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This page allows you to examine the variables generated by the Edit Filter for an individual change.

Variables generated for this change

VariableValue
Edit count of the user (user_editcount)
null
Name of the user account (user_name)
'2001:8004:1282:DE7:1591:5D55:D966:C402'
Age of the user account (user_age)
0
Groups (including implicit) the user is in (user_groups)
[ 0 => '*' ]
Rights that the user has (user_rights)
[ 0 => 'createaccount', 1 => 'read', 2 => 'edit', 3 => 'createtalk', 4 => 'writeapi', 5 => 'viewmywatchlist', 6 => 'editmywatchlist', 7 => 'viewmyprivateinfo', 8 => 'editmyprivateinfo', 9 => 'editmyoptions', 10 => 'abusefilter-log-detail', 11 => 'urlshortener-create-url', 12 => 'centralauth-merge', 13 => 'abusefilter-view', 14 => 'abusefilter-log', 15 => 'vipsscaler-test' ]
Whether the user is editing from mobile app (user_app)
false
Whether or not a user is editing through the mobile interface (user_mobile)
false
Page ID (page_id)
1109784
Page namespace (page_namespace)
0
Page title without namespace (page_title)
'Page Avenue'
Full page title (page_prefixedtitle)
'Page Avenue'
Edit protection level of the page (page_restrictions_edit)
[]
Last ten users to contribute to the page (page_recent_contributors)
[ 0 => '2001:8004:1282:DE7:1591:5D55:D966:C402', 1 => '2001:8004:1280:D5A3:757B:1FC3:F18E:9090', 2 => '2001:8004:1244:4BC0:786B:98EA:F250:4DB7', 3 => '2001:8004:1284:3604:9462:5D09:FED7:C958', 4 => 'ClueBot NG', 5 => 'MusicforthePeople', 6 => 'GreenC bot', 7 => 'Rlink2', 8 => 'Tim96144', 9 => 'BrownHairedGirl' ]
Page age in seconds (page_age)
546913136
Action (action)
'edit'
Edit summary/reason (summary)
''
Old content model (old_content_model)
'wikitext'
New content model (new_content_model)
'wikitext'
Old page wikitext, before the edit (old_wikitext)
'{{Infobox album | name = Page Avenue | type = studio | artist = [[Story of the Year]] | cover = Page_Avenue.jpg | alt = An upside-down shadow of a person over a satellite view of a suburb | released = September 16, 2003 | recorded = November 2002, {{circa|March or April 2003}} | studio = Foxy, [[Marina del Rey, California]];<br />Avex, [[Waikiki|Waikiki, Hawaii]] | genre = [[Post-hardcore]], [[Pop-punk|pop punk]], [[emo]] | length = 41:47 | label = [[Maverick (company)|Maverick]] | producer = [[John Feldmann]] | prev_title = Story of the Year | prev_year = 2002 | next_title = [[Live in the Lou/Bassassins]] | next_year = 2005 | misc = {{Singles | name = Page Avenue | type = studio | single1 = [[Until the Day I Die]] | single1date = August 12, 2003 | single2 = [[Anthem of Our Dying Day]] | single2date = April 13, 2004 | single3 = Sidewalks | single3date = October 5, 2004 }} }} '''''Page Avenue''''' is the debut studio album by American [[Rock music|rock]] band [[Story of the Year]]. [[Goldfinger (band)|Goldfinger]] frontman [[John Feldmann]], who served as a talent scout for [[Maverick (company)|Maverick Records]], began working on demos with the band, and eventually for their debut album. Sessions took place at Feldmann's home studio, Foxy Studios in Marina del Rey, California; the group tracked three songs before guitarist Greg Haupt left in November 2002. Guitarist Philip Sneed was drafted in and sessions recommenced in early 2003. The album's release through Maverick Records was pushed back several times to September 16, 2003. The band toured as part of the [[Warped Tour]] before "[[Until the Day I Die]]" was released as a radio single. In early 2004, the band supported [[Linkin Park]] on their US arena tour; they subsequently worked with Linkin Park's [[Joe Hahn]] on a music video for "[[Anthem of Our Dying Day]]". The track was released as a single in April 2004, and the group embarked on a headlining US tour. A second stint on the Warped Tour followed, taking a month-long break, and headlining the [[Nintendo Fusion Tour]]. A music video was released for "Sidewalks"; the track was released as a single in October. Critics drew comparisons between the group and [[Thrice]], [[Finch (American band)|Finch]], and [[the Used]], another act that Feldmann had produced. ''Page Avenue'' peaked at number 51 on the [[Billboard 200|''Billboard'' 200]]. It was certified [[RIAA Certification|gold]] by the [[Recording Industry Association of America]] (RIAA) in April 2004, then platinum in March 2021, serving as one of the first [[post-hardcore]] albums to achieve either status. "Until the Day I Die", "Anthem of Our Dying Day" and "Sidewalks" all charted on the [[Alternative Songs]] chart, with the first two reaching the chart's top 20. "Until the Day I Die" also reached the top 75 in the UK. An acoustic version of the album was released in October 2013, which coincided with an anniversary tour. ==Background== Partway through the tour, Goldfinger frontman [[John Feldmann]] said that he wanted to produce their demos to try to attract a record deal.<ref name=MCgood/> They did [[Pre-production#In music|pre-production]] acoustically,<ref>{{cite web|url=https://www.clevescene.com/scene-and-heard/archives/2013/10/08/story-of-the-years-anniversary-tour-comes-to-house-of-blues-tomorrow|title=Story of the Year's anniversary tour comes to House of Blues tomorrow|work=[[Cleveland Scene]]|author=Niesel, Jeff|date=October 8, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20150910035106/http://www.clevescene.com/scene-and-heard/archives/2013/10/08/story-of-the-years-anniversary-tour-comes-to-house-of-blues-tomorrow|archive-date=September 10, 2015|url-status=live}}</ref> and tracked demos of "Until the Day I Die" and "Anthem of Our Dying Day" in the process.<ref name=Billreflect/> Following the tour's conclusion, Feldmann showed the home video to major label [[Maverick (company)|Maverick Records]],<ref name=Maverickbio/> for whom he acted as a talent scout.<ref name=MCgood/> In September, the group changed their name to Story of the Year to avoid confusion with another band called Bigbluemonkey,<ref>{{cite web|url=http://bigbluemonkey.com:80/index2.htm|archive-url=https://web.archive.org/web/20021004085841/http://bigbluemonkey.com/index2.htm|title=News|publisher=Bigbluemonkey|archive-date=October 4, 2002|access-date=April 5, 2018|url-status=dead}}</ref> and at the urging of Feldmann, who disliked the name.<ref name=Billreflect/> In October, the band signed to Maverick Records following a showcase.<ref name=MCgood/> In the process, Reese became their manager.<ref name=Billreflect/> ==Writing and recording== Prior to signing with Maverick, the group wanted to improve their song writing. As Marsala explains: "[W]e had songs, but we knew we wanted new stuff and we wanted to like really get serious."<ref name=MCgood/> After signing, the band began working on material for their debut album, writing for roughly a month<ref name=Maverickbio/> at Feldmann's house.<ref name=MCflipping/> Feldmann helped the group structure their songs better.<ref>{{cite web|url=http://www.theaureview.com/interviews/dan-marsala-of-story-of-the-year-speaks-on-the-ten-year-anniversary-tour|title=Dan Marsala of Story of the Year (Missouri) speaks on the Ten Year Anniversary tour!|work=The AU Review|publisher=Heath Media|author=Roberts, Dave|date=June 12, 2014|access-date=April 5, 2018|url-status=dead|archive-url=https://web.archive.org/web/20180406041233/http://www.theaureview.com/interviews/dan-marsala-of-story-of-the-year-speaks-on-the-ten-year-anniversary-tour|archive-date=April 6, 2018}}</ref> Recording took place at Feldmann's home studio, Foxy Studios in Marina del Rey, California.<ref name=PAbooklet/> The studio space consisted of one bedroom, which featured drums. Feldmann had stapled egg crates and glued foam to the walls to give the room better sound.<ref name=Billreflect/> He acted as producer and engineer with additional engineering by Mark Blewett.<ref name=PAbooklet/> In November 2002, the group tracked "Anthem of Our Dying Day", "Until the Day I Die" and "Razorblades",<ref name=Maverickbio/> which were the only songs they had at the time.<ref name=MCgood/> However, before they planned to return to the studio, Haupt left the group over creative and personal reasons. The band spent the following seven weeks writing more music and searching for a new guitarist. They heard that guitarist Philip Sneed was on uncertain terms with his band Maybe Today.<ref name=Maverickbio/> Sneed joined the group after flying out to California and practicing with the band. Accumulating 25–30 songs, the band returned to the studio<ref name=Maverickbio/> in March or April 2003.<ref name=MCgood/> They narrowed the choice of songs to ten after a week or two,<ref name=Maverickbio/> and spent the following six weeks recording them. Sessions took place seven days a week, up to 15 hours per day. Feldmann informed the label that they should record in Hawaii.<ref name=Maverickbio/> They subsequently recorded at Avex Studios in Waikiki, Hawaii,<ref name=PAbooklet/> tracking strings for two songs. The group said they "spent 6 days in the sun and like 7 hours actually working."<ref name=Maverickbio/> During the recording of "Falling Down", Wills was unable to play the song's beat. Feldmann didn't want to edit the drums to make it sound like a drum machine, so Marsala opted to play them instead.<ref name=Billreflect/> The track served as the end of the recording sessions, with Marsala playing all the instruments on it.<ref name=SLPDtbt/> Feldmann mixed the recordings at Foxy Studios, while Joe Gastwirt mastered them at Ocean View Digital Mastering. Toby Morse of [[H2O (American band)|H<sub>2</sub>O]], [[Ray Cappo]] of [[Shelter (band)|Shelter]] and Feldmann sang guest vocals on "Falling Down". Feldmann also sang additional backings vocals on "And the Hero Will Drown", "Until the Day I Die", "Anthem of Our Dying Day" and "Razorblades".<ref name=PAbooklet/> Marsala later criticized Feldmann's role, saying: "Feldmann had originally changed our sound. All of his records have the same sort of sound, because he's always using the same formulas on everything."<ref name=MTVLame>{{cite web|url=http://www.mtv.com/news/1509332/story-of-the-year-are-done-with-dying-admit-their-debut-was-lame/|title=Story Of The Year Are Done With Dying, Admit Their Debut Was Lame|publisher=MTV|author=Harris, Chris|date=September 12, 2005|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403234536/http://www.mtv.com/news/1509332/story-of-the-year-are-done-with-dying-admit-their-debut-was-lame/|archive-date=April 3, 2018}}</ref> Feldmann said the group, who were influenced by bands ranging from [[Pantera]] to the Red Hot Chili Peppers, wanted to sound heavier than the album's ultimate sound. He intended for the album to be highly vocal-driven. Marsala wanted it to be a metal record. Feldmann said people would not connect with that sound the same way they would if the band focused on the melodies and vocals.<ref name=Billreflect/> ==Composition== Musically, the album has been described as [[emo]],<ref name="Exclaimreview" /> [[post-hardcore]],<ref name=Billreflect>{{cite web|url=https://www.billboard.com/articles/columns/rock/8474907/story-of-the-year-john-feldmann-page-avenue-15th-anniversary-interview|title=Story of the Year & Producer John Feldmann Reflect on Debut Album 'Page Avenue' 15 Years Later: 'It Was A Magic Moment In Time'|work=[[Billboard (magazine)|Billboard]]|author=Gracie, Bianca|date=September 16, 2018|access-date=June 3, 2019|archive-url=https://web.archive.org/web/20180917170800/https://www.billboard.com/articles/columns/rock/8474907/story-of-the-year-john-feldmann-page-avenue-15th-anniversary-interview|archive-date=September 17, 2018|url-status=live}}</ref><ref name=Melodicreview/> [[Pop-punk|pop punk]]<ref>Sharpe-Young 2005, p. 291</ref> and [[screamo]].<ref name=MCflipping/> Alan Sculley of ''[[The Morning Call]]'' said the tracks were in "a middle ground between the heavy rock" style of the [[Deftones]] and the "poppier side" Story of the Year had developed prior to moving to California.<ref name=MCgood/> The band drew comparisons to [[Thrice]],<ref name=AMbio>{{cite web|url=https://www.allmusic.com/artist/story-of-the-year-mn0000525243/biography|title=Story of the Year {{!}} Biography & History|website=[[AllMusic]]|publisher=All Media Network, LLC|author=Loftus, Johnny|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405220617/https://www.allmusic.com/artist/story-of-the-year-mn0000525243/biography|archive-date=April 5, 2018}}</ref> [[Finch (American band)|Finch]]<ref name=Melodicreview/> and [[the Used]], an act that Feldmann also produced.<ref name=MCflipping>{{cite web|url=http://articles.mcall.com/2004-11-19/features/3571755_1_story-modern-rock-singles-chart-primus|title=Story of the Year makes no apologies for flipping the page|work=[[The Morning Call]]|publisher=Robert York|author=Moser, John J.|date=November 19, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180406040320/http://articles.mcall.com/2004-11-19/features/3571755_1_story-modern-rock-singles-chart-primus|archive-date=April 6, 2018}}</ref> Feldmann tried to separate Marsala, who was more of a trained singer, from the Used frontman [[Bert McCracken]], who had a unique voice. He added that the band's riffs leaned to a more progressive sound than the Used, who were more chaotic.<ref name=Billreflect/> Sneed said that while recording in California, the album "took on like a whole sentimental, missing-home type of vibe" with most of the songs being about "missing home and missing friends and memories".<ref name=MTVdying/> ''Page Avenue'' was named after a popular [[Missouri Route 364|east-west freeway]] close to St. Louis, Missouri.<ref name=Maverickbio/> Marsala said it "reflects a bunch of dudes determined to get out of St. Louis and make our dreams happen and while we were doing that we realized how very important our home really was to us".<ref>{{cite web|url=http://www.mammothpress.com/index.php?area=readinterview&pid=44|archiveurl=https://web.archive.org/web/20070608094650/http://www.mammothpress.com/index.php?area=readinterview&pid=44|title=Ask The Band - Story of the Year|publisher=Mammoth Press|date=December 15, 2004|archivedate=June 8, 2007|accessdate=November 23, 2021}}</ref> Marsala came up with the guitar riff for "And the Hero Will Down" and proceeded to show Phillips, who immediately suggested jamming.<ref name=SLPDtbt/> As the band wrote the track, they knew it would work as an upbeat, in-your-face type of song. They wrote it with a live setting in mind;<ref name=Billreflect/> Marsala thought the track sounded like [[Refused]]. "Until the Day I Die" was written in the group's van while they were touring.<ref name=SLPDtbt>{{cite web|url=https://www.stltoday.com/entertainment/music/story-of-the-year-takes-a-drive-down-page-avenue/article_faf91cce-ac90-51ce-8935-a6f89b066351.html|archive-url=https://web.archive.org/web/20190615074909/https://www.stltoday.com/entertainment/music/story-of-the-year-takes-a-drive-down-page-avenue/article_faf91cce-ac90-51ce-8935-a6f89b066351.html|title=Story of the Year takes a drive down 'Page Avenue'|work=[[St. Louis Post-Dispatch]]|author=Johnson, Kevin C.|date=February 3, 2011|archive-date=June 15, 2019|access-date=June 15, 2019}}</ref> Wills wrote the first verse of "Anthem of Our Dying Day", before jamming out the rest of it with the band. Working on the lyrics, Russell had [[Saves the Day]] and [[Glassjaw]] in mind;<ref name=Billreflect/> Sneed said the track was about ghosts.<ref name=MTVdying/> The initial version of "In the Shadows" sounded much different before the band entered the studio.<ref name=SLPDtbt/> The group did not like Feldmann's suggestion they make the chorus more chilled-out compared to the heavy nature of the verses.<ref name=Billreflect/> "Swallow the Knife" is about the band's former guitarist; "The Unheard Voice" was initially intended for inclusion, but was dropped in favor of "Swallow the Knife" as the band felt the album did not have enough slow-tempo songs.<ref name=SLPDtbt/><ref name=TBMinterview/> Marsala said the title-track summarized the album and represented home.<ref name=SLPDtbt/> For "Sidewalks", Sneed said the group wanted it to have a "different attitude" compared to the rest of the songs by incorporating strings<ref name=MTVdying>{{cite web|url=http://www.mtv.com/news/1489230/story-of-the-year-reveal-the-story-behind-their-anthem/|title=Story Of The Year Reveal The Story Behind Their 'Anthem'|publisher=[[MTV]]|author=Moss, Corey|date=July 6, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180406040240/http://www.mtv.com/news/1489230/story-of-the-year-reveal-the-story-behind-their-anthem/|archive-date=April 6, 2018}}</ref> and bongos.<ref name=AUreview/> It was almost entirely written by Sneed; it talks about relationships and missing the simpler periods in life.<ref name=Billreflect/> Sneed wrote the main riff before showing it to the rest of the band, who liked it. When learning that they planned to add strings, Sneed wrote the rest of the song with strings in mind.<ref name=TBMinterview>{{cite web|url=http://www.troublebunchmusic.com/storyoftheyearinterview.html|archiveurl=https://web.archive.org/web/20040301110705/http://www.troublebunchmusic.com/storyoftheyearinterview.html|title=Yay It's Story of the Year!|publisher=Trouble Bunch Music|archivedate=March 1, 2004|accessdate=December 10, 2021}}</ref> "Divide and Conquer" came about during a period where the band wrote several heavy songs in a row. "Razorblades" was one of the first tracks written by the group's new lineup.<ref name=SLPDtbt/> "Falling Down" incorporates heavier [[punk rock]] sounds<ref name=AUreview/> by the likes of [[Blindside (band)|Blindside]].<ref name=Melodicreview/> The CD's [[hidden track]] consists of bloopers/outtakes from the recording sessions.<ref name=RFTreview>{{cite web|url=https://www.riverfronttimes.com/musicblog/2011/02/03/story-of-the-year-on-its-nirvana-cover-and-more-trivia-about-page-avenue|title=Story of the Year on Its Nirvana Cover and More Trivia about Page Avenue|work=Riverfront Times|author=Zaleski, Annie|date=February 3, 2011|access-date=April 20, 2020|archive-url=https://web.archive.org/web/20160702102716/http://www.riverfronttimes.com/musicblog/2011/02/03/story-of-the-year-on-its-nirvana-cover-and-more-trivia-about-page-avenue|archive-date=July 2, 2016|url-status=live}}</ref> ==Release and touring== After recording, Story of the Year moved back to St. Louis and immediately started touring.<ref name=Maverickbio/> On May 7, 2003, it was announced that their debut album was scheduled for release in early July.<ref>{{cite web|url=http://melodic.net/?page=news&id=593|archive-url=https://archive.today/20180407124304/http://melodic.net/?page=news&id=593|title=Story Of The Year- July 8th |work=Melodic|author=Wippsson, Johan|date=May 7, 2003|archive-date=April 7, 2018|access-date=April 2, 2018}}</ref> On May 16, the album's track listing was revealed; the album's release was pushed back to August 27.<ref>{{cite web|url=http://melodic.net/?page=news&id=634|title=Story Of The Year Out Aug.27th|work=Melodic|author=Wippsson, Johan|date=May 16, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173634/http://melodic.net/?page=news&id=634|archive-date=April 3, 2018}}</ref> On June 13, the album's title was announced: ''Page Avenue''.<ref>{{cite web|url=http://melodic.net/?page=news&id=763|title=Story Of The Year?s Debut Titled Page Avenue|work=Melodic|author=Wippsson, Johan|date=June 13, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173629/http://melodic.net/?page=news&id=763|archive-date=April 3, 2018}}</ref> On June 22, the album's release was pushed back again, this time to mid-September.<ref name=MelodicSep>{{cite web|url=http://melodic.net/?page=news&id=817|title=Story Of The Year-Pushed Forward To Sept.16th|work=Melodic|author=Wippsson, Johan|date=June 22, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173712/http://melodic.net/?page=news&id=817|archive-date=April 3, 2018}}</ref> In July, the group appeared on the [[Warped Tour]].<ref>{{cite web|url=http://www.warpedtour.com:80/news.html|archive-url=https://web.archive.org/web/20031003182600/http://www.warpedtour.com/news.html|title=Final Band List Announced|publisher=Warped Tour|date=February 6, 2003|archive-date=October 3, 2003|access-date=May 17, 2018|url-status=dead}}</ref> Partway through, the group was moved to a bigger stage because of the large crowds they were drawing. On August 9, two songs from the album were posted online.<ref>{{cite web|url=http://melodic.net/?page=news&id=1076|title=Listen To Story Of The Year|work=Melodic|author=Wippsson, Johan|date=August 9, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173716/http://melodic.net/?page=news&id=1076|archive-date=April 3, 2018}}</ref> "[[Until the Day I Die]]" was released to radio on August 12.<ref name=FMQB>{{cite web|url=http://www.fmqb.com/Article.asp?id=16771|title=FMQB Airplay Archive: Modern Rock|publisher=Friday Morning Quarterback Album Report, Incorporated|access-date=October 30, 2016|url-status=live|archive-url=https://web.archive.org/web/20130322142732/http://www.fmqb.com/Article.asp?id=16771|archive-date=March 22, 2013}}</ref> The group wanted to tour for a year before their label started pushing a single. They grew up in the 1990s when labels were focused on investing in development. Russell, citing the [[Red Hot Chili Peppers]] and their song "[[Under the Bridge]]" as an example, said the band was afraid of being labelled sell-outs due to a big single. However, the label was unwavering in their decision to release "Until the Day I Die".<ref name=Billreflect/> In August and September, Story of the Year went on tour with [[Saosin]] and labelmates [[Stutterfly]].<ref>{{cite web|url=https://www.punknews.org/article/6907/stutterfly-signs-to-maverick|title=Stutterfly signs to Maverick|publisher=Punknews.org|author=Heisel, Scott|date=August 25, 2003|access-date=March 10, 2021|archive-date=June 28, 2018|archive-url=https://web.archive.org/web/20180628044944/https://www.punknews.org/article/6907/stutterfly-signs-to-maverick|url-status=live}}</ref> Maverick Records released ''Page Avenue'' on September 16.<ref name=MelodicSep/> The cover was created by Lawrence Azerrad,<ref name=PAbooklet/> Maverick's in-house artist.<ref name=RFTsecrets/> It features a satellite image taken by Space Imaging<ref name=PAbooklet/> over a suburb in San Diego, California. Marsala said they argued with Maverick about it, asking them to change it to St. Louis. The label said they would but then admitted the cover had already been printed. The band was "pretty pissed".<ref name=RFTsecrets/> Between October and December, the band supported [[Sugarcult]] on their headlining US tour.<ref>{{cite web|url=http://66.227.101.159/news.php|archive-url=https://web.archive.org/web/20031209141514/http://66.227.101.159/news.php|title=Sugarcult News|publisher=Sugarcult|archive-date=December 9, 2003|access-date=April 4, 2020}}</ref> On November 21, the band appeared on ''[[Last Call with Carson Daly]]''.<ref>{{cite web|url=https://www.punknews.org/article/7632/bands-on-tv-week-of-11-17-03|title=Bands on TV – week of 11/17/03|publisher=Punknews.org|author=Heisel, Scott|date=November 17, 2003|access-date=March 14, 2021|archive-date=March 27, 2021|archive-url=https://web.archive.org/web/20210327163033/https://www.punknews.org/article/7632/bands-on-tv-week-of-11-17-03|url-status=live}}</ref> In January and February 2004,<ref>{{cite web|url=http://melodic.net/?page=news&id=1674|title=Great Fat Tour In 2004!|work=Melodic|author=Wippsson, Johan|date=November 18, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173647/http://melodic.net/?page=news&id=1674|archive-date=April 3, 2018}}</ref> the group supported [[Linkin Park]] on their US arena tour.<ref>{{cite web|url=https://www.billboard.com/articles/news/68009/linkin-park-pod-confirm-tour-plans|title=Linkin Park, P.O.D. Confirm Tour Plans|work=Billboard|publisher=Prometheus Global Media|date=November 26, 2002|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20150920005746/https://www.billboard.com/articles/news/68009/linkin-park-pod-confirm-tour-plans|archive-date=September 20, 2015}}</ref> During the tour, the band learned [[Joe Hahn]] of Linkin Park had directed their music videos, which they really liked. After talking to their management, the band befriended Hahn, who subsequently directed a music video for "Anthem of Our Dying Day".<ref name=Billreflect/> On February 19, 2004, the band appeared on ''[[Jimmy Kimmel Live!]]''.<ref>{{cite web|url=https://www.punknews.org/article/8394/bands-on-tv-week-of-2-16-04|title=Bands on TV – week of 2/16/04|publisher=Punknews.org|author=Heisel, Scott|date=February 16, 2004|access-date=March 23, 2021|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200751/https://www.punknews.org/article/8394/bands-on-tv-week-of-2-16-04|url-status=live}}</ref> Around this time, Maverick Records was using [[BigChampagne]]. The company had a top 20 downloads section, based on data culled from [[peer-to-peer]] networks, which featured "Until the Day I Die". However, the song was receiving less airplay on radio than other artists. Jeremy Welt, head of new media at Maverick Records, convinced radio stations in certain markets to play the band during prime-time listening hours, which helped increase sales.<ref>Banerjee 2004, p. 73</ref> In April and May, the group went on a headlining US tour with support from [[Hazen Street]], [[Letter Kills]]<ref name=UGAnthemvideo/> and [[Motion City Soundtrack]].<ref>{{cite web|url=https://www.punknews.org/article/8890/tours-motion-city-soundtrack-announce-summer-touring-plans|title=Motion City Soundtrack announce summer touring plans|publisher=Punknews.org|author=Heisel, Scott|date=April 9, 2004|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403235138/https://www.punknews.org/article/8890/tours-motion-city-soundtrack-announce-summer-touring-plans|archive-date=April 3, 2018}}</ref> "Anthem of Our Dying Day" was released to radio on April 13;<ref name=FMQB/> followed by a music video on April 28.<ref name=UGAnthemvideo>{{cite web|url=https://www.ultimate-guitar.com/news/general_music_news/in_brief_damageplan_letter_kills_soil_story_of_the_year.html|title=In Brief: Damageplan, Letter Kills, SOiL, Story Of The Year|publisher=Ultimate Guitar Archive|author=UG Team|date=April 28, 2004|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403051548/https://www.ultimate-guitar.com/news/general_music_news/in_brief_damageplan_letter_kills_soil_story_of_the_year.html|archive-date=April 3, 2018}}</ref> The group performed on the Warped Tour again.<ref>{{cite web|url=http://www.mtv.com/news/1488759/warped-tour-launch-electrifies-without-the-lightning/|title=Warped Tour Launch Electrifies Without The Lightning|publisher=MTV|author=Clark, Michael|date=June 29, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180406040327/http://www.mtv.com/news/1488759/warped-tour-launch-electrifies-without-the-lightning/|archive-date=April 6, 2018}}</ref> When it ended the group took a month's break.<ref>{{cite web|url=https://www.billboard.com/articles/news/66864/story-of-the-year-going-soft-and-pretty|title=Story Of The Year Going 'Soft And Pretty'|work=Billboard|publisher=Lynne Segall|date=August 18, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20151121051129/http://www.billboard.com/articles/news/66864/story-of-the-year-going-soft-and-pretty|archive-date=November 21, 2015}}</ref> In September and October, the band headlined the 2004 edition of the [[Nintendo Fusion Tour]], which also featured [[Lostprophets]], [[My Chemical Romance]], Letter Kills, [[Anberlin]] and [[Autopilot Off]].<ref>Kipnis; Ord 2004, p. 17</ref> "Sidewalks" was released to radio on October 5.<ref name=FMQB/> Russell and Phillips co-directed the video for the song, which was based on its sound than its lyrics, produced by production company Villains.<ref name=Billreflect/> ==Reception== {{Album ratings | rev1 = [[AllMusic]] | rev1score = {{Rating|3|5}}<ref name=AMreview>{{cite web|url=https://www.allmusic.com/album/page-avenue-mw0000317346|title=Page Avenue – Story of the Year {{!}} Songs, Reviews, Credits|publisher=AllMusic|author=Cramer, Stephen|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20171006162843/https://www.allmusic.com/album/page-avenue-mw0000317346|archive-date=October 6, 2017}}</ref> | rev2 = ''The AU Review'' | rev2Score = Favorable<ref name=AUreview>{{cite web|url=http://www.theaureview.com/albums/story-of-the-year-page-avenue-2003-lp|title=Classic Album Review: Story of the Year – Page Avenue (2003 LP)|work=The AU review|author=Roberts, Dave|date=June 13, 2014|access-date=June 14, 2019|archive-url=https://web.archive.org/web/20180407113129/http://www.theaureview.com/albums/story-of-the-year-page-avenue-2003-lp|archive-date=April 7, 2018|url-status=dead}}</ref> | rev3 = ''[[Exclaim!]]'' | rev3Score = Favorable<ref name=Exclaimreview>{{cite web|url=https://exclaim.ca/music/article/story_of_year-page_avenue|title=Story of the Year Page Avenue|work=[[Exclaim!]]|publisher=Ian Danzig|author=Sutherland, Sam|date=December 1, 2003|access-date=April 1, 2018|url-status=dead|archive-url=https://web.archive.org/web/20180401222827/https://exclaim.ca/music/article/story_of_year-page_avenue|archive-date=April 1, 2018}}</ref> | rev4 = ''[[Melodic (magazine)|Melodic]]'' | rev4Score = {{Rating|3.5|5}}<ref name=Melodicreview>{{cite web|url=http://www.melodic.net/?page=review&id=1566|title=Story of the Year – Page Avenue|work=Melodic|author=Wippsson, Johan|date=September 12, 2003|access-date=July 18, 2017|url-status=dead|archive-url=https://web.archive.org/web/20180402225424/http://www.melodic.net/?page=review&id=1566|archive-date=April 2, 2018}}</ref> }} ===Critical response=== [[AllMusic]] reviewer Stephen Cramer singled out Marsala's unwavering vocals as a highlight of the album.<ref name=AMreview/> Dave Roberts of ''The AU Review'' viewed it as a bit over produced, though it had credible teenage emotion.<ref name=AUreview/> Cramer noted the band's reoccurring "flare for the dramatic" on ''Page Avenue''.<ref name=AMreview/> He called it a decent, [[Dashboard Confessional]]-esque debut, with "crunchy" ballads showing the band can be both tasteful and fierce.<ref name=AMreview/> Johan Wippsson of ''[[Melodic (magazine)|Melodic]]'' wrote that the band had made a refreshing take on punk, noting that they had the possibility to be as big as the Used.<ref name=Melodicreview/> ''[[Exclaim!]]'' writer Sam Sutherland added to the Used point, mentioning that a few songs appear to be candidly taken from that band's [[The Used (album)|self-titled debut album]].<ref name=Exclaimreview/> He cited "Until the Day I Die" as a good example of what the rest of ''Page Avenue'' sounds like with its appealing hooks and melodies, combined with an acceptable amount of [[Screaming (music)|screaming vocals]] and [[octave]] parts to please people who are seeking more of a bite to their music.<ref name=Exclaimreview/> Cramer similarly highlighted the group's "steady and layered" instrumental work.<ref name=AMreview/> Sutherland said the album was "excellent" overall, "instantly listenable and catchy as hell".<ref name=Exclaimreview/> Despite being a decade old the record "is as good as it ever was", according to Roberts.<ref name=AUreview/> Wippsson added that it was an enjoyable record and that fans of this kind of music would be content.<ref name=Melodicreview/> ===Commercial performance and legacy=== ''Page Avenue'' peaked at number 51 on the [[Billboard 200|''Billboard'' 200]] chart.<ref name="peaks">{{Cite web|url={{BillboardURLbyName|artist=story of the year|chart=all}}|title=Artist Chart History|access-date=2008-05-23|work=[[Billboard (magazine)|Billboard]]}}</ref> It reached number one on the [[Top Heatseekers|Heatseekers Albums]] chart.<ref>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/tln/|title=Story of the Year Chart History (Heaseekers Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180407124014/https://www.billboard.com/music/story-of-the-year/chart-history/heatseekers-albums|archive-date=April 7, 2018}}</ref> By January 2004, it had sold close to 150,000 copies.<ref>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/news.htm|archive-url=https://web.archive.org/web/20040401123247/http://www.maverick.com/storyoftheyear/site/news.htm|title=News|publisher=Maverick Records|archive-date=April 1, 2004|access-date=April 5, 2018|url-status=dead}}</ref> By April, the album was certified [[RIAA certification|gold]] by the [[Recording Industry Association of America]] (RIAA),<ref name=USgold/> one of the first of the post-hardcore genre to do so.<ref name=Billreflect/> As of February 2011, it had sold over 900,000 copies.<ref name=RFTsecrets/> "Until the Day I Die" charted at number 12 on the [[Alternative Airplay|Alternative Songs]] chart.<ref name=BillAltSongs>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/mrt/|title=Story of the Year Chart History (Alternative Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405132940/https://www.billboard.com/music/story-of-the-year/chart-history/alternative-songs|archive-date=April 5, 2018}}</ref> It also charted in the UK at number 62.<ref>{{cite web|url=http://www.zobbel.de/cluk/CLUK_S.HTM|title=Chart Log UK: DJ S – The System Of Life|publisher=Zobbel|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20110722025212/http://www.zobbel.de/cluk/CLUK_S.HTM|archive-date=July 22, 2011}}</ref> "Anthem of Our Dying Day" charted at number 10 on the Alternative Songs chart.<ref name=BillAltSongs/> "Sidewalks" charted at number 40 on the Alternative Songs chart.<ref name=BillAltSongs/> ''[[Cleveland Scene]]'' said ''Page Avenue'' and "Until the Day I Die" helped push screamo into the mainstream musical landscape.<ref>{{cite web|url=https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|title=Last Year's Story|work=Cleveland Scene|author=Seabaugh, Julie|date=March 8, 2006|access-date=June 14, 2019|archive-url=https://web.archive.org/web/20190614222735/https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|archive-date=June 14, 2019|url-status=live}}</ref> In February 2011, the group performed ''Page Avenue'' in its entirety for a one-off hometown show.<ref>{{cite web|url=https://www.altpress.com/news/story_of_the_year_to_play_hometown_show_on_february_4/|title=Story Of The Year to play hometown show on February 4|work=Alternative Press|author=Bird, Michele|date=December 14, 2010|access-date=June 18, 2020|archive-date=June 19, 2020|archive-url=https://web.archive.org/web/20200619033039/https://www.altpress.com/news/story_of_the_year_to_play_hometown_show_on_february_4/|url-status=live}}</ref> An acoustic re-make of the album was released in October 2013 to celebrate the album's 10th anniversary.<ref name=RFDan>{{cite web|url=https://reviewfix.com/2013/09/review-fix-exclusive-story-of-the-year-frontman-dan-marsala-talks-about-page-avenue-and-its-10-year-acoustic-re-imagining/|title=Review Fix Exclusive: Story of the Year Frontman Dan Marsala Talks About 'Page Avenue' and its 10-year Acoustic Re-Imagining|work=Review Fix|author=Hickey Jr, Patrick|date=September 24, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608084651/https://reviewfix.com/2013/09/review-fix-exclusive-story-of-the-year-frontman-dan-marsala-talks-about-page-avenue-and-its-10-year-acoustic-re-imagining/|archive-date=June 8, 2019|url-status=live}}</ref> The band decided to do this instead of simply re-recording, remixing or remastering the original.<ref>{{cite web|url=https://reviewfix.com/2013/11/review-fix-exclusive-story-of-the-year-lead-guitarist-ryan-phillips-talks-page-avenue-10-years-later/|title=Review Fix Exclusive: Story of the Year Lead Guitarist Ryan Phillips Talks 'Page Avenue' 10-years Later|work=Review Fix|author=Hickey Jr, Patrick|date=November 4, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608084655/https://reviewfix.com/2013/11/review-fix-exclusive-story-of-the-year-lead-guitarist-ryan-phillips-talks-page-avenue-10-years-later/|archive-date=June 8, 2019|url-status=live}}</ref> Most of the album focused around piano and string arrangements, instead of acoustic guitars as Marsala felt the piano gave a more dramatic vibe that fit better with the songs.<ref name=RFDan/> Following the release, the band performed on the [[Warped Tour]].<ref>{{cite web|url=https://www.altpress.com/news/silverstein_story_of_the_year_the_swellers_set_it_off_and_more_announced_fo/|title=Silverstein, Story Of The Year, the Swellers, Set It Off and more announced for Warped Tour 2013|work=Alternative Press|author=Kraus, Brian|date=March 8, 2013|access-date=June 8, 2019}}</ref> They also headlined the [[Scream It Like You Mean It]] tour in the US playing ''Page Avenue'' in its entirety.<ref>{{cite web|url=https://www.altpress.com/news/story_of_the_year_announce_tour_with_like_moths_to_flames_hawthorne_heights/|title=Story Of The Year announce tour with Like Moths To Flames, Hawthorne Heights, others|work=Alternative Press|author=Horansky, TJ|date=August 5, 2013|access-date=June 8, 2019|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200753/https://www.altpress.com/news/story_of_the_year_announce_tour_with_like_moths_to_flames_hawthorne_heights/|url-status=live}}</ref> During this tour, a limited number of copies of the anniversary release were made available.<ref>{{cite web|url=https://substreammagazine.com/2013/09/sub-news-story-of-the-year-celebrates-page-avenue-anniversary-with-new-acoustic-album/|title=Story of the Year Celebrates 'Page Avenue' Anniversary with New Acoustic Album|work=Substream Magazine|author=Arsenault, Nici|date=September 10, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608093204/https://substreammagazine.com/2013/09/sub-news-story-of-the-year-celebrates-page-avenue-anniversary-with-new-acoustic-album/|archive-date=June 8, 2019|url-status=live}}</ref> In November 2017, the album was released on vinyl by SRC Vinyl.<ref>{{cite web|url=https://www.allmusic.com/album/release/page-avenue-mr0004728177|title=Page Avenue – Story of the Year {{!}} Release Info|publisher=AllMusic|author=Cramer, Stephen|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405214851/https://www.allmusic.com/album/release/page-avenue-mr0004728177|archive-date=April 5, 2018}}</ref> ==Track listing== All songs written by Story of the Year, except "Sidewalks" and "Swallow the Knife" co-written with John Feldmann.<ref name=PAbooklet/> {{Track listing | title1 = And the Hero Will Drown | length1 = 3:13 | title2 = [[Until the Day I Die]] | length2 = 3:55 | title3 = [[Anthem of Our Dying Day]] | length3 = 3:37 | title4 = In the Shadows | length4 = 3:28 | title5 = Dive Right In | length5 = 3:15 | title6 = Swallow the Knife | length6 = 3:36 | title7 = Burning Years | length7 = 3:07 | title8 = Page Avenue | length8 = 3:37 | title9 = Sidewalks | length9 = 3:34 | title10 = Divide and Conquer | length10 = 3:04 | title11 = Razorblades | length11 = 3:23 | title12 = Falling Down | length12 = 3:58 | total_length = 41:47 }} {{Track listing | headline = ''Page Avenue: Ten Years and Counting'' track listing | collapsed = yes | title1 = And the Hero Will Drown | length1 = 3:17 | title2 = Until the Day I Die | length2 = 4:03 | title3 = Anthem of Our Dying Day | length3 = 3:22 | title4 = In the Shadows | length4 = 3:13 | title5 = Dive Right In | length5 = 3:05 | title6 = Swallow the Knife | length6 = 3:42 | title7 = Page Avenue | length7 = 3:34 | title8 = Sidewalks | length8 = 3:24 | title9 = Divide and Conquer | length9 = 3:06 | title10 = Razorblades | length10 = 4:07 | total_length = 34:53 }} ==Personnel== Personnel per booklet,<ref name=PAbooklet>{{cite AV media notes|title=Page Avenue|others=[[Story of the Year]] |year=2004|orig-year=originally released in 2003|type=Booklet|publisher=[[Maverick (company)|Maverick Records]]|id=9362-49390-2}}</ref> except where noted. {{col-begin}} {{col-2}} '''Story of the Year''' * Dan Marsala – lead vocals; drums <small>(track 12)</small><ref name=Billreflect/> * Ryan Phillips – lead guitar * Adam Russell – bass, art * Josh Wills – drums <small>(tracks 1–11)</small><ref name=Billreflect/> * Philip Sneed – rhythm guitar <small>(tracks 1, 4–10, and 12)</small><ref name=Maverickbio/> '''Additional musicians''' * Greg Haupt – rhythm guitar <small>(tracks 2, 3, and 11)</small><ref name=Maverickbio/><ref name=MCgood/> * [[H2O (American band)|Toby Morse]] – guest vocals <small>(track 12)</small> * [[Ray Cappo]] – guest vocals <small>(track 12)</small> * [[John Feldmann]] – guest vocals <small>(track 12)</small>, additional background vocals <small>(tracks 1–3 and 11)</small> * [[Bert McCracken]] – guest vocals <small>(track 3)</small><ref>{{Cite web |url=https://anchor.fm/pageavenuecrew/episodes/Making-Page-Avenue-Part-1-eipfag |title=Archived copy |access-date=2020-08-29 |archive-date=2021-05-06 |archive-url=https://web.archive.org/web/20210506193513/https://anchor.fm/pageavenuecrew/episodes/Making-Page-Avenue-Part-1-eipfag |url-status=live }}</ref> {{col-3}} '''Production''' * John Feldmann – producer, engineer, mixing * Mark Blewett – additional engineering * Joe Gastwirt – mastering * Space Imaging – satellite image * Lawrence Azerrad – cover {{col-end}} ==Charts== {{col-begin}} {{col-2}} ===Weekly charts=== {| class="wikitable sortable plainrowheaders" style="text-align:center" |- ! scope="col"| Chart (2003) ! scope="col"| Peak<br /> position |- {{album chart|Billboard200|51|artist=Story of the Year|access-date=April 5, 2018|rowheader=true}} |- {{album chart|BillboardHeatseekers|1|artist=Story of the Year|access-date=April 5, 2018|rowheader=true}} |} {{col-2}} ===Year-end charts=== {| class="wikitable plainrowheaders" style="text-align:center" |- ! scope="col"| Chart (2004) ! scope="col"| Position |- ! scope="row"| US ''Billboard'' 200<ref>{{cite web|url=https://www.billboard.com/charts/year-end/2004/top-billboard-200-albums|title=Top Billboard 200 Albums – Year-End 2004|work=Billboard|access-date=November 10, 2021}}</ref> | 132 |} {{col-end}} ==Certifications== {{certification Table Top}} {{certification Table Entry|title=Page Avenue|artist=Story of the Year|type=album|relyear=2003|certyear=2021|region=United States|award=Platinum|refname=USgold|access-date=March 16, 2021}} {{Certification Table Bottom|streaming=true|noshipments=true|nosales=true}} ==References== '''Citations''' {{Reflist}} '''Sources''' {{refbegin}} * {{cite magazine|last1=Banerjee|first1=Scott|title=Labels Peer at Pirates for Insights|magazine=Billboard|date=April 24, 2004|issue=17|volume=116|publisher=Prometheus Global Media|issn=0006-2510|url=https://books.google.com/books?id=mxAEAAAAMBAJ&pg=PA73|access-date=November 18, 2020|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200752/https://books.google.com/books?id=mxAEAAAAMBAJ&pg=PA73|url-status=live}} * {{cite magazine|last1=Kipnis|first1=Jill|last2=Ord|first2=Renee|title=Nintendo Rocks With Fusion Trek|magazine=Billboard|date=September 11, 2004|issue=41|volume=116|publisher=Prometheus Global Media|issn=0006-2510|url=https://books.google.com/books?id=FRMEAAAAMBAJ&pg=PA17|access-date=November 18, 2020|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200752/https://books.google.com/books?id=FRMEAAAAMBAJ&pg=PA17|url-status=live}} * {{cite book|last1=Sharpe-Young|first1=Garry|title=New Wave of American Heavy Metal|date=2005|publisher=Zonda Books|location=New Plymouth, N.Z.|isbn=9780958268400|edition=1st|url=https://books.google.com/books?id=uIIf03bGyAAC&pg=PA291|access-date=2020-09-30|archive-date=2021-11-07|archive-url=https://web.archive.org/web/20211107200753/https://books.google.com/books?id=uIIf03bGyAAC&pg=PA291|url-status=live}} {{refend}} ==External links== <!-- This is a licensed stream for the album, which is allowed under Wikipedia polices --> *[https://www.youtube.com/playlist?list=PL6gY2jzgZs8jKOwjNHnawbVtKPgTGgjvv ''Page Avenue''] at [[YouTube]] (streamed copy where licensed) {{Story of the Year}} {{Authority control}} [[Category:Story of the Year albums]] [[Category:2003 debut albums]] [[Category:Maverick Records albums]] [[Category:Albums produced by John Feldmann]]'
New page wikitext, after the edit (new_wikitext)
'{{good article}} {{Infobox album | name = Page Avenue | type = studio | artist = [[Story of the Year]] | cover = Page_Avenue.jpg | alt = An upside-down shadow of a person over a satellite view of a suburb | released = September 16, 2003 | recorded = November 2002, {{circa|March or April 2003}} | studio = Foxy, [[Marina del Rey, California]];<br />Avex, [[Waikiki|Waikiki, Hawaii]] | genre = <!-- Do not add or change genres without adding a reliable source -->{{hlist|[[Post-hardcore]]|[[Pop-punk|pop punk]]|[[emo]]}}<!-- Sourced in prose --> | length = 41:47 | label = [[Maverick (company)|Maverick]] | producer = [[John Feldmann]] | prev_title = Story of the Year | prev_year = 2002 | next_title = [[Live in the Lou/Bassassins]] | next_year = 2005 | misc = {{Singles | name = Page Avenue | type = studio | single1 = [[Until the Day I Die]] | single1date = August 12, 2003 | single2 = [[Anthem of Our Dying Day]] | single2date = April 13, 2004 | single3 = Sidewalks | single3date = October 5, 2004 }} }} '''''Page Avenue''''' is the debut studio album by American [[Rock music|rock]] band [[Story of the Year]]. [[Goldfinger (band)|Goldfinger]] frontman [[John Feldmann]], who served as a talent scout for [[Maverick (company)|Maverick Records]], began working on demos with the band, and eventually for their debut album. Sessions took place at Feldmann's home studio, Foxy Studios in Marina del Rey, California; the group tracked three songs before guitarist Greg Haupt left in November 2002. Guitarist Philip Sneed was drafted in and sessions recommenced in early 2003. The album's release through Maverick Records was pushed back several times to September 16, 2003. The band toured as part of the [[Warped Tour]] before "[[Until the Day I Die]]" was released as a radio single. In early 2004, the band supported [[Linkin Park]] on their US arena tour; they subsequently worked with Linkin Park's [[Joe Hahn]] on a music video for "[[Anthem of Our Dying Day]]". The track was released as a single in April 2004, and the group embarked on a headlining US tour. A second stint on the Warped Tour followed, taking a month-long break, and headlining the [[Nintendo Fusion Tour]]. A music video was released for "Sidewalks"; the track was released as a single in October. Critics drew comparisons between the group and [[Thrice]], [[Finch (American band)|Finch]], and [[the Used]], another act that Feldmann had produced. ''Page Avenue'' peaked at number 51 on the [[Billboard 200|''Billboard'' 200]]. It was certified [[RIAA Certification|gold]] by the [[Recording Industry Association of America]] (RIAA) in April 2004, then platinum in March 2021, serving as one of the first [[post-hardcore]] albums to achieve either status. "Until the Day I Die", "Anthem of Our Dying Day" and "Sidewalks" all charted on the [[Alternative Songs]] chart, with the first two reaching the chart's top 20. "Until the Day I Die" also reached the top 75 in the UK. An acoustic version of the album was released in October 2013, which coincided with an anniversary tour. ==Background== Prior to the formation of Story of the Year, its members had played in local bands as early as 1995: Dan Marsala and Ryan Phillips in 67 North, Phillips and Josh Wills in Means Well, and Phillips and Adam Russell in Locash. With Marsala on drums and Phillips on guitar, the pair formed Bigbluemonkey. Soon afterwards, John Taylor and Perry West joined the band on vocals and bass, respectively. After performing in St. Louis, Missouri, and touring the Midwest, the group released two EPs:<ref name=Maverickbio>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/index2.html|archive-url=https://web.archive.org/web/20040818032510/http://www.maverick.com/storyoftheyear/site/index2.html|title=The band|publisher=[[Maverick (company)|Maverick Records]]|archive-date=August 18, 2004|access-date=April 5, 2018|url-status=dead}} ''Click on the middle left button for the biography to appear.''</ref> ''Three Days Broken'' in 1998 and ''Truth in Separation'' in 1999.<ref>{{cite AV media notes|title=Three Days Broken |others=Bigbluemonkey |year=1998|type=Sleeve|publisher=Self-released}}</ref><ref>{{cite AV media notes|title=Truth in Separation|others=Bigbluemonkey |year=1999|type=Sleeve|publisher=Self-released}}</ref> Following high school graduation, the members were able to focus on the band. Shortly afterwards, Taylor and West left the group resulting in Marsala shifting from drums to vocals. Wills and Russell joined the group on drums and bass, respectively.<ref name=Maverickbio/> Since Means Well, Wills had been a close friend of Marsala and Phillips, following Bigbluemonkey on road trips and acting as their drum technician. Prior to joining, Russell was originally a guitarist and had no experience on bass.<ref name=Maverickbio/> In February 2002, they recruited guitarist Greg Haupt, formerly of Disturbing the Peace,<ref>{{cite web|url=http://monkey67.tripod.com/main.htm|archive-url=https://archive.today/20180403103132/http://monkey67.tripod.com/main.htm|title=News|publisher=Bigbluemonkey|archive-date=April 3, 2018|access-date=April 5, 2018|url-status=dead}}</ref> and released the ''Story of the Year'' EP.<ref name=Maverickbio/> In May, the band performed at a local radio festival, [[Pointfest]].<ref name=RFTsecrets>{{cite web|url=https://www.riverfronttimes.com/stlouis/story-of-the-year-vocalist-dan-marsala-reveals-the-secret-history-of-the-bands-breakthrough-lp-page-avenue/Content?oid=2499515|title=Story of the Year vocalist Dan Marsala reveals the secret history of the band's breakthrough LP, Page Avenue|work=[[Riverfront Times]]|publisher=Euclid Media Group|author=Ferris, D.X.|date=February 3, 2011|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20190608085959/https://www.riverfronttimes.com/stlouis/story-of-the-year-vocalist-dan-marsala-reveals-the-secret-history-of-the-bands-breakthrough-lp-page-avenue/Content?oid=2499515|archive-date=June 8, 2019}}</ref> The group sneaked into [[Goldfinger (band)|Goldfinger]]'s tour bus while the band was playing and left copies of a home video<ref name=Maverickbio/> that featured pranks akin to ''[[Jackass (franchise)|Jackass]]'' and a live show.<ref name=Billreflect/> In June, the group moved<ref name=MCgood>{{cite web|url=http://articles.mcall.com/2004-01-17/features/3528073_1_maverick-records-record-deal-band|title=Story of the Year's good fortune not your average rock-band success story|work=[[The Morning Call]]|publisher=Robert York|author=Sculley, Alan|date=January 17, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405214731/http://articles.mcall.com/2004-01-17/features/3528073_1_maverick-records-record-deal-band|archive-date=April 5, 2018}}</ref> to Orange County, California, and built their own practice space. Two weeks later, they were contacted by Goldfinger's manager John Reese, who informed them the band wanted to take them on tour.<ref name=Maverickbio/> Partway through the tour, Goldfinger frontman [[John Feldmann]] said that he wanted to produce their demos to try to attract a record deal.<ref name=MCgood/> They did [[Pre-production#In music|pre-production]] acoustically,<ref>{{cite web|url=https://www.clevescene.com/scene-and-heard/archives/2013/10/08/story-of-the-years-anniversary-tour-comes-to-house-of-blues-tomorrow|title=Story of the Year's anniversary tour comes to House of Blues tomorrow|work=[[Cleveland Scene]]|author=Niesel, Jeff|date=October 8, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20150910035106/http://www.clevescene.com/scene-and-heard/archives/2013/10/08/story-of-the-years-anniversary-tour-comes-to-house-of-blues-tomorrow|archive-date=September 10, 2015|url-status=live}}</ref> and tracked demos of "Until the Day I Die" and "Anthem of Our Dying Day" in the process.<ref name=Billreflect/> Following the tour's conclusion, Feldmann showed the home video to major label [[Maverick (company)|Maverick Records]],<ref name=Maverickbio/> for whom he acted as a talent scout.<ref name=MCgood/> In September, the group changed their name to Story of the Year to avoid confusion with another band called Bigbluemonkey,<ref>{{cite web|url=http://bigbluemonkey.com:80/index2.htm|archive-url=https://web.archive.org/web/20021004085841/http://bigbluemonkey.com/index2.htm|title=News|publisher=Bigbluemonkey|archive-date=October 4, 2002|access-date=April 5, 2018|url-status=dead}}</ref> and at the urging of Feldmann, who disliked the name.<ref name=Billreflect/> In October, the band signed to Maverick Records following a showcase.<ref name=MCgood/> In the process, Reese became their manager.<ref name=Billreflect/> ==Writing and recording== Prior to signing with Maverick, the group wanted to improve their song writing. As Marsala explains: "[W]e had songs, but we knew we wanted new stuff and we wanted to like really get serious."<ref name=MCgood/> After signing, the band began working on material for their debut album, writing for roughly a month<ref name=Maverickbio/> at Feldmann's house.<ref name=MCflipping/> Feldmann helped the group structure their songs better.<ref>{{cite web|url=http://www.theaureview.com/interviews/dan-marsala-of-story-of-the-year-speaks-on-the-ten-year-anniversary-tour|title=Dan Marsala of Story of the Year (Missouri) speaks on the Ten Year Anniversary tour!|work=The AU Review|publisher=Heath Media|author=Roberts, Dave|date=June 12, 2014|access-date=April 5, 2018|url-status=dead|archive-url=https://web.archive.org/web/20180406041233/http://www.theaureview.com/interviews/dan-marsala-of-story-of-the-year-speaks-on-the-ten-year-anniversary-tour|archive-date=April 6, 2018}}</ref> Recording took place at Feldmann's home studio, Foxy Studios in Marina del Rey, California.<ref name=PAbooklet/> The studio space consisted of one bedroom, which featured drums. Feldmann had stapled egg crates and glued foam to the walls to give the room better sound.<ref name=Billreflect/> He acted as producer and engineer with additional engineering by Mark Blewett.<ref name=PAbooklet/> In November 2002, the group tracked "Anthem of Our Dying Day", "Until the Day I Die" and "Razorblades",<ref name=Maverickbio/> which were the only songs they had at the time.<ref name=MCgood/> However, before they planned to return to the studio, Haupt left the group over creative and personal reasons. The band spent the following seven weeks writing more music and searching for a new guitarist. They heard that guitarist Philip Sneed was on uncertain terms with his band Maybe Today.<ref name=Maverickbio/> Sneed joined the group after flying out to California and practicing with the band. Accumulating 25–30 songs, the band returned to the studio<ref name=Maverickbio/> in March or April 2003.<ref name=MCgood/> They narrowed the choice of songs to ten after a week or two,<ref name=Maverickbio/> and spent the following six weeks recording them. Sessions took place seven days a week, up to 15 hours per day. Feldmann informed the label that they should record in Hawaii.<ref name=Maverickbio/> They subsequently recorded at Avex Studios in Waikiki, Hawaii,<ref name=PAbooklet/> tracking strings for two songs. The group said they "spent 6 days in the sun and like 7 hours actually working."<ref name=Maverickbio/> During the recording of "Falling Down", Wills was unable to play the song's beat. Feldmann didn't want to edit the drums to make it sound like a drum machine, so Marsala opted to play them instead.<ref name=Billreflect/> The track served as the end of the recording sessions, with Marsala playing all the instruments on it.<ref name=SLPDtbt/> Feldmann mixed the recordings at Foxy Studios, while Joe Gastwirt mastered them at Ocean View Digital Mastering. Toby Morse of [[H2O (American band)|H<sub>2</sub>O]], [[Ray Cappo]] of [[Shelter (band)|Shelter]] and Feldmann sang guest vocals on "Falling Down". Feldmann also sang additional backings vocals on "And the Hero Will Drown", "Until the Day I Die", "Anthem of Our Dying Day" and "Razorblades".<ref name=PAbooklet/> Marsala later criticized Feldmann's role, saying: "Feldmann had originally changed our sound. All of his records have the same sort of sound, because he's always using the same formulas on everything."<ref name=MTVLame>{{cite web|url=http://www.mtv.com/news/1509332/story-of-the-year-are-done-with-dying-admit-their-debut-was-lame/|title=Story Of The Year Are Done With Dying, Admit Their Debut Was Lame|publisher=MTV|author=Harris, Chris|date=September 12, 2005|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403234536/http://www.mtv.com/news/1509332/story-of-the-year-are-done-with-dying-admit-their-debut-was-lame/|archive-date=April 3, 2018}}</ref> Feldmann said the group, who were influenced by bands ranging from [[Pantera]] to the Red Hot Chili Peppers, wanted to sound heavier than the album's ultimate sound. He intended for the album to be highly vocal-driven. Marsala wanted it to be a metal record. Feldmann said people would not connect with that sound the same way they would if the band focused on the melodies and vocals.<ref name=Billreflect/> ==Composition== Musically, the album has been described as [[emo]],<ref name="Exclaimreview" /> [[post-hardcore]],<ref name=Billreflect>{{cite web|url=https://www.billboard.com/articles/columns/rock/8474907/story-of-the-year-john-feldmann-page-avenue-15th-anniversary-interview|title=Story of the Year & Producer John Feldmann Reflect on Debut Album 'Page Avenue' 15 Years Later: 'It Was A Magic Moment In Time'|work=[[Billboard (magazine)|Billboard]]|author=Gracie, Bianca|date=September 16, 2018|access-date=June 3, 2019|archive-url=https://web.archive.org/web/20180917170800/https://www.billboard.com/articles/columns/rock/8474907/story-of-the-year-john-feldmann-page-avenue-15th-anniversary-interview|archive-date=September 17, 2018|url-status=live}}</ref><ref name=Melodicreview/> [[Pop-punk|pop punk]]<ref>Sharpe-Young 2005, p. 291</ref> and [[screamo]].<ref name=MCflipping/> Alan Sculley of ''[[The Morning Call]]'' said the tracks were in "a middle ground between the heavy rock" style of the [[Deftones]] and the "poppier side" Story of the Year had developed prior to moving to California.<ref name=MCgood/> The band drew comparisons to [[Thrice]],<ref name=AMbio>{{cite web|url=https://www.allmusic.com/artist/story-of-the-year-mn0000525243/biography|title=Story of the Year {{!}} Biography & History|website=[[AllMusic]]|publisher=All Media Network, LLC|author=Loftus, Johnny|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405220617/https://www.allmusic.com/artist/story-of-the-year-mn0000525243/biography|archive-date=April 5, 2018}}</ref> [[Finch (American band)|Finch]]<ref name=Melodicreview/> and [[the Used]], an act that Feldmann also produced.<ref name=MCflipping>{{cite web|url=http://articles.mcall.com/2004-11-19/features/3571755_1_story-modern-rock-singles-chart-primus|title=Story of the Year makes no apologies for flipping the page|work=[[The Morning Call]]|publisher=Robert York|author=Moser, John J.|date=November 19, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180406040320/http://articles.mcall.com/2004-11-19/features/3571755_1_story-modern-rock-singles-chart-primus|archive-date=April 6, 2018}}</ref> Feldmann tried to separate Marsala, who was more of a trained singer, from the Used frontman [[Bert McCracken]], who had a unique voice. He added that the band's riffs leaned to a more progressive sound than the Used, who were more chaotic.<ref name=Billreflect/> Sneed said that while recording in California, the album "took on like a whole sentimental, missing-home type of vibe" with most of the songs being about "missing home and missing friends and memories".<ref name=MTVdying/> ''Page Avenue'' was named after a popular [[Missouri Route 364|east-west freeway]] close to St. Louis, Missouri.<ref name=Maverickbio/> Marsala said it "reflects a bunch of dudes determined to get out of St. Louis and make our dreams happen and while we were doing that we realized how very important our home really was to us".<ref>{{cite web|url=http://www.mammothpress.com/index.php?area=readinterview&pid=44|archiveurl=https://web.archive.org/web/20070608094650/http://www.mammothpress.com/index.php?area=readinterview&pid=44|title=Ask The Band - Story of the Year|publisher=Mammoth Press|date=December 15, 2004|archivedate=June 8, 2007|accessdate=November 23, 2021}}</ref> Marsala came up with the guitar riff for "And the Hero Will Down" and proceeded to show Phillips, who immediately suggested jamming.<ref name=SLPDtbt/> As the band wrote the track, they knew it would work as an upbeat, in-your-face type of song. They wrote it with a live setting in mind;<ref name=Billreflect/> Marsala thought the track sounded like [[Refused]]. "Until the Day I Die" was written in the group's van while they were touring.<ref name=SLPDtbt>{{cite web|url=https://www.stltoday.com/entertainment/music/story-of-the-year-takes-a-drive-down-page-avenue/article_faf91cce-ac90-51ce-8935-a6f89b066351.html|archive-url=https://web.archive.org/web/20190615074909/https://www.stltoday.com/entertainment/music/story-of-the-year-takes-a-drive-down-page-avenue/article_faf91cce-ac90-51ce-8935-a6f89b066351.html|title=Story of the Year takes a drive down 'Page Avenue'|work=[[St. Louis Post-Dispatch]]|author=Johnson, Kevin C.|date=February 3, 2011|archive-date=June 15, 2019|access-date=June 15, 2019}}</ref> Wills wrote the first verse of "Anthem of Our Dying Day", before jamming out the rest of it with the band. Working on the lyrics, Russell had [[Saves the Day]] and [[Glassjaw]] in mind;<ref name=Billreflect/> Sneed said the track was about ghosts.<ref name=MTVdying/> The initial version of "In the Shadows" sounded much different before the band entered the studio.<ref name=SLPDtbt/> The group did not like Feldmann's suggestion they make the chorus more chilled-out compared to the heavy nature of the verses.<ref name=Billreflect/> "Swallow the Knife" is about the band's former guitarist; "The Unheard Voice" was initially intended for inclusion, but was dropped in favor of "Swallow the Knife" as the band felt the album did not have enough slow-tempo songs.<ref name=SLPDtbt/><ref name=TBMinterview/> Marsala said the title-track summarized the album and represented home.<ref name=SLPDtbt/> For "Sidewalks", Sneed said the group wanted it to have a "different attitude" compared to the rest of the songs by incorporating strings<ref name=MTVdying>{{cite web|url=http://www.mtv.com/news/1489230/story-of-the-year-reveal-the-story-behind-their-anthem/|title=Story Of The Year Reveal The Story Behind Their 'Anthem'|publisher=[[MTV]]|author=Moss, Corey|date=July 6, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180406040240/http://www.mtv.com/news/1489230/story-of-the-year-reveal-the-story-behind-their-anthem/|archive-date=April 6, 2018}}</ref> and bongos.<ref name=AUreview/> It was almost entirely written by Sneed; it talks about relationships and missing the simpler periods in life.<ref name=Billreflect/> Sneed wrote the main riff before showing it to the rest of the band, who liked it. When learning that they planned to add strings, Sneed wrote the rest of the song with strings in mind.<ref name=TBMinterview>{{cite web|url=http://www.troublebunchmusic.com/storyoftheyearinterview.html|archiveurl=https://web.archive.org/web/20040301110705/http://www.troublebunchmusic.com/storyoftheyearinterview.html|title=Yay It's Story of the Year!|publisher=Trouble Bunch Music|archivedate=March 1, 2004|accessdate=December 10, 2021}}</ref> "Divide and Conquer" came about during a period where the band wrote several heavy songs in a row. "Razorblades" was one of the first tracks written by the group's new lineup.<ref name=SLPDtbt/> "Falling Down" incorporates heavier [[punk rock]] sounds<ref name=AUreview/> by the likes of [[Blindside (band)|Blindside]].<ref name=Melodicreview/> The CD's [[hidden track]] consists of bloopers/outtakes from the recording sessions.<ref name=RFTreview>{{cite web|url=https://www.riverfronttimes.com/musicblog/2011/02/03/story-of-the-year-on-its-nirvana-cover-and-more-trivia-about-page-avenue|title=Story of the Year on Its Nirvana Cover and More Trivia about Page Avenue|work=Riverfront Times|author=Zaleski, Annie|date=February 3, 2011|access-date=April 20, 2020|archive-url=https://web.archive.org/web/20160702102716/http://www.riverfronttimes.com/musicblog/2011/02/03/story-of-the-year-on-its-nirvana-cover-and-more-trivia-about-page-avenue|archive-date=July 2, 2016|url-status=live}}</ref> ==Release and touring== [[File:Joe Hahn.jpg|thumb|right|alt=Photograph of Joe Hahn man looking down.|Story of the Year befriended [[Joe Hahn]] ''(pictured)'' while touring with [[Linkin Park]]. After learning he had directed their music videos, Story of the Year got him to direct a music video for "Anthem of Our Dying Day".]] After recording, Story of the Year moved back to St. Louis and immediately started touring.<ref name=Maverickbio/> On May 7, 2003, it was announced that their debut album was scheduled for release in early July.<ref>{{cite web|url=http://melodic.net/?page=news&id=593|archive-url=https://archive.today/20180407124304/http://melodic.net/?page=news&id=593|title=Story Of The Year- July 8th |work=Melodic|author=Wippsson, Johan|date=May 7, 2003|archive-date=April 7, 2018|access-date=April 2, 2018}}</ref> On May 16, the album's track listing was revealed; the album's release was pushed back to August 27.<ref>{{cite web|url=http://melodic.net/?page=news&id=634|title=Story Of The Year Out Aug.27th|work=Melodic|author=Wippsson, Johan|date=May 16, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173634/http://melodic.net/?page=news&id=634|archive-date=April 3, 2018}}</ref> On June 13, the album's title was announced: ''Page Avenue''.<ref>{{cite web|url=http://melodic.net/?page=news&id=763|title=Story Of The Year?s Debut Titled Page Avenue|work=Melodic|author=Wippsson, Johan|date=June 13, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173629/http://melodic.net/?page=news&id=763|archive-date=April 3, 2018}}</ref> On June 22, the album's release was pushed back again, this time to mid-September.<ref name=MelodicSep>{{cite web|url=http://melodic.net/?page=news&id=817|title=Story Of The Year-Pushed Forward To Sept.16th|work=Melodic|author=Wippsson, Johan|date=June 22, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173712/http://melodic.net/?page=news&id=817|archive-date=April 3, 2018}}</ref> In July, the group appeared on the [[Warped Tour]].<ref>{{cite web|url=http://www.warpedtour.com:80/news.html|archive-url=https://web.archive.org/web/20031003182600/http://www.warpedtour.com/news.html|title=Final Band List Announced|publisher=Warped Tour|date=February 6, 2003|archive-date=October 3, 2003|access-date=May 17, 2018|url-status=dead}}</ref> Partway through, the group was moved to a bigger stage because of the large crowds they were drawing. On August 9, two songs from the album were posted online.<ref>{{cite web|url=http://melodic.net/?page=news&id=1076|title=Listen To Story Of The Year|work=Melodic|author=Wippsson, Johan|date=August 9, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173716/http://melodic.net/?page=news&id=1076|archive-date=April 3, 2018}}</ref> "[[Until the Day I Die]]" was released to radio on August 12.<ref name=FMQB>{{cite web|url=http://www.fmqb.com/Article.asp?id=16771|title=FMQB Airplay Archive: Modern Rock|publisher=Friday Morning Quarterback Album Report, Incorporated|access-date=October 30, 2016|url-status=live|archive-url=https://web.archive.org/web/20130322142732/http://www.fmqb.com/Article.asp?id=16771|archive-date=March 22, 2013}}</ref> The group wanted to tour for a year before their label started pushing a single. They grew up in the 1990s when labels were focused on investing in development. Russell, citing the [[Red Hot Chili Peppers]] and their song "[[Under the Bridge]]" as an example, said the band was afraid of being labelled sell-outs due to a big single. However, the label was unwavering in their decision to release "Until the Day I Die".<ref name=Billreflect/> In August and September, Story of the Year went on tour with [[Saosin]] and labelmates [[Stutterfly]].<ref>{{cite web|url=https://www.punknews.org/article/6907/stutterfly-signs-to-maverick|title=Stutterfly signs to Maverick|publisher=Punknews.org|author=Heisel, Scott|date=August 25, 2003|access-date=March 10, 2021|archive-date=June 28, 2018|archive-url=https://web.archive.org/web/20180628044944/https://www.punknews.org/article/6907/stutterfly-signs-to-maverick|url-status=live}}</ref> Maverick Records released ''Page Avenue'' on September 16.<ref name=MelodicSep/> The cover was created by Lawrence Azerrad,<ref name=PAbooklet/> Maverick's in-house artist.<ref name=RFTsecrets/> It features a satellite image taken by Space Imaging<ref name=PAbooklet/> over a suburb in San Diego, California. Marsala said they argued with Maverick about it, asking them to change it to St. Louis. The label said they would but then admitted the cover had already been printed. The band was "pretty pissed".<ref name=RFTsecrets/> Between October and December, the band supported [[Sugarcult]] on their headlining US tour.<ref>{{cite web|url=http://66.227.101.159/news.php|archive-url=https://web.archive.org/web/20031209141514/http://66.227.101.159/news.php|title=Sugarcult News|publisher=Sugarcult|archive-date=December 9, 2003|access-date=April 4, 2020}}</ref> On November 21, the band appeared on ''[[Last Call with Carson Daly]]''.<ref>{{cite web|url=https://www.punknews.org/article/7632/bands-on-tv-week-of-11-17-03|title=Bands on TV – week of 11/17/03|publisher=Punknews.org|author=Heisel, Scott|date=November 17, 2003|access-date=March 14, 2021|archive-date=March 27, 2021|archive-url=https://web.archive.org/web/20210327163033/https://www.punknews.org/article/7632/bands-on-tv-week-of-11-17-03|url-status=live}}</ref> In January and February 2004,<ref>{{cite web|url=http://melodic.net/?page=news&id=1674|title=Great Fat Tour In 2004!|work=Melodic|author=Wippsson, Johan|date=November 18, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173647/http://melodic.net/?page=news&id=1674|archive-date=April 3, 2018}}</ref> the group supported [[Linkin Park]] on their US arena tour.<ref>{{cite web|url=https://www.billboard.com/articles/news/68009/linkin-park-pod-confirm-tour-plans|title=Linkin Park, P.O.D. Confirm Tour Plans|work=Billboard|publisher=Prometheus Global Media|date=November 26, 2002|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20150920005746/https://www.billboard.com/articles/news/68009/linkin-park-pod-confirm-tour-plans|archive-date=September 20, 2015}}</ref> During the tour, the band learned [[Joe Hahn]] of Linkin Park had directed their music videos, which they really liked. After talking to their management, the band befriended Hahn, who subsequently directed a music video for "Anthem of Our Dying Day".<ref name=Billreflect/> On February 19, 2004, the band appeared on ''[[Jimmy Kimmel Live!]]''.<ref>{{cite web|url=https://www.punknews.org/article/8394/bands-on-tv-week-of-2-16-04|title=Bands on TV – week of 2/16/04|publisher=Punknews.org|author=Heisel, Scott|date=February 16, 2004|access-date=March 23, 2021|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200751/https://www.punknews.org/article/8394/bands-on-tv-week-of-2-16-04|url-status=live}}</ref> Around this time, Maverick Records was using [[BigChampagne]]. The company had a top 20 downloads section, based on data culled from [[peer-to-peer]] networks, which featured "Until the Day I Die". However, the song was receiving less airplay on radio than other artists. Jeremy Welt, head of new media at Maverick Records, convinced radio stations in certain markets to play the band during prime-time listening hours, which helped increase sales.<ref>Banerjee 2004, p. 73</ref> In April and May, the group went on a headlining US tour with support from [[Hazen Street]], [[Letter Kills]]<ref name=UGAnthemvideo/> and [[Motion City Soundtrack]].<ref>{{cite web|url=https://www.punknews.org/article/8890/tours-motion-city-soundtrack-announce-summer-touring-plans|title=Motion City Soundtrack announce summer touring plans|publisher=Punknews.org|author=Heisel, Scott|date=April 9, 2004|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403235138/https://www.punknews.org/article/8890/tours-motion-city-soundtrack-announce-summer-touring-plans|archive-date=April 3, 2018}}</ref> "Anthem of Our Dying Day" was released to radio on April 13;<ref name=FMQB/> followed by a music video on April 28.<ref name=UGAnthemvideo>{{cite web|url=https://www.ultimate-guitar.com/news/general_music_news/in_brief_damageplan_letter_kills_soil_story_of_the_year.html|title=In Brief: Damageplan, Letter Kills, SOiL, Story Of The Year|publisher=Ultimate Guitar Archive|author=UG Team|date=April 28, 2004|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403051548/https://www.ultimate-guitar.com/news/general_music_news/in_brief_damageplan_letter_kills_soil_story_of_the_year.html|archive-date=April 3, 2018}}</ref> The group performed on the Warped Tour again.<ref>{{cite web|url=http://www.mtv.com/news/1488759/warped-tour-launch-electrifies-without-the-lightning/|title=Warped Tour Launch Electrifies Without The Lightning|publisher=MTV|author=Clark, Michael|date=June 29, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180406040327/http://www.mtv.com/news/1488759/warped-tour-launch-electrifies-without-the-lightning/|archive-date=April 6, 2018}}</ref> When it ended the group took a month's break.<ref>{{cite web|url=https://www.billboard.com/articles/news/66864/story-of-the-year-going-soft-and-pretty|title=Story Of The Year Going 'Soft And Pretty'|work=Billboard|publisher=Lynne Segall|date=August 18, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20151121051129/http://www.billboard.com/articles/news/66864/story-of-the-year-going-soft-and-pretty|archive-date=November 21, 2015}}</ref> In September and October, the band headlined the 2004 edition of the [[Nintendo Fusion Tour]], which also featured [[Lostprophets]], [[My Chemical Romance]], Letter Kills, [[Anberlin]] and [[Autopilot Off]].<ref>Kipnis; Ord 2004, p. 17</ref> "Sidewalks" was released to radio on October 5.<ref name=FMQB/> Russell and Phillips co-directed the video for the song, which was based on its sound than its lyrics, produced by production company Villains.<ref name=Billreflect/> ==Reception== {{Album ratings | rev1 = [[AllMusic]] | rev1score = {{Rating|3|5}}<ref name=AMreview>{{cite web|url=https://www.allmusic.com/album/page-avenue-mw0000317346|title=Page Avenue – Story of the Year {{!}} Songs, Reviews, Credits|publisher=AllMusic|author=Cramer, Stephen|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20171006162843/https://www.allmusic.com/album/page-avenue-mw0000317346|archive-date=October 6, 2017}}</ref> | rev2 = ''The AU Review'' | rev2Score = Favorable<ref name=AUreview>{{cite web|url=http://www.theaureview.com/albums/story-of-the-year-page-avenue-2003-lp|title=Classic Album Review: Story of the Year – Page Avenue (2003 LP)|work=The AU review|author=Roberts, Dave|date=June 13, 2014|access-date=June 14, 2019|archive-url=https://web.archive.org/web/20180407113129/http://www.theaureview.com/albums/story-of-the-year-page-avenue-2003-lp|archive-date=April 7, 2018|url-status=dead}}</ref> | rev3 = ''[[Exclaim!]]'' | rev3Score = Favorable<ref name=Exclaimreview>{{cite web|url=https://exclaim.ca/music/article/story_of_year-page_avenue|title=Story of the Year Page Avenue|work=[[Exclaim!]]|publisher=Ian Danzig|author=Sutherland, Sam|date=December 1, 2003|access-date=April 1, 2018|url-status=dead|archive-url=https://web.archive.org/web/20180401222827/https://exclaim.ca/music/article/story_of_year-page_avenue|archive-date=April 1, 2018}}</ref> | rev4 = ''[[Melodic (magazine)|Melodic]]'' | rev4Score = {{Rating|3.5|5}}<ref name=Melodicreview>{{cite web|url=http://www.melodic.net/?page=review&id=1566|title=Story of the Year – Page Avenue|work=Melodic|author=Wippsson, Johan|date=September 12, 2003|access-date=July 18, 2017|url-status=dead|archive-url=https://web.archive.org/web/20180402225424/http://www.melodic.net/?page=review&id=1566|archive-date=April 2, 2018}}</ref> }} ===Critical response=== [[AllMusic]] reviewer Stephen Cramer singled out Marsala's unwavering vocals as a highlight of the album.<ref name=AMreview/> Dave Roberts of ''The AU Review'' viewed it as a bit over produced, though it had credible teenage emotion.<ref name=AUreview/> Cramer noted the band's reoccurring "flare for the dramatic" on ''Page Avenue''.<ref name=AMreview/> He called it a decent, [[Dashboard Confessional]]-esque debut, with "crunchy" ballads showing the band can be both tasteful and fierce.<ref name=AMreview/> Johan Wippsson of ''[[Melodic (magazine)|Melodic]]'' wrote that the band had made a refreshing take on punk, noting that they had the possibility to be as big as the Used.<ref name=Melodicreview/> ''[[Exclaim!]]'' writer Sam Sutherland added to the Used point, mentioning that a few songs appear to be candidly taken from that band's [[The Used (album)|self-titled debut album]].<ref name=Exclaimreview/> He cited "Until the Day I Die" as a good example of what the rest of ''Page Avenue'' sounds like with its appealing hooks and melodies, combined with an acceptable amount of [[Screaming (music)#Heavy metal|screaming vocals]] and [[octave]] parts to please people who are seeking more of a bite to their music.<ref name=Exclaimreview/> Cramer similarly highlighted the group's "steady and layered" instrumental work.<ref name=AMreview/> Sutherland said the album was "excellent" overall, "instantly listenable and catchy as hell".<ref name=Exclaimreview/> Despite being a decade old the record "is as good as it ever was", according to Roberts.<ref name=AUreview/> Wippsson added that it was an enjoyable record and that fans of this kind of music would be content.<ref name=Melodicreview/> ===Commercial performance and legacy=== ''Page Avenue'' peaked at number 51 on the [[Billboard 200|''Billboard'' 200]] chart.<ref name="peaks">{{Cite web|url={{BillboardURLbyName|artist=story of the year|chart=all}}|title=Artist Chart History|access-date=2008-05-23|work=[[Billboard (magazine)|Billboard]]}}</ref> It reached number one on the [[Heatseekers Albums]] chart.<ref>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/tln/|title=Story of the Year Chart History (Heaseekers Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180407124014/https://www.billboard.com/music/story-of-the-year/chart-history/heatseekers-albums|archive-date=April 7, 2018}}</ref> By January 2004, it had sold close to 150,000 copies.<ref>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/news.htm|archive-url=https://web.archive.org/web/20040401123247/http://www.maverick.com/storyoftheyear/site/news.htm|title=News|publisher=Maverick Records|archive-date=April 1, 2004|access-date=April 5, 2018|url-status=dead}}</ref> By April, the album was certified [[RIAA certification|gold]] by the [[Recording Industry Association of America]] (RIAA),<ref name=USgold/> one of the first of the post-hardcore genre to do so.<ref name=Billreflect/> As of February 2011, it had sold over 900,000 copies.<ref name=RFTsecrets/> "Until the Day I Die" charted at number 12 on the [[Alternative Songs]] chart.<ref name=BillAltSongs>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/mrt/|title=Story of the Year Chart History (Alternative Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405132940/https://www.billboard.com/music/story-of-the-year/chart-history/alternative-songs|archive-date=April 5, 2018}}</ref> It also charted in the UK at number 62.<ref>{{cite web|url=http://www.zobbel.de/cluk/CLUK_S.HTM|title=Chart Log UK: DJ S – The System Of Life|publisher=Zobbel|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20110722025212/http://www.zobbel.de/cluk/CLUK_S.HTM|archive-date=July 22, 2011}}</ref> "Anthem of Our Dying Day" charted at number 10 on the Alternative Songs chart.<ref name=BillAltSongs/> "Sidewalks" charted at number 40 on the Alternative Songs chart.<ref name=BillAltSongs/> ''[[Cleveland Scene]]'' said ''Page Avenue'' and "Until the Day I Die" helped push screamo into the mainstream musical landscape.<ref>{{cite web|url=https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|title=Last Year's Story|work=Cleveland Scene|author=Seabaugh, Julie|date=March 8, 2006|access-date=June 14, 2019|archive-url=https://web.archive.org/web/20190614222735/https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|archive-date=June 14, 2019|url-status=live}}</ref> In February 2011, the group performed ''Page Avenue'' in its entirety for a one-off hometown show.<ref>{{cite web|url=https://www.altpress.com/news/story_of_the_year_to_play_hometown_show_on_february_4/|title=Story Of The Year to play hometown show on February 4|work=Alternative Press|author=Bird, Michele|date=December 14, 2010|access-date=June 18, 2020|archive-date=June 19, 2020|archive-url=https://web.archive.org/web/20200619033039/https://www.altpress.com/news/story_of_the_year_to_play_hometown_show_on_february_4/|url-status=live}}</ref> An acoustic re-make of the album was released in October 2013 to celebrate the album's 10th anniversary.<ref name=RFDan>{{cite web|url=https://reviewfix.com/2013/09/review-fix-exclusive-story-of-the-year-frontman-dan-marsala-talks-about-page-avenue-and-its-10-year-acoustic-re-imagining/|title=Review Fix Exclusive: Story of the Year Frontman Dan Marsala Talks About 'Page Avenue' and its 10-year Acoustic Re-Imagining|work=Review Fix|author=Hickey Jr, Patrick|date=September 24, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608084651/https://reviewfix.com/2013/09/review-fix-exclusive-story-of-the-year-frontman-dan-marsala-talks-about-page-avenue-and-its-10-year-acoustic-re-imagining/|archive-date=June 8, 2019|url-status=live}}</ref> The band decided to do this instead of simply re-recording, remixing or remastering the original.<ref>{{cite web|url=https://reviewfix.com/2013/11/review-fix-exclusive-story-of-the-year-lead-guitarist-ryan-phillips-talks-page-avenue-10-years-later/|title=Review Fix Exclusive: Story of the Year Lead Guitarist Ryan Phillips Talks 'Page Avenue' 10-years Later|work=Review Fix|author=Hickey Jr, Patrick|date=November 4, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608084655/https://reviewfix.com/2013/11/review-fix-exclusive-story-of-the-year-lead-guitarist-ryan-phillips-talks-page-avenue-10-years-later/|archive-date=June 8, 2019|url-status=live}}</ref> Most of the album focused around piano and string arrangements, instead of acoustic guitars as Marsala felt the piano gave a more dramatic vibe that fit better with the songs.<ref name=RFDan/> Following the release, the band performed on the [[Warped Tour]].<ref>{{cite web|url=https://www.altpress.com/news/silverstein_story_of_the_year_the_swellers_set_it_off_and_more_announced_fo/|title=Silverstein, Story Of The Year, the Swellers, Set It Off and more announced for Warped Tour 2013|work=Alternative Press|author=Kraus, Brian|date=March 8, 2013|access-date=June 8, 2019}}</ref> They also headlined the [[Scream It Like You Mean It]] tour in the US playing ''Page Avenue'' in its entirety.<ref>{{cite web|url=https://www.altpress.com/news/story_of_the_year_announce_tour_with_like_moths_to_flames_hawthorne_heights/|title=Story Of The Year announce tour with Like Moths To Flames, Hawthorne Heights, others|work=Alternative Press|author=Horansky, TJ|date=August 5, 2013|access-date=June 8, 2019|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200753/https://www.altpress.com/news/story_of_the_year_announce_tour_with_like_moths_to_flames_hawthorne_heights/|url-status=live}}</ref> During this tour, a limited number of copies of the anniversary release were made available.<ref>{{cite web|url=https://substreammagazine.com/2013/09/sub-news-story-of-the-year-celebrates-page-avenue-anniversary-with-new-acoustic-album/|title=Story of the Year Celebrates 'Page Avenue' Anniversary with New Acoustic Album|work=Substream Magazine|author=Arsenault, Nici|date=September 10, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608093204/https://substreammagazine.com/2013/09/sub-news-story-of-the-year-celebrates-page-avenue-anniversary-with-new-acoustic-album/|archive-date=June 8, 2019|url-status=live}}</ref> In November 2017, the album was released on vinyl by SRC Vinyl.<ref>{{cite web|url=https://www.allmusic.com/album/release/page-avenue-mr0004728177|title=Page Avenue – Story of the Year {{!}} Release Info|publisher=AllMusic|author=Cramer, Stephen|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405214851/https://www.allmusic.com/album/release/page-avenue-mr0004728177|archive-date=April 5, 2018}}</ref> ==Track listing== All songs written by Story of the Year, except "Sidewalks" and "Swallow the Knife" co-written with John Feldmann.<ref name=PAbooklet/> {{Track listing | title1 = And the Hero Will Drown | length1 = 3:13 | title2 = [[Until the Day I Die]] | length2 = 3:55 | title3 = [[Anthem of Our Dying Day]] | length3 = 3:37 | title4 = In the Shadows | length4 = 3:28 | title5 = Dive Right In | length5 = 3:15 | title6 = Swallow the Knife | length6 = 3:36 | title7 = Burning Years | length7 = 3:07 | title8 = Page Avenue | length8 = 3:37 | title9 = Sidewalks | length9 = 3:34 | title10 = Divide and Conquer | length10 = 3:04 | title11 = Razorblades | length11 = 3:23 | title12 = Falling Down | length12 = 3:58 | total_length = 41:47 }} {{Track listing | headline = ''Page Avenue: Ten Years and Counting'' track listing | collapsed = yes | title1 = And the Hero Will Drown | length1 = 3:17 | title2 = Until the Day I Die | length2 = 4:03 | title3 = Anthem of Our Dying Day | length3 = 3:22 | title4 = In the Shadows | length4 = 3:13 | title5 = Dive Right In | length5 = 3:05 | title6 = Swallow the Knife | length6 = 3:42 | title7 = Page Avenue | length7 = 3:34 | title8 = Sidewalks | length8 = 3:24 | title9 = Divide and Conquer | length9 = 3:06 | title10 = Razorblades | length10 = 4:07 | total_length = 34:53 }} ==Personnel== Personnel per booklet,<ref name=PAbooklet>{{cite AV media notes|title=Page Avenue|others=[[Story of the Year]] |year=2004|orig-year=originally released in 2003|type=Booklet|publisher=[[Maverick (company)|Maverick Records]]|id=9362-49390-2}}</ref> except where noted. {{col-begin}} {{col-2}} '''Story of the Year''' * Dan Marsala – lead vocals; drums <small>(track 12)</small><ref name=Billreflect/> * Ryan Phillips – lead guitar * Adam Russell – bass, art * Josh Wills – drums <small>(tracks 1–11)</small><ref name=Billreflect/> * Philip Sneed – rhythm guitar <small>(tracks 1, 4–10, and 12)</small><ref name=Maverickbio/> '''Additional musicians''' * Greg Haupt – rhythm guitar <small>(tracks 2, 3, and 11)</small><ref name=Maverickbio/><ref name=MCgood/> * [[H2O (American band)|Toby Morse]] – guest vocals <small>(track 12)</small> * [[Ray Cappo]] – guest vocals <small>(track 12)</small> * [[John Feldmann]] – guest vocals <small>(track 12)</small>, additional background vocals <small>(tracks 1–3 and 11)</small> * [[Bert McCracken]] – guest vocals <small>(track 3)</small><ref>{{Cite web |url=https://anchor.fm/pageavenuecrew/episodes/Making-Page-Avenue-Part-1-eipfag |title=Archived copy |access-date=2020-08-29 |archive-date=2021-05-06 |archive-url=https://web.archive.org/web/20210506193513/https://anchor.fm/pageavenuecrew/episodes/Making-Page-Avenue-Part-1-eipfag |url-status=live }}</ref> {{col-3}} '''Production''' * John Feldmann – producer, engineer, mixing * Mark Blewett – additional engineering * Joe Gastwirt – mastering * Space Imaging – satellite image * Lawrence Azerrad – cover {{col-end}} ==Charts== {{col-begin}} {{col-2}} ===Weekly charts=== {| class="wikitable sortable plainrowheaders" style="text-align:center" |- ! scope="col"| Chart (2003) ! scope="col"| Peak<br /> position |- {{album chart|Billboard200|51|artist=Story of the Year|access-date=April 5, 2018|rowheader=true}} |- {{album chart|BillboardHeatseekers|1|artist=Story of the Year|access-date=April 5, 2018|rowheader=true}} |} {{col-2}} ===Year-end charts=== {| class="wikitable plainrowheaders" style="text-align:center" |- ! scope="col"| Chart (2004) ! scope="col"| Position |- ! scope="row"| US ''Billboard'' 200<ref>{{cite web|url=https://www.billboard.com/charts/year-end/2004/top-billboard-200-albums|title=Top Billboard 200 Albums – Year-End 2004|work=Billboard|access-date=November 10, 2021}}</ref> | 132 |} {{col-end}} ==Certifications== {{certification Table Top}} {{certification Table Entry|title=Page Avenue|artist=Story of the Year|type=album|relyear=2003|certyear=2021|region=United States|award=Platinum|refname=USgold|access-date=March 16, 2021}} {{Certification Table Bottom|streaming=true|noshipments=true|nosales=true}} ==References== '''Citations''' {{Reflist}} '''Sources''' {{refbegin}} * {{cite magazine|last1=Banerjee|first1=Scott|title=Labels Peer at Pirates for Insights|magazine=Billboard|date=April 24, 2004|issue=17|volume=116|publisher=Prometheus Global Media|issn=0006-2510|url=https://books.google.com/books?id=mxAEAAAAMBAJ&pg=PA73|access-date=November 18, 2020|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200752/https://books.google.com/books?id=mxAEAAAAMBAJ&pg=PA73|url-status=live}} * {{cite magazine|last1=Kipnis|first1=Jill|last2=Ord|first2=Renee|title=Nintendo Rocks With Fusion Trek|magazine=Billboard|date=September 11, 2004|issue=41|volume=116|publisher=Prometheus Global Media|issn=0006-2510|url=https://books.google.com/books?id=FRMEAAAAMBAJ&pg=PA17|access-date=November 18, 2020|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200752/https://books.google.com/books?id=FRMEAAAAMBAJ&pg=PA17|url-status=live}} * {{cite book|last1=Sharpe-Young|first1=Garry|title=New Wave of American Heavy Metal|date=2005|publisher=Zonda Books|location=New Plymouth, N.Z.|isbn=9780958268400|edition=1st|url=https://books.google.com/books?id=uIIf03bGyAAC&pg=PA291|access-date=2020-09-30|archive-date=2021-11-07|archive-url=https://web.archive.org/web/20211107200753/https://books.google.com/books?id=uIIf03bGyAAC&pg=PA291|url-status=live}} {{refend}} ==External links== <!-- This is a licensed stream for the album, which is allowed under Wikipedia polices --> *[https://www.youtube.com/playlist?list=PL6gY2jzgZs8jKOwjNHnawbVtKPgTGgjvv ''Page Avenue''] at [[YouTube]] (streamed copy where licensed) {{Story of the Year}} {{Authority control}} [[Category:Story of the Year albums]] [[Category:2003 debut albums]] [[Category:Maverick Records albums]] [[Category:Albums produced by John Feldmann]]'
Unified diff of changes made by edit (edit_diff)
'@@ -1,2 +1,3 @@ +{{good article}} {{Infobox album | name = Page Avenue @@ -8,5 +9,5 @@ | recorded = November 2002, {{circa|March or April 2003}} | studio = Foxy, [[Marina del Rey, California]];<br />Avex, [[Waikiki|Waikiki, Hawaii]] -| genre = [[Post-hardcore]], [[Pop-punk|pop punk]], [[emo]] +| genre = <!-- Do not add or change genres without adding a reliable source -->{{hlist|[[Post-hardcore]]|[[Pop-punk|pop punk]]|[[emo]]}}<!-- Sourced in prose --> | length = 41:47 | label = [[Maverick (company)|Maverick]] @@ -34,4 +35,8 @@ ==Background== +Prior to the formation of Story of the Year, its members had played in local bands as early as 1995: Dan Marsala and Ryan Phillips in 67 North, Phillips and Josh Wills in Means Well, and Phillips and Adam Russell in Locash. With Marsala on drums and Phillips on guitar, the pair formed Bigbluemonkey. Soon afterwards, John Taylor and Perry West joined the band on vocals and bass, respectively. After performing in St. Louis, Missouri, and touring the Midwest, the group released two EPs:<ref name=Maverickbio>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/index2.html|archive-url=https://web.archive.org/web/20040818032510/http://www.maverick.com/storyoftheyear/site/index2.html|title=The band|publisher=[[Maverick (company)|Maverick Records]]|archive-date=August 18, 2004|access-date=April 5, 2018|url-status=dead}} ''Click on the middle left button for the biography to appear.''</ref> ''Three Days Broken'' in 1998 and ''Truth in Separation'' in 1999.<ref>{{cite AV media notes|title=Three Days Broken |others=Bigbluemonkey |year=1998|type=Sleeve|publisher=Self-released}}</ref><ref>{{cite AV media notes|title=Truth in Separation|others=Bigbluemonkey |year=1999|type=Sleeve|publisher=Self-released}}</ref> Following high school graduation, the members were able to focus on the band. Shortly afterwards, Taylor and West left the group resulting in Marsala shifting from drums to vocals. Wills and Russell joined the group on drums and bass, respectively.<ref name=Maverickbio/> + +Since Means Well, Wills had been a close friend of Marsala and Phillips, following Bigbluemonkey on road trips and acting as their drum technician. Prior to joining, Russell was originally a guitarist and had no experience on bass.<ref name=Maverickbio/> In February 2002, they recruited guitarist Greg Haupt, formerly of Disturbing the Peace,<ref>{{cite web|url=http://monkey67.tripod.com/main.htm|archive-url=https://archive.today/20180403103132/http://monkey67.tripod.com/main.htm|title=News|publisher=Bigbluemonkey|archive-date=April 3, 2018|access-date=April 5, 2018|url-status=dead}}</ref> and released the ''Story of the Year'' EP.<ref name=Maverickbio/> In May, the band performed at a local radio festival, [[Pointfest]].<ref name=RFTsecrets>{{cite web|url=https://www.riverfronttimes.com/stlouis/story-of-the-year-vocalist-dan-marsala-reveals-the-secret-history-of-the-bands-breakthrough-lp-page-avenue/Content?oid=2499515|title=Story of the Year vocalist Dan Marsala reveals the secret history of the band's breakthrough LP, Page Avenue|work=[[Riverfront Times]]|publisher=Euclid Media Group|author=Ferris, D.X.|date=February 3, 2011|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20190608085959/https://www.riverfronttimes.com/stlouis/story-of-the-year-vocalist-dan-marsala-reveals-the-secret-history-of-the-bands-breakthrough-lp-page-avenue/Content?oid=2499515|archive-date=June 8, 2019}}</ref> The group sneaked into [[Goldfinger (band)|Goldfinger]]'s tour bus while the band was playing and left copies of a home video<ref name=Maverickbio/> that featured pranks akin to ''[[Jackass (franchise)|Jackass]]'' and a live show.<ref name=Billreflect/> In June, the group moved<ref name=MCgood>{{cite web|url=http://articles.mcall.com/2004-01-17/features/3528073_1_maverick-records-record-deal-band|title=Story of the Year's good fortune not your average rock-band success story|work=[[The Morning Call]]|publisher=Robert York|author=Sculley, Alan|date=January 17, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405214731/http://articles.mcall.com/2004-01-17/features/3528073_1_maverick-records-record-deal-band|archive-date=April 5, 2018}}</ref> to Orange County, California, and built their own practice space. Two weeks later, they were contacted by Goldfinger's manager John Reese, who informed them the band wanted to take them on tour.<ref name=Maverickbio/> + Partway through the tour, Goldfinger frontman [[John Feldmann]] said that he wanted to produce their demos to try to attract a record deal.<ref name=MCgood/> They did [[Pre-production#In music|pre-production]] acoustically,<ref>{{cite web|url=https://www.clevescene.com/scene-and-heard/archives/2013/10/08/story-of-the-years-anniversary-tour-comes-to-house-of-blues-tomorrow|title=Story of the Year's anniversary tour comes to House of Blues tomorrow|work=[[Cleveland Scene]]|author=Niesel, Jeff|date=October 8, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20150910035106/http://www.clevescene.com/scene-and-heard/archives/2013/10/08/story-of-the-years-anniversary-tour-comes-to-house-of-blues-tomorrow|archive-date=September 10, 2015|url-status=live}}</ref> and tracked demos of "Until the Day I Die" and "Anthem of Our Dying Day" in the process.<ref name=Billreflect/> Following the tour's conclusion, Feldmann showed the home video to major label [[Maverick (company)|Maverick Records]],<ref name=Maverickbio/> for whom he acted as a talent scout.<ref name=MCgood/> In September, the group changed their name to Story of the Year to avoid confusion with another band called Bigbluemonkey,<ref>{{cite web|url=http://bigbluemonkey.com:80/index2.htm|archive-url=https://web.archive.org/web/20021004085841/http://bigbluemonkey.com/index2.htm|title=News|publisher=Bigbluemonkey|archive-date=October 4, 2002|access-date=April 5, 2018|url-status=dead}}</ref> and at the urging of Feldmann, who disliked the name.<ref name=Billreflect/> In October, the band signed to Maverick Records following a showcase.<ref name=MCgood/> In the process, Reese became their manager.<ref name=Billreflect/> @@ -51,4 +56,5 @@ ==Release and touring== +[[File:Joe Hahn.jpg|thumb|right|alt=Photograph of Joe Hahn man looking down.|Story of the Year befriended [[Joe Hahn]] ''(pictured)'' while touring with [[Linkin Park]]. After learning he had directed their music videos, Story of the Year got him to direct a music video for "Anthem of Our Dying Day".]] After recording, Story of the Year moved back to St. Louis and immediately started touring.<ref name=Maverickbio/> On May 7, 2003, it was announced that their debut album was scheduled for release in early July.<ref>{{cite web|url=http://melodic.net/?page=news&id=593|archive-url=https://archive.today/20180407124304/http://melodic.net/?page=news&id=593|title=Story Of The Year- July 8th |work=Melodic|author=Wippsson, Johan|date=May 7, 2003|archive-date=April 7, 2018|access-date=April 2, 2018}}</ref> On May 16, the album's track listing was revealed; the album's release was pushed back to August 27.<ref>{{cite web|url=http://melodic.net/?page=news&id=634|title=Story Of The Year Out Aug.27th|work=Melodic|author=Wippsson, Johan|date=May 16, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173634/http://melodic.net/?page=news&id=634|archive-date=April 3, 2018}}</ref> On June 13, the album's title was announced: ''Page Avenue''.<ref>{{cite web|url=http://melodic.net/?page=news&id=763|title=Story Of The Year?s Debut Titled Page Avenue|work=Melodic|author=Wippsson, Johan|date=June 13, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173629/http://melodic.net/?page=news&id=763|archive-date=April 3, 2018}}</ref> On June 22, the album's release was pushed back again, this time to mid-September.<ref name=MelodicSep>{{cite web|url=http://melodic.net/?page=news&id=817|title=Story Of The Year-Pushed Forward To Sept.16th|work=Melodic|author=Wippsson, Johan|date=June 22, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173712/http://melodic.net/?page=news&id=817|archive-date=April 3, 2018}}</ref> In July, the group appeared on the [[Warped Tour]].<ref>{{cite web|url=http://www.warpedtour.com:80/news.html|archive-url=https://web.archive.org/web/20031003182600/http://www.warpedtour.com/news.html|title=Final Band List Announced|publisher=Warped Tour|date=February 6, 2003|archive-date=October 3, 2003|access-date=May 17, 2018|url-status=dead}}</ref> Partway through, the group was moved to a bigger stage because of the large crowds they were drawing. On August 9, two songs from the album were posted online.<ref>{{cite web|url=http://melodic.net/?page=news&id=1076|title=Listen To Story Of The Year|work=Melodic|author=Wippsson, Johan|date=August 9, 2003|access-date=April 2, 2018|url-status=live|archive-url=https://web.archive.org/web/20180403173716/http://melodic.net/?page=news&id=1076|archive-date=April 3, 2018}}</ref> "[[Until the Day I Die]]" was released to radio on August 12.<ref name=FMQB>{{cite web|url=http://www.fmqb.com/Article.asp?id=16771|title=FMQB Airplay Archive: Modern Rock|publisher=Friday Morning Quarterback Album Report, Incorporated|access-date=October 30, 2016|url-status=live|archive-url=https://web.archive.org/web/20130322142732/http://www.fmqb.com/Article.asp?id=16771|archive-date=March 22, 2013}}</ref> The group wanted to tour for a year before their label started pushing a single. They grew up in the 1990s when labels were focused on investing in development. Russell, citing the [[Red Hot Chili Peppers]] and their song "[[Under the Bridge]]" as an example, said the band was afraid of being labelled sell-outs due to a big single. However, the label was unwavering in their decision to release "Until the Day I Die".<ref name=Billreflect/> @@ -72,10 +78,10 @@ [[AllMusic]] reviewer Stephen Cramer singled out Marsala's unwavering vocals as a highlight of the album.<ref name=AMreview/> Dave Roberts of ''The AU Review'' viewed it as a bit over produced, though it had credible teenage emotion.<ref name=AUreview/> Cramer noted the band's reoccurring "flare for the dramatic" on ''Page Avenue''.<ref name=AMreview/> He called it a decent, [[Dashboard Confessional]]-esque debut, with "crunchy" ballads showing the band can be both tasteful and fierce.<ref name=AMreview/> -Johan Wippsson of ''[[Melodic (magazine)|Melodic]]'' wrote that the band had made a refreshing take on punk, noting that they had the possibility to be as big as the Used.<ref name=Melodicreview/> ''[[Exclaim!]]'' writer Sam Sutherland added to the Used point, mentioning that a few songs appear to be candidly taken from that band's [[The Used (album)|self-titled debut album]].<ref name=Exclaimreview/> He cited "Until the Day I Die" as a good example of what the rest of ''Page Avenue'' sounds like with its appealing hooks and melodies, combined with an acceptable amount of [[Screaming (music)|screaming vocals]] and [[octave]] parts to please people who are seeking more of a bite to their music.<ref name=Exclaimreview/> Cramer similarly highlighted the group's "steady and layered" instrumental work.<ref name=AMreview/> +Johan Wippsson of ''[[Melodic (magazine)|Melodic]]'' wrote that the band had made a refreshing take on punk, noting that they had the possibility to be as big as the Used.<ref name=Melodicreview/> ''[[Exclaim!]]'' writer Sam Sutherland added to the Used point, mentioning that a few songs appear to be candidly taken from that band's [[The Used (album)|self-titled debut album]].<ref name=Exclaimreview/> He cited "Until the Day I Die" as a good example of what the rest of ''Page Avenue'' sounds like with its appealing hooks and melodies, combined with an acceptable amount of [[Screaming (music)#Heavy metal|screaming vocals]] and [[octave]] parts to please people who are seeking more of a bite to their music.<ref name=Exclaimreview/> Cramer similarly highlighted the group's "steady and layered" instrumental work.<ref name=AMreview/> Sutherland said the album was "excellent" overall, "instantly listenable and catchy as hell".<ref name=Exclaimreview/> Despite being a decade old the record "is as good as it ever was", according to Roberts.<ref name=AUreview/> Wippsson added that it was an enjoyable record and that fans of this kind of music would be content.<ref name=Melodicreview/> ===Commercial performance and legacy=== -''Page Avenue'' peaked at number 51 on the [[Billboard 200|''Billboard'' 200]] chart.<ref name="peaks">{{Cite web|url={{BillboardURLbyName|artist=story of the year|chart=all}}|title=Artist Chart History|access-date=2008-05-23|work=[[Billboard (magazine)|Billboard]]}}</ref> It reached number one on the [[Top Heatseekers|Heatseekers Albums]] chart.<ref>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/tln/|title=Story of the Year Chart History (Heaseekers Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180407124014/https://www.billboard.com/music/story-of-the-year/chart-history/heatseekers-albums|archive-date=April 7, 2018}}</ref> By January 2004, it had sold close to 150,000 copies.<ref>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/news.htm|archive-url=https://web.archive.org/web/20040401123247/http://www.maverick.com/storyoftheyear/site/news.htm|title=News|publisher=Maverick Records|archive-date=April 1, 2004|access-date=April 5, 2018|url-status=dead}}</ref> By April, the album was certified [[RIAA certification|gold]] by the [[Recording Industry Association of America]] (RIAA),<ref name=USgold/> one of the first of the post-hardcore genre to do so.<ref name=Billreflect/> As of February 2011, it had sold over 900,000 copies.<ref name=RFTsecrets/> "Until the Day I Die" charted at number 12 on the [[Alternative Airplay|Alternative Songs]] chart.<ref name=BillAltSongs>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/mrt/|title=Story of the Year Chart History (Alternative Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405132940/https://www.billboard.com/music/story-of-the-year/chart-history/alternative-songs|archive-date=April 5, 2018}}</ref> It also charted in the UK at number 62.<ref>{{cite web|url=http://www.zobbel.de/cluk/CLUK_S.HTM|title=Chart Log UK: DJ S – The System Of Life|publisher=Zobbel|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20110722025212/http://www.zobbel.de/cluk/CLUK_S.HTM|archive-date=July 22, 2011}}</ref> "Anthem of Our Dying Day" charted at number 10 on the Alternative Songs chart.<ref name=BillAltSongs/> "Sidewalks" charted at number 40 on the Alternative Songs chart.<ref name=BillAltSongs/> ''[[Cleveland Scene]]'' said ''Page Avenue'' and "Until the Day I Die" helped push screamo into the mainstream musical landscape.<ref>{{cite web|url=https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|title=Last Year's Story|work=Cleveland Scene|author=Seabaugh, Julie|date=March 8, 2006|access-date=June 14, 2019|archive-url=https://web.archive.org/web/20190614222735/https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|archive-date=June 14, 2019|url-status=live}}</ref> +''Page Avenue'' peaked at number 51 on the [[Billboard 200|''Billboard'' 200]] chart.<ref name="peaks">{{Cite web|url={{BillboardURLbyName|artist=story of the year|chart=all}}|title=Artist Chart History|access-date=2008-05-23|work=[[Billboard (magazine)|Billboard]]}}</ref> It reached number one on the [[Heatseekers Albums]] chart.<ref>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/tln/|title=Story of the Year Chart History (Heaseekers Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180407124014/https://www.billboard.com/music/story-of-the-year/chart-history/heatseekers-albums|archive-date=April 7, 2018}}</ref> By January 2004, it had sold close to 150,000 copies.<ref>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/news.htm|archive-url=https://web.archive.org/web/20040401123247/http://www.maverick.com/storyoftheyear/site/news.htm|title=News|publisher=Maverick Records|archive-date=April 1, 2004|access-date=April 5, 2018|url-status=dead}}</ref> By April, the album was certified [[RIAA certification|gold]] by the [[Recording Industry Association of America]] (RIAA),<ref name=USgold/> one of the first of the post-hardcore genre to do so.<ref name=Billreflect/> As of February 2011, it had sold over 900,000 copies.<ref name=RFTsecrets/> "Until the Day I Die" charted at number 12 on the [[Alternative Songs]] chart.<ref name=BillAltSongs>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/mrt/|title=Story of the Year Chart History (Alternative Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405132940/https://www.billboard.com/music/story-of-the-year/chart-history/alternative-songs|archive-date=April 5, 2018}}</ref> It also charted in the UK at number 62.<ref>{{cite web|url=http://www.zobbel.de/cluk/CLUK_S.HTM|title=Chart Log UK: DJ S – The System Of Life|publisher=Zobbel|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20110722025212/http://www.zobbel.de/cluk/CLUK_S.HTM|archive-date=July 22, 2011}}</ref> "Anthem of Our Dying Day" charted at number 10 on the Alternative Songs chart.<ref name=BillAltSongs/> "Sidewalks" charted at number 40 on the Alternative Songs chart.<ref name=BillAltSongs/> ''[[Cleveland Scene]]'' said ''Page Avenue'' and "Until the Day I Die" helped push screamo into the mainstream musical landscape.<ref>{{cite web|url=https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|title=Last Year's Story|work=Cleveland Scene|author=Seabaugh, Julie|date=March 8, 2006|access-date=June 14, 2019|archive-url=https://web.archive.org/web/20190614222735/https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|archive-date=June 14, 2019|url-status=live}}</ref> In February 2011, the group performed ''Page Avenue'' in its entirety for a one-off hometown show.<ref>{{cite web|url=https://www.altpress.com/news/story_of_the_year_to_play_hometown_show_on_february_4/|title=Story Of The Year to play hometown show on February 4|work=Alternative Press|author=Bird, Michele|date=December 14, 2010|access-date=June 18, 2020|archive-date=June 19, 2020|archive-url=https://web.archive.org/web/20200619033039/https://www.altpress.com/news/story_of_the_year_to_play_hometown_show_on_february_4/|url-status=live}}</ref> An acoustic re-make of the album was released in October 2013 to celebrate the album's 10th anniversary.<ref name=RFDan>{{cite web|url=https://reviewfix.com/2013/09/review-fix-exclusive-story-of-the-year-frontman-dan-marsala-talks-about-page-avenue-and-its-10-year-acoustic-re-imagining/|title=Review Fix Exclusive: Story of the Year Frontman Dan Marsala Talks About 'Page Avenue' and its 10-year Acoustic Re-Imagining|work=Review Fix|author=Hickey Jr, Patrick|date=September 24, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608084651/https://reviewfix.com/2013/09/review-fix-exclusive-story-of-the-year-frontman-dan-marsala-talks-about-page-avenue-and-its-10-year-acoustic-re-imagining/|archive-date=June 8, 2019|url-status=live}}</ref> The band decided to do this instead of simply re-recording, remixing or remastering the original.<ref>{{cite web|url=https://reviewfix.com/2013/11/review-fix-exclusive-story-of-the-year-lead-guitarist-ryan-phillips-talks-page-avenue-10-years-later/|title=Review Fix Exclusive: Story of the Year Lead Guitarist Ryan Phillips Talks 'Page Avenue' 10-years Later|work=Review Fix|author=Hickey Jr, Patrick|date=November 4, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608084655/https://reviewfix.com/2013/11/review-fix-exclusive-story-of-the-year-lead-guitarist-ryan-phillips-talks-page-avenue-10-years-later/|archive-date=June 8, 2019|url-status=live}}</ref> Most of the album focused around piano and string arrangements, instead of acoustic guitars as Marsala felt the piano gave a more dramatic vibe that fit better with the songs.<ref name=RFDan/> Following the release, the band performed on the [[Warped Tour]].<ref>{{cite web|url=https://www.altpress.com/news/silverstein_story_of_the_year_the_swellers_set_it_off_and_more_announced_fo/|title=Silverstein, Story Of The Year, the Swellers, Set It Off and more announced for Warped Tour 2013|work=Alternative Press|author=Kraus, Brian|date=March 8, 2013|access-date=June 8, 2019}}</ref> They also headlined the [[Scream It Like You Mean It]] tour in the US playing ''Page Avenue'' in its entirety.<ref>{{cite web|url=https://www.altpress.com/news/story_of_the_year_announce_tour_with_like_moths_to_flames_hawthorne_heights/|title=Story Of The Year announce tour with Like Moths To Flames, Hawthorne Heights, others|work=Alternative Press|author=Horansky, TJ|date=August 5, 2013|access-date=June 8, 2019|archive-date=November 7, 2021|archive-url=https://web.archive.org/web/20211107200753/https://www.altpress.com/news/story_of_the_year_announce_tour_with_like_moths_to_flames_hawthorne_heights/|url-status=live}}</ref> During this tour, a limited number of copies of the anniversary release were made available.<ref>{{cite web|url=https://substreammagazine.com/2013/09/sub-news-story-of-the-year-celebrates-page-avenue-anniversary-with-new-acoustic-album/|title=Story of the Year Celebrates 'Page Avenue' Anniversary with New Acoustic Album|work=Substream Magazine|author=Arsenault, Nici|date=September 10, 2013|access-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608093204/https://substreammagazine.com/2013/09/sub-news-story-of-the-year-celebrates-page-avenue-anniversary-with-new-acoustic-album/|archive-date=June 8, 2019|url-status=live}}</ref> In November 2017, the album was released on vinyl by SRC Vinyl.<ref>{{cite web|url=https://www.allmusic.com/album/release/page-avenue-mr0004728177|title=Page Avenue – Story of the Year {{!}} Release Info|publisher=AllMusic|author=Cramer, Stephen|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405214851/https://www.allmusic.com/album/release/page-avenue-mr0004728177|archive-date=April 5, 2018}}</ref> '
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[ 0 => '{{good article}}', 1 => '| genre = <!-- Do not add or change genres without adding a reliable source -->{{hlist|[[Post-hardcore]]|[[Pop-punk|pop punk]]|[[emo]]}}<!-- Sourced in prose -->', 2 => 'Prior to the formation of Story of the Year, its members had played in local bands as early as 1995: Dan Marsala and Ryan Phillips in 67 North, Phillips and Josh Wills in Means Well, and Phillips and Adam Russell in Locash. With Marsala on drums and Phillips on guitar, the pair formed Bigbluemonkey. Soon afterwards, John Taylor and Perry West joined the band on vocals and bass, respectively. After performing in St. Louis, Missouri, and touring the Midwest, the group released two EPs:<ref name=Maverickbio>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/index2.html|archive-url=https://web.archive.org/web/20040818032510/http://www.maverick.com/storyoftheyear/site/index2.html|title=The band|publisher=[[Maverick (company)|Maverick Records]]|archive-date=August 18, 2004|access-date=April 5, 2018|url-status=dead}} ''Click on the middle left button for the biography to appear.''</ref> ''Three Days Broken'' in 1998 and ''Truth in Separation'' in 1999.<ref>{{cite AV media notes|title=Three Days Broken |others=Bigbluemonkey |year=1998|type=Sleeve|publisher=Self-released}}</ref><ref>{{cite AV media notes|title=Truth in Separation|others=Bigbluemonkey |year=1999|type=Sleeve|publisher=Self-released}}</ref> Following high school graduation, the members were able to focus on the band. Shortly afterwards, Taylor and West left the group resulting in Marsala shifting from drums to vocals. Wills and Russell joined the group on drums and bass, respectively.<ref name=Maverickbio/>', 3 => '', 4 => 'Since Means Well, Wills had been a close friend of Marsala and Phillips, following Bigbluemonkey on road trips and acting as their drum technician. Prior to joining, Russell was originally a guitarist and had no experience on bass.<ref name=Maverickbio/> In February 2002, they recruited guitarist Greg Haupt, formerly of Disturbing the Peace,<ref>{{cite web|url=http://monkey67.tripod.com/main.htm|archive-url=https://archive.today/20180403103132/http://monkey67.tripod.com/main.htm|title=News|publisher=Bigbluemonkey|archive-date=April 3, 2018|access-date=April 5, 2018|url-status=dead}}</ref> and released the ''Story of the Year'' EP.<ref name=Maverickbio/> In May, the band performed at a local radio festival, [[Pointfest]].<ref name=RFTsecrets>{{cite web|url=https://www.riverfronttimes.com/stlouis/story-of-the-year-vocalist-dan-marsala-reveals-the-secret-history-of-the-bands-breakthrough-lp-page-avenue/Content?oid=2499515|title=Story of the Year vocalist Dan Marsala reveals the secret history of the band's breakthrough LP, Page Avenue|work=[[Riverfront Times]]|publisher=Euclid Media Group|author=Ferris, D.X.|date=February 3, 2011|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20190608085959/https://www.riverfronttimes.com/stlouis/story-of-the-year-vocalist-dan-marsala-reveals-the-secret-history-of-the-bands-breakthrough-lp-page-avenue/Content?oid=2499515|archive-date=June 8, 2019}}</ref> The group sneaked into [[Goldfinger (band)|Goldfinger]]'s tour bus while the band was playing and left copies of a home video<ref name=Maverickbio/> that featured pranks akin to ''[[Jackass (franchise)|Jackass]]'' and a live show.<ref name=Billreflect/> In June, the group moved<ref name=MCgood>{{cite web|url=http://articles.mcall.com/2004-01-17/features/3528073_1_maverick-records-record-deal-band|title=Story of the Year's good fortune not your average rock-band success story|work=[[The Morning Call]]|publisher=Robert York|author=Sculley, Alan|date=January 17, 2004|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405214731/http://articles.mcall.com/2004-01-17/features/3528073_1_maverick-records-record-deal-band|archive-date=April 5, 2018}}</ref> to Orange County, California, and built their own practice space. Two weeks later, they were contacted by Goldfinger's manager John Reese, who informed them the band wanted to take them on tour.<ref name=Maverickbio/>', 5 => '', 6 => '[[File:Joe Hahn.jpg|thumb|right|alt=Photograph of Joe Hahn man looking down.|Story of the Year befriended [[Joe Hahn]] ''(pictured)'' while touring with [[Linkin Park]]. After learning he had directed their music videos, Story of the Year got him to direct a music video for "Anthem of Our Dying Day".]]', 7 => 'Johan Wippsson of ''[[Melodic (magazine)|Melodic]]'' wrote that the band had made a refreshing take on punk, noting that they had the possibility to be as big as the Used.<ref name=Melodicreview/> ''[[Exclaim!]]'' writer Sam Sutherland added to the Used point, mentioning that a few songs appear to be candidly taken from that band's [[The Used (album)|self-titled debut album]].<ref name=Exclaimreview/> He cited "Until the Day I Die" as a good example of what the rest of ''Page Avenue'' sounds like with its appealing hooks and melodies, combined with an acceptable amount of [[Screaming (music)#Heavy metal|screaming vocals]] and [[octave]] parts to please people who are seeking more of a bite to their music.<ref name=Exclaimreview/> Cramer similarly highlighted the group's "steady and layered" instrumental work.<ref name=AMreview/>', 8 => '''Page Avenue'' peaked at number 51 on the [[Billboard 200|''Billboard'' 200]] chart.<ref name="peaks">{{Cite web|url={{BillboardURLbyName|artist=story of the year|chart=all}}|title=Artist Chart History|access-date=2008-05-23|work=[[Billboard (magazine)|Billboard]]}}</ref> It reached number one on the [[Heatseekers Albums]] chart.<ref>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/tln/|title=Story of the Year Chart History (Heaseekers Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180407124014/https://www.billboard.com/music/story-of-the-year/chart-history/heatseekers-albums|archive-date=April 7, 2018}}</ref> By January 2004, it had sold close to 150,000 copies.<ref>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/news.htm|archive-url=https://web.archive.org/web/20040401123247/http://www.maverick.com/storyoftheyear/site/news.htm|title=News|publisher=Maverick Records|archive-date=April 1, 2004|access-date=April 5, 2018|url-status=dead}}</ref> By April, the album was certified [[RIAA certification|gold]] by the [[Recording Industry Association of America]] (RIAA),<ref name=USgold/> one of the first of the post-hardcore genre to do so.<ref name=Billreflect/> As of February 2011, it had sold over 900,000 copies.<ref name=RFTsecrets/> "Until the Day I Die" charted at number 12 on the [[Alternative Songs]] chart.<ref name=BillAltSongs>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/mrt/|title=Story of the Year Chart History (Alternative Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405132940/https://www.billboard.com/music/story-of-the-year/chart-history/alternative-songs|archive-date=April 5, 2018}}</ref> It also charted in the UK at number 62.<ref>{{cite web|url=http://www.zobbel.de/cluk/CLUK_S.HTM|title=Chart Log UK: DJ S – The System Of Life|publisher=Zobbel|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20110722025212/http://www.zobbel.de/cluk/CLUK_S.HTM|archive-date=July 22, 2011}}</ref> "Anthem of Our Dying Day" charted at number 10 on the Alternative Songs chart.<ref name=BillAltSongs/> "Sidewalks" charted at number 40 on the Alternative Songs chart.<ref name=BillAltSongs/> ''[[Cleveland Scene]]'' said ''Page Avenue'' and "Until the Day I Die" helped push screamo into the mainstream musical landscape.<ref>{{cite web|url=https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|title=Last Year's Story|work=Cleveland Scene|author=Seabaugh, Julie|date=March 8, 2006|access-date=June 14, 2019|archive-url=https://web.archive.org/web/20190614222735/https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|archive-date=June 14, 2019|url-status=live}}</ref>' ]
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[ 0 => '| genre = [[Post-hardcore]], [[Pop-punk|pop punk]], [[emo]]', 1 => 'Johan Wippsson of ''[[Melodic (magazine)|Melodic]]'' wrote that the band had made a refreshing take on punk, noting that they had the possibility to be as big as the Used.<ref name=Melodicreview/> ''[[Exclaim!]]'' writer Sam Sutherland added to the Used point, mentioning that a few songs appear to be candidly taken from that band's [[The Used (album)|self-titled debut album]].<ref name=Exclaimreview/> He cited "Until the Day I Die" as a good example of what the rest of ''Page Avenue'' sounds like with its appealing hooks and melodies, combined with an acceptable amount of [[Screaming (music)|screaming vocals]] and [[octave]] parts to please people who are seeking more of a bite to their music.<ref name=Exclaimreview/> Cramer similarly highlighted the group's "steady and layered" instrumental work.<ref name=AMreview/>', 2 => '''Page Avenue'' peaked at number 51 on the [[Billboard 200|''Billboard'' 200]] chart.<ref name="peaks">{{Cite web|url={{BillboardURLbyName|artist=story of the year|chart=all}}|title=Artist Chart History|access-date=2008-05-23|work=[[Billboard (magazine)|Billboard]]}}</ref> It reached number one on the [[Top Heatseekers|Heatseekers Albums]] chart.<ref>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/tln/|title=Story of the Year Chart History (Heaseekers Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 5, 2018|url-status=live|archive-url=https://web.archive.org/web/20180407124014/https://www.billboard.com/music/story-of-the-year/chart-history/heatseekers-albums|archive-date=April 7, 2018}}</ref> By January 2004, it had sold close to 150,000 copies.<ref>{{cite web|url=http://www.maverick.com:80/storyoftheyear/site/news.htm|archive-url=https://web.archive.org/web/20040401123247/http://www.maverick.com/storyoftheyear/site/news.htm|title=News|publisher=Maverick Records|archive-date=April 1, 2004|access-date=April 5, 2018|url-status=dead}}</ref> By April, the album was certified [[RIAA certification|gold]] by the [[Recording Industry Association of America]] (RIAA),<ref name=USgold/> one of the first of the post-hardcore genre to do so.<ref name=Billreflect/> As of February 2011, it had sold over 900,000 copies.<ref name=RFTsecrets/> "Until the Day I Die" charted at number 12 on the [[Alternative Airplay|Alternative Songs]] chart.<ref name=BillAltSongs>{{cite web|url=https://www.billboard.com/artist/story-of-the-year/chart-history/mrt/|title=Story of the Year Chart History (Alternative Songs)|work=Billboard|publisher=Lynne Segall|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20180405132940/https://www.billboard.com/music/story-of-the-year/chart-history/alternative-songs|archive-date=April 5, 2018}}</ref> It also charted in the UK at number 62.<ref>{{cite web|url=http://www.zobbel.de/cluk/CLUK_S.HTM|title=Chart Log UK: DJ S – The System Of Life|publisher=Zobbel|access-date=April 3, 2018|url-status=live|archive-url=https://web.archive.org/web/20110722025212/http://www.zobbel.de/cluk/CLUK_S.HTM|archive-date=July 22, 2011}}</ref> "Anthem of Our Dying Day" charted at number 10 on the Alternative Songs chart.<ref name=BillAltSongs/> "Sidewalks" charted at number 40 on the Alternative Songs chart.<ref name=BillAltSongs/> ''[[Cleveland Scene]]'' said ''Page Avenue'' and "Until the Day I Die" helped push screamo into the mainstream musical landscape.<ref>{{cite web|url=https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|title=Last Year's Story|work=Cleveland Scene|author=Seabaugh, Julie|date=March 8, 2006|access-date=June 14, 2019|archive-url=https://web.archive.org/web/20190614222735/https://www.clevescene.com/cleveland/last-years-story/Content?oid=1494044|archive-date=June 14, 2019|url-status=live}}</ref>' ]
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'<div class="mw-parser-output"><p class="mw-empty-elt"> </p> <div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">2003 studio album&#32;by Story of the Year</div><style data-mw-deduplicate="TemplateStyles:r1066479718">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}body.skin-minerva .mw-parser-output .infobox-header,body.skin-minerva .mw-parser-output .infobox-subheader,body.skin-minerva .mw-parser-output .infobox-above,body.skin-minerva .mw-parser-output .infobox-title,body.skin-minerva .mw-parser-output .infobox-image,body.skin-minerva .mw-parser-output .infobox-full-data,body.skin-minerva .mw-parser-output .infobox-below{text-align:center}</style><table class="infobox vevent haudio"><tbody><tr><th colspan="2" class="infobox-above summary album" style="font-style: italic; background-color: lightsteelblue; font-size: 125%;">Page Avenue</th></tr><tr><td colspan="2" class="infobox-image"><a href="/enwiki/wiki/File:Page_Avenue.jpg" class="image" title="An upside-down shadow of a person over a satellite view of a suburb"><img alt="An upside-down shadow of a person over a satellite view of a suburb" src="/upwiki/wikipedia/en/thumb/9/9c/Page_Avenue.jpg/220px-Page_Avenue.jpg" decoding="async" width="220" height="220" srcset="/upwiki/wikipedia/en/9/9c/Page_Avenue.jpg 1.5x" data-file-width="300" data-file-height="300" /></a></td></tr><tr><th colspan="2" class="infobox-header description" style="background-color: lightsteelblue"><a href="/enwiki/wiki/Album" title="Album">Studio album</a>&#32;by <div class="contributor" style="display:inline"><a href="/enwiki/wiki/Story_of_the_Year" title="Story of the Year">Story of the Year</a></div></th></tr><tr><th scope="row" class="infobox-label">Released</th><td class="infobox-data published">September 16, 2003</td></tr><tr><th scope="row" class="infobox-label">Recorded</th><td class="infobox-data plainlist">November 2002, <abbr title="circa">c.</abbr><span style="white-space:nowrap;">&#8201;March or April 2003</span></td></tr><tr><th scope="row" class="infobox-label">Studio</th><td class="infobox-data plainlist">Foxy, <a href="/enwiki/wiki/Marina_del_Rey,_California" title="Marina del Rey, California">Marina del Rey, California</a>;<br />Avex, <a href="/enwiki/wiki/Waikiki" title="Waikiki">Waikiki, Hawaii</a></td></tr><tr><th scope="row" class="infobox-label"><a href="/enwiki/wiki/Music_genre" title="Music genre">Genre</a></th><td class="infobox-data category hlist"><div class="hlist hlist-separated"><ul><li><a href="/enwiki/wiki/Post-hardcore" title="Post-hardcore">Post-hardcore</a></li><li><a href="/enwiki/wiki/Pop-punk" title="Pop-punk">pop punk</a></li><li><a href="/enwiki/wiki/Emo" title="Emo">emo</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Length</th><td class="infobox-data"><span class="duration"><span class="min">41</span>:<span class="s">47</span></span></td></tr><tr><th scope="row" class="infobox-label"><a href="/enwiki/wiki/Record_label" title="Record label">Label</a></th><td class="infobox-data hlist"><a href="/enwiki/wiki/Maverick_(company)" title="Maverick (company)">Maverick</a></td></tr><tr><th scope="row" class="infobox-label"><a href="/enwiki/wiki/Record_producer" title="Record producer">Producer</a></th><td class="infobox-data hlist"><a href="/enwiki/wiki/John_Feldmann" title="John Feldmann">John Feldmann</a></td></tr><tr><th colspan="2" class="infobox-header description" style="background-color: lightsteelblue"><a href="/enwiki/wiki/Story_of_the_Year" title="Story of the Year">Story of the Year</a> chronology</th></tr><tr><td colspan="2" class="infobox-full-data"> <table style="background: transparent; width: 100%; min-width: 100%; border-collapse: collapse; display: inline-table;"> <tbody><tr style="line-height: 1.4em;"> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em .1em .2em 0"><i>Story of the Year</i><br />(2002) </td> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em .1em"><i><b>Page Avenue</b></i><br />(2003) </td> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em 0 .2em .1em"><i><a href="/enwiki/wiki/Live_in_the_Lou/Bassassins" title="Live in the Lou/Bassassins">Live in the Lou/Bassassins</a></i><br />(2005) </td></tr></tbody></table></td></tr><tr><td colspan="2" class="infobox-below"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1066479718"/></td></tr><tr><th colspan="2" class="infobox-header" style="background: lightsteelblue"><a href="/enwiki/wiki/Single_(music)" title="Single (music)">Singles</a> from <i> Page Avenue </i></th></tr><tr><td colspan="2" class="infobox-full-data"><div style="text-align:left"> <ol><li><span class="item"><span class="fn">"<a href="/enwiki/wiki/Until_the_Day_I_Die" title="Until the Day I Die">Until the Day I Die</a>"</span><br />Released: August 12, 2003</span></li> <li><span class="item"><span class="fn">"<a href="/enwiki/wiki/Anthem_of_Our_Dying_Day" title="Anthem of Our Dying Day">Anthem of Our Dying Day</a>"</span><br />Released: April 13, 2004</span></li> <li><span class="item"><span class="fn">"Sidewalks"</span><br />Released: October 5, 2004</span></li></ol> </div></td></tr><tr style="display:none"><td colspan="2"> </td></tr></tbody></table> <p><i><b>Page Avenue</b></i> is the debut studio album by American <a href="/enwiki/wiki/Rock_music" title="Rock music">rock</a> band <a href="/enwiki/wiki/Story_of_the_Year" title="Story of the Year">Story of the Year</a>. <a href="/enwiki/wiki/Goldfinger_(band)" title="Goldfinger (band)">Goldfinger</a> frontman <a href="/enwiki/wiki/John_Feldmann" title="John Feldmann">John Feldmann</a>, who served as a talent scout for <a href="/enwiki/wiki/Maverick_(company)" title="Maverick (company)">Maverick Records</a>, began working on demos with the band, and eventually for their debut album. Sessions took place at Feldmann's home studio, Foxy Studios in Marina del Rey, California; the group tracked three songs before guitarist Greg Haupt left in November 2002. Guitarist Philip Sneed was drafted in and sessions recommenced in early 2003. The album's release through Maverick Records was pushed back several times to September 16, 2003. </p><p>The band toured as part of the <a href="/enwiki/wiki/Warped_Tour" title="Warped Tour">Warped Tour</a> before "<a href="/enwiki/wiki/Until_the_Day_I_Die" title="Until the Day I Die">Until the Day I Die</a>" was released as a radio single. In early 2004, the band supported <a href="/enwiki/wiki/Linkin_Park" title="Linkin Park">Linkin Park</a> on their US arena tour; they subsequently worked with Linkin Park's <a href="/enwiki/wiki/Joe_Hahn" title="Joe Hahn">Joe Hahn</a> on a music video for "<a href="/enwiki/wiki/Anthem_of_Our_Dying_Day" title="Anthem of Our Dying Day">Anthem of Our Dying Day</a>". The track was released as a single in April 2004, and the group embarked on a headlining US tour. A second stint on the Warped Tour followed, taking a month-long break, and headlining the <a href="/enwiki/wiki/Nintendo_Fusion_Tour" class="mw-redirect" title="Nintendo Fusion Tour">Nintendo Fusion Tour</a>. A music video was released for "Sidewalks"; the track was released as a single in October. </p><p>Critics drew comparisons between the group and <a href="/enwiki/wiki/Thrice" title="Thrice">Thrice</a>, <a href="/enwiki/wiki/Finch_(American_band)" title="Finch (American band)">Finch</a>, and <a href="/enwiki/wiki/The_Used" title="The Used">the Used</a>, another act that Feldmann had produced. <i>Page Avenue</i> peaked at number 51 on the <a href="/enwiki/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a>. It was certified <a href="/enwiki/wiki/RIAA_Certification" class="mw-redirect" title="RIAA Certification">gold</a> by the <a href="/enwiki/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">Recording Industry Association of America</a> (RIAA) in April 2004, then platinum in March 2021, serving as one of the first <a href="/enwiki/wiki/Post-hardcore" title="Post-hardcore">post-hardcore</a> albums to achieve either status. "Until the Day I Die", "Anthem of Our Dying Day" and "Sidewalks" all charted on the <a href="/enwiki/wiki/Alternative_Songs" class="mw-redirect" title="Alternative Songs">Alternative Songs</a> chart, with the first two reaching the chart's top 20. "Until the Day I Die" also reached the top 75 in the UK. An acoustic version of the album was released in October 2013, which coincided with an anniversary tour. </p> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none" /><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><span class="toctogglespan"><label class="toctogglelabel" for="toctogglecheckbox"></label></span></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Background"><span class="tocnumber">1</span> <span class="toctext">Background</span></a></li> <li class="toclevel-1 tocsection-2"><a href="#Writing_and_recording"><span class="tocnumber">2</span> <span class="toctext">Writing and recording</span></a></li> <li class="toclevel-1 tocsection-3"><a href="#Composition"><span class="tocnumber">3</span> <span class="toctext">Composition</span></a></li> <li class="toclevel-1 tocsection-4"><a href="#Release_and_touring"><span class="tocnumber">4</span> <span class="toctext">Release and touring</span></a></li> <li class="toclevel-1 tocsection-5"><a href="#Reception"><span class="tocnumber">5</span> <span class="toctext">Reception</span></a> <ul> <li class="toclevel-2 tocsection-6"><a href="#Critical_response"><span class="tocnumber">5.1</span> <span class="toctext">Critical response</span></a></li> <li class="toclevel-2 tocsection-7"><a href="#Commercial_performance_and_legacy"><span class="tocnumber">5.2</span> <span class="toctext">Commercial performance and legacy</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-8"><a href="#Track_listing"><span class="tocnumber">6</span> <span class="toctext">Track listing</span></a></li> <li class="toclevel-1 tocsection-9"><a href="#Personnel"><span class="tocnumber">7</span> <span class="toctext">Personnel</span></a></li> <li class="toclevel-1 tocsection-10"><a href="#Charts"><span class="tocnumber">8</span> <span class="toctext">Charts</span></a> <ul> <li class="toclevel-2 tocsection-11"><a href="#Weekly_charts"><span class="tocnumber">8.1</span> <span class="toctext">Weekly charts</span></a></li> <li class="toclevel-2 tocsection-12"><a href="#Year-end_charts"><span class="tocnumber">8.2</span> <span class="toctext">Year-end charts</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-13"><a href="#Certifications"><span class="tocnumber">9</span> <span class="toctext">Certifications</span></a></li> <li class="toclevel-1 tocsection-14"><a href="#References"><span class="tocnumber">10</span> <span class="toctext">References</span></a></li> <li class="toclevel-1 tocsection-15"><a href="#External_links"><span class="tocnumber">11</span> <span class="toctext">External links</span></a></li> </ul> </div> <h2><span class="mw-headline" id="Background">Background</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=1" title="Edit section: Background">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p>Prior to the formation of Story of the Year, its members had played in local bands as early as 1995: Dan Marsala and Ryan Phillips in 67 North, Phillips and Josh Wills in Means Well, and Phillips and Adam Russell in Locash. With Marsala on drums and Phillips on guitar, the pair formed Bigbluemonkey. Soon afterwards, John Taylor and Perry West joined the band on vocals and bass, respectively. After performing in St. Louis, Missouri, and touring the Midwest, the group released two EPs:<sup id="cite_ref-Maverickbio_1-0" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> <i>Three Days Broken</i> in 1998 and <i>Truth in Separation</i> in 1999.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2">&#91;2&#93;</a></sup><sup id="cite_ref-3" class="reference"><a href="#cite_note-3">&#91;3&#93;</a></sup> Following high school graduation, the members were able to focus on the band. Shortly afterwards, Taylor and West left the group resulting in Marsala shifting from drums to vocals. Wills and Russell joined the group on drums and bass, respectively.<sup id="cite_ref-Maverickbio_1-1" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> </p><p>Since Means Well, Wills had been a close friend of Marsala and Phillips, following Bigbluemonkey on road trips and acting as their drum technician. Prior to joining, Russell was originally a guitarist and had no experience on bass.<sup id="cite_ref-Maverickbio_1-2" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> In February 2002, they recruited guitarist Greg Haupt, formerly of Disturbing the Peace,<sup id="cite_ref-4" class="reference"><a href="#cite_note-4">&#91;4&#93;</a></sup> and released the <i>Story of the Year</i> EP.<sup id="cite_ref-Maverickbio_1-3" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> In May, the band performed at a local radio festival, <a href="/enwiki/wiki/Pointfest" title="Pointfest">Pointfest</a>.<sup id="cite_ref-RFTsecrets_5-0" class="reference"><a href="#cite_note-RFTsecrets-5">&#91;5&#93;</a></sup> The group sneaked into <a href="/enwiki/wiki/Goldfinger_(band)" title="Goldfinger (band)">Goldfinger</a>'s tour bus while the band was playing and left copies of a home video<sup id="cite_ref-Maverickbio_1-4" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> that featured pranks akin to <i><a href="/enwiki/wiki/Jackass_(franchise)" title="Jackass (franchise)">Jackass</a></i> and a live show.<sup id="cite_ref-Billreflect_6-0" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> In June, the group moved<sup id="cite_ref-MCgood_7-0" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup> to Orange County, California, and built their own practice space. Two weeks later, they were contacted by Goldfinger's manager John Reese, who informed them the band wanted to take them on tour.<sup id="cite_ref-Maverickbio_1-5" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> </p><p>Partway through the tour, Goldfinger frontman <a href="/enwiki/wiki/John_Feldmann" title="John Feldmann">John Feldmann</a> said that he wanted to produce their demos to try to attract a record deal.<sup id="cite_ref-MCgood_7-1" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup> They did <a href="/enwiki/wiki/Pre-production#In_music" title="Pre-production">pre-production</a> acoustically,<sup id="cite_ref-8" class="reference"><a href="#cite_note-8">&#91;8&#93;</a></sup> and tracked demos of "Until the Day I Die" and "Anthem of Our Dying Day" in the process.<sup id="cite_ref-Billreflect_6-1" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> Following the tour's conclusion, Feldmann showed the home video to major label <a href="/enwiki/wiki/Maverick_(company)" title="Maverick (company)">Maverick Records</a>,<sup id="cite_ref-Maverickbio_1-6" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> for whom he acted as a talent scout.<sup id="cite_ref-MCgood_7-2" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup> In September, the group changed their name to Story of the Year to avoid confusion with another band called Bigbluemonkey,<sup id="cite_ref-9" class="reference"><a href="#cite_note-9">&#91;9&#93;</a></sup> and at the urging of Feldmann, who disliked the name.<sup id="cite_ref-Billreflect_6-2" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> In October, the band signed to Maverick Records following a showcase.<sup id="cite_ref-MCgood_7-3" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup> In the process, Reese became their manager.<sup id="cite_ref-Billreflect_6-3" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> </p> <h2><span class="mw-headline" id="Writing_and_recording">Writing and recording</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=2" title="Edit section: Writing and recording">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p>Prior to signing with Maverick, the group wanted to improve their song writing. As Marsala explains: "[W]e had songs, but we knew we wanted new stuff and we wanted to like really get serious."<sup id="cite_ref-MCgood_7-4" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup> After signing, the band began working on material for their debut album, writing for roughly a month<sup id="cite_ref-Maverickbio_1-7" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> at Feldmann's house.<sup id="cite_ref-MCflipping_10-0" class="reference"><a href="#cite_note-MCflipping-10">&#91;10&#93;</a></sup> Feldmann helped the group structure their songs better.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11">&#91;11&#93;</a></sup> Recording took place at Feldmann's home studio, Foxy Studios in Marina del Rey, California.<sup id="cite_ref-PAbooklet_12-0" class="reference"><a href="#cite_note-PAbooklet-12">&#91;12&#93;</a></sup> The studio space consisted of one bedroom, which featured drums. Feldmann had stapled egg crates and glued foam to the walls to give the room better sound.<sup id="cite_ref-Billreflect_6-4" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> He acted as producer and engineer with additional engineering by Mark Blewett.<sup id="cite_ref-PAbooklet_12-1" class="reference"><a href="#cite_note-PAbooklet-12">&#91;12&#93;</a></sup> In November 2002, the group tracked "Anthem of Our Dying Day", "Until the Day I Die" and "Razorblades",<sup id="cite_ref-Maverickbio_1-8" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> which were the only songs they had at the time.<sup id="cite_ref-MCgood_7-5" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup> However, before they planned to return to the studio, Haupt left the group over creative and personal reasons. The band spent the following seven weeks writing more music and searching for a new guitarist. They heard that guitarist Philip Sneed was on uncertain terms with his band Maybe Today.<sup id="cite_ref-Maverickbio_1-9" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> </p><p>Sneed joined the group after flying out to California and practicing with the band. Accumulating 25–30 songs, the band returned to the studio<sup id="cite_ref-Maverickbio_1-10" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> in March or April 2003.<sup id="cite_ref-MCgood_7-6" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup> They narrowed the choice of songs to ten after a week or two,<sup id="cite_ref-Maverickbio_1-11" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> and spent the following six weeks recording them. Sessions took place seven days a week, up to 15 hours per day. Feldmann informed the label that they should record in Hawaii.<sup id="cite_ref-Maverickbio_1-12" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> They subsequently recorded at Avex Studios in Waikiki, Hawaii,<sup id="cite_ref-PAbooklet_12-2" class="reference"><a href="#cite_note-PAbooklet-12">&#91;12&#93;</a></sup> tracking strings for two songs. The group said they "spent 6 days in the sun and like 7 hours actually working."<sup id="cite_ref-Maverickbio_1-13" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> During the recording of "Falling Down", Wills was unable to play the song's beat. Feldmann didn't want to edit the drums to make it sound like a drum machine, so Marsala opted to play them instead.<sup id="cite_ref-Billreflect_6-5" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> The track served as the end of the recording sessions, with Marsala playing all the instruments on it.<sup id="cite_ref-SLPDtbt_13-0" class="reference"><a href="#cite_note-SLPDtbt-13">&#91;13&#93;</a></sup> </p><p>Feldmann mixed the recordings at Foxy Studios, while Joe Gastwirt mastered them at Ocean View Digital Mastering. Toby Morse of <a href="/enwiki/wiki/H2O_(American_band)" title="H2O (American band)">H<sub>2</sub>O</a>, <a href="/enwiki/wiki/Ray_Cappo" title="Ray Cappo">Ray Cappo</a> of <a href="/enwiki/wiki/Shelter_(band)" title="Shelter (band)">Shelter</a> and Feldmann sang guest vocals on "Falling Down". Feldmann also sang additional backings vocals on "And the Hero Will Drown", "Until the Day I Die", "Anthem of Our Dying Day" and "Razorblades".<sup id="cite_ref-PAbooklet_12-3" class="reference"><a href="#cite_note-PAbooklet-12">&#91;12&#93;</a></sup> Marsala later criticized Feldmann's role, saying: "Feldmann had originally changed our sound. All of his records have the same sort of sound, because he's always using the same formulas on everything."<sup id="cite_ref-MTVLame_14-0" class="reference"><a href="#cite_note-MTVLame-14">&#91;14&#93;</a></sup> Feldmann said the group, who were influenced by bands ranging from <a href="/enwiki/wiki/Pantera" title="Pantera">Pantera</a> to the Red Hot Chili Peppers, wanted to sound heavier than the album's ultimate sound. He intended for the album to be highly vocal-driven. Marsala wanted it to be a metal record. Feldmann said people would not connect with that sound the same way they would if the band focused on the melodies and vocals.<sup id="cite_ref-Billreflect_6-6" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> </p> <h2><span class="mw-headline" id="Composition">Composition</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=3" title="Edit section: Composition">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p>Musically, the album has been described as <a href="/enwiki/wiki/Emo" title="Emo">emo</a>,<sup id="cite_ref-Exclaimreview_15-0" class="reference"><a href="#cite_note-Exclaimreview-15">&#91;15&#93;</a></sup> <a href="/enwiki/wiki/Post-hardcore" title="Post-hardcore">post-hardcore</a>,<sup id="cite_ref-Billreflect_6-7" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup><sup id="cite_ref-Melodicreview_16-0" class="reference"><a href="#cite_note-Melodicreview-16">&#91;16&#93;</a></sup> <a href="/enwiki/wiki/Pop-punk" title="Pop-punk">pop punk</a><sup id="cite_ref-17" class="reference"><a href="#cite_note-17">&#91;17&#93;</a></sup> and <a href="/enwiki/wiki/Screamo" title="Screamo">screamo</a>.<sup id="cite_ref-MCflipping_10-1" class="reference"><a href="#cite_note-MCflipping-10">&#91;10&#93;</a></sup> Alan Sculley of <i><a href="/enwiki/wiki/The_Morning_Call" title="The Morning Call">The Morning Call</a></i> said the tracks were in "a middle ground between the heavy rock" style of the <a href="/enwiki/wiki/Deftones" title="Deftones">Deftones</a> and the "poppier side" Story of the Year had developed prior to moving to California.<sup id="cite_ref-MCgood_7-7" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup> The band drew comparisons to <a href="/enwiki/wiki/Thrice" title="Thrice">Thrice</a>,<sup id="cite_ref-AMbio_18-0" class="reference"><a href="#cite_note-AMbio-18">&#91;18&#93;</a></sup> <a href="/enwiki/wiki/Finch_(American_band)" title="Finch (American band)">Finch</a><sup id="cite_ref-Melodicreview_16-1" class="reference"><a href="#cite_note-Melodicreview-16">&#91;16&#93;</a></sup> and <a href="/enwiki/wiki/The_Used" title="The Used">the Used</a>, an act that Feldmann also produced.<sup id="cite_ref-MCflipping_10-2" class="reference"><a href="#cite_note-MCflipping-10">&#91;10&#93;</a></sup> Feldmann tried to separate Marsala, who was more of a trained singer, from the Used frontman <a href="/enwiki/wiki/Bert_McCracken" title="Bert McCracken">Bert McCracken</a>, who had a unique voice. He added that the band's riffs leaned to a more progressive sound than the Used, who were more chaotic.<sup id="cite_ref-Billreflect_6-8" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> Sneed said that while recording in California, the album "took on like a whole sentimental, missing-home type of vibe" with most of the songs being about "missing home and missing friends and memories".<sup id="cite_ref-MTVdying_19-0" class="reference"><a href="#cite_note-MTVdying-19">&#91;19&#93;</a></sup> <i>Page Avenue</i> was named after a popular <a href="/enwiki/wiki/Missouri_Route_364" title="Missouri Route 364">east-west freeway</a> close to St. Louis, Missouri.<sup id="cite_ref-Maverickbio_1-14" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> Marsala said it "reflects a bunch of dudes determined to get out of St. Louis and make our dreams happen and while we were doing that we realized how very important our home really was to us".<sup id="cite_ref-20" class="reference"><a href="#cite_note-20">&#91;20&#93;</a></sup> </p><p>Marsala came up with the guitar riff for "And the Hero Will Down" and proceeded to show Phillips, who immediately suggested jamming.<sup id="cite_ref-SLPDtbt_13-1" class="reference"><a href="#cite_note-SLPDtbt-13">&#91;13&#93;</a></sup> As the band wrote the track, they knew it would work as an upbeat, in-your-face type of song. They wrote it with a live setting in mind;<sup id="cite_ref-Billreflect_6-9" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> Marsala thought the track sounded like <a href="/enwiki/wiki/Refused" title="Refused">Refused</a>. "Until the Day I Die" was written in the group's van while they were touring.<sup id="cite_ref-SLPDtbt_13-2" class="reference"><a href="#cite_note-SLPDtbt-13">&#91;13&#93;</a></sup> Wills wrote the first verse of "Anthem of Our Dying Day", before jamming out the rest of it with the band. Working on the lyrics, Russell had <a href="/enwiki/wiki/Saves_the_Day" title="Saves the Day">Saves the Day</a> and <a href="/enwiki/wiki/Glassjaw" title="Glassjaw">Glassjaw</a> in mind;<sup id="cite_ref-Billreflect_6-10" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> Sneed said the track was about ghosts.<sup id="cite_ref-MTVdying_19-1" class="reference"><a href="#cite_note-MTVdying-19">&#91;19&#93;</a></sup> The initial version of "In the Shadows" sounded much different before the band entered the studio.<sup id="cite_ref-SLPDtbt_13-3" class="reference"><a href="#cite_note-SLPDtbt-13">&#91;13&#93;</a></sup> The group did not like Feldmann's suggestion they make the chorus more chilled-out compared to the heavy nature of the verses.<sup id="cite_ref-Billreflect_6-11" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> </p><p>"Swallow the Knife" is about the band's former guitarist; "The Unheard Voice" was initially intended for inclusion, but was dropped in favor of "Swallow the Knife" as the band felt the album did not have enough slow-tempo songs.<sup id="cite_ref-SLPDtbt_13-4" class="reference"><a href="#cite_note-SLPDtbt-13">&#91;13&#93;</a></sup><sup id="cite_ref-TBMinterview_21-0" class="reference"><a href="#cite_note-TBMinterview-21">&#91;21&#93;</a></sup> Marsala said the title-track summarized the album and represented home.<sup id="cite_ref-SLPDtbt_13-5" class="reference"><a href="#cite_note-SLPDtbt-13">&#91;13&#93;</a></sup> For "Sidewalks", Sneed said the group wanted it to have a "different attitude" compared to the rest of the songs by incorporating strings<sup id="cite_ref-MTVdying_19-2" class="reference"><a href="#cite_note-MTVdying-19">&#91;19&#93;</a></sup> and bongos.<sup id="cite_ref-AUreview_22-0" class="reference"><a href="#cite_note-AUreview-22">&#91;22&#93;</a></sup> It was almost entirely written by Sneed; it talks about relationships and missing the simpler periods in life.<sup id="cite_ref-Billreflect_6-12" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> Sneed wrote the main riff before showing it to the rest of the band, who liked it. When learning that they planned to add strings, Sneed wrote the rest of the song with strings in mind.<sup id="cite_ref-TBMinterview_21-1" class="reference"><a href="#cite_note-TBMinterview-21">&#91;21&#93;</a></sup> "Divide and Conquer" came about during a period where the band wrote several heavy songs in a row. "Razorblades" was one of the first tracks written by the group's new lineup.<sup id="cite_ref-SLPDtbt_13-6" class="reference"><a href="#cite_note-SLPDtbt-13">&#91;13&#93;</a></sup> "Falling Down" incorporates heavier <a href="/enwiki/wiki/Punk_rock" title="Punk rock">punk rock</a> sounds<sup id="cite_ref-AUreview_22-1" class="reference"><a href="#cite_note-AUreview-22">&#91;22&#93;</a></sup> by the likes of <a href="/enwiki/wiki/Blindside_(band)" title="Blindside (band)">Blindside</a>.<sup id="cite_ref-Melodicreview_16-2" class="reference"><a href="#cite_note-Melodicreview-16">&#91;16&#93;</a></sup> The CD's <a href="/enwiki/wiki/Hidden_track" title="Hidden track">hidden track</a> consists of bloopers/outtakes from the recording sessions.<sup id="cite_ref-RFTreview_23-0" class="reference"><a href="#cite_note-RFTreview-23">&#91;23&#93;</a></sup> </p> <h2><span class="mw-headline" id="Release_and_touring">Release and touring</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=4" title="Edit section: Release and touring">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/enwiki/wiki/File:Joe_Hahn.jpg" class="image"><img alt="Photograph of Joe Hahn man looking down." src="/upwiki/wikipedia/commons/thumb/8/8b/Joe_Hahn.jpg/220px-Joe_Hahn.jpg" decoding="async" width="220" height="192" class="thumbimage" srcset="/upwiki/wikipedia/commons/thumb/8/8b/Joe_Hahn.jpg/330px-Joe_Hahn.jpg 1.5x, /upwiki/wikipedia/commons/8/8b/Joe_Hahn.jpg 2x" data-file-width="380" data-file-height="332" /></a> <div class="thumbcaption"><div class="magnify"><a href="/enwiki/wiki/File:Joe_Hahn.jpg" class="internal" title="Enlarge"></a></div>Story of the Year befriended <a href="/enwiki/wiki/Joe_Hahn" title="Joe Hahn">Joe Hahn</a> <i>(pictured)</i> while touring with <a href="/enwiki/wiki/Linkin_Park" title="Linkin Park">Linkin Park</a>. After learning he had directed their music videos, Story of the Year got him to direct a music video for "Anthem of Our Dying Day".</div></div></div> <p>After recording, Story of the Year moved back to St. Louis and immediately started touring.<sup id="cite_ref-Maverickbio_1-15" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup> On May 7, 2003, it was announced that their debut album was scheduled for release in early July.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24">&#91;24&#93;</a></sup> On May 16, the album's track listing was revealed; the album's release was pushed back to August 27.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25">&#91;25&#93;</a></sup> On June 13, the album's title was announced: <i>Page Avenue</i>.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26">&#91;26&#93;</a></sup> On June 22, the album's release was pushed back again, this time to mid-September.<sup id="cite_ref-MelodicSep_27-0" class="reference"><a href="#cite_note-MelodicSep-27">&#91;27&#93;</a></sup> In July, the group appeared on the <a href="/enwiki/wiki/Warped_Tour" title="Warped Tour">Warped Tour</a>.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28">&#91;28&#93;</a></sup> Partway through, the group was moved to a bigger stage because of the large crowds they were drawing. On August 9, two songs from the album were posted online.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29">&#91;29&#93;</a></sup> "<a href="/enwiki/wiki/Until_the_Day_I_Die" title="Until the Day I Die">Until the Day I Die</a>" was released to radio on August 12.<sup id="cite_ref-FMQB_30-0" class="reference"><a href="#cite_note-FMQB-30">&#91;30&#93;</a></sup> The group wanted to tour for a year before their label started pushing a single. They grew up in the 1990s when labels were focused on investing in development. Russell, citing the <a href="/enwiki/wiki/Red_Hot_Chili_Peppers" title="Red Hot Chili Peppers">Red Hot Chili Peppers</a> and their song "<a href="/enwiki/wiki/Under_the_Bridge" title="Under the Bridge">Under the Bridge</a>" as an example, said the band was afraid of being labelled sell-outs due to a big single. However, the label was unwavering in their decision to release "Until the Day I Die".<sup id="cite_ref-Billreflect_6-13" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> </p><p>In August and September, Story of the Year went on tour with <a href="/enwiki/wiki/Saosin" title="Saosin">Saosin</a> and labelmates <a href="/enwiki/wiki/Stutterfly" title="Stutterfly">Stutterfly</a>.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31">&#91;31&#93;</a></sup> Maverick Records released <i>Page Avenue</i> on September 16.<sup id="cite_ref-MelodicSep_27-1" class="reference"><a href="#cite_note-MelodicSep-27">&#91;27&#93;</a></sup> The cover was created by Lawrence Azerrad,<sup id="cite_ref-PAbooklet_12-4" class="reference"><a href="#cite_note-PAbooklet-12">&#91;12&#93;</a></sup> Maverick's in-house artist.<sup id="cite_ref-RFTsecrets_5-1" class="reference"><a href="#cite_note-RFTsecrets-5">&#91;5&#93;</a></sup> It features a satellite image taken by Space Imaging<sup id="cite_ref-PAbooklet_12-5" class="reference"><a href="#cite_note-PAbooklet-12">&#91;12&#93;</a></sup> over a suburb in San Diego, California. Marsala said they argued with Maverick about it, asking them to change it to St. Louis. The label said they would but then admitted the cover had already been printed. The band was "pretty pissed".<sup id="cite_ref-RFTsecrets_5-2" class="reference"><a href="#cite_note-RFTsecrets-5">&#91;5&#93;</a></sup> Between October and December, the band supported <a href="/enwiki/wiki/Sugarcult" title="Sugarcult">Sugarcult</a> on their headlining US tour.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32">&#91;32&#93;</a></sup> On November 21, the band appeared on <i><a href="/enwiki/wiki/Last_Call_with_Carson_Daly" title="Last Call with Carson Daly">Last Call with Carson Daly</a></i>.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33">&#91;33&#93;</a></sup> In January and February 2004,<sup id="cite_ref-34" class="reference"><a href="#cite_note-34">&#91;34&#93;</a></sup> the group supported <a href="/enwiki/wiki/Linkin_Park" title="Linkin Park">Linkin Park</a> on their US arena tour.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35">&#91;35&#93;</a></sup> During the tour, the band learned <a href="/enwiki/wiki/Joe_Hahn" title="Joe Hahn">Joe Hahn</a> of Linkin Park had directed their music videos, which they really liked. After talking to their management, the band befriended Hahn, who subsequently directed a music video for "Anthem of Our Dying Day".<sup id="cite_ref-Billreflect_6-14" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> On February 19, 2004, the band appeared on <i><a href="/enwiki/wiki/Jimmy_Kimmel_Live!" title="Jimmy Kimmel Live!">Jimmy Kimmel Live!</a></i>.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36">&#91;36&#93;</a></sup> </p><p>Around this time, Maverick Records was using <a href="/enwiki/wiki/BigChampagne" title="BigChampagne">BigChampagne</a>. The company had a top 20 downloads section, based on data culled from <a href="/enwiki/wiki/Peer-to-peer" title="Peer-to-peer">peer-to-peer</a> networks, which featured "Until the Day I Die". However, the song was receiving less airplay on radio than other artists. Jeremy Welt, head of new media at Maverick Records, convinced radio stations in certain markets to play the band during prime-time listening hours, which helped increase sales.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37">&#91;37&#93;</a></sup> In April and May, the group went on a headlining US tour with support from <a href="/enwiki/wiki/Hazen_Street" title="Hazen Street">Hazen Street</a>, <a href="/enwiki/wiki/Letter_Kills" title="Letter Kills">Letter Kills</a><sup id="cite_ref-UGAnthemvideo_38-0" class="reference"><a href="#cite_note-UGAnthemvideo-38">&#91;38&#93;</a></sup> and <a href="/enwiki/wiki/Motion_City_Soundtrack" title="Motion City Soundtrack">Motion City Soundtrack</a>.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39">&#91;39&#93;</a></sup> "Anthem of Our Dying Day" was released to radio on April 13;<sup id="cite_ref-FMQB_30-1" class="reference"><a href="#cite_note-FMQB-30">&#91;30&#93;</a></sup> followed by a music video on April 28.<sup id="cite_ref-UGAnthemvideo_38-1" class="reference"><a href="#cite_note-UGAnthemvideo-38">&#91;38&#93;</a></sup> The group performed on the Warped Tour again.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40">&#91;40&#93;</a></sup> When it ended the group took a month's break.<sup id="cite_ref-41" class="reference"><a href="#cite_note-41">&#91;41&#93;</a></sup> In September and October, the band headlined the 2004 edition of the <a href="/enwiki/wiki/Nintendo_Fusion_Tour" class="mw-redirect" title="Nintendo Fusion Tour">Nintendo Fusion Tour</a>, which also featured <a href="/enwiki/wiki/Lostprophets" title="Lostprophets">Lostprophets</a>, <a href="/enwiki/wiki/My_Chemical_Romance" title="My Chemical Romance">My Chemical Romance</a>, Letter Kills, <a href="/enwiki/wiki/Anberlin" title="Anberlin">Anberlin</a> and <a href="/enwiki/wiki/Autopilot_Off" title="Autopilot Off">Autopilot Off</a>.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42">&#91;42&#93;</a></sup> "Sidewalks" was released to radio on October 5.<sup id="cite_ref-FMQB_30-2" class="reference"><a href="#cite_note-FMQB-30">&#91;30&#93;</a></sup> Russell and Phillips co-directed the video for the song, which was based on its sound than its lyrics, produced by production company Villains.<sup id="cite_ref-Billreflect_6-15" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> </p> <h2><span class="mw-headline" id="Reception">Reception</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=5" title="Edit section: Reception">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <table class="wikitable floatright" style="float:right;clear:right;width:24.2em;font-size:88%;text-align:center;margin:0.5em 0 0.5em 1em;padding:0;border-spacing:0"><caption style="font-size:115%">Professional ratings</caption><tbody><tr><th scope="col" colspan="2" style="text-align:center;background:#d1dbdf;font-size:100%">Review scores</th></tr><tr><th scope="col">Source</th><th scope="col">Rating</th></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/enwiki/wiki/AllMusic" title="AllMusic">AllMusic</a></td><td style="text-align:center;vertical-align:middle"><span role="img" style="white-space:nowrap" title="3/5 stars"><img alt="" src="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" title="3/5 stars" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="/upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/11px-Star_empty.svg.png" decoding="async" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/17px-Star_empty.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/22px-Star_empty.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="/upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/11px-Star_empty.svg.png" decoding="async" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/17px-Star_empty.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/22px-Star_empty.svg.png 2x" data-file-width="108" data-file-height="110" /></span><sup id="cite_ref-AMreview_43-0" class="reference"><a href="#cite_note-AMreview-43">&#91;43&#93;</a></sup></td></tr><tr><td style="text-align:center;vertical-align:middle"><i>The AU Review</i></td><td style="text-align:center;vertical-align:middle">Favorable<sup id="cite_ref-AUreview_22-2" class="reference"><a href="#cite_note-AUreview-22">&#91;22&#93;</a></sup></td></tr><tr><td style="text-align:center;vertical-align:middle"><i><a href="/enwiki/wiki/Exclaim!" title="Exclaim!">Exclaim!</a></i></td><td style="text-align:center;vertical-align:middle">Favorable<sup id="cite_ref-Exclaimreview_15-1" class="reference"><a href="#cite_note-Exclaimreview-15">&#91;15&#93;</a></sup></td></tr><tr><td style="text-align:center;vertical-align:middle"><i><a href="/enwiki/wiki/Melodic_(magazine)" title="Melodic (magazine)">Melodic</a></i></td><td style="text-align:center;vertical-align:middle"><span role="img" style="white-space:nowrap" title="3.5/5 stars"><img alt="" src="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" title="3.5/5 stars" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="/upwiki/wikipedia/commons/thumb/8/81/Star_half.svg/11px-Star_half.svg.png" decoding="async" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/8/81/Star_half.svg/17px-Star_half.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/8/81/Star_half.svg/22px-Star_half.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="/upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/11px-Star_empty.svg.png" decoding="async" width="11" height="11" srcset="/upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/17px-Star_empty.svg.png 1.5x, /upwiki/wikipedia/commons/thumb/4/49/Star_empty.svg/22px-Star_empty.svg.png 2x" data-file-width="108" data-file-height="110" /></span><sup id="cite_ref-Melodicreview_16-3" class="reference"><a href="#cite_note-Melodicreview-16">&#91;16&#93;</a></sup></td></tr></tbody></table> <h3><span class="mw-headline" id="Critical_response">Critical response</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=6" title="Edit section: Critical response">edit</a><span class="mw-editsection-bracket">]</span></span></h3> <p><a href="/enwiki/wiki/AllMusic" title="AllMusic">AllMusic</a> reviewer Stephen Cramer singled out Marsala's unwavering vocals as a highlight of the album.<sup id="cite_ref-AMreview_43-1" class="reference"><a href="#cite_note-AMreview-43">&#91;43&#93;</a></sup> Dave Roberts of <i>The AU Review</i> viewed it as a bit over produced, though it had credible teenage emotion.<sup id="cite_ref-AUreview_22-3" class="reference"><a href="#cite_note-AUreview-22">&#91;22&#93;</a></sup> Cramer noted the band's reoccurring "flare for the dramatic" on <i>Page Avenue</i>.<sup id="cite_ref-AMreview_43-2" class="reference"><a href="#cite_note-AMreview-43">&#91;43&#93;</a></sup> He called it a decent, <a href="/enwiki/wiki/Dashboard_Confessional" title="Dashboard Confessional">Dashboard Confessional</a>-esque debut, with "crunchy" ballads showing the band can be both tasteful and fierce.<sup id="cite_ref-AMreview_43-3" class="reference"><a href="#cite_note-AMreview-43">&#91;43&#93;</a></sup> </p><p>Johan Wippsson of <i><a href="/enwiki/wiki/Melodic_(magazine)" title="Melodic (magazine)">Melodic</a></i> wrote that the band had made a refreshing take on punk, noting that they had the possibility to be as big as the Used.<sup id="cite_ref-Melodicreview_16-4" class="reference"><a href="#cite_note-Melodicreview-16">&#91;16&#93;</a></sup> <i><a href="/enwiki/wiki/Exclaim!" title="Exclaim!">Exclaim!</a></i> writer Sam Sutherland added to the Used point, mentioning that a few songs appear to be candidly taken from that band's <a href="/enwiki/wiki/The_Used_(album)" title="The Used (album)">self-titled debut album</a>.<sup id="cite_ref-Exclaimreview_15-2" class="reference"><a href="#cite_note-Exclaimreview-15">&#91;15&#93;</a></sup> He cited "Until the Day I Die" as a good example of what the rest of <i>Page Avenue</i> sounds like with its appealing hooks and melodies, combined with an acceptable amount of <a href="/enwiki/wiki/Screaming_(music)#Heavy_metal" title="Screaming (music)">screaming vocals</a> and <a href="/enwiki/wiki/Octave" title="Octave">octave</a> parts to please people who are seeking more of a bite to their music.<sup id="cite_ref-Exclaimreview_15-3" class="reference"><a href="#cite_note-Exclaimreview-15">&#91;15&#93;</a></sup> Cramer similarly highlighted the group's "steady and layered" instrumental work.<sup id="cite_ref-AMreview_43-4" class="reference"><a href="#cite_note-AMreview-43">&#91;43&#93;</a></sup> </p><p>Sutherland said the album was "excellent" overall, "instantly listenable and catchy as hell".<sup id="cite_ref-Exclaimreview_15-4" class="reference"><a href="#cite_note-Exclaimreview-15">&#91;15&#93;</a></sup> Despite being a decade old the record "is as good as it ever was", according to Roberts.<sup id="cite_ref-AUreview_22-4" class="reference"><a href="#cite_note-AUreview-22">&#91;22&#93;</a></sup> Wippsson added that it was an enjoyable record and that fans of this kind of music would be content.<sup id="cite_ref-Melodicreview_16-5" class="reference"><a href="#cite_note-Melodicreview-16">&#91;16&#93;</a></sup> </p> <h3><span class="mw-headline" id="Commercial_performance_and_legacy">Commercial performance and legacy</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=7" title="Edit section: Commercial performance and legacy">edit</a><span class="mw-editsection-bracket">]</span></span></h3> <p><i>Page Avenue</i> peaked at number 51 on the <a href="/enwiki/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a> chart.<sup id="cite_ref-peaks_44-0" class="reference"><a href="#cite_note-peaks-44">&#91;44&#93;</a></sup> It reached number one on the <a href="/enwiki/wiki/Heatseekers_Albums" class="mw-redirect" title="Heatseekers Albums">Heatseekers Albums</a> chart.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45">&#91;45&#93;</a></sup> By January 2004, it had sold close to 150,000 copies.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46">&#91;46&#93;</a></sup> By April, the album was certified <a href="/enwiki/wiki/RIAA_certification" title="RIAA certification">gold</a> by the <a href="/enwiki/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">Recording Industry Association of America</a> (RIAA),<sup id="cite_ref-USgold_47-0" class="reference"><a href="#cite_note-USgold-47">&#91;47&#93;</a></sup> one of the first of the post-hardcore genre to do so.<sup id="cite_ref-Billreflect_6-16" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup> As of February 2011, it had sold over 900,000 copies.<sup id="cite_ref-RFTsecrets_5-3" class="reference"><a href="#cite_note-RFTsecrets-5">&#91;5&#93;</a></sup> "Until the Day I Die" charted at number 12 on the <a href="/enwiki/wiki/Alternative_Songs" class="mw-redirect" title="Alternative Songs">Alternative Songs</a> chart.<sup id="cite_ref-BillAltSongs_48-0" class="reference"><a href="#cite_note-BillAltSongs-48">&#91;48&#93;</a></sup> It also charted in the UK at number 62.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49">&#91;49&#93;</a></sup> "Anthem of Our Dying Day" charted at number 10 on the Alternative Songs chart.<sup id="cite_ref-BillAltSongs_48-1" class="reference"><a href="#cite_note-BillAltSongs-48">&#91;48&#93;</a></sup> "Sidewalks" charted at number 40 on the Alternative Songs chart.<sup id="cite_ref-BillAltSongs_48-2" class="reference"><a href="#cite_note-BillAltSongs-48">&#91;48&#93;</a></sup> <i><a href="/enwiki/wiki/Cleveland_Scene" title="Cleveland Scene">Cleveland Scene</a></i> said <i>Page Avenue</i> and "Until the Day I Die" helped push screamo into the mainstream musical landscape.<sup id="cite_ref-50" class="reference"><a href="#cite_note-50">&#91;50&#93;</a></sup> </p><p>In February 2011, the group performed <i>Page Avenue</i> in its entirety for a one-off hometown show.<sup id="cite_ref-51" class="reference"><a href="#cite_note-51">&#91;51&#93;</a></sup> An acoustic re-make of the album was released in October 2013 to celebrate the album's 10th anniversary.<sup id="cite_ref-RFDan_52-0" class="reference"><a href="#cite_note-RFDan-52">&#91;52&#93;</a></sup> The band decided to do this instead of simply re-recording, remixing or remastering the original.<sup id="cite_ref-53" class="reference"><a href="#cite_note-53">&#91;53&#93;</a></sup> Most of the album focused around piano and string arrangements, instead of acoustic guitars as Marsala felt the piano gave a more dramatic vibe that fit better with the songs.<sup id="cite_ref-RFDan_52-1" class="reference"><a href="#cite_note-RFDan-52">&#91;52&#93;</a></sup> Following the release, the band performed on the <a href="/enwiki/wiki/Warped_Tour" title="Warped Tour">Warped Tour</a>.<sup id="cite_ref-54" class="reference"><a href="#cite_note-54">&#91;54&#93;</a></sup> They also headlined the <a href="/enwiki/wiki/Scream_It_Like_You_Mean_It" title="Scream It Like You Mean It">Scream It Like You Mean It</a> tour in the US playing <i>Page Avenue</i> in its entirety.<sup id="cite_ref-55" class="reference"><a href="#cite_note-55">&#91;55&#93;</a></sup> During this tour, a limited number of copies of the anniversary release were made available.<sup id="cite_ref-56" class="reference"><a href="#cite_note-56">&#91;56&#93;</a></sup> In November 2017, the album was released on vinyl by SRC Vinyl.<sup id="cite_ref-57" class="reference"><a href="#cite_note-57">&#91;57&#93;</a></sup> </p> <h2><span class="mw-headline" id="Track_listing">Track listing</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=8" title="Edit section: Track listing">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p>All songs written by Story of the Year, except "Sidewalks" and "Swallow the Knife" co-written with John Feldmann.<sup id="cite_ref-PAbooklet_12-6" class="reference"><a href="#cite_note-PAbooklet-12">&#91;12&#93;</a></sup> </p> <table class="tracklist" style="display:block;border-spacing:0px"><tbody><tr><th class="tlheader" scope="col" style="width:2em;padding-left:10px;padding-right:10px;text-align:right;background-color:#eee"><abbr title="Number">No.</abbr></th><th class="tlheader" scope="col" style="width:100%;text-align:left;background-color:#eee">Title</th><th class="tlheader" scope="col" style="width:4em;padding-right:10px;text-align:right;background-color:#eee">Length</th></tr><tr style="background-color:#fff"><th id="track1" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">1.</th><td style="vertical-align:top">"And the Hero Will Drown"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:13</td></tr><tr style="background-color:#f7f7f7"><th id="track2" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">2.</th><td style="vertical-align:top">"<a href="/enwiki/wiki/Until_the_Day_I_Die" title="Until the Day I Die">Until the Day I Die</a>"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:55</td></tr><tr style="background-color:#fff"><th id="track3" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">3.</th><td style="vertical-align:top">"<a href="/enwiki/wiki/Anthem_of_Our_Dying_Day" title="Anthem of Our Dying Day">Anthem of Our Dying Day</a>"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:37</td></tr><tr style="background-color:#f7f7f7"><th id="track4" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">4.</th><td style="vertical-align:top">"In the Shadows"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:28</td></tr><tr style="background-color:#fff"><th id="track5" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">5.</th><td style="vertical-align:top">"Dive Right In"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:15</td></tr><tr style="background-color:#f7f7f7"><th id="track6" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">6.</th><td style="vertical-align:top">"Swallow the Knife"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:36</td></tr><tr style="background-color:#fff"><th id="track7" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">7.</th><td style="vertical-align:top">"Burning Years"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:07</td></tr><tr style="background-color:#f7f7f7"><th id="track8" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">8.</th><td style="vertical-align:top">"Page Avenue"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:37</td></tr><tr style="background-color:#fff"><th id="track9" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">9.</th><td style="vertical-align:top">"Sidewalks"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:34</td></tr><tr style="background-color:#f7f7f7"><th id="track10" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">10.</th><td style="vertical-align:top">"Divide and Conquer"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:04</td></tr><tr style="background-color:#fff"><th id="track11" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">11.</th><td style="vertical-align:top">"Razorblades"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:23</td></tr><tr style="background-color:#f7f7f7"><th id="track12" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">12.</th><td style="vertical-align:top">"Falling Down"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:58</td></tr><tr><th colspan="2" scope="row" style="padding:0"><span style="width:7.5em;float:right;padding-left:10px;background-color:#eee;margin-right:2px">Total length:</span></th><td style="padding:0 10px 0 0;text-align:right;background-color:#eee"><b>41:47</b></td></tr></tbody></table> <table class="tracklist" style="display:block;border-spacing:0px"><caption class="tlheader mbox-text" style="text-align:left;background-color:#fff;font-weight:700"><i>Page Avenue: Ten Years and Counting</i> track listing</caption><tbody><tr><th class="tlheader" scope="col" style="width:2em;padding-left:10px;padding-right:10px;text-align:right;background-color:#eee"><abbr title="Number">No.</abbr></th><th class="tlheader" scope="col" style="width:100%;text-align:left;background-color:#eee">Title</th><th class="tlheader" scope="col" style="width:4em;padding-right:10px;text-align:right;background-color:#eee">Length</th></tr><tr style="background-color:#fff"><th id="track1" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">1.</th><td style="vertical-align:top">"And the Hero Will Drown"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:17</td></tr><tr style="background-color:#f7f7f7"><th id="track2" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">2.</th><td style="vertical-align:top">"Until the Day I Die"</td><td style="padding-right:10px;text-align:right;vertical-align:top">4:03</td></tr><tr style="background-color:#fff"><th id="track3" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">3.</th><td style="vertical-align:top">"Anthem of Our Dying Day"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:22</td></tr><tr style="background-color:#f7f7f7"><th id="track4" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">4.</th><td style="vertical-align:top">"In the Shadows"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:13</td></tr><tr style="background-color:#fff"><th id="track5" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">5.</th><td style="vertical-align:top">"Dive Right In"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:05</td></tr><tr style="background-color:#f7f7f7"><th id="track6" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">6.</th><td style="vertical-align:top">"Swallow the Knife"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:42</td></tr><tr style="background-color:#fff"><th id="track7" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">7.</th><td style="vertical-align:top">"Page Avenue"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:34</td></tr><tr style="background-color:#f7f7f7"><th id="track8" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">8.</th><td style="vertical-align:top">"Sidewalks"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:24</td></tr><tr style="background-color:#fff"><th id="track9" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">9.</th><td style="vertical-align:top">"Divide and Conquer"</td><td style="padding-right:10px;text-align:right;vertical-align:top">3:06</td></tr><tr style="background-color:#f7f7f7"><th id="track10" scope="row" style="padding-right:10px;text-align:right;vertical-align:top;font-weight:normal">10.</th><td style="vertical-align:top">"Razorblades"</td><td style="padding-right:10px;text-align:right;vertical-align:top">4:07</td></tr><tr><th colspan="2" scope="row" style="padding:0"><span style="width:7.5em;float:right;padding-left:10px;background-color:#eee;margin-right:2px">Total length:</span></th><td style="padding:0 10px 0 0;text-align:right;background-color:#eee"><b>34:53</b></td></tr></tbody></table> <h2><span class="mw-headline" id="Personnel">Personnel</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=9" title="Edit section: Personnel">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p>Personnel per booklet,<sup id="cite_ref-PAbooklet_12-7" class="reference"><a href="#cite_note-PAbooklet-12">&#91;12&#93;</a></sup> except where noted. </p> <div> <table class="multicol" role="presentation" style="border-collapse: collapse; padding: 0; border: 0; background:transparent; width:100%;"> <tbody><tr> <td style="width: 50%;text-align: left; vertical-align: top;"> <p><b>Story of the Year</b> </p> <ul><li>Dan Marsala – lead vocals; drums <small>(track 12)</small><sup id="cite_ref-Billreflect_6-17" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup></li> <li>Ryan Phillips – lead guitar</li> <li>Adam Russell – bass, art</li> <li>Josh Wills – drums <small>(tracks 1–11)</small><sup id="cite_ref-Billreflect_6-18" class="reference"><a href="#cite_note-Billreflect-6">&#91;6&#93;</a></sup></li> <li>Philip Sneed – rhythm guitar <small>(tracks 1, 4–10, and 12)</small><sup id="cite_ref-Maverickbio_1-16" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup></li></ul> <p><b>Additional musicians</b> </p> <ul><li>Greg Haupt – rhythm guitar <small>(tracks 2, 3, and 11)</small><sup id="cite_ref-Maverickbio_1-17" class="reference"><a href="#cite_note-Maverickbio-1">&#91;1&#93;</a></sup><sup id="cite_ref-MCgood_7-8" class="reference"><a href="#cite_note-MCgood-7">&#91;7&#93;</a></sup></li> <li><a href="/enwiki/wiki/H2O_(American_band)" title="H2O (American band)">Toby Morse</a> – guest vocals <small>(track 12)</small></li> <li><a href="/enwiki/wiki/Ray_Cappo" title="Ray Cappo">Ray Cappo</a> – guest vocals <small>(track 12)</small></li> <li><a href="/enwiki/wiki/John_Feldmann" title="John Feldmann">John Feldmann</a> – guest vocals <small>(track 12)</small>, additional background vocals <small>(tracks 1–3 and 11)</small></li> <li><a href="/enwiki/wiki/Bert_McCracken" title="Bert McCracken">Bert McCracken</a> – guest vocals <small>(track 3)</small><sup id="cite_ref-58" class="reference"><a href="#cite_note-58">&#91;58&#93;</a></sup></li></ul> </td> <td style="width: 33.33%;text-align: left; vertical-align: top;"> <p><b>Production</b> </p> <ul><li>John Feldmann – producer, engineer, mixing</li> <li>Mark Blewett – additional engineering</li> <li>Joe Gastwirt – mastering</li> <li>Space Imaging – satellite image</li> <li>Lawrence Azerrad – cover</li></ul> <p>&#32; </p> </td></tr></tbody></table></div> <h2><span class="mw-headline" id="Charts">Charts</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=10" title="Edit section: Charts">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <div> <table class="multicol" role="presentation" style="border-collapse: collapse; padding: 0; border: 0; background:transparent; width:100%;"> <tbody><tr> <td style="width: 50%;text-align: left; vertical-align: top;"> <h3><span class="mw-headline" id="Weekly_charts">Weekly charts</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=11" title="Edit section: Weekly charts">edit</a><span class="mw-editsection-bracket">]</span></span></h3> <table class="wikitable sortable plainrowheaders" style="text-align:center"> <tbody><tr> <th scope="col">Chart (2003) </th> <th scope="col">Peak<br /> position </th></tr> <tr> <th scope="row">US <a href="/enwiki/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a><sup id="cite_ref-ac_Billboard200_Story_of_the_Year_59-0" class="reference"><a href="#cite_note-ac_Billboard200_Story_of_the_Year-59">&#91;59&#93;</a></sup> </th> <td align="center">51 </td></tr> <tr> <th scope="row">US <a href="/enwiki/wiki/Top_Heatseekers" title="Top Heatseekers">Heatseekers Albums</a> (<a href="/enwiki/wiki/Billboard_(magazine)" title="Billboard (magazine)"><i>Billboard</i></a>)<sup id="cite_ref-ac_BillboardHeatseekers_Story_of_the_Year_60-0" class="reference"><a href="#cite_note-ac_BillboardHeatseekers_Story_of_the_Year-60">&#91;60&#93;</a></sup> </th> <td align="center">1 </td></tr></tbody></table> </td> <td style="width: 50%;text-align: left; vertical-align: top;"> <h3><span class="mw-headline" id="Year-end_charts">Year-end charts</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=12" title="Edit section: Year-end charts">edit</a><span class="mw-editsection-bracket">]</span></span></h3> <table class="wikitable plainrowheaders" style="text-align:center"> <tbody><tr> <th scope="col">Chart (2004) </th> <th scope="col">Position </th></tr> <tr> <th scope="row">US <i>Billboard</i> 200<sup id="cite_ref-61" class="reference"><a href="#cite_note-61">&#91;61&#93;</a></sup> </th> <td>132 </td></tr></tbody></table> <p>&#32; </p> </td></tr></tbody></table></div> <h2><span class="mw-headline" id="Certifications">Certifications</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=13" title="Edit section: Certifications">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <table class="wikitable sortable plainrowheaders"> <caption> </caption> <tbody><tr> <th scope="col">Region </th> <th scope="col">Certification</th> <th scope="col" data-sort-type="number"><a href="/enwiki/wiki/List_of_music_recording_certifications" title="List of music recording certifications">Certified units</a>/sales </th></tr> <tr> <th scope="row">United States (<a href="/enwiki/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">RIAA</a>)<sup id="cite_ref-USgold_47-1" class="reference"><a href="#cite_note-USgold-47">&#91;47&#93;</a></sup> </th> <td>Platinum </td> <td>1,000,000<sup><img alt="double-dagger" src="/upwiki/wikipedia/commons/f/f9/Double-dagger-14-plain.png" decoding="async" width="9" height="14" data-file-width="9" data-file-height="14" /></sup> </td></tr> <tr class="sortbottom" style="text-align: center;"> <td colspan="3"> <p><small><sup><img alt="double-dagger" src="/upwiki/wikipedia/commons/f/f9/Double-dagger-14-plain.png" decoding="async" width="9" height="14" data-file-width="9" data-file-height="14" /></sup> Sales+streaming figures based on certification alone.</small> </p> </td></tr></tbody></table> <h2><span class="mw-headline" id="References">References</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=14" title="Edit section: References">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p><b>Citations</b> </p> <style data-mw-deduplicate="TemplateStyles:r1011085734">.mw-parser-output .reflist{font-size:90%;margin-bottom:0.5em;list-style-type:decimal}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-Maverickbio-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-Maverickbio_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-13"><sup><i><b>n</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-14"><sup><i><b>o</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-15"><sup><i><b>p</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-16"><sup><i><b>q</b></i></sup></a> <a href="#cite_ref-Maverickbio_1-17"><sup><i><b>r</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1067248974">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("/upwiki/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("/upwiki/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("/upwiki/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("/upwiki/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20040818032510/http://www.maverick.com/storyoftheyear/site/index2.html">"The band"</a>. <a href="/enwiki/wiki/Maverick_(company)" title="Maverick (company)">Maverick Records</a>. Archived from <a rel="nofollow" class="external text" href="http://www.maverick.com:80/storyoftheyear/site/index2.html">the original</a> on August 18, 2004<span class="reference-accessdate">. Retrieved <span class="nowrap">April 5,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=The+band&amp;rft.pub=Maverick+Records&amp;rft_id=http%3A%2F%2Fwww.maverick.com%3A80%2Fstoryoftheyear%2Fsite%2Findex2.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span> <i>Click on the middle left button for the biography to appear.</i></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation AV-media-notes cs1"><i>Three Days Broken</i> (Sleeve). Bigbluemonkey. Self-released. 1998.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Three+Days+Broken&amp;rft.pub=Self-released&amp;rft.date=1998&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/enwiki/wiki/Template:Cite_AV_media_notes" title="Template:Cite AV media notes">cite AV media notes</a>}}</code>: CS1 maint: others in cite AV media (notes) (<a href="/enwiki/wiki/Category:CS1_maint:_others_in_cite_AV_media_(notes)" title="Category:CS1 maint: others in cite AV media (notes)">link</a>)</span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation AV-media-notes cs1"><i>Truth in Separation</i> (Sleeve). Bigbluemonkey. Self-released. 1999.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Truth+in+Separation&amp;rft.pub=Self-released&amp;rft.date=1999&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/enwiki/wiki/Template:Cite_AV_media_notes" title="Template:Cite AV media notes">cite AV media notes</a>}}</code>: CS1 maint: others in cite AV media (notes) (<a href="/enwiki/wiki/Category:CS1_maint:_others_in_cite_AV_media_(notes)" title="Category:CS1 maint: others in cite AV media (notes)">link</a>)</span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://archive.today/20180403103132/http://monkey67.tripod.com/main.htm">"News"</a>. Bigbluemonkey. Archived from <a rel="nofollow" class="external text" href="http://monkey67.tripod.com/main.htm">the original</a> on April 3, 2018<span class="reference-accessdate">. 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Retrieved <span class="nowrap">April 5,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=AllMusic&amp;rft.atitle=Story+of+the+Year+%7C+Biography+%26+History&amp;rft.au=Loftus%2C+Johnny&amp;rft_id=https%3A%2F%2Fwww.allmusic.com%2Fartist%2Fstory-of-the-year-mn0000525243%2Fbiography&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-MTVdying-19"><span class="mw-cite-backlink">^ <a href="#cite_ref-MTVdying_19-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-MTVdying_19-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-MTVdying_19-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFMoss,_Corey2004" class="citation web cs1">Moss, Corey (July 6, 2004). <a rel="nofollow" class="external text" href="http://www.mtv.com/news/1489230/story-of-the-year-reveal-the-story-behind-their-anthem/">"Story Of The Year Reveal The Story Behind Their 'Anthem'<span class="cs1-kern-right"></span>"</a>. <a href="/enwiki/wiki/MTV" title="MTV">MTV</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180406040240/http://www.mtv.com/news/1489230/story-of-the-year-reveal-the-story-behind-their-anthem/">Archived</a> from the original on April 6, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">April 5,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Story+Of+The+Year+Reveal+The+Story+Behind+Their+%27Anthem%27&amp;rft.pub=MTV&amp;rft.date=2004-07-06&amp;rft.au=Moss%2C+Corey&amp;rft_id=http%3A%2F%2Fwww.mtv.com%2Fnews%2F1489230%2Fstory-of-the-year-reveal-the-story-behind-their-anthem%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070608094650/http://www.mammothpress.com/index.php?area=readinterview&amp;pid=44">"Ask The Band - Story of the Year"</a>. Mammoth Press. December 15, 2004. Archived from <a rel="nofollow" class="external text" href="http://www.mammothpress.com/index.php?area=readinterview&amp;pid=44">the original</a> on June 8, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">November 23,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Ask+The+Band+-+Story+of+the+Year&amp;rft.pub=Mammoth+Press&amp;rft.date=2004-12-15&amp;rft_id=http%3A%2F%2Fwww.mammothpress.com%2Findex.php%3Farea%3Dreadinterview%26pid%3D44&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-TBMinterview-21"><span class="mw-cite-backlink">^ <a href="#cite_ref-TBMinterview_21-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-TBMinterview_21-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20040301110705/http://www.troublebunchmusic.com/storyoftheyearinterview.html">"Yay It's Story of the Year!"</a>. Trouble Bunch Music. Archived from <a rel="nofollow" class="external text" href="http://www.troublebunchmusic.com/storyoftheyearinterview.html">the original</a> on March 1, 2004<span class="reference-accessdate">. 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Retrieved <span class="nowrap">June 14,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+AU+review&amp;rft.atitle=Classic+Album+Review%3A+Story+of+the+Year+%E2%80%93+Page+Avenue+%282003+LP%29&amp;rft.date=2014-06-13&amp;rft.au=Roberts%2C+Dave&amp;rft_id=http%3A%2F%2Fwww.theaureview.com%2Falbums%2Fstory-of-the-year-page-avenue-2003-lp&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-RFTreview-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-RFTreview_23-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFZaleski,_Annie2011" class="citation web cs1">Zaleski, Annie (February 3, 2011). <a rel="nofollow" class="external text" href="https://www.riverfronttimes.com/musicblog/2011/02/03/story-of-the-year-on-its-nirvana-cover-and-more-trivia-about-page-avenue">"Story of the Year on Its Nirvana Cover and More Trivia about Page Avenue"</a>. <i>Riverfront Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160702102716/http://www.riverfronttimes.com/musicblog/2011/02/03/story-of-the-year-on-its-nirvana-cover-and-more-trivia-about-page-avenue">Archived</a> from the original on July 2, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">April 20,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Riverfront+Times&amp;rft.atitle=Story+of+the+Year+on+Its+Nirvana+Cover+and+More+Trivia+about+Page+Avenue&amp;rft.date=2011-02-03&amp;rft.au=Zaleski%2C+Annie&amp;rft_id=https%3A%2F%2Fwww.riverfronttimes.com%2Fmusicblog%2F2011%2F02%2F03%2Fstory-of-the-year-on-its-nirvana-cover-and-more-trivia-about-page-avenue&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFWippsson,_Johan2003" class="citation web cs1">Wippsson, Johan (May 7, 2003). <a rel="nofollow" class="external text" href="https://archive.today/20180407124304/http://melodic.net/?page=news&amp;id=593">"Story Of The Year- July 8th"</a>. <i>Melodic</i>. Archived from <a rel="nofollow" class="external text" href="http://melodic.net/?page=news&amp;id=593">the original</a> on April 7, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">April 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Melodic&amp;rft.atitle=Story+Of+The+Year-+July+8th&amp;rft.date=2003-05-07&amp;rft.au=Wippsson%2C+Johan&amp;rft_id=http%3A%2F%2Fmelodic.net%2F%3Fpage%3Dnews%26id%3D593&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFWippsson,_Johan2003" class="citation web cs1">Wippsson, Johan (May 16, 2003). <a rel="nofollow" class="external text" href="http://melodic.net/?page=news&amp;id=634">"Story Of The Year Out Aug.27th"</a>. <i>Melodic</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180403173634/http://melodic.net/?page=news&amp;id=634">Archived</a> from the original on April 3, 2018<span class="reference-accessdate">. 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Retrieved <span class="nowrap">October 30,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=FMQB+Airplay+Archive%3A+Modern+Rock&amp;rft.pub=Friday+Morning+Quarterback+Album+Report%2C+Incorporated&amp;rft_id=http%3A%2F%2Fwww.fmqb.com%2FArticle.asp%3Fid%3D16771&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFHeisel,_Scott2003" class="citation web cs1">Heisel, Scott (August 25, 2003). <a rel="nofollow" class="external text" href="https://www.punknews.org/article/6907/stutterfly-signs-to-maverick">"Stutterfly signs to Maverick"</a>. Punknews.org. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180628044944/https://www.punknews.org/article/6907/stutterfly-signs-to-maverick">Archived</a> from the original on June 28, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">March 10,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Stutterfly+signs+to+Maverick&amp;rft.pub=Punknews.org&amp;rft.date=2003-08-25&amp;rft.au=Heisel%2C+Scott&amp;rft_id=https%3A%2F%2Fwww.punknews.org%2Farticle%2F6907%2Fstutterfly-signs-to-maverick&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20031209141514/http://66.227.101.159/news.php">"Sugarcult News"</a>. Sugarcult. Archived from <a rel="nofollow" class="external text" href="http://66.227.101.159/news.php">the original</a> on December 9, 2003<span class="reference-accessdate">. Retrieved <span class="nowrap">April 4,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Sugarcult+News&amp;rft.pub=Sugarcult&amp;rft_id=http%3A%2F%2F66.227.101.159%2Fnews.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFHeisel,_Scott2003" class="citation web cs1">Heisel, Scott (November 17, 2003). <a rel="nofollow" class="external text" href="https://www.punknews.org/article/7632/bands-on-tv-week-of-11-17-03">"Bands on TV – week of 11/17/03"</a>. Punknews.org. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210327163033/https://www.punknews.org/article/7632/bands-on-tv-week-of-11-17-03">Archived</a> from the original on March 27, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">March 14,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Bands+on+TV+%E2%80%93+week+of+11%2F17%2F03&amp;rft.pub=Punknews.org&amp;rft.date=2003-11-17&amp;rft.au=Heisel%2C+Scott&amp;rft_id=https%3A%2F%2Fwww.punknews.org%2Farticle%2F7632%2Fbands-on-tv-week-of-11-17-03&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFWippsson,_Johan2003" class="citation web cs1">Wippsson, Johan (November 18, 2003). <a rel="nofollow" class="external text" href="http://melodic.net/?page=news&amp;id=1674">"Great Fat Tour In 2004!"</a>. <i>Melodic</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180403173647/http://melodic.net/?page=news&amp;id=1674">Archived</a> from the original on April 3, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">April 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Melodic&amp;rft.atitle=Great+Fat+Tour+In+2004%21&amp;rft.date=2003-11-18&amp;rft.au=Wippsson%2C+Johan&amp;rft_id=http%3A%2F%2Fmelodic.net%2F%3Fpage%3Dnews%26id%3D1674&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/68009/linkin-park-pod-confirm-tour-plans">"Linkin Park, P.O.D. Confirm Tour Plans"</a>. <i>Billboard</i>. Prometheus Global Media. November 26, 2002. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150920005746/https://www.billboard.com/articles/news/68009/linkin-park-pod-confirm-tour-plans">Archived</a> from the original on September 20, 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">April 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Billboard&amp;rft.atitle=Linkin+Park%2C+P.O.D.+Confirm+Tour+Plans&amp;rft.date=2002-11-26&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F68009%2Flinkin-park-pod-confirm-tour-plans&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFHeisel,_Scott2004" class="citation web cs1">Heisel, Scott (February 16, 2004). <a rel="nofollow" class="external text" href="https://www.punknews.org/article/8394/bands-on-tv-week-of-2-16-04">"Bands on TV – week of 2/16/04"</a>. Punknews.org. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211107200751/https://www.punknews.org/article/8394/bands-on-tv-week-of-2-16-04">Archived</a> from the original on November 7, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">March 23,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Bands+on+TV+%E2%80%93+week+of+2%2F16%2F04&amp;rft.pub=Punknews.org&amp;rft.date=2004-02-16&amp;rft.au=Heisel%2C+Scott&amp;rft_id=https%3A%2F%2Fwww.punknews.org%2Farticle%2F8394%2Fbands-on-tv-week-of-2-16-04&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text">Banerjee 2004, p. 73</span> </li> <li id="cite_note-UGAnthemvideo-38"><span class="mw-cite-backlink">^ <a href="#cite_ref-UGAnthemvideo_38-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-UGAnthemvideo_38-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFUG_Team2004" class="citation web cs1">UG Team (April 28, 2004). <a rel="nofollow" class="external text" href="https://www.ultimate-guitar.com/news/general_music_news/in_brief_damageplan_letter_kills_soil_story_of_the_year.html">"In Brief: Damageplan, Letter Kills, SOiL, Story Of The Year"</a>. Ultimate Guitar Archive. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180403051548/https://www.ultimate-guitar.com/news/general_music_news/in_brief_damageplan_letter_kills_soil_story_of_the_year.html">Archived</a> from the original on April 3, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">April 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=In+Brief%3A+Damageplan%2C+Letter+Kills%2C+SOiL%2C+Story+Of+The+Year&amp;rft.pub=Ultimate+Guitar+Archive&amp;rft.date=2004-04-28&amp;rft.au=UG+Team&amp;rft_id=https%3A%2F%2Fwww.ultimate-guitar.com%2Fnews%2Fgeneral_music_news%2Fin_brief_damageplan_letter_kills_soil_story_of_the_year.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFHeisel,_Scott2004" class="citation web cs1">Heisel, Scott (April 9, 2004). <a rel="nofollow" class="external text" href="https://www.punknews.org/article/8890/tours-motion-city-soundtrack-announce-summer-touring-plans">"Motion City Soundtrack announce summer touring plans"</a>. Punknews.org. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180403235138/https://www.punknews.org/article/8890/tours-motion-city-soundtrack-announce-summer-touring-plans">Archived</a> from the original on April 3, 2018<span class="reference-accessdate">. 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MTV. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180406040327/http://www.mtv.com/news/1488759/warped-tour-launch-electrifies-without-the-lightning/">Archived</a> from the original on April 6, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">April 5,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Warped+Tour+Launch+Electrifies+Without+The+Lightning&amp;rft.pub=MTV&amp;rft.date=2004-06-29&amp;rft.au=Clark%2C+Michael&amp;rft_id=http%3A%2F%2Fwww.mtv.com%2Fnews%2F1488759%2Fwarped-tour-launch-electrifies-without-the-lightning%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/66864/story-of-the-year-going-soft-and-pretty">"Story Of The Year Going 'Soft And Pretty'<span class="cs1-kern-right"></span>"</a>. <i>Billboard</i>. Lynne Segall. August 18, 2004. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151121051129/http://www.billboard.com/articles/news/66864/story-of-the-year-going-soft-and-pretty">Archived</a> from the original on November 21, 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">April 5,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Billboard&amp;rft.atitle=Story+Of+The+Year+Going+%27Soft+And+Pretty%27&amp;rft.date=2004-08-18&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F66864%2Fstory-of-the-year-going-soft-and-pretty&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text">Kipnis; Ord 2004, p. 17</span> </li> <li id="cite_note-AMreview-43"><span class="mw-cite-backlink">^ <a href="#cite_ref-AMreview_43-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-AMreview_43-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-AMreview_43-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-AMreview_43-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-AMreview_43-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFCramer,_Stephen" class="citation web cs1">Cramer, Stephen. <a rel="nofollow" class="external text" href="https://www.allmusic.com/album/page-avenue-mw0000317346">"Page Avenue – Story of the Year | Songs, Reviews, Credits"</a>. AllMusic. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171006162843/https://www.allmusic.com/album/page-avenue-mw0000317346">Archived</a> from the original on October 6, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">April 5,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Page+Avenue+%E2%80%93+Story+of+the+Year+%7C+Songs%2C+Reviews%2C+Credits&amp;rft.pub=AllMusic&amp;rft.au=Cramer%2C+Stephen&amp;rft_id=https%3A%2F%2Fwww.allmusic.com%2Falbum%2Fpage-avenue-mw0000317346&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-peaks-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-peaks_44-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/artist/story-of-the-year/chart-history/">"Artist Chart History"</a>. <i><a href="/enwiki/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">2008-05-23</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Billboard&amp;rft.atitle=Artist+Chart+History&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Fartist%2Fstory-of-the-year%2Fchart-history%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/artist/story-of-the-year/chart-history/tln/">"Story of the Year Chart History (Heaseekers Songs)"</a>. <i>Billboard</i>. 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Retrieved <span class="nowrap">April 5,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Billboard&amp;rft.atitle=Story+of+the+Year+Chart+History+%28Heaseekers+Songs%29&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Fartist%2Fstory-of-the-year%2Fchart-history%2Ftln%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20040401123247/http://www.maverick.com/storyoftheyear/site/news.htm">"News"</a>. Maverick Records. 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Retrieved <span class="nowrap">November 10,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Billboard&amp;rft.atitle=Top+Billboard+200+Albums+%E2%80%93+Year-End+2004&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Fcharts%2Fyear-end%2F2004%2Ftop-billboard-200-albums&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></span> </li> </ol></div></div> <p><b>Sources</b> </p> <style data-mw-deduplicate="TemplateStyles:r1054258005">.mw-parser-output .refbegin{font-size:90%;margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}</style><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFBanerjee2004" class="citation magazine cs1">Banerjee, Scott (April 24, 2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=mxAEAAAAMBAJ&amp;pg=PA73">"Labels Peer at Pirates for Insights"</a>. <i>Billboard</i>. 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Retrieved <span class="nowrap">November 18,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Labels+Peer+at+Pirates+for+Insights&amp;rft.volume=116&amp;rft.issue=17&amp;rft.date=2004-04-24&amp;rft.issn=0006-2510&amp;rft.aulast=Banerjee&amp;rft.aufirst=Scott&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DmxAEAAAAMBAJ%26pg%3DPA73&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFKipnisOrd2004" class="citation magazine cs1">Kipnis, Jill; Ord, Renee (September 11, 2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=FRMEAAAAMBAJ&amp;pg=PA17">"Nintendo Rocks With Fusion Trek"</a>. <i>Billboard</i>. Vol.&#160;116, no.&#160;41. Prometheus Global Media. <a href="/enwiki/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="/enwiki//www.worldcat.org/issn/0006-2510">0006-2510</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211107200752/https://books.google.com/books?id=FRMEAAAAMBAJ&amp;pg=PA17">Archived</a> from the original on November 7, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">November 18,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Nintendo+Rocks+With+Fusion+Trek&amp;rft.volume=116&amp;rft.issue=41&amp;rft.date=2004-09-11&amp;rft.issn=0006-2510&amp;rft.aulast=Kipnis&amp;rft.aufirst=Jill&amp;rft.au=Ord%2C+Renee&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DFRMEAAAAMBAJ%26pg%3DPA17&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1067248974"/><cite id="CITEREFSharpe-Young2005" class="citation book cs1">Sharpe-Young, Garry (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=uIIf03bGyAAC&amp;pg=PA291"><i>New Wave of American Heavy Metal</i></a> (1st&#160;ed.). New Plymouth, N.Z.: Zonda Books. <a href="/enwiki/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/enwiki/wiki/Special:BookSources/9780958268400" title="Special:BookSources/9780958268400"><bdi>9780958268400</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211107200753/https://books.google.com/books?id=uIIf03bGyAAC&amp;pg=PA291">Archived</a> from the original on 2021-11-07<span class="reference-accessdate">. Retrieved <span class="nowrap">2020-09-30</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=New+Wave+of+American+Heavy+Metal&amp;rft.place=New+Plymouth%2C+N.Z.&amp;rft.edition=1st&amp;rft.pub=Zonda+Books&amp;rft.date=2005&amp;rft.isbn=9780958268400&amp;rft.aulast=Sharpe-Young&amp;rft.aufirst=Garry&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DuIIf03bGyAAC%26pg%3DPA291&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APage+Avenue" class="Z3988"></span></li></ul> </div> <h2><span class="mw-headline" id="External_links">External links</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/enwiki/w/index.php?title=Page_Avenue&amp;action=edit&amp;section=15" title="Edit section: External links">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <ul><li><a rel="nofollow" class="external text" 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</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a class="mw-selflink selflink">Page Avenue</a></i> (2003)</li> <li><i><a href="/enwiki/wiki/In_the_Wake_of_Determination" title="In the Wake of Determination">In the Wake of Determination</a></i> (2005)</li> <li><i><a href="/enwiki/wiki/The_Black_Swan_(Story_of_the_Year_album)" title="The Black Swan (Story of the Year album)">The Black Swan</a></i> (2008)</li> <li><i><a href="/enwiki/wiki/The_Constant_(Story_of_the_Year_album)" title="The Constant (Story of the Year album)">The Constant</a></i> (2010)</li> <li><i><a href="/enwiki/wiki/Wolves_(Story_of_the_Year_album)" title="Wolves (Story of the Year album)">Wolves</a></i> (2017)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Live albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/enwiki/wiki/Live_in_the_Lou/Bassassins" title="Live in the Lou/Bassassins">Live in the Lou/Bassassins</a></i> (2005)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Singles</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/enwiki/wiki/Until_the_Day_I_Die" title="Until the Day I Die">Until the Day I Die</a>"</li> <li>"<a href="/enwiki/wiki/Anthem_of_Our_Dying_Day" title="Anthem of Our Dying Day">Anthem of Our Dying Day</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Related articles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/enwiki/wiki/Story_of_the_Year_discography" title="Story of the Year discography">Discography</a></li> <li><a href="/enwiki/wiki/Destroy_Rebuild_Until_God_Shows" title="Destroy Rebuild Until God Shows">Destroy Rebuild Until God Shows</a></li> <li><a href="/enwiki/wiki/Greek_Fire_(band)" title="Greek Fire (band)">Greek Fire</a></li> <li><a href="/enwiki/wiki/WWE_The_Music:_A_New_Day,_Vol._10" title="WWE The Music: A New Day, Vol. 10">WWE The Music: A New Day, Vol. 10</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles nomobile"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1061467846"/></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_frameless_&amp;#124;text-top_&amp;#124;10px_&amp;#124;alt=Edit_this_at_Wikidata_&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q2625015#identifiers&amp;#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th id="Authority_control_frameless_&amp;#124;text-top_&amp;#124;10px_&amp;#124;alt=Edit_this_at_Wikidata_&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q2625015#identifiers&amp;#124;Edit_this_at_Wikidata" scope="row" class="navbox-group" style="width:1%"><a href="/enwiki/wiki/Help:Authority_control" title="Help:Authority control">Authority control</a> <a href="https://www.wikidata.org/wiki/Q2625015#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="/upwiki/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" style="vertical-align: text-top" srcset="/upwiki/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, 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Whether or not the change was made through a Tor exit node (tor_exit_node)
false
Unix timestamp of change (timestamp)
1645833338