User:Camembert/Sandbox
Sixth chords, blah blah blah:
And so blah blah blah
Some problems present the Plachutta theme in a much more complex form. To the right is a problem by Milan Vukcevich, published in Chess Life in 1988, a mate in four. The key is 1.Na2, which is not a Plachutta sacrifice, but which threatens one: 2.c4+ (221 in Wizadry)
Absurd: commedia dell'arte, music hall, surrealism (Adamov), pataphysics (specif Ubu Roi, cf Mondrian and abstract expres), nonsense (Carroll, Lear, others), check biblio in Esslin.
for graphic notation, [1]
scales, birdsong, links to things like psychoacoustics, headers, multiple parts: performance, composition, history, function, society, instruments, whatever. big references works (Grove etc).
Lengths of symphonies - It.ovt length -> Mahler etc. Also key relationships between movements (and Monn's D 1740 all being in one key). Beethoven: symph as struggle; finale as culmination of work (not light relief). Dearth of symphs after Beethoven (only abstract works by Schumann and Mendelssohn - others forgotten). symphonic poem.
Grove up: Edo de Waart, Eliahu Inbal, Eugene Istomin, Kurt Eichhorn, Talk:Paul Paray. Check Golombek, Whyld, etc for Opera box game
Vaudeville has a different meaning in the US to France, music, etc.
"Vertical" rhythm in Bruckner 6 (Talk:Anton Bruckner) (notes in black box - check on recording)
[2] for Stalin Prize.
DW strikes again (maybe) (check lib)