Barbed Wire of Christ
| Barbed Wire of Christ | |
|---|---|
| German: Stacheldraht-Christi | |
 | |
| Artist | Lubo Kristek |
| Year | 1983 |
| Medium | Sculpture |
| Dimensions | 250 cm × 115 cm (98 in × 45 in) |
Barbed Wire of Christ is an outdoor sculpture, created by Lubo Kristek in 1983 on the coast of Cantabria.
Background
In the 1970s and 1980s, Kristek travelled intensely throughout Europa and America[1][2], mostly to coastal countries[3]. It enabled him to apply transcultural experience in his artworks.[4] During his wanderings, Kristek used to create artworks using materials he had found on-site.[5] Nature was his exhibition space, his works were not for sale and were meant for everybody.[3] Kristek wanted to stay away from the commercialization and consume similarly to the land artists of that time. He protested against perception of artwork as a mere commodity. [6]
Description
In 1983, Kristek found scrap iron and pieces of wood on the coast of Cantabria,[1] near San Vicente de la Barquera.[7] and created the Barbed Wire of Christ. The crucified Christ is made of trash. Pieces of barbed wire come through his body and form his arms and legs.
Symbolism
Kristek often uses found objects in his artworks.[8] He gives them a new context and a new identity.[3] Kristek found waste more often during his wanderings and created artworks of them to give a statement. [5] Here, the artist comments on the state of society through de-aesthetization of cultural paradigm. Another example of use of trash trash in Kristek’s art is his assemblage On the Landfill of Ages (1994).
Barbed wire is connected with Kristek’s personal journey. Before 1968, he lived in Czechoslovakia. Barbed wire fences were on the boarders as part of the Iron Curtain dividing Europe into “the west” and “the east”. “The west” was forbidden. To cross the boarders without a permission was a crime at that time. In 1968, after the invasion of Czechoslovakia, Kristek painted protest posters and emigrated to West Germany. [9][10] For his staying abroad, he was sentenced, in absentia, by the Czechoslovak regime.[11] Kristek used barbed wire in more of his artwork, for example in the Automatic Trains of Thought – Desk (1975).[12]
Notes
- ^ a b Půtová 2018, Chapter: Lubo Kristek: The Sun King in the Theatre of His Own World
- ^ Fischer 2019, pp. 56–57.
- ^ a b c Fischer 2019, p. 63.
- ^ Putova, Barbora (10 March 2014). "Trinacte zastaveni si kazdy musi najit sam". Filozoficka fakulta Univerzita Karlova (in Czech). Retrieved 19 May 2020.
- ^ a b Fischer 2019, p. 65.
- ^ Mueller, Sven (1976). "Das kunstvolle Leben des Bildhauers: Lubo Kristek". Collage: Zeitschrift für Literatur und Grafik (in German). No. 3. p. 50.
- ^ "Barbed Wire of Christ". Google Arts & Culture. Retrieved 19 May 2020.
- ^ Fischer 2019, pp. 59–71.
- ^ Půtová 2018, Chapter: History and Happenings – Introduction
- ^ Fischer 2019, p. 22.
- ^ Fischer 2019, p. 26.
- ^ Fischer 2019, p. 66.
Bibliography
- Půtová, Barbora (2018). Kristek Thaya Glyptotheque (1st Digital ed.). Research Institute of Communication in Art. ISBN 9788090554832. Retrieved 19 May 2020.
- Fischer, Sonia; Neunzert, Hartfrid; Putova, Barbora (2019). Lubo Kristek - Genius Loci Cobwebbed. Brno: RICA. ISBN 9788090554863.