Francesco Ventriglia
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Francesco Ventriglia (born 9 June 1978) is an Italian ballet dancer, choreographer and artistic director. He was the Artistic Director of the Royal New Zealand Ballet from November 2014 until June 2017, and from the 29th January 2018, the Adjunto a la Dirección Artística del Ballet Nacional Sodre, Uruguay (Adjunct Artistic Director of the Ballet Nacional Sodre). Ventriglia is also a choreographer of classical and contemporary Ballet, having works performed internationally by companies such as the Royal New Zealand Ballet, La Scala Ballet, Bolshoi Theatre, the Mariinsky Ballet.
Early life
Ventriglia was born in Battipaglia, Campania Italy on 9 June 1978. He began his Ballet studies at the age of 7. Having gained entry to the La Scala Ballet School, he moved to Milano to undertake full time studies.
Career
Ventriglia joined the ballet company of La Scala in 1997, making his debut as a soloist in William Forsythe's In The Middle, Somewhat Elevated at La Scala in 1998, and in 1999 was cast as the Bronze Idol by Natalia Makarov in her production of La Bayadère.
He danced numerous soloist roles with the company, including that of the Toreador in Roland Petit's Carmen and Quasimodo in Notre Dame de Paris and also works by Balanchine, Ailey, Neumeier, Cranko, Preljocaj, Godani, Kylián and Béjart. Internationally, his performances with La Scala included Hilarion at the Metropolitan Opera in New York and at Covent Garden, opposite Sylvie Guillem in her creation of Giselle.[1]
Ventriglia began his chorographic career whilst a dancer at La Scala, having created a diverse repertoire for the Ballet School of La Scala, his own company, Heliopolis and other freelance works. For Roberto Bolle, he created The Fight (Curia of the Roman Senate in the Imperial Forum); New Year's Concert (La Fenice, Venice, later televised); and The Myth of the Phoenix (Teatro Smeraldo, Milan).
The Heliopolis Company made its debut at the Venice Biennale in 2007, with a new piece "The Sea in Chains", an investigation of eroticism and physical disability with the original music of Emiliano Palmieri, which was nominated for the Golden Lion. The following year he created a new work "Normale", which explored the concept of love and mental health: with these two titles Ventriglia curated a diptych as an investigation of differences present in modern society. Also in 2007, he created A Midsummer Night's Dream and Jago, the honest poetry of deception, for the Arena di Verona, with étoile of the Opéra National de Paris, Eleonora Abbagnato and Alessandro Riga. His pas de deux, Black has been performed at the Bolshoi Theatre by Svetlana Zakharova and Andrei Merkuriev (2008) and in New York by Irina Dvororenko and Maxim Beloserkovsky. In 2008 for the Mariinsky Theatre in St Petersburg he created Contradictions for Ulyana Lopatkina. In 2009 he created a new work specifically for Svetlana Zakharova titled Super Game which is a multimedia collaboration for the prima ballerina and six principal dancers of the Bolshoi Ballet. Additionally, his works included Immemoria, a work for 40 dancers to music by Shostakovich, premiering at La Scala in May 2010, and Sed lux permanent – Transit umbra, to music by Schoenberg, for the Ballet du Grand Théâtre de Genève.
Between 2007 and 2012, Ventrigia and Emiliano Palmieri collaborated on four creations: The Sea in Chains, Normale, Pinocchio and Willy Wonka and Chocolate Factory.
In October 2010 Ventriglia was appointed director of MaggioDanza in Florence, Italy.
In 2014, for Anna Antonickeva and Andrey Merkuriev (Principals of the Bolshoi Theatre) he created the evening "Fortuna vis Lucem: Bolero and Carmina Burana", performed with the New Ballet Theatre of Moscow, in tour across Russia and Cannes.[2]
Ventriglia was appointed as the Royal New Zealand Ballet's Artistic Director in November 2014[3][4][5][6]
In 2015 Ventriglia led the Royal New Zealand Ballet on am international tour (The UK and Italy).[7] Additionally, he increased the repertoire of the Company, introducing never before performed choreographers to New Zealand audiences such as Andonis Foniadakis, Alexander Ekman and Roland Petit[8]
In 2016 he created a newly staged, longer version of his work "Wizard of Oz", touring across New Zealand. Originally devised for MaggioDanza, it was never performed after the theatre was closed on opening night due to building structural issues. The restaged production, designed by Gianluca Falaschi, toured New Zealand and was seen by over 38,000 people in its first season. Well received by audiences and critics alike, the production is regarded as one of the most successful productions created for the Royal New Zealand Ballet.[9]
Regularly interviewed internationally in both print and radio media as an advocate for ballet and Italian Dance,[10][11][12][13][14] Francesco Ventriglia was invited to be a judge of The Genée International Ballet Competition 2016,[15] alongside other judges David McAllister of the Australian Ballet and Kevin O'Hare of the Royal Ballet.
Ventriglia continued his artistic relationship with the Royal New Zealand Ballet in 2017 with his creation of a new full length Ballet, Romeo and Juliet. Designed by triple Academy Award winner James Acheson, the production was both a critical and box office success. Reviewed as his "Love letter to New Zealand", the production was hailed as a "splendid and triumphant" production.
In 2018 Francesco Ventriglia was appointed Adjunto a la dirección artística del Ballet Nacional Sodre, Uruguay, alongside Artistic Director Igor Yebra.
Choreographic works
| Year | Title | Location / Theatre | Notes |
|---|---|---|---|
| 2004 | The Giant Alone | Milano | Independent Choreographic Production funded through an EU Arts Grant |
| 2005 | Mozart: Giallo '700, Genio, Furto e Follia | La Scala Ballet School | |
| 2006 | The Fight | Curia of the Roman Senate in the Imperial Forum | Created for Roberto Bolle |
| 2006 | New Years Concert | La Fenice, Venice | Created for Roberto Bolle, later televised |
| 2006 | Myth of the Phoenix | Teatro Smeraldo, Milan | Created for Roberto Bolle |
| 2007 | The Sea in Chains | La Biennale di Venezia, Venice | Nominated for a Golden Lion. Original score by Emiliano Palmieri |
| 2008 | Normale | Festival PSA Trento | Original score by Emiliano Palmieri |
| 2008 | Black | Bolshoi Theatre, Moscow | Created for Svetlana Zakarova and Andrey Merkuriev |
| 2008 | Midsummer Night's Dream | Arena di Verona | One Act Ballet |
| 2009 | Zakarova Supergame | Bolshoi Theatre, Moscow | Created for Svetlana Zakarova plus 6 principal dancers of the Bolshoi Theatre |
| 2009 | Contradiction | Mariinsky Theatre, St. Petersberg | Created for Ulyana Lopatkina |
| 2009 | Stabat Mater | Teatro Cantero Chiavari, Genova | Created for soloist dancers Teatro alla Scala |
| 2010 | Black | New York | Re-staged for Irina Dvorovenko and Maxim Bieloserkovsky principal dancers of the American Ballet Theatre |
| 2010 | Immemoria | Teatro alla Scala, Milan | 7th Symphony by Shostakovich |
| 2010 | Transit Umbra: Transfigured Night | Grande Theatre du Geneve | Music by Arnold Shoenberg |
| 2011 | Pinocchio | Florence Opera House and Theatre Communal di Bologna | Family show. Original score by Emiliano Palmieri |
| 2011 | Choreographic project for Russian Television | Televised | With principal dancers of the Bolshoi Theatre; Moscow |
| 2012 | Midsummer Night's Dream | Florence Opera House and Theatre Communal di Bologna | Extended 2 Act Ballet |
| 2012 | Willy Wonka and Chocolate Factory | Florence Opera House | Family show. Original score by Emiliano Palmieri |
| 2012 | Genisis Tribute | Florence Opera House | Original music, Genisis |
| 2013 | Requiem | Reggio Emilia | Score by Gabriel Faure |
| 2014 | Fortuna vis Lucem: Bolero Carmina Burana | New Ballet Theatre, Moscow | With principal dancers of the Bolshoi Theatre Andrey Merkuriev and Anna Antonicheva |
| 2016 | Wizard of Oz | St. James Theatre, Wellington | Royal New Zealand Ballet. National tour of New Zealand, 38,000 tickets sold for 23 performances with record box office 2016 |
| 2017 | Champagne Supernova | Music Video, Warner Music | Theia |
| 2017 | Romeo and Juliet | St. James Theatre, Wellington | Royal New Zealand Ballet. Set and costumes by 3 time Academy Award winner James Acheson, Dramaturgy Mario Mattia Giorgetti and Francesco Ventriglia |
| 2018 | Ravel Project: Bolero | Teatro Carcano, Milano | Jas Art Ballet |
Awards
- Gino Tani Award for the Arts (2005)[citation needed]
- Premio Positano Leonide Massine (2006)[citation needed]
- Bucchi Award for the best performance of the year, for Immemoria (2010)[citation needed]
- Danza e Danza Magazine,[16] "Best Director of the Year" (2012) in recognition of his work at MaggioDanza. Refer to the PDF link to 2012 archive
References
- ^ Giselle Telegraph; Brown, Inseme;Retrieved 13 April 2017
- ^ Review: Fortuna vis Lucem Tamel; 1 September 2015
- ^ RNZB Retrieved 13 April 2017
- ^ NZ Ballet's leading man/ Leading Man Stuff; Stephenson, Sharon; 14 June 2016
- ^ New Energy/ New Energy National Business Review; Daly-Peoples, John; 25 April 2015
- ^ Breath of Life: Interview Stuff; Mason, Bess; 3 March 2015
- ^ RNZB UK Tour Rave Reviews Retrieved 13 Aprili 2017
- ^ Roland Petit Stuff; Lochead, Ian; 16 February 2017
- ^ Review: Wizard of Oz 2016 Stuff; Hunt, Ann; 5 May 2016
- ^ Io e il balletto italiano in Nuova Zelanda La Stampa; Trombetta, Sergio; 26 November 2016
- ^ Teatro Critica Teatro Critica; Clotilde Chernetich; 2 December 2016
- ^ The Italian Connection Dancelines; Retrieved 13 April 2017
- ^ Facciamo Futuro: Interview with Francesco Ventriglia Giornal della Danza; Olivieri, Michele; 12 February 2017
- ^ Radio New Zealand; interview Radio New Zealand; Retrieved 13 April 2017
- ^ The Genée International Ballet Competition Royal Academy of Dance; Retrieved 13 April 2017
- ^ Danza e Danza