Examine individual changes

'{{Dashboard.wikiedu.org draft template/about this sandbox}} == Article Draft == === Lead === *She set up a studio in Paris in 1774<ref name=":0" /> * first solo exhibition is held at the Salon de la Correspondence <ref name=":0" /> *she generally signed her paintings "M. Vic Lemoine"<ref name=":1">{{Cite web|title=Shibboleth Authentication Request|url=https://ezproxy.ithaca.edu/login?url=https://www.proquest.com/docview/304256033?accountid=11644&pq-origsite=primo|url-status=live|access-date=2021-11-08|website=ithaca.edu}}</ref> *she holds her second exhibit at the salon de la correspondence in 1785 <ref name=":0" /> *five years after the Parisian salons allows women to participate, Marie exhibits there for the first time in 1796<ref name=":0" /> *was most active as an artist during the late 1780's and early 1790's<ref name=":1" /> === Career === * She set up a studio in Paris in 1774<ref name=":0">{{Cite journal|last=King|first=Catherine|date=2002-11|title=Great masters and exceptional women|url=http://dx.doi.org/10.1111/1467-8365.00352|journal=Art History|volume=25|issue=5|pages=684–686|doi=10.1111/1467-8365.00352|issn=0141-6790}}</ref> * first solo exhibition is held at the Salon de la Correspondence <ref name=":0" /> *she generally signed her paintings "M. Vic Lemoine"<ref name=":1" /> *she holds her second exhibit at the salon de la correspondence in 1785 <ref name=":0" /> *five years after the Parisian salons allows women to participate, Marie exhibits there for the first time in 1796<ref name=":0" /> *was most active as an artist during the late 1780's and early 1790's<ref name=":1" /> === Bibliography === Stafford, Barbara Maria. Essay. In ''Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education'', 109. MIT Press, 1999. (https://books.google.com/books?id=I3EWhTQFvaEC&lpg=PR4&ots=3sGbgbK6Ni&dq=In%20Artful%20Science%3A%20Enlightenment%20Entertainment%20and%20the%20Eclipse%20of%20Visual%20Education%2C%20%201999.&pg=PA109#v=onepage&q=marie%20&f=false) BAILLIO, Joseph. “Vie et oeuvre de Marie Victoire Lemoine (1754-1820).” ''Gazette des beaux-arts'' 127 (1996): 125–. Himelfarb, Hélène. “Joseph Baillio : Vie et œuvre de Marie-Victoire Lemoine (1754-1820), suivi de Margaret A. Oppenheimer : Nisa Villers, née Lemoine (1774-1821). Gazette des Beaux-Arts, n° spécial, avril 1996.” ''Dix-huitième siècle'' 30, no. 1 (1998): 688–688. Tuchman, Gaye. “The Obstacle Race: The Fortunes of Women Painters and Their Work. Germaine Greer.” ''Signs: Journal of Women in Culture and Society''. Chicago: University of Chicago Press, 1980. Garrard, Mary D. “‘Women Artists’ in Los Angeles.” ''The Burlington Magazine'' 119, no. 892 (1977): 531–530. <nowiki>http://www.jstor.org/stable/878926</nowiki>. Quinn, Bridget, and Lisa Congdon. “Marie Denise Villers.” Essay. In ''Broad Strokes: 15 Women Who Made Art and Made History (in That Order)'', 56–57. San Francisco: Chronicle Books, 2017. Gonzalez, Angela. “Cummer Resources.” To engage and inspire through the arts, gardens, and education., 2021. <nowiki>https://blog.cummermuseum.org/in-the-gallery-marie-victoire-lemoine-louis-benoit-zamor/</nowiki>. Baetjer, Katharine. “Marie-Victoire Lemoine.” Essay. In ''French Paintings in the Metropolitan Museum of Art: From the Early Eighteenth Century through the Revolution'', 347–350. New York, New York: Metropolitan Museum of Art, 2019. Vigué, Jordi. ''Great Women Masters of Art''. New York: Watson-Guptill, 2002 Rauser, Amelia F. ''The Age of Undress: Art, Fashion, and the Classical Ideal in the 1790s''. New Haven: Yale University Press, 2020. Young, Justine de. ''Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925''. London: Bloomsbury Publishing, 2019.\ May, Gita, and Louise-Elisabeth Vigée-Lebrun. “The Russian Experience .” Essay. In ''Elisabeth Vigée Le Brun: The Odyssey of an Artist in an Age of Revolution'', 140–41. New Haven, New York: Yale Univ. Press, 2005. <references />Piland, Sherry. “Marie-Victoire Lemoine.” Essay. In ''Women Artists: An Historical, Contemporary and Feminist Bibliography''. Lanham, Md: Scarecrow Press, 1994. Commire, Anne, and Deborah Klezmer. Essay. In ''Women in World History: A Biographical Encyclopedia'', 353–54. Detroit etc.: Gale, 2001. Author, About the. “Royalists to Romantics: Spotlight on Marie Victoire Lemoine: Broad Strokes Blog.” NMWA, June 8, 2012. <nowiki>https://nmwa.org/blog/artist-spotlight/royalists-to-romantics-spotlight-on-marie-victoire-lemoine/</nowiki>. “Marie Victoire Lemoine – the Interior of an Atelier of a Woman Painter, 1789.” Arthur. Accessed October 22, 2021. <nowiki>https://arthur.io/art/marie-victoire-lemoine/the-interior-of-an-atelier-of-a-woman-painter</nowiki>. “ Self Portrait by Marie-Victoire Lemoine (Detail), Ca. 1796.” Women at the easel / marie-victoire lemoine (detail), ca. 1796. Accessed October 22, 2021. <nowiki>https://www.earlywomenmasters.net/women_at_the_easel/slides/1796_ca_Marie-Victoire_Lemoine_detail.html</nowiki>. Oppenheimer, M. A. (1996). ''Women artists in Paris, 1791-1814'' (Order No. 9621824). Available from ProQuest Dissertations & Theses Global. (304256033). <nowiki>https://www.proquest.com/dissertations-theses/women-artists-paris-1791-1814/docview/304256033/se-2?accountid=11644</nowiki> [[Category:Wikipedia Student Program]]'