Jump to content

Natsuhiko Kyogoku

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 12.233.203.201 (talk) at 01:46, 16 November 2018 (→Koten Kaisaku Series). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Natsuhiko Kyogoku
Born (1963-03-26) 26 March 1963 (age 61)
Hokkaido, Japan
OccupationWriter
LanguageJapanese
Period1994–present
GenreFiction, mystery, horror
Notable worksThe Summer of the Ubume, Requiem from the Darkness
Notable awardsMystery Writers of Japan Award (1996)
Naoki Prize (2004)

Template:Japanese name Natsuhiko Kyogoku (京極 夏彦, Kyōgoku Natsuhiko, born March 26, 1963) is a Japanese mystery writer, who is a member of Ōsawa Office.[1] He is a member of the Mystery Writers of Japan and the Honkaku Mystery Writers Club of Japan.[2][3]

Three of his novels have been turned into feature films; Mōryō no Hako, which won the 1996 Mystery Writers of Japan Award, was also made into an anime television series, as was Kosetsu Hyaku Monogatari, and his book Loups=Garous was adapted into an anime feature film. Vertical have published his debut novel as The Summer of the Ubume.[4]

Background

Kyogoku was born in Otaru, Hokkaido. After dropping out of Kuwasawa Design School, he worked as a publicity agent and established a design company. In 1994, Kodansha published his first novel The Summer of the Ubume (姑獲鳥の夏, Ubume no Natsu). He has since written many novels, and received two Japanese literary prizes; Kyogoku won the 16th Yamamoto Shūgorō Prize for Nozoki Koheiji (覘き小平次) in 2003, and won the 130th Naoki Prize for Nochi no Kōsetsu Hyaku Monogatari (後巷説百物語) in 2004.[5]

Most of his works are concerned with yōkai, creatures from Japanese folklore; he describes himself as a yōkai researcher. This preference was strongly influenced by Shigeru Mizuki (水木しげる), who is an eminent yokai specialist.[6] Kyogoku participates in Mizuki's World Yōkai Association and is a member of the Kanto Mizuki Association and the Research Institute of Mysterious and Marvelous East Asian phenomena.

Yōkai

Kyogoku considers yōkai folklore to be a form of sublimation and applied this idea to his novels.[7] His works are often advertised as yōkai novels by the publisher, and their covers reflect this. Nevertheless, in his writing, yōkai themselves don't appear, except as fables, which serve to explicate the criminal characters' motives. For example, in The Summer of the Ubume, ubume is introduced as part of a ghostly expectant mother folklore, considered to be an expression of hate.[8] However, ubume doesn't actually appear until the end.

Tsukimono-Otoshi

In Kyogoku's works, especially the Kyōgokudō (京極堂) Series, the main character Akihiko Chuzenji (中禅寺 秋彦, Chūzenji Akihiko) solves a case by clearing up a possession; this technique is called Tsukimono-Otoshi, the most striking aspect of his novels. This term is from Onmyōdō: the exorcism of yōkai, demons or ghosts. Chuzenji does Tsukimono-Otoshi as part of his rhetoric he uses in exposing the criminal character's hidden pathos, and likens the emotion to a particular yōkai folklore. This often solves the mystery, but this result is only an unexpected by-product for Chuzenji.

Book Design

Another characteristic of his work is book design: cover, thickness and layout. As explained above, he has founded a design company before, and after he became a novelist, has been working as a designer too. Therefore, remarkably for novelists, he is always concerned with the binding process of his works directly, and sometimes designs other novelists' books, e.g., Gankyū Kitan (眼球綺譚), Yukito Ayatsuji (綾辻行人).[9]

Cover

Kyogoku's books' covers are elaborately designed to match their themes. In Kyōgokudō Series, the covers always represent yōkai featured in each weird story. In Kodansha Novels version of this series, the covers are illustrations drawn by Shirou Tatsumi (辰巳四郎) and Ayako Ishiguro (石黒亜矢子), and in Kodansha Bunko version, the covers are photographs of paper dolls made by Ryō Arai (荒井良). In Kosetsu Hyaku Monogatari Series, the covers also represent yōkai, and as for the first edition of this series, the reverse sides of covers are fearful ukiyo-e which connect the story, e.g., Ono no Komachi Kyūsōzu (小野小町九相図). On the other hand, unlike these horror works, in Dosukoi Series, because these novels are comedies burlesquing other Japanese novels, the covers always represent funny fat sumo wrestlers.

Thickness

Almost all Kyogoku's books, especially Kyōgokudō Series, are very thick in comparison with other Japanese novels. For example, Tesso no Ori (鉄鼠の檻) is 826 pages long, Jorōgumo no Kotowari (絡新婦の理) is 829 pages long, Nuribotoke no Utage, Utage no Shitaku (塗仏の宴　宴の支度) and Nuribotoke no Utage, Utage no Shimatsu (塗仏の宴　宴の始末), a novel in two volumes, is 1248 pages long in total. Because of the thickness, his books look like bricks or dice, and are often called "brick books" or "dice books".[10]

Layout

The layout of Kyogoku's writing is arranged according to his own rules. A sentence never crosses over a page break. Moreover, every time a new version is published, Kyogoku always lays out the work again according to this rule. He explained the intention, "I made it possible for readers to stop reading whenever they want to. If one sentence steps over, readers who are weary of reading must turn over the page. I sense that is contemptible, because not interest to the story but physical factor force readers to read."[11] Second, many kanji characters in his writing are invariably given kana characters alongside. Kyogoku can use DTP software perfectly, so he freely writes old-fashioned characters and ateji characters with the purpose of capturing old Japanese atmosphere in his novels. However, such characters are difficult even for Japanese people to read. Therefore, giving kana characters alongside kanji characters in his writing is essential for readers to be able to understand those characters' meaning.[12] Third, sentences are marked out by entering null lines before and after them on purpose. That technique enables readers to perceive the curious blank where the important sentences are written.[13] In these ways, Kyogoku always keeps readability in mind, and dedicates himself not only to sentences but also the layout.[11] These qualities do not, however, carry over to the English translations of his books.

Works in English translation

Kyōgokudō series
Loups-Garous series
The Wicked and the Damned: A Hundred Tales of Karma series
  1. "The Bean Washer" (original title: "Azukiarai"), trans. Ian M. MacDonald (Creek & River Co., Ltd, 2015)
  2. "The Fox Priest" (original title: "Hakuzōsu"), trans. Ian M. MacDonald (Creek & River Co., Ltd, 2015)
  3. "The Flying Heads" (original title: "Maikubi"), trans. Ian M. MacDonald (Creek & River Co., Ltd, 2015)
  4. "Shibaemon the Raccoon-Dog" (original title: "Shibaemon Tanuki"), trans. Ian M. MacDonald (Creek & River Co., Ltd, 2016)
  5. "Chojiro the Horse-Eater" (original title: "Shio no Choji"), trans. Ian M. MacDonald (Creek & River Co., Ltd, 2016)
  6. "The Willow Woman" (original title: "Yanagi Onna"), trans. Ian M. MacDonald (Creek & River Co., Ltd, 2016)
  7. "The Corpse at the Crossroads" (original title: "Katabira-ga-Tsuji"), trans. Ian M. MacDonald (Creek & River Co., Ltd, 2016)
Standalone crime novel
Short story
  • Three Old Tales of Terror (original title: Dare ga Tsukutta, Nani ga Shitai, Doko ni Ita), trans. Rossa O'Muireartaigh (Kaiki: Uncanny Tales from Japan, Volume 1: Tales of Old Edo, Kurodahan Press, 2009)[16]

Awards

Bibliography

Kyōgokudō Series

Kyōgokudō (京極堂) Series[20]

  • Novels
    • Ubume no Natsu (姑獲鳥の夏) (1994) /The Summer of the Ubume, (Natsuhiko Kyogoku, Vertical, 2009)
    • Mōryō no Hako (魍魎の匣) (1995)
    • Kyōkotsu no Yume (狂骨の夢) (1995)
    • Tesso no Ori (鉄鼠の檻) (1996)
    • Jorōgumo no Kotowari (絡新婦の理) (1996)
    • Nuribotoke no Utage, Utage no Shitaku (塗仏の宴　宴の支度) (1998)
    • Nuribotoke no Utage, Utage no Shimatsu (塗仏の宴　宴の始末) (1998)
    • Onmoraki no Kizu (陰摩羅鬼の瑕) (2003)
    • Jyami no Shizuku (邪魅の雫) (2006)
  • Short story collections
    • Hyakkiyakō—In (百鬼夜行――陰) (1999)
    • Hyakkitsurezurebukuro—Ame (百器徒然袋――雨) (1999)
    • Konjakuzokuhyakki—Kumo (今昔続百鬼――雲) (2001)
    • Hyakkitsurezurebukuro—Kaze (百器徒然袋――風) (2004)
    • Hyakkiyakō—Yō (百鬼夜行――陽) (2012)

Koten Kaisaku Series

Koten Kaisaku (古典改作) Series

  • Warau Iemon (嗤う伊右衛門) (1997)
  • Nozoki Koheiji (覘き子平次) (2002)
  • Kazoezu no Ido (数えずの井戸) (2010)

Kōsetsu Hyaku Monogatari (A Hundred Tales of Karma) Series

Kōsetsu Hyaku Monogatari (A Hundred Tales of Karma) Series

Loup-Garou Series

  • Loup-Garou: Kihisubeki Ōkami (ルー=ガルー 忌避すべき狼) (2001) /Loups-Garous (Natsuhiko Kyogoku, VIZ Media LLC, 2010)
  • Loup-Garou 2: Incubus, Succubus, Aiirenu Muma (ルー=ガルー2 インクブス×スクブス 相容れぬ夢魔) (2011)

Standalone novels

  • Shineba Ii no ni (死ねばいいのに) (2010) / Why Don't You Just Die? (Natsuhiko Kyogoku, Kodansha, 2011)
  • Ojīsan (オジいサン) (2011)

Short story collections

  • Dosukoi (どすこい) (2000)
  • Nankyoku (南極) (2008)
  • Iya na Shōsetsu (厭な小説) (2009)
  • Kyogen Shōnen (虚言少年) (2011)

Picture book

  • Iru no Inai no (いるの いないの) (2012)

TV and film adaptations

Films
Animated film
Animated TV series

References

  1. ^ 大極宮 -大沢オフィス公式ホームページ
  2. ^ "Natsuhiko Kyogoku (List of members)" (in Japanese). Mystery Writers of Japan, Inc. Retrieved August 13, 2015.
  3. ^ "Members of the Honkaku Mystery Writers Club of Japan" (in Japanese). Honkaku Mystery Writers Club of Japan. Retrieved August 13, 2015.
  4. ^ Vertical at the New York Anime Festival
  5. ^ Our R25 Days 2005. ISBN 4-532-19317-6
  6. ^ Kyōgoku Natsuhiko Talk Collection Yōkai Large Preaching 2005. ISBN 4-04-883925-X : pp.7-27
  7. ^ This is Our Kyōgoku Natsuhiko 2004. ISBN 4-7966-4269-2 : pp.11-12
  8. ^ Kyōgoku Natsuhiko Ubume no Natsu. 1994. ISBN 4-06-181798-1
  9. ^ Ayatsuji Yukito Gankyū Kitan (眼球綺譚). 1995. ISBN 4-08-774166-4
  10. ^ http://www.osawa-office.co.jp/special/hatoyo.html
  11. ^ a b ほぼ日刊イトイ新聞 - 京極夏彦はいつ眠るのか。
  12. ^ 京極夏彦: Feature
  13. ^ 京極夏彦: Feature
  14. ^ Natsuhiko Kyogoku Why Don’t You Just Die? for iPhone, iPad, and iPod touch on the iTunes App Store
  15. ^ Natsuhiko Kyogoku Why Don’t You Just Die? HD for iPad on the App Store on iTunes
  16. ^ Kaiki: Uncanny Tales from Japan, Volume 1: Tales of Old Edo | Kurodahan Press Template:En icon
  17. ^ J'Lit | Publications : Peeping Koheiji | Books from Japan Template:En icon
  18. ^ J'Lit | Publications : Still More Ghost Stories from About Town | Books from Japan Template:En icon
  19. ^ J'Lit | Publications : Ghost Stories from About Town in the West | Books from Japan Template:En icon
  20. ^ "Archived copy". Archived from the original on 2008-02-03. Retrieved 2008-03-10. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Natsuhiko_Kyogoku&oldid=869045249"