Palazzo Costaguti
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| Palazzo Costaguti | |
|---|---|
.jpg) The facade on Piazza Mattei and today's main portal of Palazzo Costaguti, on the right | |
 | |
| Alternative names | Palazzo Patrizi Costaguti |
| General information | |
| Status | In use |
| Type | Palace |
| Architectural style | Mannerist |
| Location | Rome, Lazio, Italy |
| Address | 10, Piazza Mattei |
| Coordinates | 41°53′38″N 12°28′39″E / 41.89375°N 12.477389°E |
| Construction started | 16th century |
| Completed | 16th century |
Palazzo Costaguti, also known as Palazzo Patrizi Costaguti, is a mannerist architecture Roman, located at the corner of Piazza Mattei with Via della Reginella, in rione Sant’Angelo in Rome.
Large in size, it also runs along Via dei Falegnami and its rear facades are in Piazza Costaguti. Currently used as the seat of the Universitas Telematica Mercatorum.
History
[edit]The palace was built in the first half of the 16th century for Monsignor Constanzo Patrizi, treasurer of Pope Paul III, on the site of the demolished Church of San Leonardo de Albis, itself built on the site of an ancient Roman temple.
In 1578, with the death of Patrizi.[1] The building was sold to Ascanio and Prospero Costaguti, members of a Ligurian banking family, for 26,000 scudi. In the early 17th century, the Costaguti family became treasurers for Pope Paul V Borghese, responsible for the construction of St. Peter's Basilica, to which the family's prelate, Cardinal Giovanni Battista Costaguti.[2]
During this period, Costaguti renovated the building to a design by Carlo Lambardi (years 1597–1619):[3] while the oldest wing of the building faces Via della Reginella, with a beautiful portal that was once the main entrance, a new entrance was opened in Piazza Mattei, in front of the famous Fountain of the Turtles; the façade here is attributed to Ascanio de Rossi, while the one in Piazza Costaguti is said to be by Antonio De Battistis.
In 1823, the entrance (which had become rear) was incorporated into the Ghetto of Rome and the Costaguti family closed the gateway, starting to use the portal in Piazza Mattei as their main entrance. In the course of the century, new renovations were made by Giovanni Battista Giovenale, continued when the Costaguti family merged with the Afan De Rivera, a noble family of Hispano-Napolitan origin. Since then, the building still belongs to the marquises Afan De Rivera Costaguti; the family has other properties in various parts of Italy — the most important of which is the Palazzo Costaguti in Roccalvecce, near Viterbo — and came to be related to the Florio of Sicily by marrying Giulia Florio, from their marriage a woman Costanza Afan de Rivera Costaguti was born.
During World War II, Marquis Achille Belloso Afan De Rivera, a lifelong fascist[4] and an officer of the Militia, during the persecutions in Rome gave shelter to many Jews in his palace: during the rastrellamento del Ghetto, «in an officer's uniform, he blocked the Germans at the doorway who wanted to enter the palace», probably to capture those who had taken refuge there from the Piazza Costaguti door to exit through the other door.[5]
Description
[edit]Exterior
[edit]
The façade on Piazza Costaguti has two floors of windows, the first with architraves and triangular festoons and the second with cornices. At the eaves, with mixed lines, is a 19th-century raised floor with small balconies with iron balustrades.
On the ground floor is a beautiful portal of rusticated ashlars between modern doors and windows. On the corners is a decoration of rusticated stone blocks from the floor to the eaves, just like the façade of Piazza Mattei, whose portal, the main entrance to the palace, is surmounted by an architrave with the inscription COSTAGUTI.
A side façade of the palace, still in Piazza Costaguti, faces the Tempietto del Carmelo, dedicated to Our Lady of Mount Carmel.
The inner courtyard was renovated in the 21st century to restore its 16th-century appearance. The coat of arms of the Costaguti family, three pointed lines indicating three stars,[6] is depicted everywhere.
Interior
[edit]
The interior of the palace is richly decorated with frescoes.
The piano nobile, where members of the Costaguti family still live,[7] retains its original decoration, including numerous masterpieces. These include frescoes by Raffaele Romanelli (mythological painting), Guercino (ceiling of the Hall of Rinaldo and Armida, done together with Agostino Tassi), the brothers Taddeo and Federico Zuccari (Hall of the Months) and Gaspard Poussin. Among the large paintings, the most famous are probably the Chariot of the Sun and Time Discovering Truth, by Domenichino (also done with the help of Tassi), and Room of Venus. Also of note are works by Francesco Albani (Rape of Europa), the brothers Giacomo and Pierfrancesco Mola (Bacchus and Ariana) and Giovanni Lanfranco and Sisto Badalocchio (Hall of Hercules).
A grand staircase, richly decorated and with steps made of two types of marble (Carrara and peperino), connects all the floors. Statues of the Costaguti's ancestors (Ascanio and Prospero) and a marble bench (used for resting those who used to climb the stairs in the past) can still be seen on the stairs.
Notes
[edit]- ^ "In the Patrizi's inventory "there is a painting of a portrait of Barbarossa, the hand of Titian with a frame touches one hundred and twenty gold scudi. Palazzo Patrizi passed to Costaguti and there is no other information in the painting': Andrea Donati, Tiziano e il Gran Turco, Studi Veneziani: LXXII, 2015, Pisa: Fabrizio Serra, 2015.
- ^ Another cardinal of the family, Vincenzo Costaguti, a patron of the fine arts and a music lover, was in charge of the ceremonial reception of Queen Christina of Sweden during her visit to Rome on 23 December 1655 after her conversion to Catholicism.
- ^ Enrico Parlato, LAMBARDI, Carlo Francesco, Dizionario Biografico degli Italiani — Volume 63 (2004)
- ^ About his participation in the March on Rome, see http://www.ilblogdelmarchese.com/costanza-afan-de-rivera-intervista/ .
- ^ ilgiornale.it/2017/01/17/271265/ Paola Carella, The Florios between myth and legend, giornaleoff, 17/01/2017 Archived 1 April 2018 at the Wayback Machine.
- ^ Its design is a reference to the origin of the family: «costa» = coast and «aguta» = pointed (in ligure ancient language),
- ^ The Costaguti are one of the six Roman families that have the ancient privilege of being able to be visited by the pope, which is why they received the title of 'marquis of the baldachin' from the Catholic Church. For this reason, the Costaguti family must have a baldachin in their residence, under which a throne for the pope can be placed during the visit.
Bibliography
[edit]Italian sources
[edit]- Ausenda, Marco (2002). Roma Milano: Touring Club Italiano. p. 491. ISBN 88-365-2541-5.
External links
[edit]
Media related to Palazzo Costaguti (Rome) at Wikimedia Commons