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The Requiem by Max Reger is a late Romantic setting of Friedrich Hebbel's poem "Requiem" for alto or baritone solo, chorus and orchestra. The text begins with a plea not to forget the dead. Composed in 1915, Reger dedicated it "to the memory of the German heroes" who died in the World War. He had composed Requiem settings before: in 1912 a motet for male chorus, set to the same poem, and in 1914 an unfinished setting of the Latin Requiem, in memory of victims of the war. The 1915 Requiem, Reger's last completed work for chorus and orchestra, was published by N. Simrock in 1916, after the composer's death. It was paired with another choral composition, Der Einsiedler (The Hermit), set to a poem by Joseph von Eichendorff, titled Zwei Gesänge für gemischten Chor mit Orchester (Two songs for mixed chorus with orchestra), Op. 144. Both works were first performed in Heidelberg on 16 July 1916 as part of a memorial concert for Reger, conducted by Philipp Wolfrum. Reger thought that The Hermit and the Requiem were "among the most beautiful things" he had ever written. (Full article...)

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Max Reger, c. 1910
Max Reger

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On this day...

July 16: Feast day of Our Lady of Mount Carmel (Roman Catholic Church)

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Painted stork

The painted stork (Mycteria leucocephala) is a large wading bird in the stork family. It is found in the wetlands of the plains of tropical Asia. Its distinctive pink tertial feathers give it its name. This stork forages in flocks in shallow waters along rivers or lakes, immersing its half open beak in water and sweeping it from side to side to snap up its prey. The painted stork nests colonially in trees, often along with other waterbirds. The only sounds it produces are weak moans or bill clattering at the nest. This bird is not migratory and only makes short distance movements in some parts of its range.

Photograph: JJ Harrison

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