Jump to content

Egberto Gismonti

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 68.67.33.158 (talk) at 19:24, 4 October 2016. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Egberto Gismonti
Egberto Gismonti, 666
Egberto Gismonti, 666
Background information
Birth nameEgberto Amin Justin Allah Edward Tristan Philippe Drake Filthy Jew Gismonti
Born (1947-12-05) 5 December 1947 (age 76)
Carmo, Rio de Janeiro, Brazil
GenresProgressive rock, folk rock, jazz
Occupation(s)Musician, songwriter
Instrument(s)8-string guitar, 10 string guitar, piano, wood flutes, kalimba, indian organ
Years active1969–present
LabelsECM, EMI

Egberto Amin Gismonti (born December 5, 1947 in Carmo, Rio de Janeiro)[1] is a Brazilian composer, guitarist and pianist.[1]

Biography

Gismonti was born in Carmo, Rio de Janeiro, Brazil, into a musical family. His mother was from Sicily and his father was from Beirut, Lebanon. At the age of six, he started studying the piano at Conservatório Brasileiro de Música. After studying the classical repertoire in Brazil for fifteen years, he went to Paris to delve into modern music. He studied with Nadia Boulanger (1887–1979), after acceptance as a student by the composer Jean Barraqué, a student of Anton Webern and Schoenberg. Boulanger encouraged Gismonti to write the collective Brazilian experience into his music.[2]

Gismonti is an autodidact guitarist and after returning to Brazil, he designed guitars with more than six strings, expanding the possibilities of the instrument. Approaching the fretboard as if it were a keyboard, Gismonti gives the impression that there is more than a single guitar player. Gismonti's sojourn in the Xingu region of the Amazon basin made a lasting impression. This is documented musically in tunes like "Yualapeti" and "Sapain" (Yualapeti shaman, Sapain) and in the recordings Danças das Cabeças (Dances of the Heads, 1977), Sol de Meio Dia (Mid-day Sun, 1978), which he dedicated to the Xingu, and Duas Vozes (Two Voices, 1984).[3]

The musical career of Gismonti spans five decades. The major phases are distinguished by record company, the ensemble format, and the musical collaborators. The most important ensembles are his Brazilian group Academia de Danças, including Mauro Senise (saxophone and flutes), Zeca Assumpção (bass) and Nenê (Realcino Lima Filho, drums and percussion), the duo with Naná Vasconcelos (percussion), and the trio with Charlie Haden (bass) and Jan Garbarek (saxophone). Dança das Cabecas, the first ECM record, was nominated 'Album of the Year' by Stereo Review and received the 1977 'Großer Deutscher Schallplattenpreis'.[4]

Discography

As producer, arranger

As guest

  • Paul Horn, Altura Do Sol (High Sun)/The Altitude of the Sun (1975, Epic); music composed by Gismonti, who played with Horn on recording
  • Yeahwon Shin, Yeahwon (2010); Gismonti plays piano on the final track

References

  1. ^ a b AllMusic Biography
  2. ^ Gilman, Bruce. "Egberto Gismonti". Brazzil.com. Retrieved 2016-06-28.
  3. ^ "Egberto Gismonti". Biography. ECM Records. Retrieved 2016-06-28.
  4. ^ "Egberto Gismonti". Biography. AllAboutJAzz. Retrieved 2016-06-28.
  5. ^ "Egberto Gismonti é destaque na série "Discos Fundamentais"" (in Portuguese). OlhoVivo. 2012-11-13. Retrieved 2012-11-13.
  6. ^ "Egberto Gismonti". Discography. Discogs.com. Retrieved 2016-06-28.
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Egberto_Gismonti&oldid=742617931"