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View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

Outline · Timeline · Glossary

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Schematic map of Heian-kyō showing the location of the palace as well as the Tsuchimikado temporary palace that developed into the current Kyoto Imperial Palace (blue in upper right-hand corner) The Heian Palace (平安宮, Heian-kyū) was the original imperial palace of Heian-kyō (present-day Kyoto), then the capital of Japan. Both the palace and the city were constructed in the late 700s and were patterned on Chinese models and designs. The palace served as the imperial residence and the administrative centre for most of the Heian period (794–1185). Located in the north-central section of the city, the palace consisted of a large, walled, rectangular Greater Palace (the Daidairi), which contained several ceremonial and administrative buildings including the government ministries. Inside this enclosure was the separately walled residential compound of the emperor, or the Inner Palace (Dairi). In addition to the emperor's living quarters, the Inner Palace contained the residences of the imperial consorts and buildings more closely linked to the person of the emperor. (Full article...)
    See caption
    Schematic map of Heian-kyō showing the location of the palace as well as the Tsuchimikado temporary palace that developed into the current Kyoto Imperial Palace (blue in upper right-hand corner)


    The Heian Palace (平安宮, Heian-kyū) was the original imperial palace of Heian-kyō (present-day Kyoto), then the capital of Japan. Both the palace and the city were constructed in the late 700s and were patterned on Chinese models and designs. The palace served as the imperial residence and the administrative centre for most of the Heian period (794–1185).

    Located in the north-central section of the city, the palace consisted of a large, walled, rectangular Greater Palace (the Daidairi), which contained several ceremonial and administrative buildings including the government ministries. Inside this enclosure was the separately walled residential compound of the emperor, or the Inner Palace (Dairi). In addition to the emperor's living quarters, the Inner Palace contained the residences of the imperial consorts and buildings more closely linked to the person of the emperor. (Full article...)
  • Image 2 The south façade of Sanssouci Sanssouci (German pronunciation: [ˈsãːsusi]) is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase (sans souci) meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation rather than a seat of power. Sanssouci is little more than a large, single-storey villa—more like the Château de Marly than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced hill at the centre of the park. The influence of King Frederick's personal taste in the design and decoration of the palace was so great that its style is characterised as "Frederician Rococo", and his feelings for the palace were so strong that he conceived it as "a place that would die with him". Because of a disagreement about the site of the palace in the park, Knobelsdorff was fired in 1746. Jan Bouman, a Dutch architect, finished the project. (Full article...)

    The south façade of Sanssouci

    Sanssouci (German pronunciation: [ˈsãːsusi]) is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase (sans souci) meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation rather than a seat of power.

    Sanssouci is little more than a large, single-storey villa—more like the Château de Marly than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced hill at the centre of the park. The influence of King Frederick's personal taste in the design and decoration of the palace was so great that its style is characterised as "Frederician Rococo", and his feelings for the palace were so strong that he conceived it as "a place that would die with him". Because of a disagreement about the site of the palace in the park, Knobelsdorff was fired in 1746. Jan Bouman, a Dutch architect, finished the project. (Full article...)
  • Image 3 El Lissitzky in a 1924 self-portrait El Lissitzky (Russian: Эль Лиси́цкий, born Lazar Markovich Lissitzky Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941), was a Soviet Jewish artist, active as a painter, illustrator, designer, printmaker, photographer, and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. Lissitzky began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. He started teaching at the age of 15, maintaining his teaching career for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he moved to Weimar Republic. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. (Full article...)

    El Lissitzky in a 1924 self-portrait

    El Lissitzky (Russian: Эль Лиси́цкий, born Lazar Markovich Lissitzky Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941), was a Soviet Jewish artist, active as a painter, illustrator, designer, printmaker, photographer, and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union.

    Lissitzky began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. He started teaching at the age of 15, maintaining his teaching career for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he moved to Weimar Republic. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. (Full article...)
  • Image 4 Brettingham in a portrait by John Theodore Heins, 1749 Matthew Brettingham (1699 – 19 August 1769), sometimes called Matthew Brettingham the Elder, was an English architect who rose from modest origins to supervise the construction of Holkham Hall, and become one of the best-known architects of his generation. Much of his principal work has since been demolished, particularly his work in London, where he revolutionised the design of the grand townhouse. As a result, he is often overlooked today, remembered principally for his Palladian remodelling of numerous country houses, many of them situated in the East Anglia area of Britain. As Brettingham neared the pinnacle of his career, Palladianism began to fall out of fashion and neoclassicism was introduced, championed by the young Robert Adam. Born in Norwich, into a family of craftsmen, Brettingham worked initially as a surveyor, gaining experience through jobs for the city's civic authorities. Work included restorations at Norwich Cathedral, at the castle, at the local prison and the shire hall. His professional ascent began in 1743 with his appointment to the post of Clerk of Works at Holkham. The succeeding decades saw many aristocratic commissions, predominantly in East Anglia, but including work at Kedleston Hall in Derbyshire. (Full article...)

    Brettingham in a portrait by John Theodore Heins, 1749

    Matthew Brettingham (1699 – 19 August 1769), sometimes called Matthew Brettingham the Elder, was an English architect who rose from modest origins to supervise the construction of Holkham Hall, and become one of the best-known architects of his generation. Much of his principal work has since been demolished, particularly his work in London, where he revolutionised the design of the grand townhouse. As a result, he is often overlooked today, remembered principally for his Palladian remodelling of numerous country houses, many of them situated in the East Anglia area of Britain. As Brettingham neared the pinnacle of his career, Palladianism began to fall out of fashion and neoclassicism was introduced, championed by the young Robert Adam.

    Born in Norwich, into a family of craftsmen, Brettingham worked initially as a surveyor, gaining experience through jobs for the city's civic authorities. Work included restorations at Norwich Cathedral, at the castle, at the local prison and the shire hall. His professional ascent began in 1743 with his appointment to the post of Clerk of Works at Holkham. The succeeding decades saw many aristocratic commissions, predominantly in East Anglia, but including work at Kedleston Hall in Derbyshire. (Full article...)
  • Image 5 View from south east St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest. Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building. The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)

    View from south east

    St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest.

    Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building.
    The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)
  • Image 6 The double, superimposed colonnade on the south front of West Wycombe. It has a Tuscan order ground floor and Corinthian upper floor with a central projecting pediment, very unusual in English architecture. (Marked M on plan below) West Wycombe Park is a country house built between 1740 and 1800 near the village of West Wycombe in Buckinghamshire, England. It was conceived as a pleasure palace for the 18th-century libertine and dilettante Sir Francis Dashwood, 2nd Baronet. The house is a long rectangle with four façades that are columned and pedimented, three theatrically so. The house encapsulates the entire progression of British 18th-century architecture from early idiosyncratic Palladian to the Neoclassical, although anomalies in its design make it architecturally unique. The mansion is set within an 18th-century landscaped park containing many small temples and follies, which act as satellites to the greater temple, the house. The house, a Grade I listed building, was given to the National Trust in 1943 by Sir John Dashwood, 10th Baronet (1896–1966), an action strongly resented by his heir. Dashwood retained ownership of the surrounding estate and the contents of the house, most of which he sold; after his death, the house was restored at the expense of his son, the 11th Baronet. Today, while the structure is owned by the National Trust, the house is still the home of the Dashwood family. The house is open to the public during the summer months and is a venue for civil weddings and corporate entertainment, which help to fund its maintenance and upkeep. (Full article...)
    The double, superimposed colonnade on the south front of West Wycombe. It has a Tuscan order ground floor and Corinthian upper floor with a central projecting pediment, very unusual in English architecture. (Marked M on plan below)

    West Wycombe Park is a country house built between 1740 and 1800 near the village of West Wycombe in Buckinghamshire, England. It was conceived as a pleasure palace for the 18th-century libertine and dilettante Sir Francis Dashwood, 2nd Baronet. The house is a long rectangle with four façades that are columned and pedimented, three theatrically so. The house encapsulates the entire progression of British 18th-century architecture from early idiosyncratic Palladian to the Neoclassical, although anomalies in its design make it architecturally unique. The mansion is set within an 18th-century landscaped park containing many small temples and follies, which act as satellites to the greater temple, the house.

    The house, a Grade I listed building, was given to the National Trust in 1943 by Sir John Dashwood, 10th Baronet (1896–1966), an action strongly resented by his heir. Dashwood retained ownership of the surrounding estate and the contents of the house, most of which he sold; after his death, the house was restored at the expense of his son, the 11th Baronet. Today, while the structure is owned by the National Trust, the house is still the home of the Dashwood family. The house is open to the public during the summer months and is a venue for civil weddings and corporate entertainment, which help to fund its maintenance and upkeep. (Full article...)
  • Image 7 The ruins of the Round Church in Preslav. View from the atrium entrance looking towards the narthex and rotunda gates, with the apse in the distance The Round Church (Bulgarian: Кръгла църква, Kragla tsarkva), also known as the Golden Church (Златна църква, Zlatna tsarkva) or the Church of St John (църква "Свети Йоан", tsarkva "Sveti Yoan"), is a large partially preserved early medieval Eastern Orthodox church. It lies in Preslav, the former capital of the First Bulgarian Empire, today a town in northeastern Bulgaria. The church dates to the early 10th century, the time of Tsar Simeon I's rule, and was unearthed and first archaeologically examined in 1927–1928. Considered to be one of the most impressive examples of medieval Bulgarian architecture, the Round Church takes its name from the distinctive shape of one of its three sections, the cella (naos), which is a rotunda that serves as a place of liturgy. The church's design also includes a wide atrium and a rectangular entrance area, or narthex, marked by two circular turrets. (Full article...)

    The ruins of the Round Church in Preslav.
    View from the atrium entrance looking towards the narthex and rotunda gates, with the apse in the distance

    The Round Church (Bulgarian: Кръгла църква, Kragla tsarkva), also known as the Golden Church (Златна църква, Zlatna tsarkva) or the Church of St John (църква "Свети Йоан", tsarkva "Sveti Yoan"), is a large partially preserved early medieval Eastern Orthodox church. It lies in Preslav, the former capital of the First Bulgarian Empire, today a town in northeastern Bulgaria. The church dates to the early 10th century, the time of Tsar Simeon I's rule, and was unearthed and first archaeologically examined in 1927–1928.

    Considered to be one of the most impressive examples of medieval Bulgarian architecture, the Round Church takes its name from the distinctive shape of one of its three sections, the cella (naos), which is a rotunda that serves as a place of liturgy. The church's design also includes a wide atrium and a rectangular entrance area, or narthex, marked by two circular turrets. (Full article...)
  • Image 8 A statue of Austin Blair stands in the foreground The Michigan State Capitol is the building that houses the legislative branch of the government of the U.S. state of Michigan. It is in the portion of the state capital of Lansing which lies in Ingham County. The present structure, at the intersection of Capitol and Michigan Avenues, is a National Historic Landmark that houses the chambers and offices of the Michigan Legislature as well as the ceremonial offices of the Governor of Michigan and Lieutenant Governor. Historically, this is the third building to house the Michigan government. (Full article...)

    A statue of Austin Blair stands in the foreground

    The Michigan State Capitol is the building that houses the legislative branch of the government of the U.S. state of Michigan. It is in the portion of the state capital of Lansing which lies in Ingham County.

    The present structure, at the intersection of Capitol and Michigan Avenues, is a National Historic Landmark that houses the chambers and offices of the Michigan Legislature as well as the ceremonial offices of the Governor of Michigan and Lieutenant Governor. Historically, this is the third building to house the Michigan government. (Full article...)
  • Image 9 Location in the Royal Borough of Kensington and Chelsea, London The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949. Burges bought the lease on the plot of land in 1875. The house was built by the Ashby Brothers, with interior decoration by members of Burges's long-standing team of craftsmen such as Thomas Nicholls and Henry Stacy Marks. By 1878 the house was largely complete, although interior decoration and the designing of numerous items of furniture and metalwork continued until Burges's death in 1881. The house was inherited by his brother-in-law, Richard Popplewell Pullan. It was later sold to Colonel T. H. Minshall and then, in 1933, to Colonel E. R. B. Graham. The poet John Betjeman inherited the remaining lease in 1962 but did not extend it. Following a period when the house stood empty and suffered vandalism, it was purchased and restored, first by Lady Jane Turnbull, later by the actor Richard Harris and then by the musician Jimmy Page. (Full article...)

    Location in the Royal Borough of Kensington and Chelsea, London

    The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949.

    Burges bought the lease on the plot of land in 1875. The house was built by the Ashby Brothers, with interior decoration by members of Burges's long-standing team of craftsmen such as Thomas Nicholls and Henry Stacy Marks. By 1878 the house was largely complete, although interior decoration and the designing of numerous items of furniture and metalwork continued until Burges's death in 1881. The house was inherited by his brother-in-law, Richard Popplewell Pullan. It was later sold to Colonel T. H. Minshall and then, in 1933, to Colonel E. R. B. Graham. The poet John Betjeman inherited the remaining lease in 1962 but did not extend it. Following a period when the house stood empty and suffered vandalism, it was purchased and restored, first by Lady Jane Turnbull, later by the actor Richard Harris and then by the musician Jimmy Page. (Full article...)
  • Image 10 St. Mary Redcliffe from the northwest Bristol, the largest city in South West England, has an eclectic combination of architectural styles, ranging from the medieval to 20th century brutalism and beyond. During the mid-19th century, Bristol Byzantine, an architectural style unique to the city, was developed, and several examples have survived. Buildings from most of the architectural periods of the United Kingdom can be seen throughout Bristol. Parts of the fortified city and castle date back to the medieval era, as do some churches dating from the 12th century onwards. Outside the historical city centre there are several large Tudor mansions built for wealthy merchants. Almshouses and public houses of the same period survive, intermingled with areas of more recent development. Several Georgian-era squares were laid out for the enjoyment of the middle class. As the city grew, it merged with its surrounding villages, each with its own character and centre, often clustered around a parish church. (Full article...)
    St. Mary Redcliffe from the northwest

    Bristol, the largest city in South West England, has an eclectic combination of architectural styles, ranging from the medieval to 20th century brutalism and beyond. During the mid-19th century, Bristol Byzantine, an architectural style unique to the city, was developed, and several examples have survived.

    Buildings from most of the architectural periods of the United Kingdom can be seen throughout Bristol. Parts of the fortified city and castle date back to the medieval era, as do some churches dating from the 12th century onwards. Outside the historical city centre there are several large Tudor mansions built for wealthy merchants. Almshouses and public houses of the same period survive, intermingled with areas of more recent development. Several Georgian-era squares were laid out for the enjoyment of the middle class. As the city grew, it merged with its surrounding villages, each with its own character and centre, often clustered around a parish church. (Full article...)
  • Image 11 Main front The I.G. Farben Building – also known as the Poelzig Building and the Abrams Building, formerly informally called The Pentagon of Europe – is a building complex in Frankfurt, Germany, which currently serves as the main structure of the Westend Campus of the University of Frankfurt. Construction began in 1928 and was complete in 1930 as the corporate headquarters of the I.G. Farben conglomerate, then the world's largest chemical company and the world's fourth-largest company overall. The building's original design in the modernist New Objectivity style was the subject of a competition which was eventually won by the architect Hans Poelzig. On its completion, the complex was the largest office building in Europe and remained so until the 1950s. The I.G. Farben Building's six square wings retain a modern, spare elegance, despite its mammoth size. It is also notable for its paternoster elevators. (Full article...)

    Main front

    The I.G. Farben Building – also known as the Poelzig Building and the Abrams Building, formerly informally called The Pentagon of Europe – is a building complex in Frankfurt, Germany, which currently serves as the main structure of the Westend Campus of the University of Frankfurt. Construction began in 1928 and was complete in 1930 as the corporate headquarters of the I.G. Farben conglomerate, then the world's largest chemical company and the world's fourth-largest company overall.

    The building's original design in the modernist New Objectivity style was the subject of a competition which was eventually won by the architect Hans Poelzig. On its completion, the complex was the largest office building in Europe and remained so until the 1950s. The I.G. Farben Building's six square wings retain a modern, spare elegance, despite its mammoth size. It is also notable for its paternoster elevators. (Full article...)
  • Image 12 The Pennsylvania State Capitol in Harrisburg in April 2022 The Pennsylvania State Capitol is the seat of government for the U.S. state of Pennsylvania located in downtown Harrisburg. The building was designed by architect Joseph Miller Huston in 1902 and completed in 1906 in a Beaux-Arts style with decorative Renaissance themes throughout. The capitol houses the legislative chambers for the Pennsylvania General Assembly, made up of the House of Representatives and the Senate, and the Harrisburg chambers for the Supreme and Superior Courts of Pennsylvania, as well as the offices of the Governor and the Lieutenant Governor. It is also the main building of the Pennsylvania State Capitol Complex. The seat of government for the state was initially in Philadelphia, then was relocated to Lancaster in 1799 and finally to Harrisburg in 1812. The current capitol, known as the Huston Capitol, is the third state capitol building built in Harrisburg. The first, the Hills Capitol, was destroyed in 1897 by a fire. The second, the Cobb Capitol, was left unfinished when funding was discontinued in 1899. (Full article...)

    The Pennsylvania State Capitol in Harrisburg in April 2022

    The Pennsylvania State Capitol is the seat of government for the U.S. state of Pennsylvania located in downtown Harrisburg. The building was designed by architect Joseph Miller Huston in 1902 and completed in 1906 in a Beaux-Arts style with decorative Renaissance themes throughout. The capitol houses the legislative chambers for the Pennsylvania General Assembly, made up of the House of Representatives and the Senate, and the Harrisburg chambers for the Supreme and Superior Courts of Pennsylvania, as well as the offices of the Governor and the Lieutenant Governor. It is also the main building of the Pennsylvania State Capitol Complex.

    The seat of government for the state was initially in Philadelphia, then was relocated to Lancaster in 1799 and finally to Harrisburg in 1812. The current capitol, known as the Huston Capitol, is the third state capitol building built in Harrisburg. The first, the Hills Capitol, was destroyed in 1897 by a fire. The second, the Cobb Capitol, was left unfinished when funding was discontinued in 1899. (Full article...)
  • Image 13 A villa with a superimposed portico, from Book IV of Palladio's I quattro libri dell'architettura, in an English translation published in London, 1736 Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Palladio's own I quattro libri dell'architettura (The Four Books of Architecture) and Colen Campbell's Vitruvius Britannicus. Campbell's book included illustrations of Wanstead House, a building he designed on the outskirts of London and one of the largest and most influential of the early neo-Palladian houses. The movement's resurgence was championed by Richard Boyle, 3rd Earl of Burlington, whose buildings for himself, such as Chiswick House and Burlington House, became celebrated. Burlington sponsored the career of the artist, architect and landscaper William Kent, and their joint creation, Holkham Hall in Norfolk, has been described as "the most splendid Palladian house in England". By the middle of the century Palladianism had become almost the national architectural style, epitomised by Kent's Horse Guards at the centre of the nation's capital. (Full article...)
    See caption
    A villa with a superimposed portico, from Book IV of Palladio's I quattro libri dell'architettura, in an English translation published in London, 1736

    Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism.

    Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Palladio's own I quattro libri dell'architettura (The Four Books of Architecture) and Colen Campbell's Vitruvius Britannicus. Campbell's book included illustrations of Wanstead House, a building he designed on the outskirts of London and one of the largest and most influential of the early neo-Palladian houses. The movement's resurgence was championed by Richard Boyle, 3rd Earl of Burlington, whose buildings for himself, such as Chiswick House and Burlington House, became celebrated. Burlington sponsored the career of the artist, architect and landscaper William Kent, and their joint creation, Holkham Hall in Norfolk, has been described as "the most splendid Palladian house in England". By the middle of the century Palladianism had become almost the national architectural style, epitomised by Kent's Horse Guards at the centre of the nation's capital. (Full article...)
  • Image 14 Nuffield College, facing New Road, with the library tower topped by a flèche. The main entrance to the college is in the middle of the building to the left of the tower. The buildings of Nuffield College, one of the colleges of the University of Oxford, are to the west of the city centre of Oxford, England, and stand on the site of the basin of the Oxford Canal. Nuffield College was founded in 1937 after a donation to the University by the car manufacturer Lord Nuffield; he gave land for the college, as well as £900,000 (approximately £246 million in present-day terms) to build and endow it. The architect Austen Harrison, who had worked in Greece and Palestine, was appointed by the University to design the buildings. His initial design, heavily influenced by Mediterranean architecture, was rejected by Nuffield, who called it "un-English" and refused to allow his name to be associated with it. Harrison reworked the plans, aiming for "something on the lines of Cotswold domestic architecture", as Nuffield wanted. Construction of the second design began in 1949 and was finished in 1960. Progress was hampered by post-war building restrictions, and the effects of inflation on Nuffield's donation led to various cost-saving changes to the plans. In one change, the tower, which had been planned to be ornamental, was redesigned to hold the college's library. It was the first tower built in Oxford for 200 years and is about 150 feet (46 m) tall, including the flèche on top. The buildings are arranged around two quadrangles, with residential accommodation for students and fellows in one, and the hall, library and administrative offices in the other. The chapel has stained glass windows designed by John Piper. (Full article...)
    A tall light-coloured stone square tower with a small metal spire; to the left, a smaller building in the same stone with a dark tiled roof
    Nuffield College, facing New Road, with the library tower topped by a flèche. The main entrance to the college is in the middle of the building to the left of the tower.

    The buildings of Nuffield College, one of the colleges of the University of Oxford, are to the west of the city centre of Oxford, England, and stand on the site of the basin of the Oxford Canal. Nuffield College was founded in 1937 after a donation to the University by the car manufacturer Lord Nuffield; he gave land for the college, as well as £900,000 (approximately £246 million in present-day terms) to build and endow it. The architect Austen Harrison, who had worked in Greece and Palestine, was appointed by the University to design the buildings. His initial design, heavily influenced by Mediterranean architecture, was rejected by Nuffield, who called it "un-English" and refused to allow his name to be associated with it. Harrison reworked the plans, aiming for "something on the lines of Cotswold domestic architecture", as Nuffield wanted.

    Construction of the second design began in 1949 and was finished in 1960. Progress was hampered by post-war building restrictions, and the effects of inflation on Nuffield's donation led to various cost-saving changes to the plans. In one change, the tower, which had been planned to be ornamental, was redesigned to hold the college's library. It was the first tower built in Oxford for 200 years and is about 150 feet (46 m) tall, including the flèche on top. The buildings are arranged around two quadrangles, with residential accommodation for students and fellows in one, and the hall, library and administrative offices in the other. The chapel has stained glass windows designed by John Piper. (Full article...)
  • Image 15 Holkham Hall. The severely Palladian south facade with its Ionic portico is devoid of arms or motif; not even a blind window is allowed to break the void between the windows and roof-line, while the lower windows are mere piercings in the stark brickwork. The only hint of ornamentation is from the two terminating Venetian windows. Holkham Hall (/ˈhoʊkəm/ or /ˈhɒlkəm/) is an 18th-century country house near the village of Holkham, Norfolk, England, constructed in the Neo-Palladian style for the 1st Earl of Leicester (of the fifth creation of the title) by the architect William Kent, aided by Lord Burlington. Holkham Hall is one of England's finest examples of the Palladian revival style of architecture, and the severity of its design is closer to Palladio's ideals than many of the other numerous Palladian style houses of the period. The Holkham Estate was built up by Sir Edward Coke, the founder of his family's fortune. He bought Neales manor in 1609, though never lived there, and made many other purchases of land in Norfolk to endow to his six sons. His fourth son, John, inherited the land and married heiress Meriel Wheatley in 1612. They made Hill Hall their home, and by 1659, John had complete ownership of all three Holkham manors. It is the ancestral home of the Coke family, who became Earls of Leicester. (Full article...)
    Holkham Hall. The severely Palladian south facade with its Ionic portico is devoid of arms or motif; not even a blind window is allowed to break the void between the windows and roof-line, while the lower windows are mere piercings in the stark brickwork. The only hint of ornamentation is from the two terminating Venetian windows.

    Holkham Hall (/ˈhoʊkəm/ or /ˈhɒlkəm/) is an 18th-century country house near the village of Holkham, Norfolk, England, constructed in the Neo-Palladian style for the 1st Earl of Leicester (of the fifth creation of the title) by the architect William Kent, aided by Lord Burlington.

    Holkham Hall is one of England's finest examples of the Palladian revival style of architecture, and the severity of its design is closer to Palladio's ideals than many of the other numerous Palladian style houses of the period. The Holkham Estate was built up by Sir Edward Coke, the founder of his family's fortune. He bought Neales manor in 1609, though never lived there, and made many other purchases of land in Norfolk to endow to his six sons. His fourth son, John, inherited the land and married heiress Meriel Wheatley in 1612. They made Hill Hall their home, and by 1659, John had complete ownership of all three Holkham manors. It is the ancestral home of the Coke family, who became Earls of Leicester. (Full article...)
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Dizengoff Square in the 1940s

The White City (Hebrew: העיר הלבנה, Ha-Ir ha-Levana; Arabic: المدينة البيضاء Al-Madinah al-Bayḍā’) is a collection of over 4,000 buildings in Tel Aviv from the 1930s built in a unique form of the International Style, commonly known as Bauhaus, by German Jewish architects who fled to the British Mandate of Palestine from Germany (and other Central and East European countries with German cultural influences) after the rise to power of the Nazis. Tel Aviv has the largest number of buildings in the Bauhaus/International Style of any city in the world. Preservation, documentation, and exhibitions have brought attention to Tel Aviv's collection of 1930s architecture. In 2003, the United Nations Educational, Scientific and Cultural Organization (UNESCO) proclaimed Tel Aviv's White City a World Cultural Heritage site, as "an outstanding example of new town planning and architecture in the early 20th century." The citation recognized the unique adaptation of modern international architectural trends to the cultural, climatic, and local traditions of the city. Bauhaus Center Tel Aviv organizes regular architectural tours of the city. (Full article...)

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  • Image 1 The Roman Baths in the city of Bath, England The Roman Baths are well-preserved thermae in the city of Bath, Somerset, England. A temple was constructed on the site between 60 and 70 AD in the first few decades of Roman Britain. Its presence led to the development of the small Roman urban settlement known as Aquae Sulis around the site. The Roman baths—designed for public bathing—were used until the end of Roman rule in Britain in the 5th century AD. According to the Anglo-Saxon Chronicle, the original Roman baths were in ruins a century later. The area around the natural springs was redeveloped several times during the Early and Late Middle Ages. The Roman Baths are preserved in four main features: the Sacred Spring, the Roman Temple, the Roman Bath House, and a museum which holds artefacts from Aquae Sulis. However, all buildings at street level date from the 19th century. It is a major tourist attraction in the UK, and together with the Grand Pump Room, receives more than 1.3 million visitors annually. Visitors can tour the baths and museum but cannot enter the water. (Full article...)

    The Roman Baths in the city of Bath, England

    The Roman Baths are well-preserved thermae in the city of Bath, Somerset, England. A temple was constructed on the site between 60 and 70 AD in the first few decades of Roman Britain. Its presence led to the development of the small Roman urban settlement known as Aquae Sulis around the site. The Roman baths—designed for public bathing—were used until the end of Roman rule in Britain in the 5th century AD. According to the Anglo-Saxon Chronicle, the original Roman baths were in ruins a century later. The area around the natural springs was redeveloped several times during the Early and Late Middle Ages.

    The Roman Baths are preserved in four main features: the Sacred Spring, the Roman Temple, the Roman Bath House, and a museum which holds artefacts from Aquae Sulis. However, all buildings at street level date from the 19th century. It is a major tourist attraction in the UK, and together with the Grand Pump Room, receives more than 1.3 million visitors annually. Visitors can tour the baths and museum but cannot enter the water. (Full article...)
  • Image 2 Liverpool Metropolitan Cathedral, Mount Pleasant Liverpool Metropolitan Cathedral, officially known as the Metropolitan Cathedral of Christ the King and locally nicknamed "Paddy's Wigwam", is the seat of the Archbishop of Liverpool and the mother church of the Roman Catholic Archdiocese of Liverpool in Liverpool, England. The Grade II* Metropolitan Cathedral is one of Liverpool's many listed buildings. The cathedral's architect, Frederick Gibberd, was the winner of a worldwide design competition. Construction began in 1962 and was completed in 1967. Earlier designs for a cathedral were proposed in 1933 and 1953, but neither was completed. (Full article...)

    Liverpool Metropolitan Cathedral, Mount Pleasant

    Liverpool Metropolitan Cathedral, officially known as the Metropolitan Cathedral of Christ the King and locally nicknamed "Paddy's Wigwam", is the seat of the Archbishop of Liverpool and the mother church of the Roman Catholic Archdiocese of Liverpool in Liverpool, England. The Grade II* Metropolitan Cathedral is one of Liverpool's many listed buildings.

    The cathedral's architect, Frederick Gibberd, was the winner of a worldwide design competition. Construction began in 1962 and was completed in 1967. Earlier designs for a cathedral were proposed in 1933 and 1953, but neither was completed. (Full article...)
  • Image 3 Tange in Amsterdam, 1981 Kenzō Tange (丹下 健三, Tange Kenzō, 4 September 1913 – 22 March 2005) was a Japanese architect and winner of the 1987 Pritzker Prize for Architecture. He was one of the most significant architects of the 20th century, combining traditional Japanese styles with modernism, and designed major buildings on five continents. His career spanned the entire second half of the twentieth century, producing numerous distinctive buildings in Tokyo, other cities both in Japan and around the world, as well as ambitious physical plans for Tokyo and its environments. Tange was also an influential patron of the Metabolist movement. Influenced from an early age by the Swiss modernist Le Corbusier, Tange gained international recognition in 1949 when he won the competition for the design of Hiroshima Peace Memorial Park. He was a member of CIAM (Congres Internationaux d'Architecture Moderne) in the 1950s. (Full article...)

    Tange in Amsterdam, 1981
    Kenzō Tange (丹下 健三, Tange Kenzō, 4 September 1913 – 22 March 2005) was a Japanese architect and winner of the 1987 Pritzker Prize for Architecture. He was one of the most significant architects of the 20th century, combining traditional Japanese styles with modernism, and designed major buildings on five continents. His career spanned the entire second half of the twentieth century, producing numerous distinctive buildings in Tokyo, other cities both in Japan and around the world, as well as ambitious physical plans for Tokyo and its environments.

    Tange was also an influential patron of the Metabolist movement. Influenced from an early age by the Swiss modernist Le Corbusier, Tange gained international recognition in 1949 when he won the competition for the design of Hiroshima Peace Memorial Park. He was a member of CIAM (Congres Internationaux d'Architecture Moderne) in the 1950s. (Full article...)
  • Image 4 The Louvre Museum The Louvre (English: /ˈluːv(rə)/ LOOV(-rə)), or the Louvre Museum (French: Musée du Louvre [myze dy luvʁ] ⓘ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward) and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings. The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles-Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces. (Full article...)

    The Louvre Museum

    The Louvre (English: /ˈluːv(rə)/ LOOV(-rə)), or the Louvre Museum (French: Musée du Louvre [myze dy luvʁ] ⓘ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward) and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.

    The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles-Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces. (Full article...)
  • Image 5 Dunstaffnage Castle seen from the east, with the gatehouse in the centre Dunstaffnage Castle (Scottish Gaelic: Caisteal Dhùn Stadhainis) is a partially ruined castle in Argyll and Bute, western Scotland. It lies 3 miles (5 km) NNE of Oban, situated on a platform of conglomerate rock on a promontory at the south-west of the entrance to Loch Etive, and is surrounded on three sides by the sea. The castle and the nearby chapel ruin have been a Historic Scotland property since 1958. Both are Scheduled Ancient Monuments. The castle dates back to the 13th century, making it one of Scotland's oldest stone castles, in a local group which includes Castle Sween and Castle Tioram. Guarding a strategic location, it was built by the MacDougall lords of Lorn, and has been held since the 15th century by the Clan Campbell. To this day there is a hereditary Captain of Dunstaffnage, although they no longer reside at the castle. Dunstaffnage is maintained by Historic Environment Scotland, and is open to the public, although the 16th century gatehouse is retained as the private property of the Captain. The prefix dun in the name means "fort" in Gaelic, while the rest of the name derives from Norse stafr-nis, "headland of the staff". (Full article...)

    Dunstaffnage Castle seen from the east, with the gatehouse in the centre

    Dunstaffnage Castle (Scottish Gaelic: Caisteal Dhùn Stadhainis) is a partially ruined castle in Argyll and Bute, western Scotland. It lies 3 miles (5 km) NNE of Oban, situated on a platform of conglomerate rock on a promontory at the south-west of the entrance to Loch Etive, and is surrounded on three sides by the sea. The castle and the nearby chapel ruin have been a Historic Scotland property since 1958. Both are Scheduled Ancient Monuments.

    The castle dates back to the 13th century, making it one of Scotland's oldest stone castles, in a local group which includes Castle Sween and Castle Tioram. Guarding a strategic location, it was built by the MacDougall lords of Lorn, and has been held since the 15th century by the Clan Campbell. To this day there is a hereditary Captain of Dunstaffnage, although they no longer reside at the castle. Dunstaffnage is maintained by Historic Environment Scotland, and is open to the public, although the 16th century gatehouse is retained as the private property of the Captain. The prefix dun in the name means "fort" in Gaelic, while the rest of the name derives from Norse stafr-nis, "headland of the staff". (Full article...)
  • Image 6 A picture of the mosque from the south with the city of Medina in the background The Prophet's Mosque (Arabic: ٱلْمَسْجِد ٱلنَّبَوِي‎, romanized: al-Masjid al-Nabawī, lit. 'Mosque of the Prophet') is the second mosque built by the Islamic prophet Muhammad in Medina, after the Quba Mosque, as well as the second largest mosque and holiest site in Islam, after the Masjid al-Haram in Mecca, in the Saudi region of the Hejaz. The mosque is located at the heart of Medina, and is a major site of pilgrimage that falls under the purview of the Custodian of the Two Holy Mosques. Muhammad himself was involved in the construction of the mosque. At the time, the mosque's land belonged to two young orphans, Sahl and Suhayl, and when they learned that Muhammad wished to acquire their land to erect a mosque, they went to Muhammad and offered the land to him as a gift; Muhammad insisted on paying a price for the land because they were orphaned children. The price agreed upon was paid by Abu Ayyub al-Ansari, who thus became the endower or donor (Arabic: وَاقِف, romanized: wāqif) of the mosque, on behalf or in favor of Muhammad. al-Ansari also accommodated Muhammad upon his arrival at Medina in 622. (Full article...)

    A picture of the mosque from the south with the city of Medina in the background

    The Prophet's Mosque (Arabic: ٱلْمَسْجِد ٱلنَّبَوِي‎, romanized: al-Masjid al-Nabawī, lit. 'Mosque of the Prophet') is the second mosque built by the Islamic prophet Muhammad in Medina, after the Quba Mosque, as well as the second largest mosque and holiest site in Islam, after the Masjid al-Haram in Mecca, in the Saudi region of the Hejaz. The mosque is located at the heart of Medina, and is a major site of pilgrimage that falls under the purview of the Custodian of the Two Holy Mosques.

    Muhammad himself was involved in the construction of the mosque. At the time, the mosque's land belonged to two young orphans, Sahl and Suhayl, and when they learned that Muhammad wished to acquire their land to erect a mosque, they went to Muhammad and offered the land to him as a gift; Muhammad insisted on paying a price for the land because they were orphaned children. The price agreed upon was paid by Abu Ayyub al-Ansari, who thus became the endower or donor (Arabic: وَاقِف, romanized: wāqif) of the mosque, on behalf or in favor of Muhammad. al-Ansari also accommodated Muhammad upon his arrival at Medina in 622. (Full article...)
  • Image 7 Rowhouses on Hall Place, 2010 The Arbor Hill Historic District–Ten Broeck Triangle, originally the Ten Broeck Historic District, is a seven-block area located within the Arbor Hill neighborhood north of what is today downtown Albany, New York, United States. In 1979 its easternmost third, the Ten Broeck Triangle, the second oldest residential neighborhood in the city, was recognized as a historic district and listed on the National Register of Historic Places. Four years later, the district was increased to its current size and renamed to reflect its expansion to include some of the rest of Arbor Hill. The future district was first established by its oldest contributing property, the Ten Broeck Mansion, built at the end of the 18th century by a prominent local family. It lent its name to the Ten Broeck Triangle, established in the middle of the following century when successful businessmen, primarily lumber dealers, built large houses along Ten Broeck Avenue with the fortunes they had made from trade on the Erie Canal. It was one of the first neighborhoods to develop north of the city's downtown as it grew during the 19th century. (Full article...)

    Rowhouses on Hall Place, 2010

    The Arbor Hill Historic District–Ten Broeck Triangle, originally the Ten Broeck Historic District, is a seven-block area located within the Arbor Hill neighborhood north of what is today downtown Albany, New York, United States. In 1979 its easternmost third, the Ten Broeck Triangle, the second oldest residential neighborhood in the city, was recognized as a historic district and listed on the National Register of Historic Places. Four years later, the district was increased to its current size and renamed to reflect its expansion to include some of the rest of Arbor Hill.

    The future district was first established by its oldest contributing property, the Ten Broeck Mansion, built at the end of the 18th century by a prominent local family. It lent its name to the Ten Broeck Triangle, established in the middle of the following century when successful businessmen, primarily lumber dealers, built large houses along Ten Broeck Avenue with the fortunes they had made from trade on the Erie Canal. It was one of the first neighborhoods to develop north of the city's downtown as it grew during the 19th century. (Full article...)
  • Image 8 USIP's headquarters in 2011 The United States Institute of Peace Headquarters houses staff offices and other facilities for the government-funded think tank focused on peacemaking and conflict avoidance. The building is the first permanent home for the United States Institute of Peace (USIP), established in 1984. The headquarters is sited on a prominent location near the National Mall and Potomac River in the Foggy Bottom neighborhood of Washington, D.C. The environmentally friendly building, noted for its unique roof, was designed by architect Moshe Safdie and completed in 2011. Critics' reviews of the building's design have been mixed. (Full article...)

    USIP's headquarters in 2011

    The United States Institute of Peace Headquarters houses staff offices and other facilities for the government-funded think tank focused on peacemaking and conflict avoidance. The building is the first permanent home for the United States Institute of Peace (USIP), established in 1984. The headquarters is sited on a prominent location near the National Mall and Potomac River in the Foggy Bottom neighborhood of Washington, D.C. The environmentally friendly building, noted for its unique roof, was designed by architect Moshe Safdie and completed in 2011. Critics' reviews of the building's design have been mixed. (Full article...)
  • Image 9 Crown Fountain (sometimes known as the "Squirting Faces") is an interactive work of public art and video sculpture featured in Chicago's Millennium Park, which is located in the Loop community area. Designed by Spanish artist Jaume Plensa and executed by Krueck and Sexton Architects, it opened in July 2004. The fountain is composed of a black granite reflecting pool placed between a pair of glass brick towers. The towers are 50 feet (15.2 m) tall, and they use light-emitting diodes (LEDs) to display digital videos on their inward faces. Construction and design of the Crown Fountain cost $17 million. The water operates from May to October, intermittently cascading down the two towers and spouting through a nozzle on each tower's front face. Residents and critics have praised the fountain for its artistic and entertainment features. It highlights Plensa's themes of dualism, light, and water, extending the use of video technology from his prior works. Its use of water is unique among Chicago's many fountains, in that it promotes physical interaction between the public and the water. Both the fountain and Millennium Park are highly accessible because of their universal design. (Full article...)
    Crown Fountain (sometimes known as the "Squirting Faces") is an interactive work of public art and video sculpture featured in Chicago's Millennium Park, which is located in the Loop community area. Designed by Spanish artist Jaume Plensa and executed by Krueck and Sexton Architects, it opened in July 2004. The fountain is composed of a black granite reflecting pool placed between a pair of glass brick towers. The towers are 50 feet (15.2 m) tall, and they use light-emitting diodes (LEDs) to display digital videos on their inward faces. Construction and design of the Crown Fountain cost $17 million. The water operates from May to October, intermittently cascading down the two towers and spouting through a nozzle on each tower's front face.

    Residents and critics have praised the fountain for its artistic and entertainment features. It highlights Plensa's themes of dualism, light, and water, extending the use of video technology from his prior works. Its use of water is unique among Chicago's many fountains, in that it promotes physical interaction between the public and the water. Both the fountain and Millennium Park are highly accessible because of their universal design. (Full article...)
  • Image 10 (2013) The University of Illinois Astronomical Observatory, located at 901 S. Mathews Avenue in Urbana, Illinois, on the campus of the University of Illinois Urbana–Champaign, was built in 1896, and was designed by Charles A. Gunn. It was listed on the National Register of Historic Places on November 6, 1986, and on December 20, 1989, was designated a National Historic Landmark. Though none of the astronomical instruments are being used for professional research today, the observatory still contains a 12" Brashear refractor. The observatory played a key role in the development of astronomy as it was home to a key innovation in the area of astronomical photometry. The facility has been directed by such noted scientists as Joel Stebbins and Robert Horace Baker. (Full article...)

    (2013)

    The University of Illinois Astronomical Observatory, located at 901 S. Mathews Avenue in Urbana, Illinois, on the campus of the University of Illinois Urbana–Champaign, was built in 1896, and was designed by Charles A. Gunn. It was listed on the National Register of Historic Places on November 6, 1986, and on December 20, 1989, was designated a National Historic Landmark.

    Though none of the astronomical instruments are being used for professional research today, the observatory still contains a 12" Brashear refractor. The observatory played a key role in the development of astronomy as it was home to a key innovation in the area of astronomical photometry. The facility has been directed by such noted scientists as Joel Stebbins and Robert Horace Baker. (Full article...)
  • Image 11 Imperial War Museum North (sometimes referred to as IWM North) is a museum in the Metropolitan Borough of Trafford in Greater Manchester, England. One of five branches of the Imperial War Museum, it explores the impact of modern conflicts on people and society. It is the first branch of the Imperial War Museum to be located in the north of England. The museum occupies a site overlooking the Manchester Ship Canal on Trafford Wharf Road, Trafford Park, an area which during World War II was a key industrial centre and consequently heavily bombed during the Manchester Blitz in 1940. The area is now home to the Lowry cultural centre and the MediaCityUK development, which stand opposite the museum at Salford Quays. The museum building was designed by architect Daniel Libeskind and opened in July 2002, receiving 470,000 visitors in its first year of opening. It was recognised with awards or prize nominations for its architecture and is a prime example of Deconstructivist architecture. The museum features a permanent exhibition of chronological and thematic displays, supported by hourly audiovisual presentations which are projected throughout the gallery space. The museum also hosts a programme of temporary exhibitions in a separate gallery. Since opening, the museum has operated a successful volunteer programme, which since January 2007 has been run in partnership with Manchester Museum. As part of a national museum, Imperial War Museum North is financed by the Department for Culture, Media and Sport and by self-generated income. Admission is free. (Full article...)

    Imperial War Museum North (sometimes referred to as IWM North) is a museum in the Metropolitan Borough of Trafford in Greater Manchester, England. One of five branches of the Imperial War Museum, it explores the impact of modern conflicts on people and society. It is the first branch of the Imperial War Museum to be located in the north of England. The museum occupies a site overlooking the Manchester Ship Canal on Trafford Wharf Road, Trafford Park, an area which during World War II was a key industrial centre and consequently heavily bombed during the Manchester Blitz in 1940. The area is now home to the Lowry cultural centre and the MediaCityUK development, which stand opposite the museum at Salford Quays.

    The museum building was designed by architect Daniel Libeskind and opened in July 2002, receiving 470,000 visitors in its first year of opening. It was recognised with awards or prize nominations for its architecture and is a prime example of Deconstructivist architecture. The museum features a permanent exhibition of chronological and thematic displays, supported by hourly audiovisual presentations which are projected throughout the gallery space. The museum also hosts a programme of temporary exhibitions in a separate gallery. Since opening, the museum has operated a successful volunteer programme, which since January 2007 has been run in partnership with Manchester Museum. As part of a national museum, Imperial War Museum North is financed by the Department for Culture, Media and Sport and by self-generated income. Admission is free. (Full article...)
  • Image 12 The east side of Boughton Monchelsea Place Boughton Monchelsea Place, previously Boughton Court, is a 16th-century country house in Boughton Monchelsea, Kent, England. The first part of the house was built by Robert Rudston circa 1567–75 on the site of an earlier manor house. It has been modified a number of times during its history achieving its present form in 1819. It has been a home to a number of members of parliament for Maidstone or for Kent, including Sir Francis Barnham (owner 1613–46), Sir Robert Barnham (1646–85) Sir Barnham Rider (1698–1728) and Thomas Rider (1805–47). The house sits on a south facing slope giving views across the extensive deer park and the Weald beyond. Kitchen gardens to the north of the house remain as remnants of 16th-century formal garden planting. The house is a Grade I listed building and its barn is listed Grade II. The parks and gardens are listed Grade II. (Full article...)

    The east side of Boughton Monchelsea Place

    Boughton Monchelsea Place, previously Boughton Court, is a 16th-century country house in Boughton Monchelsea, Kent, England. The first part of the house was built by Robert Rudston circa 1567–75 on the site of an earlier manor house. It has been modified a number of times during its history achieving its present form in 1819. It has been a home to a number of members of parliament for Maidstone or for Kent, including Sir Francis Barnham (owner 1613–46), Sir Robert Barnham (1646–85) Sir Barnham Rider (1698–1728) and Thomas Rider (1805–47).

    The house sits on a south facing slope giving views across the extensive deer park and the Weald beyond. Kitchen gardens to the north of the house remain as remnants of 16th-century formal garden planting. The house is a Grade I listed building and its barn is listed Grade II. The parks and gardens are listed Grade II. (Full article...)
  • Image 13 Elgin Cathedral, a historic ruin in Elgin, Moray, northeast Scotland, was dedicated to the Holy Trinity. It was established in 1224 on land granted by King Alexander II and stood outside the burgh of Elgin, close to the River Lossie. It replaced the cathedral at Spynie located 3 kilometres (2 mi) to the north, which was served by a small chapter of eight clerics. By 1226, the new and developing cathedral was staffed with 18 canons, a number that increased to 23 by 1242. A damaging fire in 1270 led to significant enlargement. It remained unscathed during the Wars of Scottish Independence but suffered extensive fire damage in 1390 when attacked by Robert III's brother Alexander Stewart, Earl of Buchan, also known as the Wolf of Badenoch. In 1402, the cathedral precinct faced another incendiary attack by the Lord of the Isles followers. As the cathedral grew, so did the number of clerics and craftsmen. Repairs following the fires of 1270 and 1390 resulted in the choir's doubling in length and the addition of outer aisles to both the nave and choir. While some parts of walls retain their full height, others are at foundation level, yet the overall cruciform shape is still discernible. A mostly intact octagonal chapter house dates from the major enlargement after the fire of 1270. The near intact gable wall above the double door entrance linking the west towers was rebuilt after the fire of 1390. It contains fragments of a large rose window with remnants of tracery work. The transepts and the south aisle of the choir contain recessed and chest tombs with effigies of bishops and knights. The now grass-covered floor bears large flat slabs marking early graves. The residences of the dignitaries, canons and chaplains within the chanonry were also destroyed during the fires of 1270, 1390 and 1402, forming part of the overall reconstruction process. Only the precentor's manse remains substantially intact, while two others have been incorporated into private buildings. Both west front towers, part of the initial construction, are mostly complete. A massive protective wall surrounded the cathedral precinct, but only two small sections have survived. Of the wall's four access gates, only the Pans Port remains. (Full article...)

    Elgin Cathedral, a historic ruin in Elgin, Moray, northeast Scotland, was dedicated to the Holy Trinity. It was established in 1224 on land granted by King Alexander II and stood outside the burgh of Elgin, close to the River Lossie. It replaced the cathedral at Spynie located 3 kilometres (2 mi) to the north, which was served by a small chapter of eight clerics. By 1226, the new and developing cathedral was staffed with 18 canons, a number that increased to 23 by 1242. A damaging fire in 1270 led to significant enlargement. It remained unscathed during the Wars of Scottish Independence but suffered extensive fire damage in 1390 when attacked by Robert III's brother Alexander Stewart, Earl of Buchan, also known as the Wolf of Badenoch. In 1402, the cathedral precinct faced another incendiary attack by the Lord of the Isles followers.

    As the cathedral grew, so did the number of clerics and craftsmen. Repairs following the fires of 1270 and 1390 resulted in the choir's doubling in length and the addition of outer aisles to both the nave and choir. While some parts of walls retain their full height, others are at foundation level, yet the overall cruciform shape is still discernible. A mostly intact octagonal chapter house dates from the major enlargement after the fire of 1270. The near intact gable wall above the double door entrance linking the west towers was rebuilt after the fire of 1390. It contains fragments of a large rose window with remnants of tracery work. The transepts and the south aisle of the choir contain recessed and chest tombs with effigies of bishops and knights. The now grass-covered floor bears large flat slabs marking early graves. The residences of the dignitaries, canons and chaplains within the chanonry were also destroyed during the fires of 1270, 1390 and 1402, forming part of the overall reconstruction process. Only the precentor's manse remains substantially intact, while two others have been incorporated into private buildings. Both west front towers, part of the initial construction, are mostly complete. A massive protective wall surrounded the cathedral precinct, but only two small sections have survived. Of the wall's four access gates, only the Pans Port remains. (Full article...)
  • Image 14 A view of the main restored portion of the Presidio in 2005, with the chapel in the center El Presidio Real de Santa Bárbara, also known as the Royal Presidio of Santa Barbara, is a former military installation in Santa Barbara, California, United States. The presidio was built by Spain in 1782, with the mission of defending the Second Military District in California. In modern times, the Presidio serves as a significant tourist attraction, museum and an active archaeological site as part of El Presidio de Santa Barbara State Historic Park. The park contains an original adobe structure called El Cuartel, which is the second oldest surviving building in California; only the chapel at Mission San Juan Capistrano, known as "Father Junípero Serra's Church", is older. The Presidio of Santa Barbara has the distinction of being the last military outpost built by Spain in the New World. The Presidio became a California Historical Landmark in 1958 and was listed on the U.S. National Register of Historic Places in 1973. (Full article...)

    A view of the main restored portion of the Presidio in 2005, with the chapel in the center

    El Presidio Real de Santa Bárbara, also known as the Royal Presidio of Santa Barbara, is a former military installation in Santa Barbara, California, United States. The presidio was built by Spain in 1782, with the mission of defending the Second Military District in California. In modern times, the Presidio serves as a significant tourist attraction, museum and an active archaeological site as part of El Presidio de Santa Barbara State Historic Park.

    The park contains an original adobe structure called El Cuartel, which is the second oldest surviving building in California; only the chapel at Mission San Juan Capistrano, known as "Father Junípero Serra's Church", is older. The Presidio of Santa Barbara has the distinction of being the last military outpost built by Spain in the New World. The Presidio became a California Historical Landmark in 1958 and was listed on the U.S. National Register of Historic Places in 1973. (Full article...)
  • Image 15 Queen's Pier at night, 2006 Queen's Pier, named after Queen Victoria, was a public pier in front of City Hall in Edinburgh Place, Central, Hong Kong. For three generations it served not only as a public pier in day-to-day use but also as a major ceremonial arrival and departure point. The pier witnessed the official arrival in Hong Kong of all of Hong Kong's governors since 1925; Elizabeth II landed there in 1975, as did the Prince and Princess of Wales in 1989. The second and final pier structure, built along the newly reclaimed waterfront, was designed in a modern utilitarian style and was opened by Maurine Grantham, wife of Governor Alexander Grantham, in June 1954. (Full article...)

    Queen's Pier at night, 2006

    Queen's Pier, named after Queen Victoria, was a public pier in front of City Hall in Edinburgh Place, Central, Hong Kong. For three generations it served not only as a public pier in day-to-day use but also as a major ceremonial arrival and departure point. The pier witnessed the official arrival in Hong Kong of all of Hong Kong's governors since 1925; Elizabeth II landed there in 1975, as did the Prince and Princess of Wales in 1989.

    The second and final pier structure, built along the newly reclaimed waterfront, was designed in a modern utilitarian style and was opened by Maurine Grantham, wife of Governor Alexander Grantham, in June 1954. (Full article...)
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Architects: Matthew Brettingham, William Bruce, William Burges, John Douglas, Charles Holden, El Lissitzky, Benjamin Mountfort, I. M. Pei, Albert Speer, Rudolf Wolters. Buildings: 7 World Trade Center, Angkor Wat, Baden-Powell House, Belton House, Borobudur, BP Pedestrian Bridge, Bramall Hall, Buckingham Palace, Buildings and architecture of Bristol, Buildings of Jesus College, Oxford, Buildings of Nuffield College, Oxford, Building of the World Trade Center, Castell Coch, Catherine de' Medici's building projects, Chartwell, Chicago Board of Trade Building, Cragside, Heian Palace, Holkham Hall, IG Farben Building, House with Chimaeras, Hoysala architecture, City of Manchester Stadium, Monnow Bridge, Mosque, Michigan State Capitol, New Orleans Mint, Oregon State Capitol, Oriel College, Oxford, Palazzo Pitti, Palladian architecture, Pennsylvania State Capitol, Round Church, Preslav, Sandringham House, Sanssouci, Santa Maria de Ovila, Scottish Parliament building, Sicilian Baroque, St Donat's Castle, St. Michael's Cathedral, Qingdao, St. Michael's Golden-Domed Monastery, St Nicholas, Blakeney, Vkhutemas, The Tower House, West Wycombe Park

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Architects: William Adam, Eustace Balfour, Antoni Gaudí, Thomas Harrison, Zvi Hecker, Bjarke Ingels, E. G. Paley, Timothy L. Pflueger, Antonin Raymond, Kenzo Tange. Buildings: 108 North State Street, 5th Avenue Theatre, Algonquin Hotel, Andriyivskyy Descent, AT&T Corporate Center, Ballard Carnegie Library, Baths of Zeuxippus, Beaumont House, Benjaminville Friends Meeting House and Burial Ground, Blackstone Library, Boughton Monchelsea Place, The Casbah Coffee Club, Central Troy Historic District, Chana School, Chester Rows, Chicago Spire, Chicago Theatre, Chrysler Building, Churche's Mansion, Clinton Presidential Center, Crown Fountain, Dolphinarium, Eaton Hall, Cheshire, Édifice Price, Edinburgh Place Ferry Pier, Ellwood House, The Exchange, Bristol, Forbidden City, Harold Washington Cultural Center, Heller House, Historic Michigan Boulevard District, Hull House, Imbrex and tegula, Imperial War Museum North, Jay Pritzker Pavilion, Joffrey Tower, Joseph F. Glidden House, Linton Park, Liverpool Town Hall, Louvre, Manila Hotel, Marquette Building (Chicago), Millennium Stadium, National Gallery, London, National Police Memorial, New Bedford Historic District, Old Louisville, One Bayfront Plaza, One Times Square, Onion dome, Oregon Public Library, Pavillon de Flore, Presidio of Santa Barbara, Queen's Pier, Rancho Camulos, Robot Building, Rock N Roll McDonald's, Roman Baths (Bath), Rookery Building, Senate House (University of London), Shamrock Hotel, Sycamore Historic District, Taipei 101, TCF Bank Stadium, United States Institute of Peace Headquarters, University Mall (Little Rock, Arkansas), University of Illinois Observatory, University of Virginia, Upper Brook Street Chapel, Manchester, Valley of the Kings, Via della Conciliazione, Victoria Rooms (Bristol), Waller Hall, Wales Millennium Centre, World Trade Center. Castles and fortifications: Beaumaris Castle, Berkhamsted Castle, Bowes Castle, Buckton Castle, Caernarfon Castle, Caludon Castle, Château Gaillard, Château de Chinon, Conwy Castle, Dolbadarn Castle, Dunstaffnage Castle, Fort Greble, Fort Pasir Panjang, Fortress of Klis, Golubac fortress, Goodrich Castle, Haapsalu Castle, Hadleigh Castle, Halton Castle, Himeji Castle, Hylton Castle, Kaunas Fortress, Kenilworth Castle, Loch Leven Castle, Longtown Castle, Okehampton Castle, Oxford Castle, Peckforton Castle, Castle Rising, Roslin Castle, Smederevo Fortress, St Briavels Castle, Vilnius Castle Complex, Walls of Constantinople, Walls of Dubrovnik, York Castle. Religious buildings: Akhtala monastery, Akshardham Temple, Al-Aqsa Mosque, Al-Masjid an-Nabawi, Bath Abbey, Cathedral of the Immaculate Conception (Hong Kong), Chester Cathedral, College of All Saints, Maidstone, Elgin Cathedral, Etchmiadzin Cathedral, Ganting Grand Mosque, Hurva Synagogue, Jesuit Missions of Chiquitos, Liverpool Metropolitan Cathedral, Mexico City Metropolitan Cathedral, Mezhyhirskyi Monastery, Old St Paul's Cathedral, St Mary's Church, Acton, St Mary's Church, Nantwich, St Mary's Church, Nether Alderley, St Thomas the Martyr's Church, Oxford, Sunol Water Temple, Uppsala Cathedral, Wells Cathedral, Zagreb Synagogue, Zhenguo Temple. Cities, countries and regions: Architecture of Denmark, Architecture of Leeds, Architecture of Madagascar, Architecture of Norway, Architecture of Scotland, Architecture of the medieval cathedrals of England, Buildings and architecture of Bath, Castles in Great Britain and Ireland, Grade I listed buildings in Somerset, Architecture of the Song Dynasty, Fatimid architecture.

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