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Mark Foster Gage

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Mark Foster Gage
File:Mark Foster Gage TED2.jpg
Mark Foster Gage lecturing at TEDx Mid Atlantic conference, Washington D.C.
Born (1973-11-22) November 22, 1973 (age 51)
Omaha, Nebraska
NationalityUnited States
Alma materUniversity of Notre Dame (1997), Yale University (2001)
OccupationArchitect
PracticeMark Foster Gage Architects
BuildingsPenkridge Hall, Shropshire England
ProjectsTower on West 57th Street, New York City
DesignOutfit for Lady Gaga
Websitemfga.com

Mark Foster Gage (born November 22, 1973) is an American architect practicing as head of his eponymous firm, Mark Foster Gage Architects, in New York City. He is also an Assistant Dean and tenured Associate Professor at the Yale University School of Architecture where he has been on the faculty since 2001.[1]

Background and education

Mark Foster Gage was born in Omaha, Nebraska in 1973. His father was a Navy helicopter pilot who served two tours in Vietnam and his mother worked in a bookstore until she later returned to school and became an employee at a credit card processing center, then later a librarian at the University of Nebraska Medical Center. Due to his father being in the Navy Mark lived in multiple cities prior to college including Omaha, Nebraska; Norfolk, Virginia; Monterrey, California; San Diego, California; Granger, Indiana, and ultimately he returned to Omaha to graduate from Westside High School in 1992. He attributes his interest in architecture to a mechanical drawing course he took at Farb Middle School in San Diego in 1985. Gage currently lives in New York City where he has been a licensed architect in the State of New York since 2004. Prior to moving to New York City Gage lived for a year in Rome, Italy and for a summer in Osaka, Japan. He holds a five-year Bachelors of Architecture degree with a second major in Art History from the University of Notre Dame (1997), and a Post-Professional Masters of Architecture degree from Yale University (2001).

Career

Mark Foster Gage is an architect, writer, and Assistant Dean at the Yale School of Architecture where his field is currently focusing on how architectural design modifies perceptions of social equality[2] [3]. Since 2002 his New York City firm, Mark Foster Gage Architects,[4][5] has combined his theoretical speculations with digital technologies and materials into projects for clients including Lady Gaga[6], Nicola Formichetti, Intel Corporation[7], Google[8], Samsung, W Hotels, MAC Cosmetics[9], Diesel[10], H&M[11], The Coachella Music Festival, and Vice Media. Gage’s design work has been exhibited in museums internationally including the Museum of Modern Art in New York City (MoMA)[12], the Museum of the Art Institute of Chicago [13], the High Museum of Art in Atlanta[14], the National Gallery of Art in Osaka,[15] the Hiroshima Museum of Contemporary Art[16], the Frac Center in Orléans[17], the Niigata Art Museum[18], the Museum of Modern Art in Saitama[19], The Franz Mayer Museum in Mexico City[20], and the Venice, Beijing, and Prague Biennials. His work has been featured in numerous architectural publications[21][22][23] [24] [25][26][27][28]as well as Vogue[29][30], Newsweek [31], Fast Company [32], Wired[33], USA Today [34], Business Insider [35], The New York Times [36], The Beijing Times [37], New York Magazine [38], Harper’s Bazaar [39], Marie Claire[40], Elle[41], Surface[42], Vice Media’s Creators Project and a recent twenty-five page feature in A+U[43]. Television coverage of his work has been produced for PBS[44], Fox[45], and MTV, and he was recently the subject of a documentary segment on the Travel Channel China’s program Go as Far as You Can which focuses on international innovators in creative fields.[46]

Gage has received recognition for his work in the form of nominations or awards from various institutions including the USA Artists Fellows Program (three-time nominee: 2011, 2014, 2018), the American Institute of Architects (recipient of an AIANY Design Award[47] and New Practices Citation), the Chernikhov International Foundation, the Ordos Foundation, The Architectural League of New York The Architectural League Prize, MoMA, and Surface Magazine which named him an “Avant Guardian of Architecture[48].” In 2013 Gage, as part of a team with fashion designer Nicola Formichetti and the branding firm Two Hustlers, received a Mashie Award for “Digital Marketing Innovators of the Year,”- awarded for the team’s advertising and related retail concepts for Diesel, which included the Gage-designed Diesel 101 store built in Williamsburg, Brooklyn. Gage was appointed an “honorary founder” of the 5-D technology institute along with Paola Antonelli (Senior Curator of Design, MoMA), and Bill Viola (artist), and served on the Board of Directors for the MacDowell Colony from 2012-2017. He was recently a nominee for the Architecture Prize awarded by the American Academy of Arts and Letters.

Gage has designed projects ranging from a proposal for a 102-story residential tower in New York City,[49] to the new Live Arts Building at Bard College,[50] to a 3-d printed outfit for Lady Gaga, to a new Nicopanda-branded line of makeup products for MAC Cosmetics, sold at all MAC and Macy’s stores internationally. Gage is the architect for, and an investor in VR World - the largest virtual reality entertainment center in the Western Hemisphere, located in a new three-story, Gage-designed flagship space adjacent to the Empire State Building in New York City (4 E 34th St, New York, NY 10016)[51]. In addition to being open to the public, the space serves as an exhibition space for digital developers and a laboratory for Gage’s ongoing architectural research into technologies involving projection mapping, robotics, virtual reality, spatial social media, and physical interactivity.

To explore the theoretical and cultural aspects of his design work, Mr. Gage has, since 2001, taught graduate-level design studios and research seminars at the Yale School of Architecture where has been Chair of Admissions, Assistant Dean of Student Affairs, Assistant Dean of External Communications, and currently as Assistant Dean of Collaborative and Outside Projects where he has developed educational models that directly connect the curriculum to international corporations and institutions that provide new forms of financial, personnel, and research support. Prior to teaching at Yale, he taught at the Columbia University Graduate School of Architecture, Planning and Preservation (2001-2004)[52], The Institute for the Study of Classical Architecture (summer program 2001/2002), and chaired the think-tank on Computational Aesthetics at the Royal Danish Academy. Gage has lectured on his work, as well as his contributions to the field of architecture at universities, think-tanks, museums and other international institutions including both TED (Washington D.C.) and [3] INK (Mumbai) conferences.[53]

Gage has written on architecture, technology and aesthetic philosophy in both popular and scholarly publications including The Journal of Architectural Education [54], Volume[55], Fulcrum [56], Mole[57], ArchiStorm[58], A+U[59][60], Perspecta [61][62], Agora[63], AD/ Architectural Design[64][65], and Log[66][67], where he was also the guest editor, with Florencia Pita, of Issue #17 which focused on the subject of affect in architecture[68]. In 2015, he contributed a text on the subject of architectural identity titled “Architecture, Branding, and the Politics of Identity" to The Routledge Handbook of Architecture Design and Practice.[69] [70]

Two monographs on Mr. Gage’s work have been published: Mark Foster Gage: Projects and Provocations] (Rizzoli Press, 2018) which includes a forward by Robert A.M. Stern and an afterword by Peter Eisenman, and Thought Through Form: The Architecture of Mark Foster Gage (Tongji University Press, 2019), which will be available exclusively in Mandarin in late 2019. Gage authored the recently published book Designing Social Equality: Architecture Aesthetics and the Perception of Democracy] (Routledge, 2018) and has been the editor of three books: Aesthetics Equals Politics: New Discourses Across Art, Architecture and Philosophy (MIT Press, 2019), Aesthetic Theory: Essential Texts for Architecture and Design (Norton, 2012), and Composites, Surfaces and Software: High Performance Architecture, co-edited with Greg Lynn (Yale/Norton, 2009). Gage was also the managing editor on both The Millennium House, (Yale, 2001), and Building Cities: Towards a Civil Society and a Sustainable Environment (ArtMedia Press, 1999).

Books

Articles

  • "Speculation vs. Indifference" in Log, Issue #40, Ed. Cynthia Davidson, Anyone Corporation, New York, New York, 2017.
  • "Architecture, Branding, and the Politics of Identity. Ed. Mitra Kanaani and Dak Kopec. The Routledge Handbook of Architectural Design and Practice, Routledge, 2015. 289-302, Print.
  • "A Hospice for Parametricism" in AD on Parametricism. Ed. Helen Castle and Patrick Schumacher. Architecture Design (AD), London England, 2016
  • "Killing Simplicity: Object Oriented Ontology in Architecture. Ed. Cynthia Davidson. LOG issue #33, New York, New York, 2015.
  • "It's the End of the Digital as We Know It”. Ed. Jonathan Openshaw. Post-Digital Artisans. Amsterdam: Frame Publications, 2015.
  • "Rot Munching Architects" Ed. Avi Forman et al. Perspecta: Money, MIT Press Distribution, 2013
  • "Kawai and the Logistics of Cuteness" in MOLE, University of Toronto Press Distribution, 2013
  • "Architectural Form and the Subjugation of Concepts." in Pulsation in Architecture. Eric Goldenberg, ed. Fort Lauderdale, FL: J. Ross, 2012. 160-63.
  • "Project Mayhem: Architecture in the Age of Dissensus." in Fulcrum: A publication of the Architectural Association, London.. Jack Self, editor. 2011.
  • "Along Utopian Lines: American Architecture in the Age of Apollo." in Volume 25 (2010): 64-69.
  • "The Aesthetics of Sustainability." in ArchiSTORM 41 (2010): 74-75.
  • "Software Monocultures." In Composites, Surfaces, and Software: High Performance Architecture. Lynn, Greg, and Mark Gage, eds. W.W. Norton and New Haven, CT: Yale School of Architecture, 2010. 107-120.
  • "The Zero Degree of Ideology." in Log 17 Fall 2009: 7-8.
  • "In Defense of Design." in Log 15 Spring/Summer 2009: 39-46.
  • "Mark Foster Gage" in Resonance / Young Architects 10 New York: Princeton Architectural, 2009. 72-97.
  • "Automotive and Architectural Design." in A+U Architecture and Urbanism Aug. 2009: 84-87.
  • "Etiologies of Beauty: Architecture and the New Physics of Appearances." Ed. Marc Guberman, Jacob Reidel, and Frida Rosenberg. Perspecta 40: Monster, MIT Press, 2008: 90-95.
  • "Book Reviews: Disappearing Architecture: From Real to Virtual to Quantum." Ed. Georg Flachbart and Peter Weibel. Journal of Architectural Education 60.3 (2007): 49-50.
  • "Deus Ex Machina: From Semiology to the Elegance of Aesthetics." In AD Architectural Design 77.1, Ali Rahim Ed, London (2007): 82-85.

References

  1. ^ "Mark Foster Gage". yale.edu. Retrieved 15 December 2015.
  2. ^ https://www.architecture.yale.edu/faculty/321-mark-foster-gage
  3. ^ his two most recent books in this field are Designing Social Equality: Architecture Aesthetics and the Perception of Democracy (Routledge, 2018) and Aesthetics Equals Politics: New Discourses Across Art, Architecture and Philosophy (MIT Press, 2019)
  4. ^ Originally a partnership with Marc Clemenceau Bailly: Gage / Clemenceau Architects)
  5. ^ www.mfga.com
  6. ^ a collaboration with fashion designer Nicola Formichetti
  7. ^ as part of the "Four Stories" campaign which included 6 Gage-designed installation projects built in Singapore, Hong Kong, San Francisco, New York City, London and Paris
  8. ^ an unbuilt centerpiece design for the Google Glass center in San Francisco
  9. ^ as part of the Nicopanda fashion brand with Nicola Formichetti
  10. ^ Referring the built Diesel 101 store in Williamsburg Brooklyn
  11. ^ in collaboration with the branding company Two Hustlers
  12. ^ 2006
  13. ^ [1]
  14. ^ High Museum of Art, Atlanta, as part of the "Modern Atlanta" Conference. "Gage / Clemenceau Architects" 06.14.12
  15. ^ as part of the "Impossible Architectures" Exhibition
  16. ^ as part of the "Impossible Architectures" Exhibition
  17. ^ as part of "Archilab" 2013
  18. ^ as part of the "Impossible Architectures" Exhibition
  19. ^ as part of the "Impossible Architectures" Exhibition
  20. ^ as part of the "Azul Rey" Symposium and exhibition
  21. ^ Betsky, Aaron. “Kitbashing Beauty.” A review of Mark Foster Gage: Project and Provocations (monograph) by Aaron Betsky. Architect Magazine, December 2018.
  22. ^ Quesada, David. “11 Very Fashionable Buildings: An Exhibition in the Iconno Gallery in Madrid brings together some of the best architectural projects for luxury brands.” In Arquitectura and Diseno (Spain). October 22, 2018.
  23. ^ Menking, William. “Jencks, Eisenman, FAT, and more remember Robert Venturi” The Architects Newspaper. September 20, 2018.
  24. ^ Seward, Aaron. “Q&A with Mark Foster Gage and Patrick Schumacher. In Texas Architect magazine. July/August 2017 issue.
  25. ^ Hirano, Toshiko, and Kazuko Sakamoto. "Mark Foster Gage: Towards an Inexhaustible Architecture." A+U June 2017: 134-59. Print.
  26. ^ Artemel, A.J. P. "A Trophy for Living In." Metropolis Magazine. N.p., Feb. 2016. 12 May
  27. ^ Mafi, Nick, and Mark Foster Gage Architects. "New York City's Latest Proposed Skyscraper Is Not What You Would Expect." Architectural Digest. N.p., 15 Dec. 2015. 12 May 2016.
  28. ^ Sitz, Miriam. “Mark Foster Gage’s Dramatic West 57th street Supertall,” in Architectural Record, December 2015. Accessed online printed pages unknown.
  29. ^ https://www.vogue.com/article/thierry-mugler-pop-up-shop]
  30. ^ Holt, Emily. "Nicola Formichetti's Pop-Up Shop." Vogue. Vogue Magazine, 8 Sept. 2011.
  31. ^ Nazaryan, Alexander. "Beyond Glass and Steel." Newsweek Magazine 02 Jan. 2014: n. pag. 31 Dec. 2013.
  32. ^ Labarre, Suzanne. "First Look: Lady Gaga's Stylist Unveils A Glittering Vision For Shopping." Co.Design. Fast Company, 9 Sept. 2011.
  33. ^ "PS1/MoMA - Aurum." Wired Magazine May 2007: n. pag. Online Version.
  34. ^ USA Today, "Illuminated Metallic Heart" February 12, 2009, online issue
  35. ^ Weller, Chris. "This Ornate Concept Skyscraper Was Inspired by 'Game of Thrones'" Business Insider. Business Insider, Inc, 18 Dec. 2015. 12 May 2016.
  36. ^ Louie, Elaine. "For a Surfer, Indoor Waves and Boards." The New York Times 25 Oct. 2007, House & Home sec.: F5. Print.
  37. ^ "Fashion Events." The Beijing News 25 May 2012, sec. D: 3. Print
  38. ^ Odell, Amy. "T-Shirts Times Infinity." New York Magazine 29 Feb. 2011: 122. Print.
  39. ^ Godinho, Nina. "First Look at Gaga's Stylist, Nicola Formichetti's Pop-up Shop." Harpers Bazaar. Harpers Bazaar, n.d. 11 May 2012. Cited from online edition.
  40. ^ Ajanda." Marie Claire Mar. 2016: 36.
  41. ^ "Elle Fashion News - Nicopanda." Elle 1 May 2012: 136. Print.
  42. ^ Sokol, David. "Gage/Clemenceau: Sinuous Structures, Oversized Valentines and Mind-bending Geometries Result from This Team's Need for Beauty and Emotion." Surface Magazine 2009: 53. Print.
  43. ^ May 2017 Issue of A+U (Issue 560).
  44. ^ PBS, Channel Thirteen, New York, “In the Arts, with Paula Zahn." Coverage of Gage / Clemenceau Architects design for Nicola Formichetti's store. Television.
  45. ^ Fox News. New York, New Coverage of the opening of the Valentine to Times Square. 11 Feb. 2009. Television.
  46. ^ from 03:50 to 10:03 at [2]
  47. ^ for "Store for Nicola Formichetti" in New York City
  48. ^ Sokol, David. "Gage/Clemenceau: Sinuous Structures, Oversized Valentines and Mind-bending Geometries Result from This Team's Need for Beauty and Emotion." Surface Magazine 2009: 53. Print.
  49. ^ https://www.metropolismag.com/architecture/mark-foster-gage-khaleesi-skyscraper-not-quite-shallow
  50. ^ https://www.mfga.com/copy-of-548-west-22nd-street
  51. ^ See the official NYC guide regarding VR World
  52. ^ including two studios taught with Hani Rashid of Asymptote
  53. ^ Gage has lectured at: UCLA School of Architecture, Public lecture. “Cerulean Blue Philosophy,” March 5, 2018. The Southern California School of Architecture. Public Lecture. “Full of Vexation, Come I, with Complaint,” January 28, 2018. The Frank Lloyd Wright School of Architecture at Taliesin. Public Lecture. “Full of Vexation, Come I, with Complaint,” September 16, 2018. The Kent State School of Architecture. Public Lecture. “Full of Vexation, Come I, with Complaint” February 23, 2018. The Chicago Architecture Biennial. “Building with Digital Fragments.” Lecturer and panelist for the University of Michigan’s “Building with Digital Fragments” symposium. The Chicago Architecture Biennial. “What is Organic Architecture Today.” Lecturer and panelist. The Frank Lloyd School of Architecture/ Taliesin symposium. Other panelists included Juhani Palasmaa. Wendell Burnett and Marion Weiss. The University of Notre Dame. School of Architecture. Public Lecture. “Full of Vexation, Come I, with Complaint,” October 2017. The University of Pennsylvania Humanities Department, digital humanities colloquium November 6, 2017. Interface: Mark Foster Gage vs. Patrik Schumacher. Texas A&M University, April 21, 2017. A public debate on land use policy and urban futures. TEDx, Mid Atlantic. Other presenters include Presidential candidate Martin O’Malley, and journalist Bob Woodward. Aesthetic Activism: Keynote discussion between Jacques Ranciere and Mark Foster Gage. Yale School of Architecture. New Haven, CT. 2016. Eastern Mediterranean University, Cyprus, Public Lecture Title: “Design Liquidity.” Architectural Association, London. Visiting School in Aqaba Jordan. Lecture Title: “Design Liquidity.” Yapi Enstustri Merkezi (YEM), Istanbul, Lecture Title: “Design Liquidity” as part of the “Design Explorers” annual series. The University of Arkansas, School of Architecture, Lecture Title: “Recent Projects, Giant Lizards, Object Oriented Philosophy, Stupid Diagrams, Kitbashing, Mjolnir, Interactivity, Mario Bros, Styrofoam, Aesthetic Theory, Robot Legs, Transdisciplinarity and Laser Cats” The Southern Illinois University, School of Architecture, Lecture Title: “Recent Projects, Giant Lizards, Object Oriented Philosophy, Stupid Diagrams, Kitbashing, Mjolnir, Interactivity, Mario Bros, Styrofoam, Aesthetic Theory, Robot Legs, Transdisciplinarity and Laser Cats” The Yale University School of Medicine, Lecture Title: “Recent Projects, Giant Lizards, Object Oriented Philosophy, Stupid Diagrams, Kitbashing, Mjolnir, Interactivity, Mario Bros, Styrofoam, Aesthetic Theory, Robot Legs, Transdisciplinarity and Laser Cats”, The Pratt Institute, School of Architecture, Lecture Title: “Recent Projects, Giant Lizards, Object Oriented Philosophy, Stupid Diagrams, Kitbashing, Mjolnir, Interactivity, Mario Bros, Styrofoam, Aesthetic Theory, Robot Legs, Transdisciplinarity and Laser Cats”, The University of Pennsylvania, Lecture Title: “Recent Projects, Giant Lizards, Object Oriented Philosophy, Stupid Diagrams, Kitbashing, Mjolnir, Interactivity, Mario Bros, Styrofoam, Aesthetic Theory, Robot Legs, Transdisciplinarity and Laser Cats” The AIA Baltimore. As part of the “Outliers” lecture series. Lecture Title: “Recent Projects, Giant Lizards, Object Oriented Philosophy, Stupid Diagrams, Kitbashing, Mjolnir, Interactivity, Mario Bros, Styrofoam, Aesthetic Theory, Robot Legs, Transdisciplinarity and Laser Cats” The 2014 Venice Biennale: Fundamentals. Curated by Rem Koolhaas. Delivered opening weekend lecture at the Arsenale as part of the official Biennale Freeport lecture series, in association with the INTERSPACE series of discussions. Saturday, June 7, 2014. The International Conference on Opthamology, Keynote Address. Organized by the American Academy of Opthamology. Delivered the Michael A. Mormor lecture titled “Architecture, Opthamology and the Seeing of Space.” McCormick Center, Chicago, Illinois, October 19, 2014. The 2014 TED affiliated INK conference. Mumbai India. “Beyond Boundaries.” October 30 – November 2, 2014. Syracuse University, Official response to philosopher Graham Harman, on the subject of Object-Oriented Ontology in Architecture. Syracuse School of Architecture, September 26, 2014. Xlab 2013: The Future of Experience Design. Conference held at on September 30th, 2013 at the Museum of the Moving Image in New York City. University of Michigan, Taubman School of Architecture, "Transmedia Architecture" 09.24.12 University of Nebraska, College of Architecture, "The Autocthon" 09.21.11. TED 2012: Ideas Worth Spreading. Long Beach, California. Debate Participant on the topic of "Technology and Evolution. Debated with Nathan Shedroff, Founder of the MBA in Design Program at the California College of the Arts, and design and technology author. Sponsored by Autodesk as part of their "cage match debate" series. The World Architectural Festival, Singapore "Design Liquidity" Singapore.10.03.12-10.05.12, The Southern California Institute for Architecture (Sci-Arc), “The Forces of Effervescence” 11.09.11. Acadia: Integration Through Computation Conference (Keynote Speaker), "Design Liquidity" 0.16.11. Banff Conference Center, Calgary/ Banff, Canada. The Center for Architecture, New York, "Composites, Surfaces and Software: High Performance Architecture" (lecture on recently published book of the same name), 2011. Autodesk University Technology Conference (AU). Las Vegas, Nevada. "Mudbox" Lecturer on technology. The University of Michigan, Taubman School of Architecture, “The Future of History” 04.03.11, The Roger Williams University “Supersymmetry” 02.23.11, The Visionaries Forum: Construction Institute, “Disheveled Geometries” 01.28.11, The Autodesk Global Conference (AU), Las Vegas, “Disheveled Geometries” 12.01.10, The Kent State School of Architecture, “The Computational Baroque” 02.23.10, THe University of Notre Dame School of Architecture. “The Computational Baroque” 02.22.10, The Autodesk Global Conference (AU), Las Vegas, “The Computational Baroque, 12.02.09 The Yale University School of Architecture, "Faint Traces of Ideology" 11.19.09. Texas A+M University, School of Architecture, "Faint Traces of Ideology" 11.16.09, The AIA Center for Architecture, Manhattan, “Anarchitecture” (lecture/ panel discussion) 10.16.07, The Cornell University, School of Architecture NYC campus location, “Performance Aesthetics” 10.30.08, The MacDowell Colony, Peterborough NH, “Gage / Clemenceau Architects, Work 08.25.08. The Autodesk University Technology Conference (AU) The Venetian Hotel, Las Vegas, “Gage / Clemenceau Architects, Work” 11.30.07. The Southern California Institute for Architecture (Sci-Arc), “The Forces of Effervescence” 11.28.07. The Royal Danish Academy, Copenhagen, “The Forces of Effervescence” 11.24.07. The Congress of International Modern Architects, “Performance Aesthetics” 05.08.07. The AIA Center for Architecture, Manhattan, “Six views/ Six Positions” (Panel discussion) 04.04.07. The New Jersey Institute of Technology, “Forms of Architectural Seduction” 04.02.07. The Pratt Institute / CIMA, “Forms of Seduction” 03.28.07. Yale University, Seduction Symposium, “Sense and Sensuality” 02.20.07. Museum Franz Meyer, Mexico City, “Architectural Perfume” 02.16.07. Technologico De Monterrey, “Sense and Sensuality” 02.13.07. Hafele Gallery, “Forms of Architectural Seduction” 01.11.07. University of Hartford, “Architectural Urges” 12.07.06. Ohio State University, “Formal Atmospherics". 2003 Netherlands Architecture Institute, “A13: Installation and Type” and other locations.
  54. ^ Gage, Mark. "Book Reviews: Disappearing Architecture: From Real to Virtual to Quantum." Ed. Georg Flachbart and Peter Weibel. Journal of Architectural Education 60.3 (2007): 49-50. Print
  55. ^ Gage, Mark Foster. "Along Utopian Lines: American Architecture in the Age of Apollo." in Volume 25 (2010): 64-69.
  56. ^ Gage, Mark Foster. "Project Mayhem: Architecture in the Age of Dissensus." in Fulcrum: A publication of the Architectural Association, London. Jack Self, editor. 2011.
  57. ^ Gage, Mark Foster. "Kawai and the Logistics of Cuteness," Ed. Avi Forman and Christos Bolos, in MOLE Magazine, University of Toronto Press Distribution, 2013
  58. ^ Gage, Mark Foster. "The Aesthetics of Sustainability." in ArchiSTORM 41 (2010): 74-75.
  59. ^ Gage, Mark Foster. "Automotive and Architectural Design." in A+U Architecture and Urbanism Aug. 2009: 84-87.
  60. ^ Selected as one of six “Emerging Architects in the United States” by A+U Magazine. Subject of a 25-page spread in the May 2017 Issue of A+U (Issue 560).
  61. ^ Gage, Mark Foster. "Rot Munching Architects" Ed. Avi Forman et al. Perspecta 47: Money, MIT Press Distribution, 2014
  62. ^ Gage, Mark Foster. "Etiologies of Beauty: Architecture and the New Physics of Appearances." Ed. Marc Guberman, Jacob Reidel, and Frida Rosenberg. Perspecta 40: Monster, MIT Press, 2008: 90-95
  63. ^ Gage, Mark Foster. “The Naughty Sister,” in Architekt Ist Tot: (The Architect is Dead). A publication by AAgora, the critical interdisciplinary platform of the Architectural Association, London. 2017 (forthcoming)
  64. ^ Gage, Mark Foster. “The Aesthetics of Politics” In the AD issue Evoking Through Design: Contemporary Moods in Architecture. Ed. Matthias Del Campo. AD, London, 2017.
  65. ^ Gage, Mark Foster. "Deus Ex Machina: From Semiology to the Elegance of Aesthetics." In AD Architectural Design 77.1, Ali Rahim Ed, London (2007): 82-85.
  66. ^ Gage, Mark Foster. “Killing Simplicity: Object Oriented Philosophy in Architecture.” Ed. Cynthia Davidson. Log, Issue #33, Winter 2015. Recently translated into Russian.
  67. ^ Gage, Mark Foster. "In Defense of Design." in Log 15 Spring/Summer 2009: 39-46.
  68. ^ Gage, Mark Foster, and Florencia Pita. "The Zero Degree of Ideology." in Log 17 Fall 2009: 7-8.
  69. ^ https://www.routledge.com/The-Routledge-Companion-for-Architecture-Design-and-Practice-Established/Kanaani-Kopec/p/book/9781138023154
  70. ^ Gage, Mark Foster. "Architecture, Branding, and the Politics of Identity." Ed. Mitra Kanaani and Dak Kopec. The Routledge Handbook of Architecture and Design: Current and Emerging Trends. N.p.: Routledge, 2015. Print.
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