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[[File:Charles Münch.jpg|210px|thumb]]
'''Charles Munch''' ({{IPA-fr|ʃaʁl mynʃ}}; born '''Charles Münch'''; 26 September 1891 – 6 November 1968) was a [[France|French]] symphonic [[conducting|conductor]] and [[violin]]ist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the [[Boston Symphony Orchestra]].
==Life and career==
Munch was born in [[Strasbourg]], [[Alsace-Lorraine]] (at that period annexed by the [[German Empire]]). The son of organist and choir director [[Ernst Münch (musician)|Ernst Münch]], he was the fifth in a family of six children. He was the brother of conductor [[Fritz Münch]] and the cousin of conductor and composer [[Hans Münch (conductor)|Hans Münch]]. Although his first ambition was to be a locomotive engineer, he studied violin at the [[Strasbourg Conservatoire]]. His father Ernst was a professor of organ at the Conservatoire and performed at the cathedral; he also directed an orchestra with his son Charles in the second violins.
After receiving his diploma in 1912, Charles studied with [[Carl Flesch]] in Berlin and [[Lucien Capet]] at the [[Conservatoire de Paris]]. He was conscripted into the German army in World War I, serving as a sergeant gunner. He was gassed at [[Battles of the Somme|Péronne]] and wounded at [[Verdun]].
In 1920, he became professor of violin at the [[Strasbourg Conservatoire]] and assistant [[concertmaster]] of the [[Strasbourg Philharmonic Orchestra]] under [[Joseph Guy Ropartz]], who directed the conservatory. In the early 1920s he was concertmaster for [[Hermann Abendroth]]'s [[Gürzenich Orchestra]] in [[Cologne]]. He then served as concertmaster of the [[Leipzig Gewandhaus Orchestra]] under [[Wilhelm Furtwängler]] and [[Bruno Walter]] from 1926 to 1933.
At the age of 41, Munch made his conducting debut in Paris on 1 November 1932. Munch's fiancée, Geneviève Maury, granddaughter of a founder of the [[Nestlé]] Chocolate Company, rented the hall and hired the [[Walther Straram Concerts]] Orchestra. She was also an accomplished translator of [[Thomas Mann]]. Munch also studied conducting with Czech conductor [[Fritz Zweig]] who had fled Berlin during his tenure at Berlin's [[Krolloper]].
Following this success, he conducted the [[Concerts Siohan]], the [[Lamoureux Orchestra]], the new [[Orchestre Symphonique de Paris]], the [[Biarritz]] Orchestra (Summer 1933), the [[Société Philharmonique de Paris]] (1935 to 1938), and the [[Orchestre de la Société des Concerts du Conservatoire]] (1937 to 1946). He became known as a champion of [[Hector Berlioz]], and befriended [[Arthur Honegger]], [[Albert Roussel]], and [[Francis Poulenc]]. During these years, Munch gave first performances of works by Honegger, [[Jean Roger-Ducasse]], [[Joseph Guy Ropartz]], Roussel, and [[Florent Schmitt]]. He became director of the Société Philharmonique de Paris in 1938 and taught conducting at the [[Conservatoire de Paris]] from 1937 to 1945.
[[File:Louveciennes Plaque Munch.jpg|thumb|Plaque at Place Emile Dreux, village de Voisins in [[Louveciennes]], [[Yvelines]], France]]
He remained in France conducting the Conservatoire Orchestra during the [[German occupation]], believing it best to maintain the morale of the French people. He refused conducting engagements in Germany and also refused to perform contemporary German works. He protected members of his orchestra from the [[Gestapo]] and contributed from his income to the [[French Resistance]]. For this, he received the [[Légion d'honneur]] with the red ribbon in 1945 and the degree of ''Commandeur'' in 1952.
===In Boston===
Munch made his début with the [[Boston Symphony Orchestra]] on 27 December 1946. He was its Music Director from 1949 to 1962. Munch was also Director of the Berkshire Music Festival and Berkshire Music Center ([[Tanglewood]]) from 1951 through 1962. He led relaxed rehearsals which orchestra members appreciated after the authoritarian [[Serge Koussevitzky]]. Munch also received honorary degrees from [[Boston College]], [[Boston University]], [[Brandeis University]], [[Harvard University]], and the [[New England Conservatory of Music]].
He excelled in the modern French repertoire, especially [[Claude Debussy]] and [[Maurice Ravel]], and was considered to be an authoritative performer of [[Hector Berlioz]]. However, Munch's programs also regularly featured works by composers such as Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Brahms, and Wagner. His thirteen-year tenure in Boston included 39 world premieres and 58 American first performances, and offered audiences 168 contemporary works. Fourteen of these premieres were works commissioned by the Boston Symphony and the Koussevitzky Music Foundation to celebrate the Orchestra's 75th Anniversary in 1956. (A 15th commission was never completed.)
Munch invited former Boston Symphony music director [[Pierre Monteux]] to guest conduct, record, and tour with the orchestra after an absence of more than 25 years. Under Munch, guest conductors became an integral part of the Boston Symphony's programming, both in Boston and at Tanglewood.
Munch led the Boston Symphony on its first transcontinental tour of the United States in 1953. He became the first conductor to take them on tour overseas: Europe in 1952 and 1956, and East Asia and Australia in 1960. During the 1956 tour, the Boston Symphony was the first American orchestra to perform in the Soviet Union.
The Boston Symphony under Munch made a series of recordings for [[RCA Victor]] from 1949 to 1953 in [[monaural]] sound and from 1954 to 1962 in both [[monaural]] and [[stereophonic]] versions.
Selections from Boston Symphony rehearsals under [[Leonard Bernstein]], Koussevitzky, and Munch were broadcast nationally on the NBC Radio Network from 1948-1951. NBC carried portions of the Orchestra's performances from 1955-1957. Beginning in 1951, the BSO was broadcast over local radio stations in the Boston area. Starting in 1957, Boston Symphony performances under Munch and guest conductors were disseminated regionally, nationally, and internationally through the Boston Symphony Transcription Trust. And, under Munch, the Boston Symphony first appeared on television.
===Orchestre de Paris===
Munch returned to France and in 1963 became president of the [[École Normale de Musique]]. He was also named president of the [[Guilde Française des Artistes Solistes]]. During the 1960s, Munch appeared regularly as a guest conductor throughout America, Europe, and Japan. In 1967, at the request of France's Minister of Culture, [[André Malraux]], he founded the first full-time salaried French orchestra, the [[Orchestre de Paris]], and conducted its first concert on 14 November 1967. The following year, he died of a heart attack suffered at his hotel in [[Richmond, Virginia]] while on an American tour with his new orchestra. His remains were returned to France where he is buried in the [[Cimetière de Louveciennes]]. EMI recorded his final sessions, including [[Ravel]]'s ''Piano Concerto in G'', with this orchestra, and released them posthumously.
==Books==
In 1955, Oxford University Press published ''I Am a Conductor'' by Munch in a translation by Leonard Burkat. It was originally issued in 1954 in French as ''Je suis chef d'orchestre''. The work is a collection of Munch's thoughts on conducting and the role of a conductor.
[[D. Kern Holoman]] wrote Munch's first biography in English, ''Charles Munch''. It was published by Oxford University Press in 2011.
==Recordings==
Munch's discography is extensive, both in Boston on [[RCA Victor]] and at his various European posts and guest conducting assignments on various labels, including English [[Decca Records|Decca]], [[EMI]], [[Nonesuch Records|Nonesuch]], [[Erato Records|Erato]] and [[Auvidis-Valois]].
He began making records in Paris before the war, for EMI. Munch then made a renowned series of Decca Full Frequency Range Recordings (FFRR) in the late 1940s. After several recordings with the New York Philharmonic for Columbia, Munch began making recordings for RCA Victor soon after his arrival in Boston as Music Director. These included memorable Berlioz, Honegger, Roussel, and Saint-Saëns tapings.
His first stereophonic recording with the Boston Symphony, in Boston's Symphony Hall in February 1954, was devoted to a complete version of ''[[The Damnation of Faust]]'' by [[Hector Berlioz]] and was made simultaneously in monaural and experimental stereophonic sound, although only the mono recording was released commercially. The stereo tape survives only fragmentarily. The monaural version of this recording was added to the Library of Congress's national registry of sound. Among his final recordings in Boston was a 1962 performance of [[César Franck]]'s symphonic poem ''[[Le chasseur maudit]]''.
Upon Munch's return to Paris, he made Erato disks with the [[Orchestre Lamoureux]], and with the Orchestre de Paris he again recorded for EMI. He also made recordings for a number of other companies including Decca/London.
A number of Munch's recordings have been available continuously since their original releases, among them Saint-Saëns's ''Organ'' Symphony and Ravel's ''Daphnis and Chloe.'' RCA reissued ''Munch Conducts Berlioz'' in a multi-disc set, including all of their Munch recordings. BMG/Japan has issued two different editions of Munch's recordings on CD, 1998 and 2006. The latter was made up of 41 CDs and encompassed all but a handful of Munch recordings with the Boston Symphony. It made available a number of recordings from the first ten years of Munch's tenure in Boston for the first time in more than 50 years.
{{main|Charles Munch discography}}
== Television ==
The Boston Symphony appeared on television with Munch locally on WGBH-TV, Boston, and nationally through a syndicated series. [[NHK]] broadcast throughout Japan the opening concert of the Boston Symphony's tour of Japan in 1960. Munch also appeared on film or television with the Chicago Symphony Orchestra, the Czech Philharmonic, the Hungarian Radio and Television Orchestra, the Orchestre National de l'ORTF, and the Orchestre de Radio-Canada. Several of these performances have been issued on DVD.
{{main|Charles Munch discography}}
==Sources==
*{{cite book | last=Baker-Carr | first=Janet | title=Evening at Symphony | location=Boston | publisher=Houghton Mifflin | year=1977 | isbn=0-395-25697-6 }}
*{{cite book | last=Canarina | first=John | title=Pierre Monteux Maitre | location=Pompton Plains | publisher=Amadeus Press | year=2003 | isbn=1-57467-082-4}}
*{{cite journal |last=Collard |first=Georges |authorlink= |coauthors=Clough, E.F. and Cuming, G.J. |year=1962-63 |month= |title=Charles Munch |journal=Audio & Record Review |volume=ii |issue=9 |pages=16–18 and 83–86 |id= |url= |accessdate= |quote= }}
*{{cite book | last=Holoman | first=D. Kern | title=Charles Munch | location=New York | publisher=Oxford University Press | year=2011 | isbn=978-0-19-977270-4}}
*{{cite book | last=Honegger | first=Genevieve | title=''Charles Munch: Un Chef d'orchestre dans le siecle | location=Strasbourg | publisher= | year=1992 | isbn= }}
*{{cite book | last=Kupferberg | first=Herbert | title=Tanglewood | location=New York | publisher=McGraw-Hill| year=1976 | isbn=0-07-035643-2}}
*{{cite book | last=Leinsdorf | first=Erich | title=Cadenza | location=Boston | publisher=Houghton Mifflin | year=1976 | isbn=0-395-24401-3}}
*{{cite book | last=Monteux | first=Doris| title=It's All in the Music | location=New York | publisher=Farrar, Straus & Cudahy | year=1965 | isbn= }}
*{{cite book | last=Monteux | first=Fifi and Monteux, Doris | title=Everyone is Someone | location=New York | publisher=Farrar, Straus & Cudahy | year=1962 | isbn= }}
*{{cite book | last=Munch | first=Charles, translation from the French by Leonard Burkat | title=I Am A Conductor | location=New York | publisher=Oxford University Press | year=1955 | isbn= }}
*{{cite book | last=Olivier | first=Pierre | title=Charles Munch: a Biography in Recordings | location=Paris | publisher= | year=1987 | isbn= }}
*{{cite book | last=Sadie | first=Stanley, Ed. | title=New Grove Dictionary of Music and Musicians| location=New York | publisher=Oxford University Press | year=1980| isbn=0-333-23111-2 }}
*{{cite book | last=Snyder | first=Louis | title=Community of Sound | location=Boston | publisher=Beacon Press | year=1979| isbn= 0-8070-6650-8}}
*{{cite journal |last=Unattributed |first= |authorlink= |coauthors= |year=1949 |month=|title=There Will Be Joy |journal=Time |volume=LIV, 25 |issue=December 19 |pages=40–46 |id= |url= |accessdate= |quote= }}
*{{cite book | last=Various | title=Boston Symphony Orchestra, Symphony Hall Centennial, From the Broadcast Archives 1943-2000, (Booklet) | location=Boston | publisher=Boston Symphony Orchestra | year=2001 | isbn= }}
*{{cite book | last=Wooldridge | first=David | title=Conductor's World | location=New York | publisher=Praeger | year=1970 | isbn= }}
== External links ==
*[http://hector.ucdavis.edu/sdc/ Société des concerts du Conservatoire]
*{{Allmusic|class=artist|id=q42080}}
*[http://www.bach-cantatas.com/Bio/Munch-Charles.htm Charles Munch] at the [http://www.bach-cantatas.com Bach Cantatas website]
* [[František Sláma (musician)]] [http://www.frantisekslama.com/en/conductors-and-a-few-more-recollections-besides Archive]. More on the history of the Czech Philharmonic between the 1940s and the 1980s: ''Conductors''
{{BSO music directors}}
{{ONF conductors}}
{{Orchestre de Paris conductors}}
{{Authority control|VIAF=32184142}}
{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME = Munch, Charles
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = French musician
| DATE OF BIRTH = 26 September 1891
| PLACE OF BIRTH =
| DATE OF DEATH = 6 November 1968
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Munch, Charles}}
[[Category:1891 births]]
[[Category:1968 deaths]]
[[Category:People from Strasbourg]]
[[Category:20th-century conductors (music)]]
[[Category:French conductors (music)]]
[[Category:French classical musicians]]
[[Category:Grammy Award-winning artists]]
[[Category:People from Alsace-Lorraine]]
[[Category:Conservatoire de Paris alumni]]' |
New page wikitext, after the edit (new_wikitext ) | '<!-- please do not add an infobox, per [[Wikipedia:WikiProject Classical music#Biographical_infoboxes]]-->
[[File:Charles Münch.jpg|210px|thumb]]
'''Charles Munch''' ({{IPA-fr|ʃaʁl mynʃ}}; born '''Charles Münch'''; 26 September 1891 – 6 November 1968) was a [[France|French]] symphonic [[conducting|conductor]] and [[violin]]ist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the [[Boston Symphony Orchestra]].
==Life and career==
Munch was born in [[Strasbourg]], [[Alsace-Lorraine]] (at that period annexed by the [[German Empire]]). The son of organist and choir director [[Ernst Münch (musician)|Ernst Münch]], he was the fifth in a family of six children. He was the brother of conductor [[Fritz Münch]] and the cousin of conductor and composer [[Hans Münch (conductor)|Hans Münch]]. Although his first ambition was to be a locomotive engineer, he studied violin at the [[Strasbourg Conservatoire]]. His father Ernst was a professor of organ at the Conservatoire and performed at the cathedral; he also directed an orchestra with his son Charles in the second violins.
After receiving his diploma in 1912, Charles studied with [[Carl Flesch]] in Berlin and [[Lucien Capet]] at the [[Conservatoire de Paris]]. He was conscripted into the German army in World War I, serving as a sergeant gunner. He was gassed at [[Battles of the Somme|Péronne]] and wounded at [[Verdun]].
In 1920, he became professor of violin at the [[Strasbourg Conservatoire]] and assistant [[concertmaster]] of the [[Strasbourg Philharmonic Orchestra]] under [[Joseph Guy Ropartz]], who directed the conservatory. In the early 1920s he was concertmaster for [[Hermann Abendroth]]'s [[Gürzenich Orchestra]] in [[Cologne]]. He then served as concertmaster of the [[Leipzig Gewandhaus Orchestra]] under [[Wilhelm Furtwängler]] and [[Bruno Walter]] from 1926 to 1933.
At the age of 41, Munch made his conducting debut in Paris on 1 November 1932. Munch's fiancée, Geneviève Maury, granddaughter of a founder of the [[Nestlé]] Chocolate Company, rented the hall and hired the [[Walther Straram Concerts]] Orchestra. She was also an accomplished translator of [[Thomas Mann]]. Munch also studied conducting with Czech conductor [[Fritz Zweig]] who had fled Berlin during his tenure at Berlin's [[Krolloper]].
Following this success, he conducted the [[Concerts Siohan]], the [[Lamoureux Orchestra]], the new [[Orchestre Symphonique de Paris]], the [[Biarritz]] Orchestra (Summer 1933), the [[Société Philharmonique de Paris]] (1935 to 1938), and the [[Orchestre de la Société des Concerts du Conservatoire]] (1937 to 1946). He became known as a champion of [[Hector Berlioz]], and befriended [[Arthur Honegger]], [[Albert Roussel]], and [[Francis Poulenc]]. During these years, Munch gave first performances of works by Honegger, [[Jean Roger-Ducasse]], [[Joseph Guy Ropartz]], Roussel, and [[Florent Schmitt]]. He became director of the Société Philharmonique de Paris in 1938 and taught conducting at the [[Conservatoire de Paris]] from 1937 to 1945.
[[File:Louveciennes Plaque Munch.jpg|thumb|Plaque at Place Emile Dreux, village de Voisins in [[Louveciennes]], [[Yvelines]], France]]
He remained in France conducting the Conservatoire Orchestra during the [[German occupation]], believing it best to maintain the morale of the French people. He refused conducting engagements in Germany and also refused to perform contemporary German works. He protected members of his orchestra from the [[Gestapo]] and contributed from his income to the [[French Resistance]]. For this, he received the [[Légion d'honneur]] with the red ribbon in 1945 and the degree of ''Commandeur'' in 1952.
He was gay and liked to suck cock.
===Orchestre de Paris===
Munch returned to France and in 1963 became president of the [[École Normale de Musique]]. He was also named president of the [[Guilde Française des Artistes Solistes]]. During the 1960s, Munch appeared regularly as a guest conductor throughout America, Europe, and Japan. In 1967, at the request of France's Minister of Culture, [[André Malraux]], he founded the first full-time salaried French orchestra, the [[Orchestre de Paris]], and conducted its first concert on 14 November 1967. The following year, he died of a heart attack suffered at his hotel in [[Richmond, Virginia]] while on an American tour with his new orchestra. His remains were returned to France where he is buried in the [[Cimetière de Louveciennes]]. EMI recorded his final sessions, including [[Ravel]]'s ''Piano Concerto in G'', with this orchestra, and released them posthumously.
==Books==
In 1955, Oxford University Press published ''I Am a Conductor'' by Munch in a translation by Leonard Burkat. It was originally issued in 1954 in French as ''Je suis chef d'orchestre''. The work is a collection of Munch's thoughts on conducting and the role of a conductor.
[[D. Kern Holoman]] wrote Munch's first biography in English, ''Charles Munch''. It was published by Oxford University Press in 2011.
==Recordings==
Munch's discography is extensive, both in Boston on [[RCA Victor]] and at his various European posts and guest conducting assignments on various labels, including English [[Decca Records|Decca]], [[EMI]], [[Nonesuch Records|Nonesuch]], [[Erato Records|Erato]] and [[Auvidis-Valois]].
He began making records in Paris before the war, for EMI. Munch then made a renowned series of Decca Full Frequency Range Recordings (FFRR) in the late 1940s. After several recordings with the New York Philharmonic for Columbia, Munch began making recordings for RCA Victor soon after his arrival in Boston as Music Director. These included memorable Berlioz, Honegger, Roussel, and Saint-Saëns tapings.
His first stereophonic recording with the Boston Symphony, in Boston's Symphony Hall in February 1954, was devoted to a complete version of ''[[The Damnation of Faust]]'' by [[Hector Berlioz]] and was made simultaneously in monaural and experimental stereophonic sound, although only the mono recording was released commercially. The stereo tape survives only fragmentarily. The monaural version of this recording was added to the Library of Congress's national registry of sound. Among his final recordings in Boston was a 1962 performance of [[César Franck]]'s symphonic poem ''[[Le chasseur maudit]]''.
Upon Munch's return to Paris, he made Erato disks with the [[Orchestre Lamoureux]], and with the Orchestre de Paris he again recorded for EMI. He also made recordings for a number of other companies including Decca/London.
A number of Munch's recordings have been available continuously since their original releases, among them Saint-Saëns's ''Organ'' Symphony and Ravel's ''Daphnis and Chloe.'' RCA reissued ''Munch Conducts Berlioz'' in a multi-disc set, including all of their Munch recordings. BMG/Japan has issued two different editions of Munch's recordings on CD, 1998 and 2006. The latter was made up of 41 CDs and encompassed all but a handful of Munch recordings with the Boston Symphony. It made available a number of recordings from the first ten years of Munch's tenure in Boston for the first time in more than 50 years.
{{main|Charles Munch discography}}
== Television ==
The Boston Symphony appeared on television with Munch locally on WGBH-TV, Boston, and nationally through a syndicated series. [[NHK]] broadcast throughout Japan the opening concert of the Boston Symphony's tour of Japan in 1960. Munch also appeared on film or television with the Chicago Symphony Orchestra, the Czech Philharmonic, the Hungarian Radio and Television Orchestra, the Orchestre National de l'ORTF, and the Orchestre de Radio-Canada. Several of these performances have been issued on DVD.
{{main|Charles Munch discography}}
==Sources==
*{{cite book | last=Baker-Carr | first=Janet | title=Evening at Symphony | location=Boston | publisher=Houghton Mifflin | year=1977 | isbn=0-395-25697-6 }}
*{{cite book | last=Canarina | first=John | title=Pierre Monteux Maitre | location=Pompton Plains | publisher=Amadeus Press | year=2003 | isbn=1-57467-082-4}}
*{{cite journal |last=Collard |first=Georges |authorlink= |coauthors=Clough, E.F. and Cuming, G.J. |year=1962-63 |month= |title=Charles Munch |journal=Audio & Record Review |volume=ii |issue=9 |pages=16–18 and 83–86 |id= |url= |accessdate= |quote= }}
*{{cite book | last=Holoman | first=D. Kern | title=Charles Munch | location=New York | publisher=Oxford University Press | year=2011 | isbn=978-0-19-977270-4}}
*{{cite book | last=Honegger | first=Genevieve | title=''Charles Munch: Un Chef d'orchestre dans le siecle | location=Strasbourg | publisher= | year=1992 | isbn= }}
*{{cite book | last=Kupferberg | first=Herbert | title=Tanglewood | location=New York | publisher=McGraw-Hill| year=1976 | isbn=0-07-035643-2}}
*{{cite book | last=Leinsdorf | first=Erich | title=Cadenza | location=Boston | publisher=Houghton Mifflin | year=1976 | isbn=0-395-24401-3}}
*{{cite book | last=Monteux | first=Doris| title=It's All in the Music | location=New York | publisher=Farrar, Straus & Cudahy | year=1965 | isbn= }}
*{{cite book | last=Monteux | first=Fifi and Monteux, Doris | title=Everyone is Someone | location=New York | publisher=Farrar, Straus & Cudahy | year=1962 | isbn= }}
*{{cite book | last=Munch | first=Charles, translation from the French by Leonard Burkat | title=I Am A Conductor | location=New York | publisher=Oxford University Press | year=1955 | isbn= }}
*{{cite book | last=Olivier | first=Pierre | title=Charles Munch: a Biography in Recordings | location=Paris | publisher= | year=1987 | isbn= }}
*{{cite book | last=Sadie | first=Stanley, Ed. | title=New Grove Dictionary of Music and Musicians| location=New York | publisher=Oxford University Press | year=1980| isbn=0-333-23111-2 }}
*{{cite book | last=Snyder | first=Louis | title=Community of Sound | location=Boston | publisher=Beacon Press | year=1979| isbn= 0-8070-6650-8}}
*{{cite journal |last=Unattributed |first= |authorlink= |coauthors= |year=1949 |month=|title=There Will Be Joy |journal=Time |volume=LIV, 25 |issue=December 19 |pages=40–46 |id= |url= |accessdate= |quote= }}
*{{cite book | last=Various | title=Boston Symphony Orchestra, Symphony Hall Centennial, From the Broadcast Archives 1943-2000, (Booklet) | location=Boston | publisher=Boston Symphony Orchestra | year=2001 | isbn= }}
*{{cite book | last=Wooldridge | first=David | title=Conductor's World | location=New York | publisher=Praeger | year=1970 | isbn= }}
== External links ==
*[http://hector.ucdavis.edu/sdc/ Société des concerts du Conservatoire]
*{{Allmusic|class=artist|id=q42080}}
*[http://www.bach-cantatas.com/Bio/Munch-Charles.htm Charles Munch] at the [http://www.bach-cantatas.com Bach Cantatas website]
* [[František Sláma (musician)]] [http://www.frantisekslama.com/en/conductors-and-a-few-more-recollections-besides Archive]. More on the history of the Czech Philharmonic between the 1940s and the 1980s: ''Conductors''
{{BSO music directors}}
{{ONF conductors}}
{{Orchestre de Paris conductors}}
{{Authority control|VIAF=32184142}}
{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME = Munch, Charles
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = French musician
| DATE OF BIRTH = 26 September 1891
| PLACE OF BIRTH =
| DATE OF DEATH = 6 November 1968
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Munch, Charles}}
[[Category:1891 births]]
[[Category:1968 deaths]]
[[Category:People from Strasbourg]]
[[Category:20th-century conductors (music)]]
[[Category:French conductors (music)]]
[[Category:French classical musicians]]
[[Category:Grammy Award-winning artists]]
[[Category:People from Alsace-Lorraine]]
[[Category:Conservatoire de Paris alumni]]' |
Unified diff of changes made by edit (edit_diff ) | '@@ -17,18 +17,7 @@
He remained in France conducting the Conservatoire Orchestra during the [[German occupation]], believing it best to maintain the morale of the French people. He refused conducting engagements in Germany and also refused to perform contemporary German works. He protected members of his orchestra from the [[Gestapo]] and contributed from his income to the [[French Resistance]]. For this, he received the [[Légion d'honneur]] with the red ribbon in 1945 and the degree of ''Commandeur'' in 1952.
-===In Boston===
-Munch made his début with the [[Boston Symphony Orchestra]] on 27 December 1946. He was its Music Director from 1949 to 1962. Munch was also Director of the Berkshire Music Festival and Berkshire Music Center ([[Tanglewood]]) from 1951 through 1962. He led relaxed rehearsals which orchestra members appreciated after the authoritarian [[Serge Koussevitzky]]. Munch also received honorary degrees from [[Boston College]], [[Boston University]], [[Brandeis University]], [[Harvard University]], and the [[New England Conservatory of Music]].
-
-He excelled in the modern French repertoire, especially [[Claude Debussy]] and [[Maurice Ravel]], and was considered to be an authoritative performer of [[Hector Berlioz]]. However, Munch's programs also regularly featured works by composers such as Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Brahms, and Wagner. His thirteen-year tenure in Boston included 39 world premieres and 58 American first performances, and offered audiences 168 contemporary works. Fourteen of these premieres were works commissioned by the Boston Symphony and the Koussevitzky Music Foundation to celebrate the Orchestra's 75th Anniversary in 1956. (A 15th commission was never completed.)
-
-Munch invited former Boston Symphony music director [[Pierre Monteux]] to guest conduct, record, and tour with the orchestra after an absence of more than 25 years. Under Munch, guest conductors became an integral part of the Boston Symphony's programming, both in Boston and at Tanglewood.
-
-Munch led the Boston Symphony on its first transcontinental tour of the United States in 1953. He became the first conductor to take them on tour overseas: Europe in 1952 and 1956, and East Asia and Australia in 1960. During the 1956 tour, the Boston Symphony was the first American orchestra to perform in the Soviet Union.
-
-The Boston Symphony under Munch made a series of recordings for [[RCA Victor]] from 1949 to 1953 in [[monaural]] sound and from 1954 to 1962 in both [[monaural]] and [[stereophonic]] versions.
-
-Selections from Boston Symphony rehearsals under [[Leonard Bernstein]], Koussevitzky, and Munch were broadcast nationally on the NBC Radio Network from 1948-1951. NBC carried portions of the Orchestra's performances from 1955-1957. Beginning in 1951, the BSO was broadcast over local radio stations in the Boston area. Starting in 1957, Boston Symphony performances under Munch and guest conductors were disseminated regionally, nationally, and internationally through the Boston Symphony Transcription Trust. And, under Munch, the Boston Symphony first appeared on television.
+He was gay and liked to suck cock.
===Orchestre de Paris===
Munch returned to France and in 1963 became president of the [[École Normale de Musique]]. He was also named president of the [[Guilde Française des Artistes Solistes]]. During the 1960s, Munch appeared regularly as a guest conductor throughout America, Europe, and Japan. In 1967, at the request of France's Minister of Culture, [[André Malraux]], he founded the first full-time salaried French orchestra, the [[Orchestre de Paris]], and conducted its first concert on 14 November 1967. The following year, he died of a heart attack suffered at his hotel in [[Richmond, Virginia]] while on an American tour with his new orchestra. His remains were returned to France where he is buried in the [[Cimetière de Louveciennes]]. EMI recorded his final sessions, including [[Ravel]]'s ''Piano Concerto in G'', with this orchestra, and released them posthumously.
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0 => '===In Boston===',
1 => 'Munch made his début with the [[Boston Symphony Orchestra]] on 27 December 1946. He was its Music Director from 1949 to 1962. Munch was also Director of the Berkshire Music Festival and Berkshire Music Center ([[Tanglewood]]) from 1951 through 1962. He led relaxed rehearsals which orchestra members appreciated after the authoritarian [[Serge Koussevitzky]]. Munch also received honorary degrees from [[Boston College]], [[Boston University]], [[Brandeis University]], [[Harvard University]], and the [[New England Conservatory of Music]].',
2 => false,
3 => 'He excelled in the modern French repertoire, especially [[Claude Debussy]] and [[Maurice Ravel]], and was considered to be an authoritative performer of [[Hector Berlioz]]. However, Munch's programs also regularly featured works by composers such as Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Brahms, and Wagner. His thirteen-year tenure in Boston included 39 world premieres and 58 American first performances, and offered audiences 168 contemporary works. Fourteen of these premieres were works commissioned by the Boston Symphony and the Koussevitzky Music Foundation to celebrate the Orchestra's 75th Anniversary in 1956. (A 15th commission was never completed.)',
4 => false,
5 => 'Munch invited former Boston Symphony music director [[Pierre Monteux]] to guest conduct, record, and tour with the orchestra after an absence of more than 25 years. Under Munch, guest conductors became an integral part of the Boston Symphony's programming, both in Boston and at Tanglewood.',
6 => false,
7 => 'Munch led the Boston Symphony on its first transcontinental tour of the United States in 1953. He became the first conductor to take them on tour overseas: Europe in 1952 and 1956, and East Asia and Australia in 1960. During the 1956 tour, the Boston Symphony was the first American orchestra to perform in the Soviet Union.',
8 => false,
9 => 'The Boston Symphony under Munch made a series of recordings for [[RCA Victor]] from 1949 to 1953 in [[monaural]] sound and from 1954 to 1962 in both [[monaural]] and [[stereophonic]] versions.',
10 => false,
11 => 'Selections from Boston Symphony rehearsals under [[Leonard Bernstein]], Koussevitzky, and Munch were broadcast nationally on the NBC Radio Network from 1948-1951. NBC carried portions of the Orchestra's performances from 1955-1957. Beginning in 1951, the BSO was broadcast over local radio stations in the Boston area. Starting in 1957, Boston Symphony performances under Munch and guest conductors were disseminated regionally, nationally, and internationally through the Boston Symphony Transcription Trust. And, under Munch, the Boston Symphony first appeared on television.'
] |
Whether or not the change was made through a Tor exit node (tor_exit_node ) | 0 |
Unix timestamp of change (timestamp ) | 1395068608 |