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Photography of Willi in The Transvestites

Willi Pape (Willy Pape, Voo-Doo, Selma Brügge; 7 October 1891[1]–21 February 1940[2]) was a celebrated German dancer, variety show performer and later a bar owner in Weimar Berlin who was contemporarily referred to as a "transvestite."

Life

As a child, Willi Pape preferred female clothing and wanted to work in a circus or on stage.[3] Pape presented as female and signed into several hotels as Selma Brügge. 21 September 1909, staff of a Hamburg hotel found unconscious "Selma" in her room with slit wrists, and after discovery of the patient's true identity, the story was widely published in newspapers.[4] The reports attracted the attention of the German sexologist Magnus Hirschfeld, who visited the recovering patient and later wrote the following to accompany pictures of Pape in his 1912 book The Transvestites:

The young transvestite Willy Pape, whose propensity to dress in women's clothing became known during a suicide attempt [in 1909]. His parents were made aware of this peculiar condition by the author and then allowed him to go onto the Variété, where he has since then performed with great success as a snake dancer.[5]

After Pape's suicide attempt, the name "Selma Brügge" was not used again.[6] When summoned for military service in 1914, Pape presented in female clothing.[6] According to Hirschfeld, who used masculine pronouns for Pape, Pape did not find men attractive at the time of their first encounter; Pape had confessed to being in love with and engaged to a woman, and later had a male lover.[6]

Pape became a famous cabaret artist and variety-show dancer, initially performing under the name "Sura VooDoo",[7] later shortened to "Voo-Doo"/"Voo Doo" while wearing orientalized versions of female belly-dancing attire in acts such as "Opium Death" and "Elagabalus."[3][8] Initially Voo-Doo was not billed as a female impersonator, only later utilizing the "sex reveal" at the end of the dance routines. In 1927, the German lesbian magazine Die Freundin published photographs of Pape captioned: "The Transvestite Voo-Doo, One of the Most Prominent International Dance-stars."[9] Pape performed in Berlin, Zürich, Paris, Vienna, and other major European cities between 1917 and 1928.[3] In 1928 the dancer decided to retire from performing, decision probably influenced by aging and the declining popularity of variety shows.

In September 1928 the couple of Pape and Emil Schmidt opened a bar "Zum Kleinem Löwen" on Berlin's Skalitzer St. 7, often just called "Voo-Doo" by the patrons.[10] It was advertised as a "Meeting Place for Transvestites".[11] In the llustrated Guide to 'Depraved' Berlin (1931), Curt Moreck (a pseudonym of German author Konrad Haemmerling [de]) described "Voo-Doo" as a good nightlife spot for "befriended couples" looking for an "exotic night."[12][13] Klaus Mann and Christopher Isherwood visited Pape's local.[3]

Pape might also have been an artist, as drawings by "Voo-Doo," "a Lady dancer" survive.[14]

Willi Pape died on 21 February 1940 from malaria.[2]

Legacy

Like most variety stars, Voo-Doo's legacy has been quickly forgotten once the variety show lost its popularity to the cinema. The figure was rediscovered by a modern gay community, with Siegessäule magazine including Voo-Doo's photo in a 1987 issue dedicated to "750 warm Berliners" and Rosa Vinkel Verlag republishing Hirschfeld's "Berlins Drittes Geschlecht" in 1991.[15]

German scholar Jens Dobler, who has uncovered much of Pape's biography, writes of "Willi Pape, alias Voo-Doo," as a homosexual "drag artist" (in German: Travestiekünstler) who was referred to by others as "he" and "she;" he also discusses how Pape's life challenged gender norms and that even the terms he has applied are fraught.[3][16] No known documents survive that describe Pape's gender or sexual identification in Pape's own words.

References

Citations

  1. ^ Dobler 2022, p. 14.
  2. ^ a b Dobler 2022, p. 148.
  3. ^ a b c d e Dobler, Jens (2004). "Der Travestiekünstler Willy Pape alias Vo-Doo". Invertito (in German). 6: 110–121.
  4. ^ Dobler 2022, p. 8-10.
  5. ^ Hirschfeld, Magnus (1912). "Die Transvestiten: Die Transvestiten, [2], Der erotische Verkleidungstrieb". Humbold-Universität zu Berlin Universitätsbibliothek (in German). p. Tafel XVI [Table XVI]. Retrieved 2020-07-31.
  6. ^ a b c Zagria (2018-10-22). "Willi Pape/Voo Doo (1893–1967) performer". A Gender Variance Who's Who. Retrieved 2020-07-31.
  7. ^ Dobler 2022, p. 18.
  8. ^ Prickett, D. J. (2006-01-01). "Locating El Dorado: Berlin's GBLT Topography, Revisited". GLQ: A Journal of Lesbian and Gay Studies. 12 (1): 159. doi:10.1215/10642684-12-1-158. ISSN 1064-2684. S2CID 145412247.
  9. ^ Nero, Julie (2013). Hannah Höch, Til Brugman, Lesbianism, and Weimar Sexual Subculture (PhD dissertation). Case Western Reserve University. pp. 234–235, 409 (Image 5.16).
  10. ^ Dobler 2022, p. 124.
  11. ^ Tigers, Leah. "On the Clinics and Bars of Weimar Berlin". www.trickymothernature.com. Retrieved 2022-06-27.
  12. ^ Smith, C. (2013-06-01). "Challenging Baedeker Through the Art of Sexual Science: an Exploration of Gay and Lesbian Subcultures in Curt Moreck's Guide to 'Depraved' Berlin (1931)". Oxford Art Journal. 36 (2): 236. doi:10.1093/oxartj/kct018. ISSN 0142-6540.
  13. ^ MacKay, Andy Stewart (2020-04-01). "Democratic depravity: Curt Moreck's Berlin". Peter Harrington Blog. Retrieved 2020-07-31.
  14. ^ Gordon, Mel (2008-08-01). Voluptuous Panic: The Erotic World of Weimar Berlin (PDF) (Expanded ed.). Feral House. p. 125. ISBN 978-1-932595-97-0.
  15. ^ Dobler 2022, p. 149.
  16. ^ "Publikationen von Jens Dobler (Auswahl)" [Publications by Jens Dobler (Selection)]. Magnus-Hirschfeld-Gesellschaft (in German). Retrieved 2020-08-01.

Sources

  • Dobler, Jens (2022). You have never seen a dancer like Voo Doo: das unglaubliche Leben des Willy Pape (in German). Berlin: Verlag fur Berlin-Brandenburg. ISBN 978-3-96982-046-9.
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