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Variables generated for this change
| Variable | Value |
|---|---|
Edit count of the user (user_editcount) | 1721 |
Name of the user account (user_name) | 'Claudeconyers' |
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Page title without namespace (page_title) | 'Alfred Rodrigues' |
Full page title (page_prefixedtitle) | 'Alfred Rodrigues' |
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Action (action) | 'edit' |
Edit summary/reason (summary) | 'Added intor, first section and heading system' |
Whether or not the edit is marked as minor (no longer in use) (minor_edit) | false |
Old page wikitext, before the edit (old_wikitext) | '' |
New page wikitext, after the edit (new_wikitext) | ''''Alfred Rodrigues''' (18 August 1922 – 12 January 2002) was a South African ballet dancer and choreographer. His works have been produced by ballet and opera companies in many countries of the world.<ref>Marina Grut, "Rodrigues, Alfred," in ''The History of Ballet in South Africa'' (Cape Town: Human & Rousseau, 1981), pp. 405-406.</ref>
==Early life and training==
Born in Cape Town, a cosmopolitan city near the southern tip of South Africa, Alfred Rodrigues made his first appearance on stage as a child. In 1936, when he was 14, he saw a performance by Colonel de Basil's Ballet Russe when the company toured South Africa, and his interest in ballet was kindled. He joined the Cape Town Ballet Club in 1937 after he saw an advertisement placed in a newspaper by [[Dulcie Howes]], asking for male dancers. Subsequently, as a student in the ballet classes of the celebrated teacher Cecily Robinson, he failed to show any particular talent as a dancer, but in workshops he did demonstrate a certain flair for choreography. He made his first ballet in 1938, a short piece for students in the Ballet Club set to a piano transcription of "Danse Macabre," a tone poem (op. 40) by Camille Saint-Saëns with spooky melodies, driving rhythms, and dramatic structure. Encouraged by Howes, he soon made two other works for the club, ''Le Roi s'Amuse'' (1940) and L'Île des Sirènes'' (1941).<ref>Richard Glasstone, ''Dulcie Howes: Pioneer of Ballet in South Africa'' (Cape Town: Human & Rousseau, 1996), p. 64.</ref>
==Professional career==
Copy to come
===Ballets===
Copy to come
===Dances in Operas===
Copy to come
===Other Works===
Copy to come
==Personal and later life==
Copy to come
==References==
{reflist}' |
Unified diff of changes made by edit (edit_diff) | '@@ -1,2 +1,24 @@
+'''Alfred Rodrigues''' (18 August 1922 – 12 January 2002) was a South African ballet dancer and choreographer. His works have been produced by ballet and opera companies in many countries of the world.<ref>Marina Grut, "Rodrigues, Alfred," in ''The History of Ballet in South Africa'' (Cape Town: Human & Rousseau, 1981), pp. 405-406.</ref>
+==Early life and training==
+Born in Cape Town, a cosmopolitan city near the southern tip of South Africa, Alfred Rodrigues made his first appearance on stage as a child. In 1936, when he was 14, he saw a performance by Colonel de Basil's Ballet Russe when the company toured South Africa, and his interest in ballet was kindled. He joined the Cape Town Ballet Club in 1937 after he saw an advertisement placed in a newspaper by [[Dulcie Howes]], asking for male dancers. Subsequently, as a student in the ballet classes of the celebrated teacher Cecily Robinson, he failed to show any particular talent as a dancer, but in workshops he did demonstrate a certain flair for choreography. He made his first ballet in 1938, a short piece for students in the Ballet Club set to a piano transcription of "Danse Macabre," a tone poem (op. 40) by Camille Saint-Saëns with spooky melodies, driving rhythms, and dramatic structure. Encouraged by Howes, he soon made two other works for the club, ''Le Roi s'Amuse'' (1940) and L'Île des Sirènes'' (1941).<ref>Richard Glasstone, ''Dulcie Howes: Pioneer of Ballet in South Africa'' (Cape Town: Human & Rousseau, 1996), p. 64.</ref>
+
+==Professional career==
+Copy to come
+
+===Ballets===
+Copy to come
+
+===Dances in Operas===
+Copy to come
+
+===Other Works===
+Copy to come
+
+==Personal and later life==
+Copy to come
+
+
+==References==
+{reflist}
' |
New page size (new_size) | 1719 |
Old page size (old_size) | 0 |
Size change in edit (edit_delta) | 1719 |
Lines added in edit (added_lines) | [
0 => ''''Alfred Rodrigues''' (18 August 1922 – 12 January 2002) was a South African ballet dancer and choreographer. His works have been produced by ballet and opera companies in many countries of the world.<ref>Marina Grut, "Rodrigues, Alfred," in ''The History of Ballet in South Africa'' (Cape Town: Human & Rousseau, 1981), pp. 405-406.</ref>',
1 => '==Early life and training==',
2 => 'Born in Cape Town, a cosmopolitan city near the southern tip of South Africa, Alfred Rodrigues made his first appearance on stage as a child. In 1936, when he was 14, he saw a performance by Colonel de Basil's Ballet Russe when the company toured South Africa, and his interest in ballet was kindled. He joined the Cape Town Ballet Club in 1937 after he saw an advertisement placed in a newspaper by [[Dulcie Howes]], asking for male dancers. Subsequently, as a student in the ballet classes of the celebrated teacher Cecily Robinson, he failed to show any particular talent as a dancer, but in workshops he did demonstrate a certain flair for choreography. He made his first ballet in 1938, a short piece for students in the Ballet Club set to a piano transcription of "Danse Macabre," a tone poem (op. 40) by Camille Saint-Saëns with spooky melodies, driving rhythms, and dramatic structure. Encouraged by Howes, he soon made two other works for the club, ''Le Roi s'Amuse'' (1940) and L'Île des Sirènes'' (1941).<ref>Richard Glasstone, ''Dulcie Howes: Pioneer of Ballet in South Africa'' (Cape Town: Human & Rousseau, 1996), p. 64.</ref>',
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Parsed HTML source of the new revision (new_html) | '<p><b>Alfred Rodrigues</b> (18 August 1922 – 12 January 2002) was a South African ballet dancer and choreographer. His works have been produced by ballet and opera companies in many countries of the world.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span>[</span>1<span>]</span></a></sup></p>
<p></p>
<div id="toc" class="toc">
<div id="toctitle">
<h2>Contents</h2>
</div>
<ul>
<li class="toclevel-1 tocsection-1"><a href="#Early_life_and_training"><span class="tocnumber">1</span> <span class="toctext">Early life and training</span></a></li>
<li class="toclevel-1 tocsection-2"><a href="#Professional_career"><span class="tocnumber">2</span> <span class="toctext">Professional career</span></a>
<ul>
<li class="toclevel-2 tocsection-3"><a href="#Ballets"><span class="tocnumber">2.1</span> <span class="toctext">Ballets</span></a></li>
<li class="toclevel-2 tocsection-4"><a href="#Dances_in_Operas"><span class="tocnumber">2.2</span> <span class="toctext">Dances in Operas</span></a></li>
<li class="toclevel-2 tocsection-5"><a href="#Other_Works"><span class="tocnumber">2.3</span> <span class="toctext">Other Works</span></a></li>
</ul>
</li>
<li class="toclevel-1 tocsection-6"><a href="#Personal_and_later_life"><span class="tocnumber">3</span> <span class="toctext">Personal and later life</span></a></li>
<li class="toclevel-1 tocsection-7"><a href="#References"><span class="tocnumber">4</span> <span class="toctext">References</span></a></li>
</ul>
</div>
<p></p>
<h2><span class="mw-headline" id="Early_life_and_training">Early life and training</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Alfred_Rodrigues&action=edit&section=1" title="Edit section: Early life and training">edit</a><span class="mw-editsection-bracket">]</span></span></h2>
<p>Born in Cape Town, a cosmopolitan city near the southern tip of South Africa, Alfred Rodrigues made his first appearance on stage as a child. In 1936, when he was 14, he saw a performance by Colonel de Basil's Ballet Russe when the company toured South Africa, and his interest in ballet was kindled. He joined the Cape Town Ballet Club in 1937 after he saw an advertisement placed in a newspaper by <a href="/enwiki/wiki/Dulcie_Howes" title="Dulcie Howes">Dulcie Howes</a>, asking for male dancers. Subsequently, as a student in the ballet classes of the celebrated teacher Cecily Robinson, he failed to show any particular talent as a dancer, but in workshops he did demonstrate a certain flair for choreography. He made his first ballet in 1938, a short piece for students in the Ballet Club set to a piano transcription of "Danse Macabre," a tone poem (op. 40) by Camille Saint-Saëns with spooky melodies, driving rhythms, and dramatic structure. Encouraged by Howes, he soon made two other works for the club, <i>Le Roi s'Amuse</i> (1940) and L'Île des Sirènes <i>(1941).<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span>[</span>2<span>]</span></a></sup></i></p>
<h2><span class="mw-headline" id="Professional_career">Professional career</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Alfred_Rodrigues&action=edit&section=2" title="Edit section: Professional career">edit</a><span class="mw-editsection-bracket">]</span></span></h2>
<p>Copy to come</p>
<h3><span class="mw-headline" id="Ballets">Ballets</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Alfred_Rodrigues&action=edit&section=3" title="Edit section: Ballets">edit</a><span class="mw-editsection-bracket">]</span></span></h3>
<p>Copy to come</p>
<h3><span class="mw-headline" id="Dances_in_Operas">Dances in Operas</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Alfred_Rodrigues&action=edit&section=4" title="Edit section: Dances in Operas">edit</a><span class="mw-editsection-bracket">]</span></span></h3>
<p>Copy to come</p>
<h3><span class="mw-headline" id="Other_Works">Other Works</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Alfred_Rodrigues&action=edit&section=5" title="Edit section: Other Works">edit</a><span class="mw-editsection-bracket">]</span></span></h3>
<p>Copy to come</p>
<h2><span class="mw-headline" id="Personal_and_later_life">Personal and later life</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Alfred_Rodrigues&action=edit&section=6" title="Edit section: Personal and later life">edit</a><span class="mw-editsection-bracket">]</span></span></h2>
<p>Copy to come</p>
<p><br /></p>
<h2><span class="mw-headline" id="References">References</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Alfred_Rodrigues&action=edit&section=7" title="Edit section: References">edit</a><span class="mw-editsection-bracket">]</span></span></h2>
<p>{reflist}</p>
<ol class="references">
<li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Marina Grut, "Rodrigues, Alfred," in <i>The History of Ballet in South Africa</i> (Cape Town: Human & Rousseau, 1981), pp. 405-406.</span></li>
<li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Richard Glasstone, <i>Dulcie Howes: Pioneer of Ballet in South Africa</i> (Cape Town: Human & Rousseau, 1996), p. 64.</span></li>
</ol>
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' |
Whether or not the change was made through a Tor exit node (tor_exit_node) | 0 |
Unix timestamp of change (timestamp) | 1447774039 |