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Ariana Brown
Born
San Antonio, Texas
NationalityMexican American
EducationBA,University of Texas at Austin
MFA, University of Pittsburgh
Known forPoetry, Poetry Slams
AwardsAcademy of American Poets Prize
Websitewww.arianabrown.com

Ariana Brown (born in San Antonio, Texas) is an American spoken word poet.[1] In 2014, she was part of a winning team at the national collegiate poetry slam. Ariana Brown has won the “Best Poet” award twice at the same event.[2][3]

She is also a two-time recipient of the Academy of American Poets Prize.[3] She published her debut poetry chapbook, Sana Sana, with Game Over Books in early 2020.[4]

Early life and education

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Brown was born in San Antonio, Texas. Her father was a Black American and her mother is Mexican-American. Brown identifies as a Black Mexican American person.[5] Growing up, Brown struggled to find representations of herself in literature, so she decided to write poetry for young women who experienced similar struggles of identity and representation.[6] She was also inspired by Black movement leaders, including Malcolm X.[7] In 2011, she was a part of her first poetry slam team called the Spitshine Slam which she was in charge of cofounding and they performed at Brave New Voices. In 2014 they ranked first in College Unions Poetry Slam International (CUPSI).[6][8]

Brown received her Bachelor's of Arts degree in African Diaspora Studies and Mexican American Studies from the University of Texas at Austin.[2] She also received a Master of Fine Arts in poetry at the University of Pittsburgh and is working on a poetry manuscript about her life, the formation of a racial identity, cultural politics, and authenticity among other themes.[1][3]

Work

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Brown has continued to participate in poetry slams, has performed her poetry across the United States, and often holds poetry workshops focused on writing poetry that heals. She's well known for performing in multiple venues such as the San Antonio Guadalupe Theater,Tucson Poetry Festival, and the San Francisco Opera Theatre.[7][9][10]

Brown writes poetry to uplift Black people and pay homage to her ancestors and the history of her people.[5] She wants to inspire and uplift disempowered communities through her poetry.[7] She also uses her poetry to validate Black girl rage.[9] She writes about the anti-Blackness within the Mexican community and advocates for Black Chicanx individuals.[11] Brown has been dubbed a "part-time curandera" because her poetry deals with healing issues of race, ethnicity, gender, class, and sexual orientation.[7] She weaves contemporary issues and tensions into her poetry.[3]

In 2021, Brown’s debut poetry collection “We Are Owed” was published, after six years of work. [12][13] Jonathan Cortez, a Ph.D. recipient from the Department of American Studies at Brown University, describes the book's title as a “call to action, a demand, a recognition, a reparation, a reorientation, and a reclamation”.[14]Ali Black, a writer and poet based in Cleveland, Ohio, describes this collection as untraditional, as it combines poems, epigraphs, and “Brown’s college course notes from 2014 and 2015,” giving it the feel of both a diary and a history book.[12] In this collection, Brown explores the intersection of queer Black identity while navigating Mexican-American spaces.[13] Brown's poems also serve to reclaim and highlight the erased history of key Black historical figures, including Gaspar Yanga and Estevanico. [12] Brown has expressed frustration for having to rely on YouTube videos to learn about Black history.[15] For that reason, she dedicates several poems to Yanga, including "Letter to Yanga, from Six-Year-Old Ariana", where she requests that Yanga send her an image of himself.[12] She eventually comes to terms with her inability to "find an image of Yanga online" concluding "instead, I try harder to love my own face, nose, lips, hair".[12] She discusses the misrepresentation of Black Chicanx individuals in popular culture, such as in the game Lotería.[16]Brown also reflects on her study abroad experience in Mexico City, where she was the only Black person on the trip.[17] In Mexico City, she felt a sense of alienation from Latino culture due to the marginalization of Afro-Latinos and her difficulty engaging with the culture.[15] She highlights “the erasure of Blackness in Mexico within Mexicanidad” and addresses the violence faced by Afro-Latinos, including isolation and anti-Black sentiments.[15][17]

Her work has been featured in PBS, Huffington Post, Blavity, For Harriet, and Remezcla among others.[1]

In 2024, her work was included in Xican-a.o.x. Body, a comprehensive group exhibition on the experiences and contributions by Chicano artists in contemporary culture. The show was on view at the Cheech Marin Center for Chicano Art & Culture at the Riverside Art Museum, California, and later at the Pérez Art Museum Miami, Florida.[18][19]

Personal life

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Ariana Brown, a Black Mexican American poet, has openly discussed her complex relationship with identity and representation in her personal life. Born and raised in San Antonio, Texas, she is the daughter of an African American father and a Mexican American mother. Her experiences as a queer, Blaxican woman have heavily influenced her work, as she uses poetry to explore themes of racial identity, cultural politics, and the erasure of Blackness within Mexican communities. [20] [21]

Brown's deep interest in lineage and history stems from her father passing away before she was born, leading her to reflect on her heritage and the significance of ancestral connections. This focus on identity is evident in much of her work, including her debut chapbook Sana Sana and her poetry collection We Are Owed. Her poetry often addresses the intersections of race, ethnicity, and gender, and she speaks candidly about the challenges of finding her place in both Black and Latinx communities.[21][22]

In addition to her literary pursuits, Brown is a part-time curandera, which reflects her focus on healing in her writing. She incorporates themes of emotional and spiritual healing, drawing from her experiences in poetry slams and her evolving understanding of history and identity. [20][22]

Honors and awards

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Works

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  • We Are Owed., Grieveland, July 2021.[24]
  • Sana Sana (debut poetry chapbook), Game Over Books, January 2020[4]
  • LET US BE ENOUGH (debut poetry EP), February 22, 2019[25]
  • “quaker blake” Barrelhouse Magazine, December 9, 2018[26]
  • “Alternate Memory, or Love Dances Barefoot After the Men Have Disappeared” Barrelhouse Magazine, December 9, 2018[26]
  • “Introductions” Scalawag Magazine, October 1, 2018[27]
  • “In Defense of Santana’s ‘Maria Maria,’ Featuring Wyclef & the Product G&B” Rattle, January 29, 2018[28]
  • “Minute Fathers” Sidekick Lit, Issue Four[29]
  • “A Division of Gods” Winter Tangerine, 2017[30]
  • “Abuela, de Carrizo Springs” As/Us, September 17, 2017[31]
  • “Supremacy” Muzzle, June 2017[32]
  • “Nylon, Black, ‘72” BOAAT[33]
  • “At the End of the Sword” Neptantla, Issue 3[34]
  • “Always, There is Music” African Voices, July 8, 2016[35]
  • “Don’t Know Nobody from Ellis Island” Bird’s Thumb, June 2016[36]
  • “Invocation” & “Sunday Morning” HEArt Online, April 4, 2016[37]
  • “Ossuary” Rattle: Poets Respond, October 25, 2015[38]

References

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  1. ^ a b c King, Jack Preston (2017-04-11). "Meet Ariana Brown — National Poetry Month Featured Poet for April 11th". Medium. Retrieved 2019-05-09.
  2. ^ a b Frank, Priscilla (2017-02-28). "34 Poets Of Color Summarize 2017 In Verse". Huffington Post. Retrieved 2019-05-09.
  3. ^ a b c d Van de Kamp, Alexandra (2017-05-05). "'The Writers Desk' with Spoken Word Poet Ariana Brown". Rivard Report. Retrieved 2019-05-09.
  4. ^ a b "Sana Sana". GAME OVER BOOKS. Retrieved 2020-09-18.
  5. ^ a b "Bio - Ariana Brown". Arianabrown.com. Archived from the original on 2014-11-25. Retrieved 2020-09-18.
  6. ^ a b Segal, Corrine (2016-02-08). "How poet Ariana Brown became the Afro-Latina role model she needed". PBS. Retrieved 2019-05-09.
  7. ^ a b c d Reichard, Raquel (2017-10-31). "Ariana Brown Wants Her Poems About Depression to Heal and Empower Black Women". Remezcla. Retrieved 2019-05-09.
  8. ^ a b "Invocation: An Interview of Ariana Brown". The Black Youth Project. 2015-06-02. Retrieved 2024-11-11.
  9. ^ a b "Kick-off! Latinx Poetry Series at Harvard in Celebration of AfroLatinx History". emr.fas.harvard.edu. Retrieved 2019-05-09.
  10. ^ King, Jack Preston (April 11, 2017). "Meet Ariana Brown — National Poetry Month Featured Poet for April 11th". Medium.
  11. ^ Herrera, Cristina (2020-06-24). ChicaNerds in Chicana Young Adult Literature. Routledge. ISBN 978-1-003-01647-2.
  12. ^ a b c d e Black, Ali (September 23, 2024). "Longing for What It Is: On Ariana Brown's "We Are Owed."". Cleveland Review of Books.{{cite web}}: CS1 maint: url-status (link)
  13. ^ a b Wandermurem, Isabella (May 20, 2024). "10 Afro-Latina Authors You Should Know". Remezcla. Retrieved November 24, 2024.{{cite web}}: CS1 maint: url-status (link)
  14. ^ Cortez, Jonathan (July 16, 2021). "We Are Owed". New Books Network.{{cite web}}: CS1 maint: url-status (link)
  15. ^ a b c Melido, Janea (October 4, 2021). "Meet Ariana Brown: Latinx Heritage Month Keynote Speaker". The Beacon.{{cite web}}: CS1 maint: url-status (link)
  16. ^ Herrera Figueroa, Cristina (2021). ChicaNerds in Chicana young adult literature: brown and nerdy. Children's literature and culture. New York: Routledge. ISBN 978-0-367-86021-9.
  17. ^ a b Dominguez, Ayling Zulema (April 23, 2024). "Author Interview: We are Owed. By Ariana Brown". Latinos in Publishing.{{cite web}}: CS1 maint: url-status (link)
  18. ^ "Xican-a.o.x. Body • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2024-09-17.
  19. ^ Fajardo-Hill, Cecilia; Del Toro, Marissa; Vicario, Gilbert; Chavez, Mike; Chavoya, C. Ondine; Salseda, Rose; Valencia, Joseph Daniel; Villaseñor Black, Charlene; Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, eds. (2024). Xican-a.o.x. body. New York, NY : Munich, Germany: American Federation of Arts ; Hirmer Publishers. ISBN 978-3-7774-4168-9. OCLC 1373831827.
  20. ^ a b "Finding the Window: A Conversation with Ariana Brown". EMERGENT LITERARY. Retrieved 2024-11-26.
  21. ^ a b "Ariana Brown, Blaxican Poet born". African American Registry. Retrieved 2024-11-26.
  22. ^ a b Willis, Mia S. (2020-04-06). ""I belong in my community": A Conversation with Ariana Brown - The Adroit Journal". Retrieved 2024-11-26.
  23. ^ "Five Latinx Artists awarded NALAC Grants in San Antonio". www.nalac.org/. 2020-02-20. Retrieved 2024-11-11.
  24. ^ "We Are Owed by Ariana Brown". grieveland. Retrieved 2021-11-23.
  25. ^ Brown, Ariana (2019-02-22). "LET US BE ENOUGH, by Ariana Brown". Band Camp. Retrieved 2019-05-09.
  26. ^ a b Brown, Ariana (2018-12-09). "Two Poems by Ariana Brown". BARRELHOUSE. Retrieved 2019-05-09.
  27. ^ Brown, Ariana (2018-10-01). "'This Work Will Take Dancing': Poems by Maria Lucas and Ariana Brown". Scalawag. Retrieved 2019-05-09.
  28. ^ Brown, Ariana (2018-01-29). ""In Defense of Santana's 'Maria Maria' ft. Wyclef & The Product G&B" by Ariana Brown | Rattle: Poetry". Rattle. Retrieved 2019-05-09.
  29. ^ Brown, Ariana. "Minute Fathers". SIDEKICK LIT. Retrieved 2019-05-09.
  30. ^ Brown, Ariana (2017). "A Division of Gods". Winter Tangerine. Retrieved 2019-05-09.
  31. ^ Brown, Ariana (2017-09-17). "Abuela de Carrizo Springs". As Us. Retrieved 2019-05-09.
  32. ^ Brown, Ariana (June 2017). "Supremacy". MUZZLE MAGAZINE. Retrieved 2019-05-09.
  33. ^ Brown, Ariana. "Nylon, Black, '72". BOAAT PRESS. Retrieved 2019-05-09.
  34. ^ Brown, Ariana. "At the End of the Sword" (PDF). Nepantla.
  35. ^ Brown, Ariana (2016-07-08). "Always, There is Music". African Voices. Retrieved 2019-05-09.
  36. ^ Brown, Ariana (June 2016). "Don't Know Nobody from Ellis Island". Bird's Thumb. Retrieved 2019-05-09.
  37. ^ Brown, Ariana (2016-04-04). "Invocation & Sunday Morning". HEArt Online. Retrieved 2019-05-09.
  38. ^ Brown, Ariana (2015-10-25). "Ossuary". Rattle. Retrieved 2019-05-09.
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