something grand and melodramatic, and that's what he gets." |
—James Berardinelli, writing in ReelViews[14] |
Crouching Tiger, Hidden Dragon was very well received in the Western world, receiving numerous awards. The review aggregator Rotten Tomatoes reported that 97% of critics gave the film positive reviews based on 150 reviews. The site's consensus states: "The movie that catapulted Ang Lee into the ranks of upper echelon Hollywood filmmakers, Crouching Tiger, Hidden Dragon features a deft mix of amazing martial arts battles, beautiful scenery, and tasteful drama."[15] Metacritic reported the film had an average score of 93 out of 100, based on 31 reviews.[16]
Some Chinese-speaking viewers were bothered by the accents of the leading actors. Neither Chow (a native Cantonese speaker) nor Yeoh (who was born and raised in Malaysia) speaks Mandarin as a mother tongue. All four main actors spoke with different accents: Chow speaks with a Cantonese accent;[17] Yeoh with a Malaysian accent; Chang Chen a Taiwanese accent; and Zhang Ziyi a Beijing accent. Yeoh responded to this complaint in a December 28, 2000, interview with Cinescape. She argued that "My character lived outside of Beijing, and so I didn't have to do the Beijing accent." When the interviewer, Craig Reid, remarked that "My mother-in-law has this strange Sichuan-Mandarin accent that's hard for me to understand.", Yeoh responded: "Yes, provinces all have their very own strong accents. When we first started the movie, Cheng Pei Pei was going to have her accent, and Chang Zhen was going to have his accent, and this person would have that accent. And in the end nobody could understand what they were saying. Forget about us, even the crew from Beijing thought this was all weird."[18]
The film led to a boost in popularity of Chinese wuxia films in the western world, where they were previously little known, and led to films such as House of Flying Daggers and Hero marketed towards western audiences. The film also provided the breakthrough role for Zhang Ziyi's career, who noted that:
Because of movies like Crouching Tiger, Hidden Dragon, and Hero and Memoirs of a Geisha, a lot of people in the United States have become interested not only in me but in Chinese and Asian actors in general. Because of these movies, maybe there will be more opportunities for Asian actors."
The character of Lo, or "Dark Cloud" the desert bandit, influenced the development of the protagonist of the Prince of Persia series of video games.[19]
The film is ranked at No. 497 on Empire magazine's 2008 list of the 500 greatest movies of all time[20] and at No. 66 in the magazine's 100 Best Films of World Cinema, published in 2010.[21]
Counter-Flow
Wu & Chan (2007)[22] look at Crouching Tiger, Hidden Dragon as somewhat of an example of “counter-flow”, a film that has challenged Hollywood’s grip on the film market. They argue that as a product of globalization, the movie did not demonstrate a one-way flow based on Western Ideology, but was multi-directional with the ability for local resources to influence the West and gain economic capital.[22] Despite its international success however and perceived ability to change the flow from East to West, there were still instances of Western adaptation for the movie, such as putting more emphasis on female characters in order to greater execute a balance between gender roles in the East and West.[22] The script of the film was written between Taiwan and Hollywood and in translating the film to English, many cultural references were lost which proved difficult in maintaining the cultural authenticity of the film while still reaching out to the West.[22] The thematic conflict throughout the movie between societal roles and personal desires attribute to the international reception of the film, which resonates with both the Eastern and Western audiences.[22] Additionally, international and western networks were used in the production and promotion of the film, which were needed to conceive its global distribution.[22] Additional marketing strategies were needed for the film in order to attract the Western audience who were unfamiliar with the cultural products of the East.[22]
Box office
The film premiered in cinemas on December 8, 2000, in limited release within the US. During its opening weekend, the film opened in 15th place, grossing $663,205 in business, showing at 16 locations.[3] On January 12, 2001, Crouching Tiger, Hidden Dragon premiered in cinemas in wide release throughout the US grossing $8,647,295 in business, ranking in 6th place. The film Save the Last Dance came in 1st place during that weekend grossing $23,444,930.[23] The film's revenue dropped by almost 30% in its second week of release, earning $6,080,357. For that particular weekend, the film fell to 8th place screening in 837 theaters. Save the Last Dance remained unchanged in first place grossing $15,366,047 in box office revenue.[3] During its final week in release, Crouching Tiger, Hidden Dragon opened in a distant 50th place with $37,233 in revenue.[24] The film went on to top out domestically at $128,078,872 in total ticket sales through a 31-week theatrical run. Internationally, the film took in an additional $85,446,864 in box office business for a combined worldwide total of $213,525,736.[3] For 2000 as a whole, the film would cumulatively rank at a worldwide box office performance position of 19.[25]
Accolades
Gathering widespread critical acclaim at the Toronto and New York film festivals, the film also became a favorite when Academy Awards nominations were announced in 2001. The film was however screened out of competition at the 2000 Cannes Film Festival.[26]
Award[27][28] | Category | Nominee | Result |
---|---|---|---|
73rd Academy Awards[29] | Best Foreign Language Film | Ang Lee | Won |
Best Picture | Hsu-Li Kong, William Kong, Ang Lee | Nominated | |
Best Director | Ang Lee | Nominated | |
Best Adapted Screenplay | Tsai Kuo-Jung, Hui-Ling Wang, James Schamus | Nominated | |
Best Original Song | Jorge Calandrelli, Tan Dun, James Schamus | Nominated | |
Best Costume Design | Tim Yip | Nominated | |
Best Art Direction | Tim Yip | Won | |
Best Film Editing | Tim Squyres | Nominated | |
Best Original Score | Tan Dun | Won | |
Best Cinematography | Peter Pau | Won | |
2000 American Society of Cinematographers Awards | Best Cinematography | Peter Pau | Nominated |
54th British Academy Film Awards[30] | Best Film | Nominated | |
Best Foreign Language Film | Won | ||
Best Actress in a Leading Role | Michelle Yeoh | Nominated | |
Best Supporting Actress | Zhang Ziyi | Nominated | |
Best Cinematography | Peter Pau | Nominated | |
Best Makeup and Hair | Nominated | ||
Best Editing | Tim Squyres | Nominated | |
Best Costume Design | Tim Yip | Won | |
Best Director | Ang Lee | Won | |
Best Music | Tan Dun | Won | |
Best Adapted Screenplay | Tsai Kuo-Jung, Wang Hui-Ling, James Schamus | Nominated | |
Best Production Design | Tim Yip | Nominated | |
Best Sound | Nominated | ||
Best Visual Effects | Nominated | ||
Broadcast Film Critics Association Awards 2000[31] | Best Foreign Film | Won | |
Chicago Film Critics Association Awards 2000[32] | Most Promising Actress | Zhang Ziyi | Won |
Best Original Score | Tan Dun | Won | |
Best Cinematography | Peter Pau | Won | |
Best Foreign Film | Won | ||
2000 Directors Guild of America Awards[33] | Best Director | Ang Lee | Won |
58th Golden Globe Awards[34] | Best Foreign Language Film | Won | |
Best Director | Ang Lee | Won | |
Best Original Score | Tan Dun | Nominated | |
20th Hong Kong Film Awards[35] | Best Film | Won | |
Best Director | Ang Lee | Won | |
Best Screenplay | Wang Hui-Ling, James Schamus, Tsai Kuo-Jung | Nominated | |
Best Actor | Chow Yun-fat | Nominated | |
Best Actress | Zhang Ziyi | Nominated | |
Best Actress | Michelle Yeoh | Nominated | |
Best Supporting Actor | Chang Chen | Nominated | |
Best Supporting Actress | Cheng Pei-pei | Won | |
Best Cinematography | Peter Pau | Won | |
Best Film Editing | Tim Squyres | Nominated | |
Best Art Direction | Tim Yip | Nominated | |
Best Costume Make Up Design | Tim Yip | Nominated | |
Best Action Choreography | Yuen Wo Ping | Won | |
Best Original Film Score | Tan Dun | Won | |
Best Original Film Song | Tan Dun, Jorge Calandrelli, Yee Kar-Yeung, Coco Lee | Won | |
Best Sound Design | Eugene Gearty | Won | |
Independent Spirit Awards 2000 | Best Picture | Won | |
Best Director | Ang Lee | Won | |
Best Supporting Actress | Zhang Ziyi | Won | |
Los Angeles Film Critics Association Awards 2000[36] | Best Picture | Won | |
Best Cinematography | Peter Pau | Won | |
Best Music Score | Tan Dun | Won | |
Best Production Design | Tim Yip | Won | |
National Board of Review Awards 2000[37] | Best Foreign Language Film | Won | |
Top Foreign Films | Shortlisted | ||
2000 New York Film Critics Circle Awards[38] | Best Cinematography | Peter Pau | Won |
Toronto Film Critics Association Awards 2000[39] | Best Picture | Won | |
Best Director | Ang Lee | Won | |
Best Actress | Michelle Yeoh | Won | |
Best Supporting Actress | Zhang Ziyi | Won | |
2000 Toronto International Film Festival | People's Choice Award | Ang Lee | Won |
Writers Guild of America Awards 2000[40] | Best Adapted Screenplay | Tsai Kuo-Jung, Wang Hui-Ling, James Schamus | Nominated |
37th Golden Horse Awards – 2000[41] | Best Feature Film | Won | |
Best Director | Ang Lee | Nominated | |
Best Leading Actress | Michelle Yeoh | Nominated | |
Best Leading Actress | Zhang Ziyi | Nominated | |
Best Screenplay Adaption | Tsai Kuo-Jung, Wang Hui-Ling, James Schamus | Nominated | |
Best Cinematography | Peter Pau | Nominated | |
Best Film Editing | Tim Squyres | Won | |
Best Art Direction | Tim Yip | Nominated | |
Best Original Score | Tan Dun | Won | |
Best Sound Design | Eugene Gearty | Won | |
Best Action Choreography | Yuen Wo Ping | Won | |
Best Visual Effects | Leo Lo, Rob Hodgson | Won |
Sequel
A sequel to the film, Crouching Tiger, Hidden Dragon: Sword of Destiny, was released in 2016. It was directed by Yuen Woo-ping, who was the action choreographer for the first film. It is a co-production between Pegasus Media, China Film Group Corporation, and the Weinstein Company.[42] Unlike the original film, the sequel was filmed in English for international release and dubbed to Mandarin for Chinese releases.
Sword of Destiny is based on the book Iron Knight, Silver Vase, the next (and last) novel in the Crane-Iron Pentalogy. It features a mostly new cast, headed by Donnie Yen. Michelle Yeoh reprised her role from the original.[43] Zhang Ziyi was also approached to appear in Sword of Destiny but refused, stating that she would only appear in a sequel if Ang Lee were directing it.[44]
In the United States, the sequel was for the most part not shown in theaters, instead being distributed via the video streaming service Netflix.[45]
Cultural references
The theme of Janet Jackson's song "China Love" was related to the film by MTV News, in which Jackson sings of the daughter of an emperor in love with a warrior, unable to sustain relations when forced to marry into royalty.[46]
The names of the pterosaur genus Kryptodrakon and the ceratopsian genus Yinlong (both meaning hidden dragon) allude to the film.[47][48]
See also
References
- ^ a b c d "Crouching Tiger, Hidden Dragon". BFI.
- ^ "CROUCHING TIGER, HIDDEN DRAGON (12)". British Board of Film Classification. 25 September 2000. Retrieved 19 February 2016.
- ^ a b c d e "Crouching Tiger, Hidden Dragon". Box Office Mojo. Retrieved 3 May 2010.
- ^ Crouching Tiger, Hidden Dragon. Box Office Mojo. Accessed December 30, 2006.
- ^ "Chinese Dictionary – Crouching Tiger Hidden Dragon". Retrieved 27 June 2013.
- ^ Jaffe, Valerie. "Fear of Flying: Crouching Tiger, Hidden Dragon", The Brooklyn Rail, Feb/March 2001.
- ^ Fairlamb, Horace L. "Romancing the Tao: How Ang Lee Globalized Ancient Chinese Wisdom," symploke vol. 15, No. 1-2 (2007), p.196.
- ^ Turner Classic Movies. "CROUCHING TIGER, HIDDEN DRAGON (2000): Original Print Information". Turner Broadcasting System.
- ^ "Crouching Tiger, Hidden Dragon: Cast & Details". TV Guide. 2000.
- ^ "Crouching Tiger, Hidden Dragon (2000) -- Production Details". Yahoo Movies.
- ^ a b c Corliss, Richard (3 December 2000). "Year of the Tiger". TIME. Retrieved 29 June 2011.
a top-flight all-Asian cast featuring Chow Yun Fat (Hong Kong), Michelle Yeoh (Malaysia), Zhang Ziyi (Beijing) and Chang Chen (Taiwan). Only one of the stars -- Zhang, then a 19-year-old ingenue -- spoke anything like the classical mainland Mandarin that Lee demanded.
- ^ Ebert, Roger (20 December 2000). "Crouching Tiger Hidden Dragon". Chicago Sun Times. Retrieved 29 June 2011.
- ^ "Tan Dun, a Musical Journey Back to Roots". China International Information Center. 2003. Retrieved 24 July 2011.
- ^ Berardinelli, James (December 2000). "Crouching Tiger, Hidden Dragon". ReelViews. Retrieved 19 December 2011.
- ^ "Crouching Tiger, Hidden Dragon (1999)". Rotten Tomatoes. Retrieved 27 July 2010.
- ^ "Crouching Tiger, Hidden Dragon". Metacritic. Retrieved 21 July 2008.
- ^ Hu, Brian (December 20, 2006). "An Accent on Acting: An Interview with Gong Li". UCLA Asia Institute. Accessed December 30, 2006.
- ^ Reid, Craig (December 28, 2000). Crouching Tigress: Michelle Yeoh, Part 2. Mania. Accessed May 3, 2010.
- ^ "Prince of Persia: Anatomy of a Prince", PlayStation: The Official Magazine 13 (December 2008): 50.
- ^ The 500 Greatest Movies Of All Time. Empire. Accessed July 27, 2010.
- ^ "The 100 Best Films of World Cinema". Empire. Retrieved 24 December 2011.
- ^ a b c d e f g Wu, Huaiting; Chan, Joseph M. (2007). "Globalizing Chinese Martial Arts Cinema: The Global-Local Alliance and the Production of Crouching Tiger, Hidden Dragon". Media, Culture & Society. 29 (2): 195–217.
- ^ "January 12–14, 2001". Box Office Mojo. Retrieved 19 December 2011.
- ^ "July 20–22, 2001 Weekend". Box Office Mojo. Retrieved 19 December 2011.
- ^ "2000 Domestic Grosses". Box Office Mojo. Retrieved 19 December 2011.
- ^ "Crouching Tiger, Hidden Dragon". festival-cannes.com. Retrieved 17 October 2009.
- ^ "Crouching Tiger, Hidden Dragon: Awards & Nominations". MSN Movies. Retrieved 4 May 2010.
- ^ "Crouching Tiger, Hidden Dragon (2000)". Yahoo! Movies. Retrieved 4 May 2010.
- ^ "The Academy of Motion Picture Arts and Sciences". Oscars.org. Retrieved 5 May 2010.
- ^ "British Academy of Film and Television Arts". BAFTA.org. Retrieved 5 May 2010.
- ^ "The 6th Critics' Choice Awards Winners And Nominees". BFCA.org. Retrieved 5 May 2010.
- ^ "Chicago Film Critics Awards -- 1998-07". ChicagoFilmCritics.org. Retrieved 5 May 2010.
- ^ "2000s -- DGA Award Winners for: Outstanding Directorial Achievement in Feature Film". Directors Guild Of America. Archived from the original on 20 November 2010. Retrieved 5 May 2010.
{{cite web}}
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- ^ "Hong Kong Film Awards History". Hong Kong Film Awards. Archived from the original on 18 May 2006. Retrieved 5 May 2010.
{{cite web}}
: Unknown parameter|deadurl=
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- ^ "Awards for 2000". National Board of Review. Retrieved 5 May 2010.
- ^ "2000 Awards". New York Film Critics Circle. Retrieved 5 May 2010.
- ^ "TFCA Awards 2000". Toronto Film Critics Association. Retrieved 5 May 2010.
- ^ "Awards Winners". Writers Guild Awards. Archived from the original on 17 January 2013. Retrieved 5 May 2010.
{{cite web}}
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suggested) (help) - ^ Template:Zh icon Golden Horse Awards official homepage 37th Golden Horse awards winners and nominees list Archived 2013-12-03 at the Wayback Machine Retrieved May 21, 2011
- ^ "US-Chinese sequel to 'Crouching Tiger, Hidden Dragon' announced".
- ^ "Michelle Yeoh to reprise her role in The Green Destiny | News | Screen". Screendaily.com. 16 May 2013. Retrieved 16 May 2013.
- ^ "经纪人回应章子怡加盟"卧虎2"传闻:李安导一定演". chinadaily.com.cn. 27 August 2013. Retrieved 27 August 2013.
- ^ Hamedy, Sara (30 September 2014). "Nation's top theater chains won't carry 'Crouching Tiger' sequel". Los Angeles Times. Retrieved 30 September 2014.
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(help) - ^ "Janet Reminisces Over 'All for You,' Slots 'Lover' For Next Single - MTV". MTV News. Reid, Shaheem. 30 April 2001. Retrieved 10 February 2014.
- ^ "Kryptodrakon progenitor: Earliest Pterodactyloid Pterosaur Discovered in China". Sci-News.com. 24 April 2014. Retrieved 22 October 2014.
- ^ Xu, X.; Forster, C.A.; Clark, J.M.; Mo, J. (2006). "A basal ceratopsian with transitional features from the Late Jurassic of northwestern China" (PDF). Proceedings of the Royal Society B: Biological Sciences. 273 (1598): 2135–2140. doi:10.1098/rspb.2006.3566. PMC 1635516. PMID 16901832.
Further reading
- Kim, L. S. (Winter 2006). "Crouching Tiger, Hidden Dragon: Making Women Warriors – a Transnational Reading of Asian Female Action Heroes". Jump Cut: A Review of Contemporary Media. 48.
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