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A Hundred Aspects of the Moon (Tsuki hyakushi) is a series of multi-coloured woodblock prints (nishiki-e) by Japanese ukiyo-e artist Tsukioka Yoshitoshi (1839-92). Published by Akiyama Buemon between 1885 and 1892, the 100 Moon-themed prints feature various Japanese and Chinese historical events, mythology, and folklore.

holding back the night
with its increasing brilliance
the summer moon
– Yoshitoshi's death poem[1]
Title page


Woodcut print Name Description
1
The Courtesan Takao
2
Chang'e flees to the moon (Joga hongetsu tsuki) According to one version of this Chinese legend, the Queen Mother of the West rewarded the husband of Chang'e with the elixir of immortality. She stole and drank it, and fled to heaven where she became the spirit of the moon. (printed October 1885)
3
Rising moon over Mount Nanping (Nanpeizan shogetsu) Scene from the Chinese novel The Romance of the Three Kingdoms shows Cao Cao (150-220 AD), at the time the most powerful ruler in northern China, standing in a small boat, overlooking the Yangtze River. If the crows flying towards the moon bring good news - as they in Asia often do - they are bringing it somewhere else. After several brilliant victories, Cao Cao was defeated in the year 208, in the decisive battle of Chibi (The battle of the Red Cliffs) on the Yangtze. Cao Cao was also an established poet who contributed to reshaping the poetry style of his time. The Red Cliffs reappear in print #81. (October 1885)
4
The Gion District (Gionmachi) Scene from the famous kabuki play Chushingura, the young Oishi Rikiya delivers a letter containing news about the forty-seven Ronin to the Ichiriki Teahouse in Kyoto where his father, Oishi Yuranosuke, is secretly organizing a vendetta to avenge his master’s death. (printed October 1885)
5
Woman watching the shadow of a pine branch cast by the moon This picture illustrates a verse by the celebrated haiku master Takarai Kikaku (1661-1707): "Bright moon - across the tatami mats shadows of pine branches" (printed October 1885). Stevenson* points out that, based on the hairstyle, the round uchiwa fan, and several other style elements, this design probably is a homage to Utamaro (1754-1806)
6
The village of the Shi clan on a moonlit night (Shikason tsukiyo) Shi Jin, a fictitious martial arts instructor from the Chinese novel Shui hu Zhuan (The Water Margin), became an outlaw-hero when bandits attacked his village. He first captured them, but after hearing their story about corruption and suppression, joined them and fled to the marsh lands of the book title. As Stevenson* points out, Shi Jin's nickname Kumonryu (the nine dragoned) reflects his spectacular tattoo pattern. (printed November 1885)
7
Inaba Mountain moon (Inabayama no tsuki)
8
Moonlight Patrol (Gekka no sekko)
9
Mountain moon after rain (Ugo no sangetsu) From the 12th century tale of Soga no Goro Tokimune and his brother Juro who avenged their father's death by killing his murderer one rainy summer night on the slopes of Mount Fuji. Juro was killed in the fight. Goro was captured and taken before the shogun who had him decapitated. The cuckoo flying in front of the moon is a symbol of the transience of life.
10
Moon of pure snow at Asano River (Asanogawa seisetsu no tsuki)
11
Cooling off at Shijo (Shijo noryo)
12
Moon above the sea at Daimotsu Bay (Daimotsu kaijo no tsuki)
13
The cry of the fox (Konkai)
14
Tsunenobu and the demon
15
Mount Yoshino midnight-moon (Yoshinoyama yowa no tsuki) Under a clouded full moon, Iga no Tsubone exorcizes the spirit of Sasaki no Kiyotaka, an adviser to the exiled Emperor Go-Daigo forced to kill himself in 1333. (printed January 1886)
16
Michizane composes a poem by moonlight
17
The moon at high tide (Ideshio no tsuki)
18
An iron cauldron in the moonlit night (Tsukiyo no kama)
19
The moon of Ogurusu in Yamashiro (Yamashiro Ogurusu no tsuki)
20
Suzaku Gate moon (Suzakumon no tsuki) Minamoto no Hiromasa (913-980) was renowned for his musical ability. Here he encounters a mysterious foreigner at Suzaku Gate, Kyoto, and plays a duet with him. (printed February 1886)
21
Itsukushima moon (Itsukushima no tsuki)
22
Moon and Smoke (Enchu no tsuki)
23
Faith in the third-day moon (Shinko no mikazuki)
24
Moon of the pleasure quarters (Kuruwa no tsuki) In Yoshiwara, Edo's prostitution-district famed for its cherry trees, a courtesan and her child attendant (kamuro) observing the falling blossoms. (printed March 1886)
25
Gravemarker moon (Sotoba no tsuki)
26
Cassia-tree moon (Tsuki no katsura)
27
Moon at the Yamaki Mansion (Yamaki yakata no tsuki)
28
Chikubushima moon (Chikubushima no tsuki)
29
The Yugao chapter from The Tale of Genji (Genji yugao maki)
30
The moon through a crumbling window (Haso no tsuki)
31
Mount Ji Ming moon (Keimeizan no tsuki)
32
Kitayama moon (Kitayama no tsuki) Toyohara Sumiaki, court musician to Emperor Go-Kashiwabara (reigned 1500-25), encounters a pack of wolves on the Kitayama moors, north of Kyoto. He managed to escape unharmed by charming them with his wooden flute (shakuhachi). (printed June 1886)
33
Dawn moon of the Shinto rites (Shinji no zan­getsu)
34
The moon's inner vision (Shinkan no tsuki)
35
Mount Otowa moon (Otowayama no tsuki)
36
Takakura moon (Takakura no tsuki)
37
A glimpse of the moon (Kaimami no tsuki)
38
Ariko weeps as her boat drifts in the moonlight
39
Inamura Promontory moon at daybreak (Inamurgasaki no akebono no tsuki)
40
The Moon of the Milky Way (Ginga no tsuki)
41
Moon over the pine forest of Mio
42
Moon of the enemy's lair (Zokuso no tsuki)
43
Theater-district dawn moon (Shibaimachi no akatsuki)
44
Akazome Emon viewing the moon from her palace chambers
45
Hazy-night moon (Oboroyo no tsuki)
46
Bon Festival Moon (Bon no tsuki)
47
Kintō picks a plum branch in the moonlight Fujiwara no Kintō (966-1041), aka Shijo-dainagon, was a poet that was highly admired by his contemporaries. He was also a musician, a scholar, and a Heian court official. Snow has fallen on the buildings of the imperial palace during the night, and Kinto has gone out into the moonlit courtyard to pluck and admire a flowering plum branch. His verse reads: "In the midst of glimmering whiteness, among the night’s moon shadows - I part the snow and pluck plum blossoms."

(published January 1887)

48
Huai River Moon - Wu Zixu (Waisui no tsuki - Goshisho)
49
Streetwalker by moonlight
50
The moon and the helm of a boat (Daro no tsuki)
51
Lady Gosechi (Gosechi no myobu)
52 [[File:|thumb|180px]] Mount Tobisu dawn moon (Tobisuyama gyogetsu)
53
54
55 [[File:|thumb|180px]]
56
57 [[File:|thumb|180px]]
58
59
In the moonlight under the trees a beautiful woman comes (Getsumei rinka bijin majiru) An elegantly dressed Chinese woman represents the spirit of the plum tree that appeared to the Chinese poet Zhao Shixiong. (published March 1888)
60
Received back into Moon Palace (Gekkyo no mukae) A scene from the Taketori monogatari (Tale of the Bamboo Cutter), an old bamboo cutter watches in awe as heavenly messengers lead the girl he adopted and raised, Princess Kaguyahime, daughter of the Moon Queen, back to her home. (published March 1888)
61
Gojo Bridge moon (Gojobashi no tsuki)
62 [[File:|thumb|180px]] Moon of Enlightenment (Godo no tsuki) Hotei, the god of happiness, demonstrates the Zen Buddhist wisdom: "All instruction is but a finger pointing to the moon; and those whose gaze is fixed upon the pointer will never see beyond. Even let him catch sight of the moon, and still he cannot see its beauty." (published April 1888)
63
The moon of the moor (Harano no tsuki) Fujiwara no Yasumasa (958-1036) a governor and musician charms his outlaw brother Hakamadare Yasusake by playing the flute. The bandit had planned to rob him, but the music was so beautiful he could not draw his sword. When Yoshitoshi in this series quotes from earlier work, as in this case from his famous 1868 triptych, he often does so with great restraint. See also prints #61, #70, and #85. In this design, the perspective from behind Yasumasa's back, rather than looking him in the face, works admirably well, and helps to condense the scene into one single sheet. (published May 1888.)
64
65
66
67
68
69
70
71
Ishiyama moon (Ishiyama no tsuki)
72
Mount Miyaji moon (Miyajiyama no tsuki)
73
Jade Rabbit - Sun Wukong (Gyokuto - Songoku)
74
Lady Chiyo and the broken water bucket
75
Hidetsugu in exile
76
Shinobugaoka moon (Shinobugaoka no tsuki)
77
Lunacy - unrolling letters (Tsuki no monogurui - fumihiroge)
78
Rainy moon (Uchu no tsuki)
79
Dawn moon and tumbling snow (Seppu no gyogetsu)
80
Moon of the filial Son (Koshi no tsuki)
81
Moon of the Red Cliffs (Sekiheki no tsuki)
82
Kenshin watching geese in the moonlight
83 [[File:|thumb|180px]] General Akashi Gidayu
84
Cloth-beating moon (Kinuta no tsuki)
85
Moon of the Lonely House (Hitotsuya no tsuki)
86
Rendezvous by moonlight
87
Moon of Kintoki's mountain (Kintokiyama no tsuki)
88
A country couple enjoys the moonlight with their infant son
89
Horin temple moon (Horinji no tsuki)
90
Kazan temple moon (Kazanji no tsuki)
91
Musashi Plain moon (Musashino no tsuki)
92
Monkey-music moon (Sarugaku no tsuki)
93
A Buddhist monk receives cassia seeds on a moonlit night (Bonso tsukiyo ni keishi o uku)
94
Moon on the Sumida River
95
The moon’s invention (Tsuki no hatsumei)
96
Chofu village moon (Chofu sato no tsuki)
97
The moon and the abandoned old woman (Obasute no tsuki)
98
The moon’s four strings (Tsuki no yotsu no o)
99
Saga Moor moon (Sagano no tsuki)
100
Farmers celebrating the autumn moon

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  1. ^ Stevenson, John (1992). Yoshitoshi's One Hundred Aspects of the Moon. San Francisco Graphic Society. p. 49. ISBN 0-9632218-0-9.