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VariableValue
Edit count of the user (user_editcount)
41
Name of the user account (user_name)
'Mruizkr34'
Age of the user account (user_age)
4052
Groups (including implicit) the user is in (user_groups)
[ 0 => '*', 1 => 'user' ]
Rights that the user has (user_rights)
[ 0 => 'createaccount', 1 => 'read', 2 => 'edit', 3 => 'createtalk', 4 => 'writeapi', 5 => 'viewmywatchlist', 6 => 'editmywatchlist', 7 => 'viewmyprivateinfo', 8 => 'editmyprivateinfo', 9 => 'editmyoptions', 10 => 'abusefilter-log-detail', 11 => 'centralauth-merge', 12 => 'abusefilter-view', 13 => 'abusefilter-log', 14 => 'vipsscaler-test', 15 => 'collectionsaveasuserpage', 16 => 'reupload-own', 17 => 'move-rootuserpages', 18 => 'createpage', 19 => 'minoredit', 20 => 'editmyusercss', 21 => 'editmyuserjson', 22 => 'editmyuserjs', 23 => 'purge', 24 => 'sendemail', 25 => 'applychangetags', 26 => 'spamblacklistlog', 27 => 'mwoauthmanagemygrants' ]
Whether the user is editing from mobile app (user_app)
false
Whether or not a user is editing through the mobile interface (user_mobile)
true
Page ID (page_id)
23151043
Page namespace (page_namespace)
0
Page title without namespace (page_title)
'Pinoy pop'
Full page title (page_prefixedtitle)
'Pinoy pop'
Edit protection level of the page (page_restrictions_edit)
[]
Last ten users to contribute to the page (page_recent_contributors)
[ 0 => '蟲蟲飛', 1 => 'Mruizkr34', 2 => 'ClueBot NG', 3 => '130.105.160.64', 4 => 'Scorpions13256', 5 => '130.105.53.97', 6 => 'HickoryOughtShirt?4', 7 => 'Materialscientist', 8 => 'Rodw', 9 => '58.69.105.37' ]
Page age in seconds (page_age)
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Action (action)
'edit'
Edit summary/reason (summary)
''
Old content model (old_content_model)
'wikitext'
New content model (new_content_model)
'wikitext'
Old page wikitext, before the edit (old_wikitext)
'{{short description|Popular Genre in the Philippines}} {{Multiple issues| {{Original research|date=June 2010}} {{refimprove|date=September 2015}} {{Cleanup rewrite|date=October 2020}} }} {{Infobox music genre |name= P-pop |color= |bgcolor=#87CEEB |cultural_origins = {{hlist|1970s in the Philippines|2020s Rising Genre in the Philippines}} |stylistic_origins = {{hlist|[[Manila sound]]|[[Original Pilipino Music]]|[[pop music]]}} |instruments = {{hlist|[[Bass (guitar)|Bass]]|[[Piano]]|[[Guitar]]|[[Drum]]}} |language = {{hlist|[[Tagalog]]|[[English]]}} |derivatives = |subgenrelist = |subgenres = {{hlist|[[Original Pilipino Music|OPM]]|[[Electronic dance music|EDM]]}} |fusiongenres = |other_topics = {{hlist|[[Original Pilipino Music|OPM]]|[[Pinoy Rock]]}} }} '''Pinoy pop''', (short for '''P-pop'''; [[Baybayin]]: {{script|Tglg|ᜉᜒ}} {{script|Tglg|ᜉ}}{{script|Tglg|ᜉ᜔}}; [[Filipino language|Filipino]]: ''pipap''), also known as Philippine pop or Filipino pop, refers to a popular contemporary music in the Philippines originating from the [[Original Pilipino Music|OPM]] genre. With its beginnings in the 1970s, and P-pop is a growing genre in year of 2020s. Through the 1990s to the 2000s, OPM pop was regularly showcased in the live band scene.<ref>{{Cite web|url=https://www.playlistresearch.com/article/phillipinepop.htm|title=History of Philippine Pop Music|website=www.playlistresearch.com|access-date=2020-04-14}}</ref> Through the 1990s to the 2000s, OPM pop was regularly showcased in the live band scene. Groups such as [[Neocolours]], [[Side A (band)|Side A]], [[Introvoys]], [[The Teeth (Filipino band)|the Teeth]], [[Yano]], [[True Faith (band)|True Faith]], Passage and [[Freestyle (Philippine band)|Freestyle]] popularized songs that clearly reflect the sentimental character of OPM pop of this era. From 2010 to 2020, Philippine pop music or [[P-pop]] went through a huge metamorphasis in its increased quality, budget, investment and variety, matching the country's rapid [[economy of the Philippines|economic growth]], and an accompanying social and cultural resurgence of its Asian identity. This was heard by heavy influence from [[K-pop]] and [[J-pop]], a growth in Asian style ballads, idol groups, and EDM music, and less reliance on Western genres, mirroring the [[Korean wave]] and similar Japanese wave popularity among millennial Filipinos and mainstream culture. Famous P-pop music artists who had defined the growth of this now mainstream genre include [[Sarah Geronimo]], [[SB19]], [[XLR8]], [[KZ Tandingan]], [[Erik Santos]], [[Yeng Constantino]], [[MNL48]], [[Regine Velasquez]], [[Bini (group)|Bini]], [[Bgyo (group)|BGYO]] and [[P-Pop Generation]]. ==Etymology== In the early 1970s, Pinoy music or Pinoy pop emerged, often sung in [[Tagalog language|Tagalog]]. It was a mix of rock, folk and ballads making political use of music similar to early [[hip hop music|hip hop]] but transcending class.<ref name="Dance of Life">{{cite book |last=Lockard |first=Craig A. |title=Dance of Life: Popular Music and Politics in Southeast Asia |publisher=University of Hawaii Press |isbn=9780824819187 |year=1998 |url=https://archive.org/details/danceoflifepopul00lock_0 |url-access=registration |access-date=August 18, 2008 |pages=[https://archive.org/details/danceoflifepopul00lock_0/page/135 135]–151}}</ref> The music was a "conscious attempt to create a Filipino national and popular culture" and it often reflected social realities and problems.<ref name="Dance of Life"/> As early as 1973, the [[Juan De la Cruz Band]] was performing "Ang Himig Natin" ("Our Music"), which is widely regarded as the first example of [[Pinoy rock]].<ref name="Culture and Customs 186">{{cite book |last=Rodell |first=Paul A. |title=Culture and Customs of the Philippines |publisher=Greenwood Publishing Group |isbn=9780313304156 |page=186 |year=2001 |url=https://books.google.com/books?id=y1CVR74_KHQC |access-date=August 18, 2008}}</ref> "Pinoy" gained popular currency in the late 1970s in the Philippines when a surge in [[patriotism]] made a hit song of Filipino folk singer [[Heber Bartolome]]'s "Tayo'y mga Pinoy" ("We are Pinoys"). This trend was followed by Filipino rapper [[Francis Magalona]]'s "Mga Kababayan Ko" ("My Countrymen") in the 1990s and Filipino rock band [[Bamboo (band)|Bamboo]]'s "Noypi" ("Pinoy" in reversed syllables) in the 2000s. Nowadays, ''Pinoy'' is used as an adjective to some terms highlighting their relationship to the [[Philippines]] or [[Filipino people|Filipinos]]. [[Pinoy rock]] was soon followed by [[Pinoy folk]] and later, Pinoy jazz.<ref name="Dance of Life"/> Although the music was often used to express opposition to then [[President of the Philippines|Philippine president]] [[Ferdinand Marcos]] and his use of [[martial law]] and the creating of the [[Batasang Bayan]], many of the songs were more subversive and some just instilled national pride. Perhaps because of the cultural affirming nature and many of the songs seemingly being non-threatening, the Marcos administration ordered radio stations to play at least one – and later, three – Pinoy songs each hour.<ref name="Dance of Life"/> Pinoy music was greatly employed both by Marcos and political forces who sought to overthrow him.<ref name="Dance of Life"/> [[Ppop]] ==History== ===Beginnings (1960s–1970s)=== Filipino pop songs mainly referred to songs popularized since the 1960s, especially those in the [[Sentimental ballad|ballad]] form, by major commercial artists like [[Pilita Corrales]] and [[Nora Aunor]], and in the 1970s by [[Basil Valdez]], [[Freddie Aguilar]] and [[Rey Valera]]. Singer-songwriters [[Ryan Cayabyab]] and [[José Mari Chan]] rose to fame in the 1970s by composing original English love songs alongside modern Tagalog songs. Pioneer pop groups in the same decade include [[Manila sound]] groups [[APO Hiking Society]] and [[Hotdog (band)|Hotdog]]. ===Golden age of Filipino music=== In the 1980s, disco group [[VST & Co.]] and pop icon [[Gary Valenciano|Gary V.]] gave rise to dance-pop in the mainstream. ===Prominence of rock-acoustic bands, belters, and balladeers. (mid-1990s to present)=== The early to mid-1990s saw the emergence of the pop-rock group, [[Eraserheads]], considered as a turning-point in the OPM music scene. In the wake of their success was the emergence of a string of influential bands such as [[Yano]], [[Siakol]], [[Parokya ni Edgar]], Grin Department, [[Rivermaya]], [[Moonstar 88]] and [[Hungry Young Poets]], each of which mixes the influence of a variety of pop and rock subgenres into their style. [[Filipino rock]] continues to flourish at present with newer bands such as [[Hale (band)|Hale]], [[Cueshé]], [[Sponge Cola]], [[Chicosci]], [[Kamikazee]] and [[Urbandub]], and the emergence of the country's first virtual band, Mistula. Though only some of the spearheading bands are still fully intact, many old members have formed new bands such as [[Pupil (band)|Pupil]], [[Sandwich (band)|Sandwich]], and [[Bamboo (band)|Bamboo]]. A few band members such as [[Kitchie Nadal]], [[Barbie Almalbis]], and [[Rico Blanco]] have established steady solo careers. Though rock bands have been dominating the mainstream since their commercialization in the '90s, acoustic groups were still regularly showcased in the live band scene such as [[Side A (band)|Side A]], [[True Faith (band)|True Faith]], [[Neocolours]], [[South Border (band)|South Border]] and [[Freestyle (Philippine band)|Freestyle]] popularized songs that clearly reflect the sentimental character of OPM pop. Popular acoustic acts like [[Nina Girado|Nina]], [[Juris Fernandez|Juris]] (of [[MYMP]]) and [[Aiza Seguerra]] also prove the diversity of Filipino pop. Solo belters and balladeers such as [[Regine Velasquez]], [[Sharon Cuneta]], [[Joey Albert]], [[Donna Cruz]], [[Zsa Zsa Padilla]], [[Jaya (singer)|Jaya]], [[Jolina Magdangal]] and [[Martin Nievera]] had regular exposure on television and radio. ===Re-emergence of R&B and novelty songs (2000s to present)=== From the early 2000s onwards, [[Kyla]], [[Nina Girado|Nina]] and [[Jay R]] began to be pioneers of the contemporary R&B music with [[Gloc-9]] and [[Abra (rapper)|Abra]] of hip-hop genre. Local sing and dance groups [[SexBomb Girls]] and [[Viva Hot Babes]] began to popularize [[novelty song]]s among the masses. ===Pinoy pop renaissance (2010s)=== Since 2010, the genre of Pinoy pop drastically changed as the usual rock bands and novelty songs from the 1990s and 2000s started to fade out of the mainstream, creating the new pop genre without any influence of rock and hip-hop. In 2010, ''[[Little Big Star]]'' 2nd runner-up and [[YouTube]] star [[Charice]] became the first Asian to peak on the top 10 (at No. 8) of the [[Billboard 200|''Billboard'' 200]] for her debut album.<ref>''Philippine Daily Inquirer'', 22 May 2010, "[http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20100522-271458/Charice-debuts-at-No-8-on-Billboard Charice debuts at No. 8 on Billboard] {{Webarchive|url=https://web.archive.org/web/20100525072026/http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20100522-271458/Charice-debuts-at-No-8-on-Billboard|date=2010-05-25}}"</ref> She was also one of the first Asian artists to have a song peak at No. 1 for ''Billboard'''s [[Hot Dance Club Songs|Dance/Club Play Songs]].<ref>Sanchez, R. J., ''Manila Bulletin'', 24 May 2010, "[http://www.mb.com.ph/articles/258761/charice-happy-with-chart-performance-her-album-song Charice happy with chart performance of her album, song]"</ref> Notable pop artists of the 2010s include [[Toni Gonzaga]], [[Moira Dela Torre]], [[Yeng Constantino]] and [[Sarah Geronimo]] whose songs "[[Tala (song)|Tala]]" and "[[Kilometro (song)|Kilometro]]" were chosen by [[CNN Philippines]] as best songs of the decade.<ref>{{Cite web|url=https://cnnphilippines.com/life/entertainment/music/2019/12/20/best-filipino-songs-2010s.html|title=The 10 best Filipino songs of the 2010s|website=cnn|language=en|access-date=2020-04-14}}</ref> ===The rise of P-pop idol groups (2020s)=== From the influence of [[K-pop]] and [[J-pop]], a new era of P-pop was born. The Philippines' first idol group [[MNL48]], a sister group of the J-pop group [[AKB48]], started a new era for P-pop when they debuted in 2018. Following them is the all-boy idol group [[SB19]] who also debuted in 2018. They are the first Filipino act trained by a Korean entertainment company under the same system that catapulted K-pop artists into global stardom. SB19 is considered to be the first P-pop idol group to chart on the ''Billboard'' Next Big Sound and ''Billboard'' Social 50.<ref>{{cite web|url=https://entertainment.mb.com.ph/2020/03/05/sb19-charts-on-billboard-anew/|title=SB19 charts on Billboard anew|website=entertainment.mb.com.ph|access-date=March 5, 2020}}</ref> On November 20, 2019, SB19 made history by being the first Filipino artist to chart and debut on the ''Billboard'' Next Big Sound chart debuting and peaking at No. 5. The Next Big Sound chart tracks "the fastest accelerating artists during the past week, across all major social music sites, statistically predicted to achieve future success," according to the ''Billboard'' website.<ref>{{cite web|url=https://news.abs-cbn.com/entertainment/11/20/19/pinoy-group-sb19-enters-billboards-next-big-sound-chart|title=Pinoy group SB19 enters Billboard's Next Big Sound chart|website=news.abs-cbn.com|access-date=November 20, 2019}}</ref> On December 3, 2019, the group broke the all-time record of the longest stay at the No. 1 spot of [[Myx|Myx Daily Top Ten]] with "Go Up" staying at the top spot for 53 non-consecutive days.<ref>{{cite web|first=Twila |last=Bergania |url=https://www.cosmo.ph/entertainment/cosmoph-exclusive-interview-sb19-a968-20191229-lfrm3 |title=Exclusive: SB19 |publisher=Cosmo.ph |access-date=December 28, 2019}}</ref> ==Characteristics== ===Audiovisual content=== And now that there are social media, although P-pop is also expanding, P-pop is influencing [[K-pop]] and [[J-pop]] because of this the country will continue to rising as more and more people want to be an idol like [[SB19]] and [[MNL48]], they dance and sing just like [[K-pop]] and [[J-pop]] nowadays P-pop is influential in Korean fashion and Japanese Fashion today, but they also do not forget and still do Western Fashion to this day. == Culture == === Single Promotion and Comeback(s) === In The Rise of [[P-pop]], The Philippines No.1 Music Channel "[[MYX]]" The Online Votings like [[MYX | MYX Daily Top Ten]], [[MYX | Pinoy MYX Countdown]] at [[MYX | MYX Hit Chart]]. [[P-pop]] also has Comeback stages such as [[ASAP (TV program) | ASAP]], [[It's Showtime (TV program) | It's Showtime]], on [[ABS-CBN]] ​​Channel [[All-Out Sundays]], on [[GMA Network | GMA]] Channel at [[Sunday Noontime Live!]], Sa [[TV5 (Philippine TV Network) | TV5]] is the only P-pop artist to Promote their latest Album or Special Stage every day, and every week. Soon, the Philippines will have a Filipino Music Show on every [[music channel]] or [[TV Channel]]. They also promote the song through the mall show because it will also help all p-pop artists to extend and recognize their song throughout the Philippines as well as around the world. === Awarding Shows === '''Awarding Shows''' in the Philippines is also a popular and most popular Show in the Philippines. Awarding Shows in the Philippines are used through their websites, social media and others such as [[Wish 107.5 Music Awards]] and [[MYX Music Awards]] each year with an Awarding Show. ===Industry-specific expressions=== {| class="wikitable sortable plainrowheaders" |- ! scope="col" | [[Name]] ! scope="col" | [[Meaning]] ! scope="col" | [[References]] |- | '''All-Kill (AK)''' | Referring to chart positions. An Instiz all-kill ("AK") occurs when an individual song sweeps all of South Korea's major music charts simultaneously, placing first on the real-time charts. | |- |'''Certified All-Kill (CAK)''' |An Instiz Certified all-kill happens when a song tops all of the charts, both real-time and daily, and is first on Instiz Real-time Chart. | |- |'''Perfect All-Kill (PAK) |An Instiz Perfect all-kill happens when an individual song has a certified all-kill and at the same time it places first on Instiz Weekly Chart. | |- |'''Mini album''' | Roughly equivalent to an [[Extended Play|EP]], contains multiple tracks but shorter than a full-length album. | |- |'''Title track''' |Equivalent to a 'lead single', title track is the main track of an album released with a music video and promoted through live performances on televised music shows. | |- |'''Promotion''' |Takes place when a title track is released. Artists perform in televised music shows and interviews. Promotion on TV shows usually lasts one month, with a 'debut stage' for newcomers, a 'comeback stage' for regulars and a 'goodbye stage' at the end of the cycle. | |- |'''Comeback''' |Refers to the release of an artist's new music and the accompanying TV performances. |} ===Releasing Music=== [[P-pop]] is also release a song in all [[Social Media]] and [[Music Platform|Music Services]] like a International Music Services [[Spotify]], [[Apple Music]], [[Deezer]] and etc. They can release a [[Music Video]] (short: MV or M/V) which can upload and publish it in [[Facebook]] and [[YouTube]]. Like a [[P-pop]] Group [[SB19]] reach 5Million+ views in [[YouTube]] and [[SB19]] is the First P-pop Artist Only who reach and hit a 5Million Views in Youtube ==Popularity== [[P-pop]] is a growing genre and in year of 2020. P-pop is already popular in [[North America]], [[South Korea]], [[Indonesia]], [[Philippines]], [[Europe]] and etc. ==International recognition== [[File:MNL48InAKBFest2019.jpg]] In 2019, P-pop idol group [[MNL48]] performed at AKB48 Group Asia Festival 2019, the first held at [[Bangkok|Bangkok, Thailand]] on January 27,<ref>{{Cite web|last=Abang|first=Reginan|date=February 28, 2019|title=MNL48 awes Asia Festival 2019 audience|url=https://www.manilatimes.net/2019/02/28/lifestyle-entertainment/show-times/mnl48-awes-asia-festival-2019-audience/518364/|access-date=2020-09-07|website=The Manila Times|language=en-US}}</ref> while the second one was held at [[Shanghai|Shanghai, China]] on August 24.<ref>{{Cite web|last=Garcia|first=Vincent|date=2019-08-24|title=WATCH: MNL48 wows Shanghai with acapella rendition of ‘365 Araw ng Eroplanong Papel’|url=https://news.abs-cbn.com/entertainment/08/24/19/watch-mnl48-wows-shanghai-with-365-araw-ng-eroplanong-papel-cover|access-date=2020-09-07|website=ABS-CBN News|language=en}}</ref> Such performances catapulted MNL48 to the international stage, especially with other fans of their 48G counterparts. That same year, MNL48's Abby Trinidad was the group's representative on the New Year's Eve special of NHK's "[[Kōhaku Uta Gassen|Kohaku Uta Gassen]]", where along with other 48G counterparts, performed "[[Koi Suru Fortune Cookie|Koi Soru Fortune Cookie]]". This is the third time a Filipino performer appeared on the said show, alongside [[Gary Valenciano]] and the band [[Smokey Mountain (band)|Smokey Mountain]].<ref>{{Cite web|date=2020-01-01|title=LOOK: MNL48's Abby performs on Japan's biggest TV music show|url=https://news.abs-cbn.com/entertainment/01/01/20/look-mnl48s-abby-performs-on-japans-biggest-tv-music-show|access-date=2020-09-07|website=ABS-CBN News|language=en}}</ref> In 2020, Sarah Geronimo's single "Tala" entered at No. 12 on the U.S. ''[[Billboard (magazine)|Billboard]]'' [[World Digital Song Sales]] chart.<ref>{{cite news |title=Sarah Geronimo Chart History (World Digital Song Sales) |url=https://www.billboard.com/music/sarah-geronimo/chart-history/WDT |access-date=February 7, 2020 |work=[[Billboard (magazine)|Billboard]]}}</ref> [[File:SB19onPepsiEvenr.jpg]] In 2020, P-pop boy band [[SB19]] became a ''Billboard'' [[Social 50]] mainstay after peaking at No. 15 on the chart, likely due to the music video of their single "Alab".<ref>https://www.billboard.com/articles/business/chart-beat/8550040/sb19-social-50-next-big-sound-chart-filipino-boy-band-profile</ref> SB19 reached their highest position in the weekly Billboard Social 50 list two weeks after the release of their album, ranking second behind BTS on the week of August 15, 2020.<ref>{{Cite web|title=Social 50 Chart|url=https://www.billboard.com/charts/social-50|access-date=2020-08-11|website=Billboard}}</ref> A week later, by placing in the top five of two charts, the group achieved another Billboard milestone: 5th in the Emerging Artist list, their highest ranking to date, while staying 2nd in the Social 50 chart <ref>{{Cite web|title=Emerging Artists Chart|url=https://www.billboard.com/charts/emerging-artists|access-date=2020-08-18|website=Billboard}}</ref> <ref>{{Cite web|title=Social 50 Chart|url=https://www.billboard.com/charts/social-50|access-date=2020-08-18|website=Billboard}}</ref> On the week of October 31, 2020, SB19's "Go Up" peaked at number 2 in Billboard's LyricFind Global chart after debuting at number 17 the week before,<ref>{{Cite web|title=LyricFind Global Chart|url=https://www.billboard.com/charts/lyricfind-global|access-date=2020-10-27|website=Billboard}}</ref>. while also making its initial appearance at number 9 in the U.S. version of the chart.<ref>{{Cite web|title=LyricFind U.S. Chart|url=https://www.billboard.com/charts/lyricfind-us/2020-10-31|access-date=2020-10-27|website=Billboard}}</ref> Two weeks after, "Hanggang sa Huli" debuted at number 16 in Billboard's LyricFind U.S. chart<ref>{{Cite web|title=LyricFind U.S. Chart|url=https://www.billboard.com/charts/lyricfind-us/2020-11-07|access-date=2020-11-16|website=Billboard}}</ref> while also debuting at number 4 in the chart's global version.<ref>{{Cite web|title=LyricFind Global Chart|url=https://www.billboard.com/charts/lyricfind-global/2020-11-14|access-date=2020-11-16|website=Billboard}}</ref> On the week of November 28, 2020, the group reached another milestone, their first number 1 in a Billboard chart, after "Alab (Burning)" debuted at number 1 in Billboard's LyricFind Global chart,<ref name=":5">{{Cite web|title=LyricFind U.S. Chart|url=https://www.billboard.com/charts/lyricfind-us/2020-11-28|access-date=2020-11-25|website=Billboard}}</ref> and at number 6 in the U.S. version of the chart.<ref>{{Cite web|title=LyricFind U.S. Chart|url=https://www.billboard.com/charts/lyricfind-us/2020-11-28|access-date=2020-11-25|website=Billboard}}</ref> MNL48, on the other hand, announced the formation of BABY BLUE, the group's newest sub-unit on September 1, 2020. Alongside with that announcement is the release of the sub-unit's single "Sweet Talking Sugar", released in collaboration with [[Tower Records Japan]], a major Japanese music retailer.<ref>{{Cite web|last=Abang|first=Reggie|date=2020-08-31|title=MNL48, Tower Records Japan launches "Baby Blue" sub-unit|url=https://www.paksamnl.com/post/mnl48-tower-records-japan-launches-baby-blue-sub-unit|access-date=2020-09-07|website=PAKSA MNL|language=en}}</ref> A nationwide tour in Japan of the said sub-unit is announced by HalloHallo Entertainment and Tower Records Japan, which will commence after the [[COVID-19 pandemic|COVID-19 crisis]].<ref>{{Cite web|title=Baby Blue releases “Sweet Talking Sugar” Music Video|url=https://mnl48.ph/news-and-updates/baby-blue-releases-sweet-talking-sugar-music-video/|access-date=2020-09-18|website=mnl48.ph}}</ref> ==Artist(s)== {{see also|List of Philippine-based music groups}} Some Pinoy pop artists are extremely popular in Philippines, and some also have fanbases in other countries—especially in Asia, but also in Western countries. They influence not only music, but also fashion. As of 2020, the top five best-selling artists in the Philippines charts history are [[MNL48]], [[SB19]], [[Sarah Geronimo]], [[KZ Tandingan]], and [[IV of Spades]]. Among the five, Iv of Spades holds the record for being the only Pop band Artist. ==See also== * [[Culture of the Philippines]] * [[List of Philippine-based music groups]] *[[List of Best Selling P-pop Artist]] * [[Music of the Philippines]] * [[Philippines|Filipino]] * [[Manila Sound]] * [[Pinoy hip hop]] * [[Pinoy rock]] * [[Original Pilipino Music]] * [[Rondalla]] ==References== {{Reflist}} {{Music of the Philippines}} {{Pop music}} [[Category:Philippine styles of music]] [[Category:Popular music by country]]'
New page wikitext, after the edit (new_wikitext)
'{{short description|Popular Genre in the Philippines}} {{Multiple issues| {{Original research|date=June 2010}} {{refimprove|date=September 2015}} {{Cleanup rewrite|date=October 2020}} }} {{Infobox music genre |name= P-pop |color= |bgcolor=#87CEEB |cultural_origins = {{hlist|1970s in the Philippines|2020s Rising Genre in the Philippines}} |stylistic_origins = {{hlist|[[Manila sound]]|[[Original Pilipino Music]]|[[pop music]]}} |instruments = {{hlist|[[Bass (guitar)|Bass]]|[[Piano]]|[[Guitar]]|[[Drum]]}} |language = {{hlist|[[Tagalog]]|[[English]]}} |derivatives = |subgenrelist = |subgenres = {{hlist|[[Original Pilipino Music|OPM]]|[[Electronic dance music|EDM]]}} |fusiongenres = |other_topics = {{hlist|[[Original Pilipino Music|OPM]]|[[Pinoy Rock]]}} }} '''Pinoy pop''', (short for '''P-pop'''; [[Baybayin]]: {{script|Tglg|ᜉᜒ}} {{script|Tglg|ᜉ}}{{script|Tglg|ᜉ᜔}}; [[Filipino language|Filipino]]: ''pipap''), also known as Philippine pop or Filipino pop, refers to a popular contemporary music in the Philippines originating from the [[Original Pilipino Music|OPM]] genre. With its beginnings in the 1970s, and P-pop is a growing genre in year of 2020s. Through the 1990s to the 2000s, OPM pop was regularly showcased in the live band scene.<ref>{{Cite web|url=https://www.playlistresearch.com/article/phillipinepop.htm|title=History of Philippine Pop Music|website=www.playlistresearch.com|access-date=2020-04-14}}</ref> Through the 1990s to the 2000s, OPM pop was regularly showcased in the live band scene. Groups such as [[Neocolours]], [[Side A (band)|Side A]], [[Introvoys]], [[The Teeth (Filipino band)|the Teeth]], [[Yano]], [[True Faith (band)|True Faith]], Passage and [[Freestyle (Philippine band)|Freestyle]] popularized songs that clearly reflect the sentimental character of OPM pop of this era. From 2010 to 2020, Philippine pop music or [[P-pop]] went through a huge metamorphasis in its increased quality, budget, investment and variety, matching the country's rapid [[economy of the Philippines|economic growth]], and an accompanying social and cultural resurgence of its Asian identity. This was heard by heavy influence from [[K-pop]] and [[J-pop]], a growth in Asian style ballads, idol groups, and EDM music, and less reliance on Western genres, mirroring the [[Korean wave]] and similar Japanese wave popularity among millennial Filipinos and mainstream culture. Famous P-pop music artists who had defined the growth of this now mainstream genre include [[Sarah Geronimo]], [[SB19]], [[XLR8]], [[KZ Tandingan]], [[Erik Santos]], [[Yeng Constantino]], [[MNL48]], [[Regine Velasquez]], [[Bini (group)|Bini]], [[Bgyo (group)|BGYO]] and [[P-Pop Generation]]. ==History== ===Beginnings (1960s–1970s)=== Filipino pop songs mainly referred to songs popularized since the 1960s, especially those in the [[Sentimental ballad|ballad]] form, by major commercial artists like [[Pilita Corrales]] and [[Nora Aunor]], and in the 1970s by [[Basil Valdez]], [[Freddie Aguilar]] and [[Rey Valera]]. Singer-songwriters [[Ryan Cayabyab]] and [[José Mari Chan]] rose to fame in the 1970s by composing original English love songs alongside modern Tagalog songs. Pioneer pop groups in the same decade include [[Manila sound]] groups [[APO Hiking Society]] and [[Hotdog (band)|Hotdog]]. ===Golden age of Filipino music=== In the 1980s, disco group [[VST & Co.]] and pop icon [[Gary Valenciano|Gary V.]] gave rise to dance-pop in the mainstream. ===Prominence of rock-acoustic bands, belters, and balladeers. (mid-1990s to present)=== The early to mid-1990s saw the emergence of the pop-rock group, [[Eraserheads]], considered as a turning-point in the OPM music scene. In the wake of their success was the emergence of a string of influential bands such as [[Yano]], [[Siakol]], [[Parokya ni Edgar]], Grin Department, [[Rivermaya]], [[Moonstar 88]] and [[Hungry Young Poets]], each of which mixes the influence of a variety of pop and rock subgenres into their style. [[Filipino rock]] continues to flourish at present with newer bands such as [[Hale (band)|Hale]], [[Cueshé]], [[Sponge Cola]], [[Chicosci]], [[Kamikazee]] and [[Urbandub]], and the emergence of the country's first virtual band, Mistula. Though only some of the spearheading bands are still fully intact, many old members have formed new bands such as [[Pupil (band)|Pupil]], [[Sandwich (band)|Sandwich]], and [[Bamboo (band)|Bamboo]]. A few band members such as [[Kitchie Nadal]], [[Barbie Almalbis]], and [[Rico Blanco]] have established steady solo careers. Though rock bands have been dominating the mainstream since their commercialization in the '90s, acoustic groups were still regularly showcased in the live band scene such as [[Side A (band)|Side A]], [[True Faith (band)|True Faith]], [[Neocolours]], [[South Border (band)|South Border]] and [[Freestyle (Philippine band)|Freestyle]] popularized songs that clearly reflect the sentimental character of OPM pop. Popular acoustic acts like [[Nina Girado|Nina]], [[Juris Fernandez|Juris]] (of [[MYMP]]) and [[Aiza Seguerra]] also prove the diversity of Filipino pop. Solo belters and balladeers such as [[Regine Velasquez]], [[Sharon Cuneta]], [[Joey Albert]], [[Donna Cruz]], [[Zsa Zsa Padilla]], [[Jaya (singer)|Jaya]], [[Jolina Magdangal]] and [[Martin Nievera]] had regular exposure on television and radio. ===Re-emergence of R&B and novelty songs (2000s to present)=== From the early 2000s onwards, [[Kyla]], [[Nina Girado|Nina]] and [[Jay R]] began to be pioneers of the contemporary R&B music with [[Gloc-9]] and [[Abra (rapper)|Abra]] of hip-hop genre. Local sing and dance groups [[SexBomb Girls]] and [[Viva Hot Babes]] began to popularize [[novelty song]]s among the masses. ===Pinoy pop renaissance (2010s)=== Since 2010, the genre of Pinoy pop drastically changed as the usual rock bands and novelty songs from the 1990s and 2000s started to fade out of the mainstream, creating the new pop genre without any influence of rock and hip-hop. In 2010, ''[[Little Big Star]]'' 2nd runner-up and [[YouTube]] star [[Charice]] became the first Asian to peak on the top 10 (at No. 8) of the [[Billboard 200|''Billboard'' 200]] for her debut album.<ref>''Philippine Daily Inquirer'', 22 May 2010, "[http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20100522-271458/Charice-debuts-at-No-8-on-Billboard Charice debuts at No. 8 on Billboard] {{Webarchive|url=https://web.archive.org/web/20100525072026/http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20100522-271458/Charice-debuts-at-No-8-on-Billboard|date=2010-05-25}}"</ref> She was also one of the first Asian artists to have a song peak at No. 1 for ''Billboard'''s [[Hot Dance Club Songs|Dance/Club Play Songs]].<ref>Sanchez, R. J., ''Manila Bulletin'', 24 May 2010, "[http://www.mb.com.ph/articles/258761/charice-happy-with-chart-performance-her-album-song Charice happy with chart performance of her album, song]"</ref> Notable pop artists of the 2010s include [[Toni Gonzaga]], [[Moira Dela Torre]], [[Yeng Constantino]] and [[Sarah Geronimo]] whose songs "[[Tala (song)|Tala]]" and "[[Kilometro (song)|Kilometro]]" were chosen by [[CNN Philippines]] as best songs of the decade.<ref>{{Cite web|url=https://cnnphilippines.com/life/entertainment/music/2019/12/20/best-filipino-songs-2010s.html|title=The 10 best Filipino songs of the 2010s|website=cnn|language=en|access-date=2020-04-14}}</ref> ===The rise of P-pop idol groups (2020s)=== From the influence of [[K-pop]] and [[J-pop]], a new era of P-pop was born. The Philippines' first idol group [[MNL48]], a sister group of the J-pop group [[AKB48]], started a new era for P-pop when they debuted in 2018. Following them is the all-boy idol group [[SB19]] who also debuted in 2018. They are the first Filipino act trained by a Korean entertainment company under the same system that catapulted K-pop artists into global stardom. SB19 is considered to be the first P-pop idol group to chart on the ''Billboard'' Next Big Sound and ''Billboard'' Social 50.<ref>{{cite web|url=https://entertainment.mb.com.ph/2020/03/05/sb19-charts-on-billboard-anew/|title=SB19 charts on Billboard anew|website=entertainment.mb.com.ph|access-date=March 5, 2020}}</ref> On November 20, 2019, SB19 made history by being the first Filipino artist to chart and debut on the ''Billboard'' Next Big Sound chart debuting and peaking at No. 5. The Next Big Sound chart tracks "the fastest accelerating artists during the past week, across all major social music sites, statistically predicted to achieve future success," according to the ''Billboard'' website.<ref>{{cite web|url=https://news.abs-cbn.com/entertainment/11/20/19/pinoy-group-sb19-enters-billboards-next-big-sound-chart|title=Pinoy group SB19 enters Billboard's Next Big Sound chart|website=news.abs-cbn.com|access-date=November 20, 2019}}</ref> On December 3, 2019, the group broke the all-time record of the longest stay at the No. 1 spot of [[Myx|Myx Daily Top Ten]] with "Go Up" staying at the top spot for 53 non-consecutive days.<ref>{{cite web|first=Twila |last=Bergania |url=https://www.cosmo.ph/entertainment/cosmoph-exclusive-interview-sb19-a968-20191229-lfrm3 |title=Exclusive: SB19 |publisher=Cosmo.ph |access-date=December 28, 2019}}</ref> ==Characteristics== ===Audiovisual content=== And now that there are social media, although P-pop is also expanding, P-pop is influencing [[K-pop]] and [[J-pop]] because of this the country will continue to rising as more and more people want to be an idol like [[SB19]] and [[MNL48]], they dance and sing just like [[K-pop]] and [[J-pop]] nowadays P-pop is influential in Korean fashion and Japanese Fashion today, but they also do not forget and still do Western Fashion to this day. == Culture == === Single Promotion and Comeback(s) === In The Rise of [[P-pop]], The Philippines No.1 Music Channel "[[MYX]]" The Online Votings like [[MYX | MYX Daily Top Ten]], [[MYX | Pinoy MYX Countdown]] at [[MYX | MYX Hit Chart]]. [[P-pop]] also has Comeback stages such as [[ASAP (TV program) | ASAP]], [[It's Showtime (TV program) | It's Showtime]], on [[ABS-CBN]] ​​Channel [[All-Out Sundays]], on [[GMA Network | GMA]] Channel at [[Sunday Noontime Live!]], Sa [[TV5 (Philippine TV Network) | TV5]] is the only P-pop artist to Promote their latest Album or Special Stage every day, and every week. Soon, the Philippines will have a Filipino Music Show on every [[music channel]] or [[TV Channel]]. They also promote the song through the mall show because it will also help all p-pop artists to extend and recognize their song throughout the Philippines as well as around the world. === Awarding Shows === '''Awarding Shows''' in the Philippines is also a popular and most popular Show in the Philippines. Awarding Shows in the Philippines are used through their websites, social media and others such as [[Wish 107.5 Music Awards]] and [[MYX Music Awards]] each year with an Awarding Show. ===Industry-specific expressions=== {| class="wikitable sortable plainrowheaders" |- ! scope="col" | [[Name]] ! scope="col" | [[Meaning]] ! scope="col" | [[References]] |- | '''All-Kill (AK)''' | Referring to chart positions. An Instiz all-kill ("AK") occurs when an individual song sweeps all of South Korea's major music charts simultaneously, placing first on the real-time charts. | |- |'''Certified All-Kill (CAK)''' |An Instiz Certified all-kill happens when a song tops all of the charts, both real-time and daily, and is first on Instiz Real-time Chart. | |- |'''Perfect All-Kill (PAK) |An Instiz Perfect all-kill happens when an individual song has a certified all-kill and at the same time it places first on Instiz Weekly Chart. | |- |'''Mini album''' | Roughly equivalent to an [[Extended Play|EP]], contains multiple tracks but shorter than a full-length album. | |- |'''Title track''' |Equivalent to a 'lead single', title track is the main track of an album released with a music video and promoted through live performances on televised music shows. | |- |'''Promotion''' |Takes place when a title track is released. Artists perform in televised music shows and interviews. Promotion on TV shows usually lasts one month, with a 'debut stage' for newcomers, a 'comeback stage' for regulars and a 'goodbye stage' at the end of the cycle. | |- |'''Comeback''' |Refers to the release of an artist's new music and the accompanying TV performances. |} ===Releasing Music=== [[P-pop]] is also release a song in all [[Social Media]] and [[Music Platform|Music Services]] like a International Music Services [[Spotify]], [[Apple Music]], [[Deezer]] and etc. They can release a [[Music Video]] (short: MV or M/V) which can upload and publish it in [[Facebook]] and [[YouTube]]. Like a [[P-pop]] Group [[SB19]] reach 5Million+ views in [[YouTube]] and [[SB19]] is the First P-pop Artist Only who reach and hit a 5Million Views in Youtube ==Popularity== [[P-pop]] is a growing genre and in year of 2020. P-pop is already popular in [[North America]], [[South Korea]], [[Indonesia]], [[Philippines]], [[Europe]] and etc. ==International recognition== [[File:MNL48InAKBFest2019.jpg]] In 2019, P-pop idol group [[MNL48]] performed at AKB48 Group Asia Festival 2019, the first held at [[Bangkok|Bangkok, Thailand]] on January 27,<ref>{{Cite web|last=Abang|first=Reginan|date=February 28, 2019|title=MNL48 awes Asia Festival 2019 audience|url=https://www.manilatimes.net/2019/02/28/lifestyle-entertainment/show-times/mnl48-awes-asia-festival-2019-audience/518364/|access-date=2020-09-07|website=The Manila Times|language=en-US}}</ref> while the second one was held at [[Shanghai|Shanghai, China]] on August 24.<ref>{{Cite web|last=Garcia|first=Vincent|date=2019-08-24|title=WATCH: MNL48 wows Shanghai with acapella rendition of ‘365 Araw ng Eroplanong Papel’|url=https://news.abs-cbn.com/entertainment/08/24/19/watch-mnl48-wows-shanghai-with-365-araw-ng-eroplanong-papel-cover|access-date=2020-09-07|website=ABS-CBN News|language=en}}</ref> Such performances catapulted MNL48 to the international stage, especially with other fans of their 48G counterparts. That same year, MNL48's Abby Trinidad was the group's representative on the New Year's Eve special of NHK's "[[Kōhaku Uta Gassen|Kohaku Uta Gassen]]", where along with other 48G counterparts, performed "[[Koi Suru Fortune Cookie|Koi Soru Fortune Cookie]]". This is the third time a Filipino performer appeared on the said show, alongside [[Gary Valenciano]] and the band [[Smokey Mountain (band)|Smokey Mountain]].<ref>{{Cite web|date=2020-01-01|title=LOOK: MNL48's Abby performs on Japan's biggest TV music show|url=https://news.abs-cbn.com/entertainment/01/01/20/look-mnl48s-abby-performs-on-japans-biggest-tv-music-show|access-date=2020-09-07|website=ABS-CBN News|language=en}}</ref> In 2020, Sarah Geronimo's single "Tala" entered at No. 12 on the U.S. ''[[Billboard (magazine)|Billboard]]'' [[World Digital Song Sales]] chart.<ref>{{cite news |title=Sarah Geronimo Chart History (World Digital Song Sales) |url=https://www.billboard.com/music/sarah-geronimo/chart-history/WDT |access-date=February 7, 2020 |work=[[Billboard (magazine)|Billboard]]}}</ref> [[File:SB19onPepsiEvenr.jpg]] In 2020, P-pop boy band [[SB19]] became a ''Billboard'' [[Social 50]] mainstay after peaking at No. 15 on the chart, likely due to the music video of their single "Alab".<ref>https://www.billboard.com/articles/business/chart-beat/8550040/sb19-social-50-next-big-sound-chart-filipino-boy-band-profile</ref> SB19 reached their highest position in the weekly Billboard Social 50 list two weeks after the release of their album, ranking second behind BTS on the week of August 15, 2020.<ref>{{Cite web|title=Social 50 Chart|url=https://www.billboard.com/charts/social-50|access-date=2020-08-11|website=Billboard}}</ref> A week later, by placing in the top five of two charts, the group achieved another Billboard milestone: 5th in the Emerging Artist list, their highest ranking to date, while staying 2nd in the Social 50 chart <ref>{{Cite web|title=Emerging Artists Chart|url=https://www.billboard.com/charts/emerging-artists|access-date=2020-08-18|website=Billboard}}</ref> <ref>{{Cite web|title=Social 50 Chart|url=https://www.billboard.com/charts/social-50|access-date=2020-08-18|website=Billboard}}</ref> On the week of October 31, 2020, SB19's "Go Up" peaked at number 2 in Billboard's LyricFind Global chart after debuting at number 17 the week before,<ref>{{Cite web|title=LyricFind Global Chart|url=https://www.billboard.com/charts/lyricfind-global|access-date=2020-10-27|website=Billboard}}</ref>. while also making its initial appearance at number 9 in the U.S. version of the chart.<ref>{{Cite web|title=LyricFind U.S. Chart|url=https://www.billboard.com/charts/lyricfind-us/2020-10-31|access-date=2020-10-27|website=Billboard}}</ref> Two weeks after, "Hanggang sa Huli" debuted at number 16 in Billboard's LyricFind U.S. chart<ref>{{Cite web|title=LyricFind U.S. Chart|url=https://www.billboard.com/charts/lyricfind-us/2020-11-07|access-date=2020-11-16|website=Billboard}}</ref> while also debuting at number 4 in the chart's global version.<ref>{{Cite web|title=LyricFind Global Chart|url=https://www.billboard.com/charts/lyricfind-global/2020-11-14|access-date=2020-11-16|website=Billboard}}</ref> On the week of November 28, 2020, the group reached another milestone, their first number 1 in a Billboard chart, after "Alab (Burning)" debuted at number 1 in Billboard's LyricFind Global chart,<ref name=":5">{{Cite web|title=LyricFind U.S. Chart|url=https://www.billboard.com/charts/lyricfind-us/2020-11-28|access-date=2020-11-25|website=Billboard}}</ref> and at number 6 in the U.S. version of the chart.<ref>{{Cite web|title=LyricFind U.S. Chart|url=https://www.billboard.com/charts/lyricfind-us/2020-11-28|access-date=2020-11-25|website=Billboard}}</ref> MNL48, on the other hand, announced the formation of BABY BLUE, the group's newest sub-unit on September 1, 2020. Alongside with that announcement is the release of the sub-unit's single "Sweet Talking Sugar", released in collaboration with [[Tower Records Japan]], a major Japanese music retailer.<ref>{{Cite web|last=Abang|first=Reggie|date=2020-08-31|title=MNL48, Tower Records Japan launches "Baby Blue" sub-unit|url=https://www.paksamnl.com/post/mnl48-tower-records-japan-launches-baby-blue-sub-unit|access-date=2020-09-07|website=PAKSA MNL|language=en}}</ref> A nationwide tour in Japan of the said sub-unit is announced by HalloHallo Entertainment and Tower Records Japan, which will commence after the [[COVID-19 pandemic|COVID-19 crisis]].<ref>{{Cite web|title=Baby Blue releases “Sweet Talking Sugar” Music Video|url=https://mnl48.ph/news-and-updates/baby-blue-releases-sweet-talking-sugar-music-video/|access-date=2020-09-18|website=mnl48.ph}}</ref> ==Artist(s)== {{see also|List of Philippine-based music groups}} Some Pinoy pop artists are extremely popular in Philippines, and some also have fanbases in other countries—especially in Asia, but also in Western countries. They influence not only music, but also fashion. As of 2020, the top five best-selling artists in the Philippines charts history are [[MNL48]], [[SB19]], [[Sarah Geronimo]], [[KZ Tandingan]], and [[IV of Spades]]. Among the five, Iv of Spades holds the record for being the only Pop band Artist. ==See also== * [[Culture of the Philippines]] * [[List of Philippine-based music groups]] *[[List of Best Selling P-pop Artist]] * [[Music of the Philippines]] * [[Philippines|Filipino]] * [[Manila Sound]] * [[Pinoy hip hop]] * [[Pinoy rock]] * [[Original Pilipino Music]] * [[Rondalla]] ==References== {{Reflist}} {{Music of the Philippines}} {{Pop music}} [[Category:Philippine styles of music]] [[Category:Popular music by country]]'
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'@@ -26,9 +26,4 @@ From 2010 to 2020, Philippine pop music or [[P-pop]] went through a huge metamorphasis in its increased quality, budget, investment and variety, matching the country's rapid [[economy of the Philippines|economic growth]], and an accompanying social and cultural resurgence of its Asian identity. This was heard by heavy influence from [[K-pop]] and [[J-pop]], a growth in Asian style ballads, idol groups, and EDM music, and less reliance on Western genres, mirroring the [[Korean wave]] and similar Japanese wave popularity among millennial Filipinos and mainstream culture. Famous P-pop music artists who had defined the growth of this now mainstream genre include [[Sarah Geronimo]], [[SB19]], [[XLR8]], [[KZ Tandingan]], [[Erik Santos]], [[Yeng Constantino]], [[MNL48]], [[Regine Velasquez]], [[Bini (group)|Bini]], [[Bgyo (group)|BGYO]] and [[P-Pop Generation]]. - -==Etymology== -In the early 1970s, Pinoy music or Pinoy pop emerged, often sung in [[Tagalog language|Tagalog]]. It was a mix of rock, folk and ballads making political use of music similar to early [[hip hop music|hip hop]] but transcending class.<ref name="Dance of Life">{{cite book |last=Lockard |first=Craig A. |title=Dance of Life: Popular Music and Politics in Southeast Asia |publisher=University of Hawaii Press |isbn=9780824819187 |year=1998 |url=https://archive.org/details/danceoflifepopul00lock_0 |url-access=registration |access-date=August 18, 2008 |pages=[https://archive.org/details/danceoflifepopul00lock_0/page/135 135]–151}}</ref> The music was a "conscious attempt to create a Filipino national and popular culture" and it often reflected social realities and problems.<ref name="Dance of Life"/> As early as 1973, the [[Juan De la Cruz Band]] was performing "Ang Himig Natin" ("Our Music"), which is widely regarded as the first example of [[Pinoy rock]].<ref name="Culture and Customs 186">{{cite book |last=Rodell |first=Paul A. |title=Culture and Customs of the Philippines |publisher=Greenwood Publishing Group |isbn=9780313304156 |page=186 |year=2001 |url=https://books.google.com/books?id=y1CVR74_KHQC |access-date=August 18, 2008}}</ref> "Pinoy" gained popular currency in the late 1970s in the Philippines when a surge in [[patriotism]] made a hit song of Filipino folk singer [[Heber Bartolome]]'s "Tayo'y mga Pinoy" ("We are Pinoys"). This trend was followed by Filipino rapper [[Francis Magalona]]'s "Mga Kababayan Ko" ("My Countrymen") in the 1990s and Filipino rock band [[Bamboo (band)|Bamboo]]'s "Noypi" ("Pinoy" in reversed syllables) in the 2000s. Nowadays, ''Pinoy'' is used as an adjective to some terms highlighting their relationship to the [[Philippines]] or [[Filipino people|Filipinos]]. [[Pinoy rock]] was soon followed by [[Pinoy folk]] and later, Pinoy jazz.<ref name="Dance of Life"/> Although the music was often used to express opposition to then [[President of the Philippines|Philippine president]] [[Ferdinand Marcos]] and his use of [[martial law]] and the creating of the [[Batasang Bayan]], many of the songs were more subversive and some just instilled national pride. Perhaps because of the cultural affirming nature and many of the songs seemingly being non-threatening, the Marcos administration ordered radio stations to play at least one – and later, three – Pinoy songs each hour.<ref name="Dance of Life"/> Pinoy music was greatly employed both by Marcos and political forces who sought to overthrow him.<ref name="Dance of Life"/> - -[[Ppop]] ==History== '
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[ 0 => '', 1 => '==Etymology==', 2 => 'In the early 1970s, Pinoy music or Pinoy pop emerged, often sung in [[Tagalog language|Tagalog]]. It was a mix of rock, folk and ballads making political use of music similar to early [[hip hop music|hip hop]] but transcending class.<ref name="Dance of Life">{{cite book |last=Lockard |first=Craig A. |title=Dance of Life: Popular Music and Politics in Southeast Asia |publisher=University of Hawaii Press |isbn=9780824819187 |year=1998 |url=https://archive.org/details/danceoflifepopul00lock_0 |url-access=registration |access-date=August 18, 2008 |pages=[https://archive.org/details/danceoflifepopul00lock_0/page/135 135]–151}}</ref> The music was a "conscious attempt to create a Filipino national and popular culture" and it often reflected social realities and problems.<ref name="Dance of Life"/> As early as 1973, the [[Juan De la Cruz Band]] was performing "Ang Himig Natin" ("Our Music"), which is widely regarded as the first example of [[Pinoy rock]].<ref name="Culture and Customs 186">{{cite book |last=Rodell |first=Paul A. |title=Culture and Customs of the Philippines |publisher=Greenwood Publishing Group |isbn=9780313304156 |page=186 |year=2001 |url=https://books.google.com/books?id=y1CVR74_KHQC |access-date=August 18, 2008}}</ref> "Pinoy" gained popular currency in the late 1970s in the Philippines when a surge in [[patriotism]] made a hit song of Filipino folk singer [[Heber Bartolome]]'s "Tayo'y mga Pinoy" ("We are Pinoys"). This trend was followed by Filipino rapper [[Francis Magalona]]'s "Mga Kababayan Ko" ("My Countrymen") in the 1990s and Filipino rock band [[Bamboo (band)|Bamboo]]'s "Noypi" ("Pinoy" in reversed syllables) in the 2000s. Nowadays, ''Pinoy'' is used as an adjective to some terms highlighting their relationship to the [[Philippines]] or [[Filipino people|Filipinos]]. [[Pinoy rock]] was soon followed by [[Pinoy folk]] and later, Pinoy jazz.<ref name="Dance of Life"/> Although the music was often used to express opposition to then [[President of the Philippines|Philippine president]] [[Ferdinand Marcos]] and his use of [[martial law]] and the creating of the [[Batasang Bayan]], many of the songs were more subversive and some just instilled national pride. Perhaps because of the cultural affirming nature and many of the songs seemingly being non-threatening, the Marcos administration ordered radio stations to play at least one – and later, three – Pinoy songs each hour.<ref name="Dance of Life"/> Pinoy music was greatly employed both by Marcos and political forces who sought to overthrow him.<ref name="Dance of Life"/>', 3 => '', 4 => '[[Ppop]]' ]
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