The Menagerie (Star Trek: The Original Series)
"The Menagerie" is the only two-part episode of Star Trek: The Original Series. It is episodes #11 and 12, production #16. Part one of the episode was broadcast on November 17, 1966 with the second part broadcast a week later on November 24, 1966. NBC repeated the two shows on May 18 and 25, 1967. The episode's screenplay was written by Gene Roddenberry, and was directed by Marc Daniels.
Since the true 1964 pilot episode, "The Cage", was never shown on television until 1988, and The Original Series began with a second pilot, "Where No Man Has Gone Before", Desilu, the show's production company, made a decision on what should be done with the wasted footage from the unused pilot movie.
Gene Roddenberry declared that in order to utilize "The Cage" footage, he would write an entirely new bookend story, so that "The Cage" would serve as a backstory for the Starship Enterprise's early history. New footage would be combined with the old and placed into the continuity of the overall Star Trek storyline.
Overview: Spock helps his former captain, Fleet Captain Christopher Pike, return to Talos IV.
Plot
Part I
On stardate 3012.4 as the USS Enterprise diverts to Starbase 11 when Mr. Spock receives a subspace call from the former captain of the Enterprise, Christopher Pike (under whom Spock served for 11 years, since promoted to Fleet Captain). When the ship arrives, the commander of the starbase, Commodore Mendez, states that communication with Pike is impossible, since he has been severely burned and paralyzed by exposure to delta rays during a maintenance accident aboard a J-class training vessel. He couldn't have possibly sent the message. In fact, it is revealed that Pike is confined to a wheelchair operated by brainwaves. He cannot speak, and only communicates with a flashing light: one flash means "yes", two flashes mean "no".
Pike is at the station, and refuses to talk to either Captain Kirk or Dr. McCoy and only allows his old friend and former officer, Mr. Spock, to talk with him in private. Spock partially explains his appearance by indicating his intention to take Captain Pike against Starfleet regulations.
Back in Mendez's office, Kirk discovers that the communication logs reveal that Spock had not received any messages from Pike at all, and can't understand his deception. Spock sneaks into the station's computer center, nerve-pinches the technician, and proceeds to override the computer system, sending the Enterprise fake orders to go to the quarantined planet, Talos IV. He informs the navigation chief on the bridge that the navigation data will automatically pilot the ship. He overrides the voice authorization protocols with bogus recordings of Kirk's voice. The bewildered navigator accepts the strange authorization and Spock uploads the data. Meanwhile, another station technician enters the computer room and confronts Spock, but Spock easily subdues him with another nerve pinch.
Dr. McCoy is tricked into returning to the Enterprise by a request for medical assistance, after which Mendez shows Kirk a secret file on the fate of Talos IV, a file that cannot explain why unauthorized passage to Talos is grounds for the death penalty under General Order 7, of Federation Law. Spock then transports himself and the disabled Captain Pike aboard. By the time a duty nurse notices Pike is missing, the Enterprise has left orbit about Starbase 11 and warped away to Talos IV.
Kirk and Commodore Mendez head out and follow the Enterprise with one of the station's shuttlecraft. Spock detects the pursuing craft, which is burning its fuel reserves just to keep up, and surrenders himself to the Enterprise crew for arrest, confessing that he mutinied and that he never received command orders. The Vulcan is taken away. Commander Scott beams Captain Kirk and Commodore Mendez aboard. They demand that the system's computer explain Spock's actions and return control of the ship to the navigator. The computer informs them that any attempt to override the navigation computer will disable ship's life support, and that the system cannot disengage until the Enterprise has reached Talos.
Commodore Mendez orders a preliminary hearing on Spock, who requests immediate court martial, which requires a tribunal board of three command officers. Spock points out there are three already there – Kirk, Mendez, and Pike, who is still listed as being on "active duty". Spock begins showing video footage of the recorded events that took place during "The Cage" to explain how this "story" begins.
The video recounts how 13 years earlier the Enterprise, commanded by Captain Pike, received a weak distress signal from the SS Columbia, a survey ship reported lost 18 years before. The Columbia reportedly crash-landed on Talos IV.
A landing party beams down and a few remaining survivors are found, including a young woman, Vina, who was born shortly before the Columbia's crash, and whose parents had died. Pike immediately takes an interest in her. Little do Pike and the others know that they are being monitored by the planet's native inhabitants, the Talosians, who can create very realistic illusions and wish to study the humans that have come to their planet.
Dr. Boyce, Pike's chief medical officer, monitors the survivors but finds them in remarkable health, far better off than he expected and becomes suspicious that something isn't right. Before he can inform his Captain, Pike is lured away into a Talosian trap by Vina. Pike disappears behind a stone door and the survivors all disappear, having been only illusions.
Part one ends when Kirk discovers that the images Spock is showing are actually being transmitted to the Enterprise from Talos IV, and Starfleet orders a stop to the transmission. The court stands in recess as the final credits roll.
Part II
Continuing with the trial, even though Starfleet has denied the Enterprise further access to the Talosian transmission. Kirk wants the event recordings to proceed. The recordings show Pike in a cage, and he learns that the Talosians wish for him and Vina to mate and produce offspring so that the Talosian captors can rebuild their destroyed civilization. Meanwhile, Pike's crew frantically try to rescue him, still trying to get past the first hurdle, a seemingly indestructible door that even the ship's weapons can't penetrate. The larger problem for the crew also is that with the evident power of Talosian's illusion-casting ability, nothing they sense or experience in the race's range can be relied upon as real.
The aliens send Pike through numerous virtual realities with Vina, hoping that the settings will move his interest with the girl into passionate love for her, and the two will copulate. However, Pike resists their mind games and demands to be set free. On the Enterprise, a landing party is organized to attempt a rescue mission by beaming directly into the underground network of the Talosians. However, the Talosians are aware of this raid and manipulate the transport operators to only beam down the female members so that Pike can have a selection of mates. Furthermore, the new captives' fully charged phasers are seemingly rendered inert, thus precluding the option of shooting their way out.
That night, Pike captures the Keeper attempting to confiscate the guns while the captives sleep. Pike tells his new prisoner that he believes that the previous firings were in fact successful and the results were hidden, and he threatens to test out the theory by shooting the Talosian unless the phaser damage is revealed. The Talosian complies and reveals the large hole in the transparency that allows the group to escape. However, upon reaching the surface, the Talosian reveals that they were allowed to escape so as to settle the new slave colony on the planet's surface.
In reaction, Number One sets her phaser on overload to kill all of them instead to being enslaved. However, she is persuaded to deactivate her weapon when more Talosians arrive with the results of their scan of the Enterprise's records. Upon examination, the Talosians decide that humans are far too dangerous and violent for their needs, and are willing to release them. When Pike complains that they are getting away with kidnapping and threatening himself and his crew, the Talosians explain that their captives were the last hope of the survival of their species, but now they are doomed.
Number One and Yeoman Colt are beamed back to the ship, however the Talosians hold Pike for just a few moments longer. Vina is revealed to be hideously deformed, the results of the injuries she sustained in the crash of the Columbia and her beauty was only maintained by a Talosian illusion. However just before Pike leaves he requests her illusion be restored. After the Keeper replies "and more" Vina is immediately transformed back to health, and with satisfaction that Vina is happy to live on Talos with an illusion of beauty, Pike leaves.
Suddenly the video transmission ends and Kirk understands what Spock has been planning. Pike, now disfigured and disabled, can be "revived" by the Talosians' power.
To Kirk's surprise, Commodore Mendez suddenly disappears, having been a Talosian illusion, created so he could force Kirk to watch Pike's story, and delay regaining control of the ship and diverting away from Talos IV. Starfleet command, which has been watching the trial footage from Starbase 11, gives Kirk official permission to finish the journey to Talos IV and beam Captain Pike to the planet.
Spock is cleared of all charges against him. Kirk demands to know why Spock did not tell him what he was planning so he could help. Spock explains that doing so would have unnecessarily put him at risk of execution himself while his friend could manage on his own. Kirk also notes his concern about Spock's mental state, but the Vulcan maintains that he has been "logical about the whole affair". Spock sees Pike out, and once Pike is beamed to Talos, the Talosians return the former captain to his normal state (via illusion), thus Pike is reunited with Vina. The Talosians final message to Kirk is "Captain Pike has an illusion, and you have reality. May you find your way as pleasant." The Enterprise then leaves Talos and returns to Starfleet.
Production
"The Menagerie" solved two problems, by re-using the expensive footage from "The Cage", and also a script crunch. The script was written by Gene Roddenberry, creator of the show, and also the writer of "The Cage". The script for both parts of this episode is only 64 pages long, shorter than the scripts for some single episodes. Part I is 43 pages in length, while Part II runs to only 21 pages.
New filming took place for "The Envelope", the framing story for "The Cage". Since actor Jeffrey Hunter was unavailable to reprise his role as Captain Pike, a lookalike actor Sean Kenney played the injured captain in the new scenes, although Hunter was represented in the "Cage" flashback footage and credited accordingly (along with the original "Cage" cast).
Also in the new scenes, Malachi Throne (who provided the voice of the Keeper in the original "Cage") portrayed Commodore Joe Mendez, while Julie Parrish played personal assistant Miss Piper. Because Throne played a second role in "The Menagerie", the Keeper's voice was re-recorded by another actor, Vic Perrin. The trailer for part two uses Throne's original Keeper's voice.
40th Anniversary remastering
This episode was remastered in 2006 with Part I airing November 25, 2006 and Part II airing December 2, 2006 as part of the remastered Original Series. Aside from remastered video and audio, and the all-CGI animation of the USS Enterprise that is standard among the revisions, specific changes to this episode also include:
- An ambitious shot at the start of the inset from "The Cage" combined a model shot of the Enterprise with an overhead shot of the crew on the bridge. This has been re-done, with a CGI bridge and crew being transitioned seamlessly to live action.
- The Starbase 11 planet has been updated in CGI adding more realism.
- The Starbase 11 background mattes have been reworked as CGI elements adding more depth and realism including the enhancement of the ringed planet in the sky. During the night time scene, the lights of air vehicles can be seen occasionally flying past.
- The Starbase 11 shuttlecraft has "STARBASE 11" written on the bow.
- Talos IV has been given a face lift as well.
- The picnic scene with Pike and Vina in Part II has been given a new 3D backdrop showing the Mojave City skyline.
- Character transition effects in Part II were given a fading warping effect.
- The clarity of the fortress on Rigel matte painting in Part II was enhanced, but left unchanged.
The Menagerie, Part I side-by-side comparisons
The Menagerie, Part II side-by-side comparisons
Trivia
- The footage from "The Cage" that was edited into the final master negative of "The Menagerie" was taken from what was thought to be the only color print of the original pilot. Years later, a full-color print of the complete "Cage" was discovered in Paramount's archives.
- "The Menagerie" won a Hugo Award for Best Dramatic Presentation.
- The original episode, "The Cage", ended with the Talosians creating an illusion of Captain Pike to keep Vina happy, while the real Captain Pike set off with the Enterprise. When that footage was edited to create "The Menagerie", the same shot is used to show that Pike has returned to Talos IV, and that the Talosians have used their abilities to create the illusion that Pike is young and healthy once more.
- "The Menagerie" does not reveal what actually happened to Vina after Pike left her in The Cage. Previous short shots are strung together that were originally used throughout the final surface scene. After the Keeper replies "and more" to Pike's request to restore Vina's health, the camera cuts to the previously used shot of Vina beautiful, which was shown just prior to her revelation of deformity. Then Pike is seen in a recycled shot from when he looks in bewilderment at Vina's transformation. After this a shot of the Keeper smiling tilting his head at an angle is used from "The Cage" where the Keeper says "She has an illusion...". Another shot of Pike follows this, which was originally shown just after the Keeper's final words in "The Cage" and then we see a final shot of Vina with her illusionary beauty.
- The final shot of Vina with her illusionary beauty restored before Pike beams back to the ship, in the court evidence, was not used in "The Cage", and was a short piece of footage that was a first take of a shot of Vina, that was never used. Viewers can tell this is the case as for a split second Oliver looks directly at the camera , and the camera is slightly wobbly and the film grainier than the rest. Oliver's eyeline and the camera's movement meant that this shot was not deemed suitable to be used in "The Cage", however since The Menagerie created an edited ending, the only unused available shot of Vina was the shot shown.
- This episode marked the first appearance of a Commodore in Star Trek and the first time a Starfleet rank had ever been shown higher than Captain.
Cultural references
- The South Park episode "4th Grade" has two characters arguing over how many episodes there were for Star Trek. Counting "The Menagerie" as one or two episodes is the point of disagreement. In a later episode of South Park, "Pre-School", the kids revisit the past after they hear about an old classmate getting released from prison. The events that led up to the imprisonment involved the kindergarten teacher getting burned to near death. Now, she travels in a wheelchair much like the one used by Pike.
- In the Futurama episode "Where No Fan Has Gone Before", Fry and the other crewmen on board the Planet Express were being interrogated during a court martial while they were in a "wheelchair" similar to Pike's.
- This episode is the source of the cliché of referring to "green women" when talking about Star Trek. Often, Captain Kirk is referred to as "seducing green women." However, it was in fact Captain Pike who was involved with a green woman, and she was the one attempting to seduce him. Similarly, Marta, the Green Orion slave girl in "Whom Gods Destroy", attempted to seduce Captain Kirk, not the other way around.