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Stay (Shakespears Sister song)

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"Stay"
Single by Shakespears Sister
from the album Hormonally Yours
B-side"The Trouble with Andre"
Released13 January 1992 (1992-01-13)
GenrePop
Length
  • 3:50 (album version)
  • 3:45 (7-inch edit)
LabelLondon
Songwriter(s)
Producer(s)
Shakespears Sister singles chronology
"Goodbye Cruel World"
(1991) 		"Stay"
(1992) 		"I Don't Care"
(1992)
Music video
"Stay" on YouTube

"Stay" is a song by UK-based pop act Shakespears Sister, released in January 1992 by London Records as the second single from their second album, Hormonally Yours (1992). The single was written by Siobhan Fahey, Marcella Detroit, and Dave Stewart (under the pseudonym "Jean Guiot"), and became a massive hit. It is the duo's first and only number-one single in numerous territories, including the UK, where it topped the UK Singles Chart for eight consecutive weeks and was the fourth-biggest-selling single of 1992. "Stay" also reached No. 1 in Sweden and in band member Siobhan Fahey's birthplace, Ireland. It was a transatlantic hit as well, reaching No. 4 on both the US Billboard Hot 100 and the Canadian RPM 100 Hit Tracks chart. Its music video was directed by Sophie Muller and drew inspirations from the 1953 film Cat-Women of the Moon. At the 1993 Brit Awards "Stay" won the award for British Video of the Year.[1]

In November 2010, The X Factor contestant Cher Lloyd performed the song on series 7 of the show. Following this, the original version re-entered the UK and Irish charts. As well as being used on The X Factor, the song has also been featured on Britain's Got Talent, Dancing on Ice, Strictly Come Dancing and The Voice UK. A cover version by Ghost, played at the end credits of Insidious: The Red Door, the fifth installment of the Insidious Franchise.

Composition

"Stay" was written by Siobhan Fahey, Marcella Detroit, and Dave Stewart. The song was inspired by the film Cat-Women of the Moon; Stewart conceived the idea of the Cat-Women singing about an earthling that she had fallen in love with, and suggested writing the song to Detroit and Fahey.[2] According to Detroit, Stewart and Fahey used to host parties where she invariably ended up performing ballads with famous guests who showed up at their parties, so Stewart suggested writing a ballad that features her on lead vocals. They rewrote the song "maybe four times."[3] Once they finished writing the song, they recorded a demo and took it to Fahey's home. There the producer Chris Thomas, who had been working with Stewart, listened to the demo and said "No.1 smash!", to which they replied "Really?"[2]

The song was produced by Alan Moulder and Chris Thomas; Thomas helped to produce the final remix when they felt the song was not working. Jennifer Maidman of Penguin Cafe Orchestra created the arrangement for synthesiser in the chorus.[3] "Stay" is the only Shakespears Sister song that features Marcella Detroit on lead chorus, with Detroit singing the verses and Fahey singing the bridge. This would cause tension with Fahey when the song was selected by the record label as the lead single as Fahey felt the song was not typical of the album.[2] Detroit sings in whistle register before the last chorus of the song, going up to a high F (F6). The piano, synth and bass guitar were performed by Ian aka Jennifer Maidman, and the drums by Steve Ferrera, both musicians whose contributions featured throughout the Hormonally Yours album.[citation needed]

Critical reception

The song received favorable reviews from most music critics. AllMusic editor Tom Demalon said in his review of Hormonally Yours, that "everything was lost in the wake of the lovely, dramatic "Stay", a global smash."[4] Christopher Kramer from American Eagle noted that the song "has lyrics that ring of their gospel interests."[5] Larry Flick from Billboard described it as a "complex modern-pop tune" and noted further that the "vocal tradeoff between Marcella Detroit and Siobhan Fahey is both intense and dramatic."[6] Clark and DeVaney from Cashbox felt it's "almost like two separate songs, representing the different influences the pair bring to their music. The first half is Marcie's reverent and angelic sounding voice, then out of the blue, comes the industrial clammer of heavy percussion and Siobhan's rough-edged bridge."[7] Dave Sholin from the Gavin Report stated, "This haunting ballad proves they haven't changed course as they deliver a melody that has true staying power."[8] Another Gavin Report editors, Rufer & Fell, wrote that the female duo "gives a once-in-a-lifetime performance of a moody and deliberate song about staying power in a relationship."[9] Chuck Campbell from Knoxville News-Sentinel described it as a "disarmingly sweet ballad" and added that it "segues into a stern warning ("I'll go anywhere with you/I'll do anything it takes/But if you try to go it alone/Don't think I'll understand") then concludes rather sinisterly."[10]

Sally Margaret Joy from Melody Maker complimented it as a "pretty hymn about human frailty", adding, "Yes, it's got a great hook, with Marcella's voice quavering up high and tremulously."[11] Pan-European magazine Music & Media felt that Detroit's vibrato "gives the tune the ethereal ambiance of classic Marianne Faithfull material. Towards the end of the song Fahey takes over with her slightly darker voice."[12] In the review of the single, they remarked that "after a slow start backed by minimal arrangements, this serious ballad slowly acquires some bite."[13] Terry Staunton from New Musical Express opined that they "are trying a little too hard to be the Thelma & Louise of weirdo-chick-bubblegum-pop these days."[14] Lucy O'Brien from Select stated that Detroit "makes a brave stab at the anthemic ballad with "Stay", but ends up sounding suspiciously like Jennifer Rush."[15] Siân Pattenden from Smash Hits felt it "sounds like a hymn".[16] A reviewer from St. Petersburg Times deemed the song "the year's best single" and commented, "You'd better hope and pray/That you make it safe/Back to your own world. Just try to ignore former Bananarama B-girl Siobhan Fahey, as she growls like a master berating her slave".[17]

Retrospective response

Daily Vault's Michael R. Smith declared "Stay" as a "masterpiece", writing that the song managed to "show the world just what could be done to an otherwise mundane and ordinary ballad. It not only turned the entire pop formula on its ear, it totally blew the possibilities wide open."[18] Tom Ewing of Freaky Trigger remarked "the teetering, cracking soprano" of Detroit's lead vocal, and Fahey's "growled and throaty intervention" on the bridge. He also felt that "obviously, the switched-dynamics form of the song matches its content: a tale of two worlds, the singer's and the subject's, and the relationship between them. One is claustrophobic, intense, something to escape: the other reached by risky passage, but where safety is hardly guaranteed and worse terrors may lurk."[19] Imran Khan of PopMatters called it a "weird sci-fi ballad of gothic-gospel electronica".[20] In his review of their 2019 compilation album, Singles Party, Christopher Smith from Talk About Pop Music described it as "haunting" and "epic".[21]

Music video

Background, development, and release

British director Sophie Muller directed the promo video for the single, the concept of which was also inspired by the film Cat-Women of the Moon (1953).[22] The video featured Detroit and Fahey fighting over a comatose man (played by Dave Evans, former boyfriend of Fahey's Bananarama bandmate Keren Woodward).[23] Fahey described her looks as "unhinged Victorian heroine meets Suzi Quatro meets Labelle", an angel of death "in dark makeup coming down the stairs from another dimension". The part where Fahey walks down the stairs was inspired by Powell and Pressburger's film A Matter of Life and Death (1946).[3]

The video won Best Video at the 1993 Music Week Awards and Brit Awards, and was the subject of a spoof by comedians French & Saunders. The video was featured in the Top 100 Music Videos of all time by Channel 4.[24]

Synopsis

In some rare versions the beginning quotes a variation of the opening of William Shakespeare's Macbeth: The original quote of the play ("When shall we three meet again") is changed to "When shall we two meet again", referring to the story told in the video.[25]

The video starts with a view of a calm night sky wherein a shooting star passes over a full moon and the song begins. The camera pans back into what appears to be a hospital room showing Marcella Detroit and her male lover (Evans), who is in a coma and on the verge of death. As Detroit tends to him, she sings to him not to leave her. At the bridge of the song, a portal opens and the angel of death, played by Fahey, appears at the top of a staircase, wearing a sparkling catsuit. She dances around in front of a bright light whilst mocking Detroit that she cannot save her lover and the best she can hope for is to return safely to her environment. Detroit tries her best to wake the man up, while Death slowly and eerily makes her way down the stairs to claim his soul. The two women begin fighting over the man, indicating literally and figuratively a fight between life (Detroit) and death (Fahey). During their struggle, the man finally wakes up, and he and Detroit embrace while Death, having failed to seduce him into her realm, walks away in disgust and goes back up the staircase and into the light.[26]

Track listings

Charts

Certifications and sales

Region Certification Certified units/sales
Australia (ARIA)[57] Gold 35,000^
United Kingdom (BPI)[67] Gold 484,500[66]
United States (RIAA)[68] Gold 500,000^

^ Shipments figures based on certification alone.

Release history

Region Date Format(s) Label(s) Ref.
United Kingdom 13 January 1992
  • 7-inch vinyl
  • CD
  • cassette
 London [12]
Japan 10 April 1992 Mini-CD [69]

References

  1. ^ "1993". Brits.co.uk. 16 February 1993. Retrieved 30 March 2014.
  2. ^ a b c Earls, John (1 October 2019). "Shakespears Sister Interview: 'All I wanted to do was have that conversation that had not been had for 26 years'". classic pop.
  3. ^ a b c Rogers, Jude (7 February 2022). "'I was getting bored so hit the vodka' – Shakespears Sister on how they made Stay". The Guardian.
  4. ^ Demalon, Tom. "Shakespear's Sister - Hormonally Yours". AllMusic. Retrieved 17 February 2020.
  5. ^ Kramer, Christopher (24 February 1992). "Shakespears Sister mixes R&B, rock". American Eagle. Vol. 66, no. 25. Retrieved 15 March 2020.
  6. ^ Flick, Larry (30 May 1992). "Single Reviews" (PDF). Billboard. p. 70. Retrieved 12 February 2020.
  7. ^ Clark, Randy; DeVaney, Bryan (13 June 1992). "Music Reviews: Singles" (PDF). Cashbox. p. 5. Retrieved 1 November 2020.
  8. ^ Sholin, Dave (22 May 1992). "Personal Picks: Singles" (PDF). Gavin Report. p. 48. Retrieved 17 October 2020.
  9. ^ Rufer, Diane; Fell, Ron (24 July 1992). "A/C: Reviews" (PDF). Gavin Report. p. 28. Retrieved 17 October 2020.
  10. ^ Campbell, Chuck. (19 February 1992). "Duo's Attitude Gives Songs Fierce Teeth". Knoxville News-Sentinel.
  11. ^ Joy, Sally Margaret (11 January 1992). "Singles". Melody Maker. p. 27. Retrieved 20 February 2023.
  12. ^ a b "Spotlight: Shakespears Sister" (PDF). Music & Media. Vol. 9, no. 7. 15 February 1992. p. 13. Retrieved 20 February 2020.
  13. ^ "New Releases: Singles" (PDF). Music & Media. 8 February 1992. p. 12. Retrieved 20 February 2020.
  14. ^ Staunton, Terry (18 January 1992). "Singles". New Musical Express. p. 16. Retrieved 20 February 2023.
  15. ^ O'Brien, Lucy (1 March 1992). "Reviews: New Albums". Select. p. 68. Retrieved 3 March 2020.
  16. ^ Pattenden, Siân (8 January 1992). "Review: Singles". Smash Hits. p. 45. Retrieved 6 October 2020.
  17. ^ "Hormonally Yours' finds right chemistry". St. Petersburg Times. 2 October 1992.
  18. ^ Smith, Michael R. (26 August 2007). "Shakespear's Sister - Hormonally Yours". Daily Vault. Retrieved 24 February 2020.
  19. ^ Ewing, Tom (22 June 2011). "Shakespears Sister – "Stay"". Freaky Trigger. Retrieved 6 March 2020.
  20. ^ Khan, Imran (10 April 2017). "Hormonal Rush: The Rise and Fall (and Rise Again) of Shakespears Sister". PopMatters. Retrieved 15 April 2020.
  21. ^ Smith, Christopher (19 July 2019). "Review: 'Singles Party' – Shakespears Sister". Talk About Pop Music. Retrieved 14 April 2020.
  22. ^ "Marcy & Siobhan about STAY". YouTube. 7 June 2008. Archived from the original on 22 December 2021. Retrieved 30 March 2014.
  23. ^ [1] Archived 11 March 2007 at the Wayback Machine
  24. ^ "Explore". Channel 4. Retrieved 30 March 2014.
  25. ^ "Shakespears Sister 'Stay'". YouTube. 30 November 2006. Archived from the original on 22 December 2021. Retrieved 9 May 2014.
  26. ^ "Shakespears Sister 'Stay'". YouTube. 11 November 2009. Archived from the original on 22 December 2021. Retrieved 30 March 2014.
  27. ^ Stay (UK 7-inch single vinyl disc). Shakespears Sister. London Records. 1992. LON 314, 869 624-7.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  28. ^ Stay (UK cassette single cassette notes). Shakespears Sister. London Records. 1992. LONCS 314, 869 624-4.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  29. ^ Stay (UK CD single liner notes). Shakespears Sister. London Records. 1992. LONCD 314, 869 625-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  30. ^ Stay (UK CD single liner notes). Shakespears Sister. London Records. 1992. LOCDP 314, 869 627-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  31. ^ Stay (US CD single liner notes). Shakespears Sister. London Records. 1992. 869 731-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  32. ^ Stay (US cassette single sleeve). Shakespears Sister. London Records. 1992. 869 730-4.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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  34. ^ "Shakespears Sister – Stay" (in German). Ö3 Austria Top 40. Retrieved 30 January 2020.
  35. ^ "Shakespears Sister – Stay" (in Dutch). Ultratop 50.
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  37. ^ "Top RPM Adult Contemporary: Issue 1932." RPM. Library and Archives Canada. Retrieved 30 January 2020.
  38. ^ "Eurochart Hot 100 Singles" (PDF). Music & Media. Vol. 9, no. 14. 4 April 1992. p. 34. Retrieved 30 January 2020.
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  53. ^ "Rhythmic Airplay". Billboard. 10 October 1992. Retrieved 30 March 2023.
  54. ^ "The Irish Charts – Search Results – Shakespears Sister". Irish Singles Chart. Retrieved 17 February 2020.
  55. ^ "Official Scottish Singles Sales Chart Top 100". Official Charts Company.
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  57. ^ a b "ARIA Top 50 Singles for 1992". ARIA. Retrieved 30 January 2020.
  58. ^ "Jahreshitparade Singles 1992" (in German). Retrieved 30 January 2020.
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  66. ^ Rob Copsey (28 May 2021). "Official Top 40 best-selling songs of 1992". Official Charts. Retrieved 10 July 2021.
  67. ^ "British single certifications – Shakespears Sister – Stay". British Phonographic Industry.
  68. ^ "American single certifications – Shakespear's Sister – Stay". Recording Industry Association of America. Retrieved 30 January 2020.
  69. ^ "ステイ | シェイクスピアズ・シスター" [Stay | Shakespears Sister] (in Japanese). Oricon. Retrieved 8 December 2023.
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