Examine individual changes

[ 0 => ''''Shed 11 - the Temporary / Contemporary''' was an exhibition space on the Wellington waterfront programmed by the National Art Gallery of New Zealand.', 1 => '', 2 => '== History ==', 3 => 'In late 1985 Shed 11 on the [[Wellington]] waterfront was converted into an art gallery by the [[Ministry of Works and Development]] for the [[Te Papa|National Art Gallery]].<ref>{{Cite news |date=11 September 1985 |title=Reporter’s diary |pages=2 |work=The Press (Christchurch)}}</ref> The building had been originally designed by William Ferguson as an industrial warehouse for the [[Wellington Harbour Board]]. When it was completed in 1905 it stood on the water’s edge.<ref>{{Cite web |title=Shed 11 |url=https://www.wellingtoncityheritage.org.nz/buildings/301-450/332-shed-11?q= |access-date=4 July 2023}}</ref> ', 4 => '', 5 => 'On 23 May 1986, the National Art Gallery's Director [[Luit Bieringa]] anounced that Shed 11 was to be an off-site exhibition space where the Gallery could focus on contemporary art. The occupation of Shed 11 was Bieringa’s response to the collapse of negotiations for a new National Art Gallery building in Wellington’s [[Molesworth Street, Wellington|Molesworth Street]].<ref>{{Cite journal |last=Coke |first=Merrill |date=21 June 1986 |title=More space to shed light |journal=New Zealand Listener}}</ref> ', 6 => '', 7 => '== Exhibitions ==', 8 => 'Shed 11’s large uncluttered space created an opportunity to exhibit works that were too large for the National Art Gallery’s own building in Buckle Street. It also offered a more fitting context for the contemporary work that was the focus of Bieringa’s exhibition programme. Shed 11 opened with the exhibition ''Temporary/Contemporary'' featuring [[Chris Booth]]’s ''Ngā Rimu o Puketi'',<ref>{{Cite web |title=Ngā Rimu o Puketi |url=https://collections.tepapa.govt.nz/object/40522 |access-date=04 July 2023}}</ref> and a performance by the Auckland group [[From Scratch (music group)|From Scratch]] ''Pacific 3, 2, 1, Zero'' Part 2.<ref>{{Cite web |title=A Quick Guide to From Scratch |url=http://fromscratchguide.blogspot.com/ |access-date=4 July 2023}}</ref> For the next three years Shed 11 - the Temporary/Contemporary mounted exhibitions curated by the National Art Gallery as well as presenting touring shows.', 9 => '', 10 => '== Exhibitions held at Shed 11 - the Temporary/Contemporary under Luit Bieringa's directorship: ==', 11 => '', 12 => '=== 1986 ===', 13 => '', 14 => '* ''Wild Visionary Spectral: New German Art'' A touring show from Australia.<ref>{{Cite book |title=Wild visionary spectral: new German art; [to accompany the exhibition organized by the Art Gallery of South Australia ... Adelaide, 28 Febr. - 20 April 1986 ... National Art Gallery, Wellington, New Zealand, 11 July - 24 Aug. 1986] |date=1986 |publisher=Art Gallery Board of South Australia |isbn=978-0-7308-0787-2 |editor-last=Radford |editor-first=Ron |location=Adelaide |editor-last2=South Australia |editor-last3=Art Gallery of South Australia |editor-last4=National Art Gallery}}</ref> ', 15 => '* ''Content/Context'' This review of contemporary New Zealand art was curated by Luit Bieringa. Art historian [[Michael Dunn (art historian)|Michael Dunn]] described it at the time as the ‘…most ambitious survey of recent New Zealand art ever attempted in one space.’<ref>{{Cite journal |last=Dunn |first=Michael |title=Content/Context: a Survey of New Zealand Art |journal=Art New Zealand |issue=42 |pages=40}}</ref> The two part exhibition was shown from September 1986 to March 1987 and was accompanied by an extensive catalogue. ( ISBN 095977851G)', 16 => '* ''Matt Pine Selected Works 1965-85'' An exhibition from the [[Sarjeant Gallery]] in Whanganui.<ref>{{Cite web |title=Matt Pine: Selected Works 1965-1985 |url=https://christchurchartgallery.org.nz/exhibitions/matt-pine-selected-works-1965-1985 |access-date=4 July 2023}}</ref> ', 17 => '', 18 => '=== 1987 ===', 19 => '', 20 => '* ''[[Pauline Rhodes]]: Women View Women.''<ref>{{Cite news |date=19 November 1986 |title=Pointers in the landscape |pages=22 |work=The Press (Christchurch)}}</ref>', 21 => '* ''Sighting References: Ciphers, Systems and Meaning in Recent Australian Visual Art'', An exhibition from Artspace in Sydney curated by Gary Sangster.', 22 => '* ''Ko Te Kimihanga.'' The first of a number of exhibitions featuring Maori art at Shed 11 that Louise Pether, the National Art Gallery’s Exhibitions Officer at the time, recalled Luit Bieringa and [[Paratene Matchitt]] had committed to. Pether described the exhibitions as, ‘an electric moment in New Zealand’s bi-cultural progress.’<ref>{{Cite web |last=Pether |first=Louise |title=Luit Bieringa 1942-2022 |url=https://blog.tepapa.govt.nz/2022/07/02/luit-bieringa-1942-2022/ |archive-date=4 July 2023}}</ref> ', 23 => '* ''When Art Hits the Headlines: A Survey of Controversial Art In New Zealand.'' This exhibition traced instances of public contention over the presentation of art in New Zealand<ref>{{Cite news |date=2 December 1987 |title=When art makes the headlines |pages=24 |work=The Press (Christchurch)}}</ref> accompanied by a large format catalogue.<ref>{{Cite book |last=Barr |first=Jim |title=When Art Hits the Headlines: a Survey of Controversial Art in New Zealand |last2=Barr |first2=Mary |publisher=National Art Gallery |year=1987 |location=Wellington}}</ref>  ', 24 => '', 25 => '=== 1988 ===', 26 => '', 27 => '* ''[[Barbara Kruger]]'' <ref>{{Cite news |date=23 December 1987 |title=Kruger at Shed 11 |pages=22 |work=The Press (Christchurch)}}</ref>', 28 => '* ''Taki Toru: Three Māori Artists''. The featured artists were [[Selwyn Muru]], Paratene Matchitt and [[Ralph Hotere]]. Large scale works included Matchitt’s ''Te Wepu,''<ref>{{Cite web |title=Te Wepu |url=https://collections.tepapa.govt.nz/object/38080 |access-date=4 July 2023}}</ref> a seven-by-two-metre assemblage in seven sections, and Hotere’s ''Black Phoenix''.<ref>{{Cite web |title=Black Phoenix |url=https://collections.tepapa.govt.nz/object/37093 |access-date=4 July 2023}}</ref> This well-known sculpture was constructed from the prow and timbers of the fishing boat ‘''Poitrel’'' that Hotere had seen burning at its moorings near his studio. Art critic Mark Amery described ''Taki Toru'' as Shed 11's 'most significant exhibition..'.<ref>{{Cite news |last=Amery |first=Mark |date=25 June 2022 |title=Innovative but Pragmatic Friend to Arts Community |url=https://www.stuff.co.nz/entertainment/arts/129054812/innovative-but-pragmatic-friend-to-arts-community |access-date=4 July 2023}}</ref>', 29 => '* ''Advance Australia Painting.''<ref>{{Cite web |title=Advance Australia Painting |url=https://www.aucklandartgallery.com/page/advance-australian-painting |archive-date=4 July 2023}}</ref> ''A''n exhibition toured by the Auckland Art Gallery.', 30 => '', 31 => '=== 1989 ===', 32 => '', 33 => '* ''[[Cindy Sherman|Cindy Sherman.]]''<ref>{{Cite book |title=Cindy Sherman Retrospective: The Musuem of Contemporary Art, Los Angeles November 2,1997 through February 1, 1998; Museum of Contemporary Art, Chicago February 21 through May 31, 1998; Galerie Rudolfinum, Prague June 25 through August 23, 1998; Barbican Art Gallery, London September 20 through December 13,1998; capc, Musée d'art Contemporain de Bordeaux February 6 through April 25, 1999; Museum of Contemporary Art, Sydney June 4 through August 29, 1999; Art Gallery of Ontario, Toronto October 1, 1999 through January 2, 2000; [was published on the occasion of the Exhibition of the same name jointly organized by The Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago] |date=2006 |publisher=Thames & Hudson |isbn=978-0-500-27987-8 |editor-last=Cruz |editor-first=Amada |edition=Repr |location=London |pages=201 |editor-last2=Sherman |editor-first2=Cindy |editor-last3=Museum of Contemporary Art}}</ref> ', 34 => '* ''Nobodies: Adventures of the Generic Figure.'' [[Robert Leonard (curator)|Robert Leonard]]’s first exhibition as curator at the National Art Gallery.<ref>{{Cite book |last=Leonard |first=Robert |title=Nobodies: Adventures of the Generic Figure |publisher=National Art Gallery |year=1989 |location=Wellington}}</ref>', 35 => '', 36 => '=== 1990 ===', 37 => '', 38 => '* ''Kei te Anganui: At the Opposite.'' A Shed 11-filling site specific installation by the French artist [[Daniel Buren]]<ref>{{Cite web |title=Kie te Anganui: at the Opposite |url=https://danielburen.com/images/exhibit/715?ref=personal&year=all |access-date=4 July 2023}}</ref>', 39 => '', 40 => '== Controversy ==', 41 => 'Some critics found ‘the gallery’s strong interest in contemporary New Zealand work’, as reflected by exhibitions in Shed 11 such as ''Content/Context'' was not the core business of a national institution.<ref>{{Cite news |last=Barrie |first=Lita |date=23 November 1987 |title=A National Art Gallery for Whom? |work=National Business Review}}</ref> ) The Chairman of the National Art Gallery, [[Hamish Keith]], also believed that, ‘museums, national museums of art should be more about the past than about the immediate present and predictions of what might happen.’<ref>{{Cite book |last=Keith |first=Hamish |title=Native Wit |publisher=Random House |year=2008 |location=Auckland |pages=324}}</ref> Bieringa’s commitment to the contemporary along with other disagreements over the form of what would become Te Papa Tongarewa resulted in his dismissal in 1989.', 42 => '', 43 => '== Shed 11 post Bieringa ==', 44 => 'Managed as part of the restructured National Art Gallery, Shed 11 continued as a Museum of New Zealand exhibition space dedicated to contemporary art until 1992.<ref>{{Cite news |date=23 August 1991 |title=Shutting the Doors |work=Evening Post }}</ref> Exhibitions during that period included: ''Nature Morte'' a collection of 105 works by the photographer [[Laurence Aberhart]] curated by Peter Ireland, ''Mexico:'' ''out of the Profane'' featuring six contemporary Mexican artists, the Crafts Council of New Zealand’s exhibition ''Mau Mahara: Our Stories in Craft'' selected by Justine Olsen, [[John Parker (potter)|John Parker]] and [[Cliff Whiting]],<ref>{{Cite book |title=Mau mahara: our stories in craft ; based on the Exhibition [Mau Mahara: Our Stories in Craft] |date=1990 |publisher=Random Century |isbn=978-1-86941-093-3 |editor-last=Olsen |editor-first=Justine |location=Auckland}}</ref> ''Elements: Explorations: Oppositions'' '''-''' works from the Museum of New Zealand collection and an exhibition of the Australian artists [[Robyn Stacey|Robin Stacey]] and Jackie Redgate. ', 45 => '', 46 => 'In 2010 Shed 11 was leased long-term by the [[New Zealand Portrait Gallery]] and in 2023 it still functions as that Gallery's exhibition venue.<ref>{{Cite news |last=Wood |first=Stacy |date=29 June 2010 |title=Portrait has Special Meaning for Rings Actor |work=EveningPost |url=https://www.stuff.co.nz/dominion-post/news/3863297/Portrait-has-special-meaning-for-Rings-actor |access-date=4 July 2023}}</ref> ', 47 => '[[Category:Art galleries in New Zealand]]', 48 => '[[Category:Art galleries established in 1986]]', 49 => '[[Category:Culture in Wellington]]', 50 => '[[Category:Art galleries disestablished in 1992]]' ]