Jump to content

Nishijin-ori

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Rmyloki (talk | contribs) at 16:52, 22 October 2016. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Fukuro obi sash from Nishijin showing a woven scene with aristocrats
Detail of Nō robe from Nishijin, silk with gilded paper, Edo period

Nishijin-ori (西陣織, Nishijin fabric) is a traditional textile produced in the Nishijin (西陣) district of Kamigyō-ku in Kyoto, Japan.

History

Nishijin weaving was created in Heian-kyō over 1200 years ago by using many different types of colored yarns and weaving them together into decorative designs. These specialized procedures are tedious, but necessary to obtain the spectacular design needed to ensure the quality of Nishijin weaving.

In 794 Heian-kyo became the new capital city.[1] Soon after the productivity of the Nishijin-ori increased. This increased productivity was brought on in order to provide the Imperial court and aristocracy with the materials they needed. However, the need for the materials began to decrease causing these skilled weavers to go into business on their own rather than work for the textile offices.

The demand for the material continued to dwindle during the Muromachi Period due to the Onin War. In 1467, a major disaster struck the Nishijin weaving community; almost the whole town of Kyoto was demolished. The people of Kyoto fled for safety to nearby towns.[2] Finally, in the 1480s the Onin War ended and the Kyoto residents returned home.[3] Returning home and establishing residence contributed to the name Nishijin meaning west position. This name was established due to Kyoto residents’ settlement being located on the exact piece of land the Army of Yamana Sozen had occupied during the war.[4] Another group established residence in the northern portion of Kyoto in Shinmachi-Imadegawa. This northern group is known for producing nerinuki. Nerinuki is a shimmering fabric made from raw silk and scoured silk.

After the war nishijin-ori weaving began to thrive. The weaving community supplied and provided materials for both the Imperials courts and the samurai lords. This increased their productivity leading to improvements in the product by using new procedures to create new designs. These designs incorporated the use of the gold brocade and damask silk that originated in Ming Dynasty, China.

During the Edo period, from 1603-1836, nishijin-ori weaving continued to thrive. Many Japanese studied the art and continued to pass down their trade through the generations by the skilled professionals. Until 1837, there was an abrupt stop to the Nishijin trade due to produce unavailability because of unproductive crops. Kyoto had fallen on hard times and was unable to continue weaving. In addition, Japan had decided to change their capital in 1869 and announced that Tokyo was the chosen location. This was thought to be the end of the Nishijin trade.

In the years to come the Nishijin trade began to flourish once again. Starting in 1872 with the trip to Europe to learn from the European weaving trade. During this trip the Europeans taught Japanese new techniques. The Japanese adapted to the use of European methods and machinery. The Europeans taught the Japanese how to produce Jacquard loom and the flying shuttle which are specific patterns developed for weaving.

By 1898 the Nishijin Textile trade was developed and encompassed the technology shared by the Europeans. This marked a beginning of a new era of Nishijin weaving and implemented the use of machinery in the Japanese trade. Nishijin has continued to be a successful textile industry throughout the years. Today Nishijin weaving is seen more frequently in Japanese ceremonies. The main ceremony to view this unique trade would be in a wedding. The work of the Nishijin weave is present in the traditional clothing of the bride. Her traditional Kimono is beautiful and shows the Nishijin designs that have been handed down through the generations. These traditional designs range from scenes of nature, different breeds of birds and several different type of flowers. There are many other products available through Nishijin weaving. These products range from Kimono scarves, different types of Kimonos, belts, shawls, many different types of cloth and decorations that adorn the walls of Japanese homes.

Tatsumura Textile is located in Nishijin and is a centre of manufacturing today. Founded by Heizo Tatsumura I in the 19th century, it is renowned for making some of the most luxurious obi.[5] Amongst his students studying design was the later painter Inshō Dōmoto. The technique Nishijin-ori is intricately woven and can have a three dimensional effect and can cost up to 1 Million Yen.[6][7][8]

References

  1. ^ Kyoto City Web, 2004
  2. ^ (Kyoto Nishijin, 2004)
  3. ^ The Japan Atlas
  4. ^ (The Japan Atlas)
  5. ^ https://www.tatsumuraarttextiles.com/about/tatsumura_heizoh.html
  6. ^ http://japan-brand.jnto.go.jp/eng/crafts/textiles/33/
  7. ^ https://www.world.jal.com/world/en/guidetojapan/detail/index.html?spot_code=nishijinori
  8. ^ http://www.nishijin.or.jp/eng/eng.htm

Bibliography

Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Nishijin-ori&oldid=745678091"