Mary Florence MacDonald
Mary Macdonald (September 10th, 1984 – July 18th, 2017), born in Truro, Nova Scotia, was a Canadian artist and independent curator based in St. John’s (Newfoundland and Labrador), who left a lasting impact on the arts and cultural community of Atlantic Canada, and advocated for the promotion of emerging artists and cultural workers in the region.
Career
Mary MacDonald began her arts career as a university student in the Fine Arts program at Mount Allison University in Sackville, New Brunswick. During this time, MacDonald became involved with Struts Gallery and Faucet Media Arts Centre, a local artist-run-centre dedicated to the promotion of emerging visual arts practices and critically engaged contemporary art.
After graduating in 2006, MacDonald participated in the critically acclaimed internship program at the Owens Art Gallery in Sackville, under the tutelage of Director Gemey Kelly. Following this appointment, MacDonald moved to St. John’s in 2008 and began working with Eastern Edge Gallery as Assistant Director until 2010.[1] She then pursued a Masters in Curatorial Studies at OCAD University in Toronto, graduating in 2012.[2] MacDonald returned to St. John’s to assume the role of Executive Director at Eastern Edge Gallery,[3][4] where she worked until 2015.[2][4]
During her time as Executive Director, MacDonald also contributed to the community of St. John’s through independent projects, and volunteer work (for example, MacDonald was the founder of the St. John’s based Girls Rock NL, which seeks to empower self-identified girls and female youth with access to the arts and music programming).[5][4] Most recently, MacDonald was a curator for Flotilla, “the first transnational gathering focusing on nomadic and temporary elements of contemporary artist-run culture in Atlantic Canada”,[6] held in Charlottetown, PEI in September 2017.
MacDonald received critical acclaim for her curatorial work. In 2016, her project Land of Mirrors was presented at Eastern Edge Gallery, and featured the work of Michael Flaherty, Will Gill, Philippa Jones, Jerry Ropson, and Jason Wells. As explained by author Lisa Moore in Canadian Art,
“There is a subtle ambiguity in the subtitle of this exhibition. It might mean that ongoing experiments are happening in Newfoundland, have always happened there, or it might mean that experiments are happening to the very thingness that is Newfoundland—or was Newfoundland...Either way, a wilful dreaming is evoked. Newfoundland is a malleable idea, constantly being dreamt and reconfigured. The question also hints at the fanciful, mildly surreal aesthetic throughout the exhibit. MacDonald and the five artists, Will Gill, Jason Wells, Jerry Ropson, Michael Flaherty and Philippa Jones, are intent on exploring a new Newfoundland.”[7]
As a precursor to this exhibition, which considered regionalism, site, and rural art practices, was MacDonald’s project, W(here) Festival, held in Pictou County, Nova Scotia. This project, completed during her graduate studies at OCADU, considered the importance and creative potential for curating within rural communities. As explained by MacDonald, the W(here) Festival occurred over five days and “included three visiting artist projects by Marlene Creates, Sheilah Wilson and Site Media Inc, four works by local artists drawn from a call for submissions by Susan Sellers, Raina McDonald, Sharon Nowlan, Linda Little and Sheree Fitch, seven presentations by additional local artists and one musical performance by Al Tuck”.[8]
In an essay to accompany the festival, MacDonald goes on to say:
“On a curatorial level, I argue that art practices and engagements in rural places teach us how to re-examine the familiar, re-imagine place and make change on a more human-scale. Projects tend to take a long time to develop here and their legacy felt long after. Unlike cities where 20 cultural products come and go almost on a daily basis, here change can be profound, slow and incredibly meaningful. In addition, projects out “here” can often be over looked, ephemeral. But indeed, the old divide between city and country is a tired one. Instead, the projects, stories and actions of the W(here) Festival suggest new simultaneous territories and methodologies that are rich and complex.”[8]
When writing about the W(here) Festival in her OCADU thesis paper, MacDonald included a dedication in which she stated: “To the communities of Pictou County this project is for you. May it encourage other artists and cultural organizers to be brave in places like yours and for others to listen”.[8] Such a statement communicates the heart of Mary MacDonald’s legacy in Atlantic Canada and nationally.
Legacy
Mary’s death in July 2017 prompted the arts community of St. John’s and Atlantic Canada to reflect on her work, and her efforts to bring contemporary art to rural communities. As stated in a posthumous article in The Overcast (an alternative newspaper based out of St. John's[9] ), Chad Pelley states that “She was the kind of bright realistic visionary that imparted critical thinking and influence into her community.”[10] In the same article, Pelley states “It isn’t even her astounding community impact a lot of us are taking note of and celebrating upon her death. Instead, it’s that light she had in her, that just went out on us all. Whatever that was, it’s something so rare we miss it already.”
To commemorate her legacy, the Mary MacDonald Foundation has been established to support independent curatorial practices.[11]
References
- ^ "Canadian Art". 2 October 2012.
{{cite web}}: Cite has empty unknown parameter:|dead-url=(help) - ^ a b "MacDonald, Mary Florence". The Telegram. 21 July 2017.
{{cite news}}: Cite has empty unknown parameter:|dead-url=(help) - ^ "Mary MacDonald Named Director of Eastern Edge Gallery – Canadian Art". Canadian Art. October 2, 2012. Retrieved 2018-03-23.
{{cite news}}: Cite has empty unknown parameter:|dead-url=(help) - ^ a b c Tara Bradbury (July 19, 2017). "Arts Curator Mary Macdonald Dead at 32". The Telegram. Retrieved June 24, 2018.
- ^ "GIRLS ROCK NL". girlsrocknl.ca. Retrieved 2018-03-23.
- ^ "About – Flotilla". flotillaatlantic.com. Retrieved 2018-03-23.
- ^ Moore, Lisa (February 26, 2016). "What Is the New Newfoundland Dream? - Canadian Art". Canadian Art. Retrieved 2018-03-23.
{{cite news}}: Cite has empty unknown parameter:|dead-url=(help) - ^ a b c MacDonald, Mary (August 2012). "W(here) Festival, Pictou County, Nova Scotia: curating within rural communities" (PDF).
{{cite web}}: Cite has empty unknown parameter:|dead-url=(help) - ^ "About the Overcast".
{{cite web}}: Cite has empty unknown parameter:|dead-url=(help) - ^ Pelley, Chad (21 July 2017). "Mary MacDonald's Message: Art = Work. Important Work,". The Overcast.
- ^ "The Mary MacDonald Foundation".
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