Glitter and Be Gay

Glitter and Be Gay is an aria from the operetta Candide, sung by the character of Cunegonde. It was written by Leonard Bernstein. The tune of the up-tempo section ("Ha ha, ha ha ha ha") is well-known from its prominence in the show's overture as well as from its use for years as the theme music of Dick Cavett's talk show.

This aria poses considerable difficulties. In sheer vocal/technical terms, it is among the most fiendishly challenging coloratura soprano arias. If sung as written throughout (alternative phrases are provided at several points in the score), there are four high E-flats (above high C), two staccato and two sustained; there are also numerous requests for high C and D-flat. Some of the florid passages are very intricate, calling for marksmanship of the highest order. Theatrically it is also far from simple. It demands an elaborate comic staging (in which Cunegonde adorns herself with jewelry while singing and dancing around the stage), and the actress must perform in deadly earnest if she is to capture the piece's satirical quality.

"Glitter and Be Gay" was introduced by Barbara Cook, who never sang the aria again after the show's original Broadway run, despite many requests once she launched the concert career that has occupied her for more than three decades. Once she reportedly announced from the stage that she would perform the aria, and did so — on the kazoo. More recently, in her 2003 Lincoln Center concerts, she ended the program with an abbreviated rendition of "GABG," beginning with the slow opening, then cutting to the final stretch of coloratura and high notes — which she (hilariously) lip-synched.

Barbara Cook discussed the most difficult part of this aria--the "Ha ha hahahaha" section-- with Renee Fleming for Opera News in December of 2001:

Barbara Cook: It was terrible how nervous I was. I'd been singing stuff like "I'll be loving you always," and here I was singing Cunegonde. You know what else is hard with that thing? Lenny insisted on the "Ha-ha-ha"s really being "Hha-hha-hha"s. No "Ah-ee-ah-ee-ah"s but "Ha-ha-ha-HA-ha-ha"s. And I was never, never able to do it the way he really, really wanted it done. He wanted the ...

Renee Fleming: You mean the aspiration?

Barbara Cook: Oh, that. I did do that. But what he wanted was the syncopation. So it would have to be [speaks, beating time], "Ha-ha-hahahaha. HAhahahaHAhahaha." You try that on for size. That's hard, because you are losing all that air.

Apart from Cook, most other singers of this aria generally simplify this section by eliminating the aspirated "H's" and sing staccatti instead.

Subsequent performers of the role of Cunegonde have included singing comediennes extraordinaire Madeline Kahn (in a 1968 concert version), Michael Callen (in his 1996 posthumously released LEGACY 2-CD album) and Kristin Chenoweth (in a 2004 concert production with the New York Philharmonic) as well as operatic sopranos Mary Costa (in the 1959 London premiere), Erie Mills (at the New York City Opera), June Anderson (under Bernstein's direction in concerts and a recording shortly before his death; her understudy, Constance Hauman, filled in for the second performance which had the Emperor of Japan and Royal Family in attendance; This last minute fill in launched Miss Hauman to sing the role of Cunegonde in several landmark productions and concerts of CANDIDE; a 12 week,8 shows a week run of a new production of CANDIDE at the Ahmanson in Los Angeles (Gordon Davidson directing); the only American featured in the first french language translation of the operetta which toured France and Belgium; A new acclaimed production by Opera Theater of St. Louis; She sang the aria and other CANDIDE selections at Carnegie Hall with the Gay Men's Chorus of NYC; and finally she was asked to sing the aria on the Broadway Memorial for Bernstein at the Majestic Theater with Barbara Cook, Lauren Bacall, Carol Lawrence; Other sopranos who have sung productions of CANDIDE have been soprano Elizabeth Futral (at Lyric Opera of Chicago) and Harolyn Blackwell (in Hal Prince's second Broadway revival of the show).

This aria has been performed and is favourited by many musical theatre and opera stars. Some of the singers daring enough to take the challenge are Dale Kristien Edita Gruberová, Renée Fleming, Sumi Jo, Dawn Upshaw, Roberta Peters, Marilyn Hill Smith, June Anderson, Natalie Dessay, Kristin Chenoweth