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That'll Be the Day (film)

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That'll Be the Day
DVD cover by Arnaldo Putzu
Directed byClaude Whatham
Written byRay Connolly
Produced bySanford Lieberson
David Puttnam
StarringDavid Essex
Rosemary Leach
Ringo Starr
James Booth
Billy Fury
Keith Moon
CinematographyPeter Suschitzky
Distributed byAnglo-EMI Film Distributors
Release dates
  • 12 April 1973 (1973-04-12) (United Kingdom)
  • 29 October 1973 (1973-10-29) (United States)
Running time
91 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£288,000[1]

That'll Be the Day is a 1973 British coming of age drama film directed by Claude Whatham, written by Ray Connolly, and starring David Essex, Rosemary Leach and Ringo Starr. Set primarily in the late 1950s and early 1960s, it tells the story of Jim MacLaine (Essex), a British teenager raised by his single mother (Leach). Jim rejects society's conventions and pursues a hedonistic and sexually loose lifestyle, harming others and damaging his close relationships. The cast also featured several prominent musicians who lived through the era portrayed, including Starr, Billy Fury, Keith Moon and John Hawken. The film's success led to a sequel, Stardust, that followed the life of Jim MacLaine through the 1960s and 1970s.

Plot

In an urban area in early 1940s England, a young child, Jim MacLaine, lives with his mother Mary and grandfather. His seaman father returns, spends time with him, and works in the family's grocery shop. However, he finds himself unable to settle down and soon leaves again for good, abandoning his wife and son, and Mary continues to run the shop and raise Jim on her own.

In the late 1950s. Jim is now a very bright but bored schoolboy in his final year at the local secondary school. His mother wants him to do well on his final exams, qualify for university, and have many opportunities—but Jim is far less enthusiastic about continuing his education, preferring to draw, write poetry, listen to rock n' roll, and chase girls—unsuccessfully. Instead of going with his friend Terry to take his exams, he runs away to the coast to work as a deckchair attendant, disappointing and upsetting his mother. He moves on to a barman job at a holiday camp, where he befriends the experienced barman Mike, who helps him hook up with willing women for his first sexual experiences. Jim is also drawn to the music and lifestyle of the resident singer, Stormy Tempest, and his drummer, J.D. Clover.

Mike and Jim next get jobs at a funfair, supplementing their meager pay by short-changing customers. Jim quickly becomes a heartless fairground Romeo, having one-nighters with a wide variety of women, including a young schoolgirl whom he rapes. He lies to Mike about the encounter, but Mike sees through it and berates him. Shortly afterwards, Mike short-changes a gang member and is attacked by the whole gang. Jim sees Mike being beaten, but instead of helping him, Jim hurries away, pretending he saw nothing, and has a tryst with another fair worker. The severely injured Mike is hospitalized, and Jim gets a promotion that was supposed to be Mike's.

Jim contacts Terry, who is now at university, but discovers that Terry and the girls there look down on his lifestyle and musical tastes. After two years gone, Jim decides to return home, finding his resentful mother struggling to run the grocery shop and care for her father, who is now an invalid. Jim helps his mother with the shop and starts dating Terry's sister Jeanette over the objections of her mother and Terry. Unlike all his previous dates, Jim does not have sex with Jeanette, even though she is willing to do so out of love for him. Jim and Jeanette marry, with Terry and her mother wrongly assuming she must be pregnant. Jim, angry at Terry and ambivalent about losing his freedom, has sex with Terry's girlfriend Jean the night before his wedding.

Jim and Jeanette live with his mother and grandfather. Jim pretends to be going to night school, but is secretly spending his nights at rock n' roll shows. Jeanette gets pregnant and they have a son. Jean and Terry plan to get engaged, and Jean makes suggestive remarks to Jim in front of Jeanette.

After talking with friends in a band, Jim leaves home, repeating his father's pattern. Jeanette cries, but his mum is unsurprised. The film ends as Jim buys a secondhand guitar.

Cast

Production

Development

David Puttnam and his producing partner Sandy Lieberson met with Nat Cohen of EMI Films who agreed to provide half the budget. The other half, £100,000, was obtained from Ronco Records on the condition that the film include 40 songs from Ronco's catalog of old hits, which they could then sell on TV as a soundtrack album.[2][3]

Writing

According to screenwriter Ray Connolly, the film was Puttnam's idea, who had worked in advertising and recently moved into film production. Connolly says Puttnam was inspired by Harry Nilsson's song "1941", in which an early-1940s father deserts his young son, who subsequently joins a circus; Puttnam suggested changing the circus to a fair.

Puttnam hired Connolly, a journalist friend, to write the script.[2] Connolly worked on it in the evenings, and said they would "ransack our own lives as we created the fictional character of Jim Maclaine, and steal moments from our favourite films, a bit from East of Eden here, something from Francois Truffaut’s 'The 400 Blows' there."[2]

Puttnam offered the directing job to Michael Apted, who turned it down, Director Claude Watham was given the job when Puttnam was impressed with period detail of his TV movie Cider with Rosie.[4] He also liked the fact that Watham was not that interested in rock 'n roll, and thought Watham would provide an objective counterbalance to Puttnam and Connolly.[5]

Casting

Connolly said that he cast David Essex, then starring in a West End production of Godspell, in an effort to make the selfish Jim MacLaine character more likeable, because Essex "was so good-looking and likeable an audience would forgive him anything."

Ringo Starr was cast as Mike after Connolly, who had never been to a holiday camp, consulted him and former Beatles road manager Neil Aspinall about their Butlins memories. Aspinall also helped to put together the camp band that appeared in the film.[2] Several roles were played by prominent musicians who had lived through the film's era, including Starr, Billy Fury, Keith Moon of the Who, and John Hawken of the Nashville Teens.

Filming

Filming began on October 23, 1972, on the Isle of Wight, which still had a late-1950s look in the early 1970s.[2] Essex received a seven-week break from his Godspell role to film the picture.[6]

Puttnam clashed with Watham during filming, saying the director did not understand all the script's subtext. When Watham fell ill, Alan Parker directed for two days.[7]

U.S. Release

The film was initially acquired by Continental Releasing, a unit of the Walter Reade Organization, but after disappointing test engagements in Boston, Indianapolis, and Austin, they chose to shelve the film. Based on a well-received screening at Filmex in Los Angeles, programmer Jerry Harvey, partnering with Richard Chase and Kenneth Greenstone, created a small company, Mayfair Film Group, to take over distribution.

Soundtrack

The tie-in soundtrack to That'll Be the Day was released by Ronco and listed as a 'various artists' album rather than the official soundtrack. It spent seven weeks at the #1 position on the Official Albums Chart Top 50. However, beginning with the week ending 18 August 1973, all compilations listed as 'various artists' were removed from the chart, with only those billed as 'official soundtracks' (to films such as A Clockwork Orange and Cabaret) remaining,[8] causing That'll Be the Day to be excluded from the chart countdown.[9][10][11][12][13][14][15]

(despite its enormous popularity this album has never had an official CD release in the UK)

Chart positions

Chart (1973/74) Peak
position
Australia (Kent Music Report)[16] 9
UK Albums Chart[17] 1
Preceded by
Pure Gold by Various artists
 UK Albums Chart number-one album
30 June 1973 – 18 August 1973 		Succeeded by

Release

The film was a hit at the box office (by 1985 it had earned an estimated profit of £406,000).[1] Nat Cohen, who invested in the film, said it made more than 50% profit on top of its cost.[18] It was one of the most popular movies of 1973 at the British box office.[19]

Connolly said "At the time, I was astonished by its success. A sixth form drop out, who throws his school books into a river when he should be sitting his A-level history, writes poetry in the rain while hiring out deck chairs, and lets down just about absolutely everyone was hardly an obvious subject. But, on reflection, I can now see that there was nothing else like it at the time. And the music soundtrack was fantastic."[2]

Reception

The Los Angeles Times called it "a very special, strange and fascinating movie."[20]

According to Anne Billson in the Time Out Film Guide, the film was a "hugely overrated dip into the rock 'n' roll nostalgia bucket, ... " also commenting "Youth culture my eye: they're all at least a decade too old. But good tunes, and worth catching for Billy Fury's gold lamé act."[21]

Awards and nominations

At the 27th British Academy Film Awards in 1973, the film received two nominations. Rosemary Leach for Best Actress in a Supporting Role and David Essex for Most Promising Newcomer to Leading Film Roles.

Sequels

Essex returned as Jim Maclaine the following year, in the 1974 sequel, Stardust, which continues the story into the early 1970s.

An independent radio drama recording project, That'll be the Stardust!, was released in 2008.[22] The story follows the musical journey of Jim Maclaine's son, Jimmy Maclaine Jr.

References

  1. ^ a b Alexander Walker, National Heroes: British Cinema in the Seventies and Eighties, Harrap, 1985 p 79
  2. ^ a b c d e f Connolly, Ray (2017-09-30). "On the Origins of the Films That'll Be the Day and Stardust". rayconnolly.co.uk. Archived from the original on 2020-07-27. Retrieved 2020-07-27.
  3. ^ Yule p 85-86
  4. ^ In the Picture Sight and Sound; London Vol. 42, Iss. 2, (Spring 1973): 84.
  5. ^ Yule p 86
  6. ^ 'Day' Breaks With Starr Variety; Los Angeles Vol. 268, Iss. 11, (Oct 25, 1972): 30.
  7. ^ Yule p 87
  8. ^ "Official Albums Chart Top 50 | Official Charts Company". Official Charts.
  9. ^ "Official Albums Chart Top 50 | Official Charts Company". Official Charts.
  10. ^ "Official Albums Chart Top 50 | Official Charts Company". Official Charts.
  11. ^ "Official Albums Chart Top 50 | Official Charts Company". Official Charts.
  12. ^ "Official Albums Chart Top 50 | Official Charts Company". Official Charts.
  13. ^ "Official Albums Chart Top 50 | Official Charts Company". Official Charts.
  14. ^ "Official Albums Chart Top 50 | Official Charts Company". Official Charts.
  15. ^ "Official Albums Chart Top 50 | Official Charts Company". Official Charts.
  16. ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 320. ISBN 0-646-11917-6.
  17. ^ "Number 1 Albums – 1970s". The Official Charts Company. Archived from the original on 9 February 2008. Retrieved 14 June 2011.
  18. ^ Ooh, you are awful, film men tell Tories. David Blundy. The Sunday Times (London, England), Sunday, 16 December 1973; pg. 5; Issue 7853. (939 words)
  19. ^ Harper, Sue (2011). British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure. Edinburgh University Press. p. 270. ISBN 9780748654260.
  20. ^ Looking Under a Rock Star: UNDER A ROCK Champlin, Charles. Los Angeles Times 30 Oct 1974: f1.
  21. ^ The TimeOut Film Guide, 3rd edition, 1993, p. 706
  22. ^ "Tony G. Marshall's "That'll be the Stardust!"". CosmicDwellings.com. 23 October 2014. Retrieved 2019-08-03.

Sources

  • Yule, Andrew (1989). Enigma : David Puttnam, the story so far ... Sphere Books.
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