Page namespace (page_namespace ) | 0 |
Page title without namespace (page_title ) | 'The Subsiding of the Waters of the Deluge' |
Full page title (page_prefixedtitle ) | 'The Subsiding of the Waters of the Deluge' |
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Old page wikitext, before the edit (old_wikitext ) | '{{Infobox Artwork
| image_file = Thomas Cole - Subsiding of the Waters of the Deluge - Smithsonian.jpg
| alt = Barren coastal landscape shortly after the Biblical Food as seen through the mouth of a cave on land. Noah's Ark is visible floating in the distance.
| image_size = 250px
| title = The Subsiding of the Waters of the Deluge
| artist = [[Thomas Cole]]
| year = 1829
| type = [[Oil painting|Oil]] on [[canvas]]
| accession = 1983.40
| height_metric = 90.8
| width_metric = 121.4
| height_imperial = {{frac|35|3|4}}
| width_imperial = {{frac|47|3|4}}
| metric_unit = cm
| imperial_unit = in
| city = Washington, D.C.
| museum = [[Smithsonian American Art Museum]]
}}
'''''The Subsiding of the Waters of the Deluge''''' is an 1829 [[painting]] by English-born American artist [[Thomas Cole]] depicting the aftermath of the [[Great Flood]].
The painting is an 90.8 x 121.4 cm [[oil on canvas]]. It is on display at the [[Smithsonian American Art Museum]] in [[Washington, D.C.]].
==Background==
Cole collected extensive notes on geology and consulted geologists and other scientists such as [[Benjamin Silliman]] to gather background information on what the world might have looked like after the Biblical Flood.<ref>{{cite book|last=Perry|first=Claire|title=The Great American Hall of Wonders: Art, Science, and Invention in the Nineteenth Century|publisher=Smithsonian American Art Museum|location=Washington, D.C.|isbn=978-1-904-832-97-3}}</ref>
==Description==
The painting shows a barren rocky coastscape as seen from the viewpoint of a cavern. A waterfall created by the receding waters of the Flood flows towards the sea. Debris such as broken trees, a destroyed mast, and even a skull are seen upon the coast. The land has been striped of soil. The sky outside the cavern is bright and in the distance floats an Ark and a dove flies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.}}</ref>
==Interpretation==
The painting is interpreted as representing rebirth and redemption through destruction.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=53}}</ref> The cleansing nature of the Flood is meant to represent America as a "New Eden" free of the abusive power of the European monarchies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.|quote=For Thomas Cole, this story of the Biblical flood was a veiled reference to his adopted country, the United States. Washed clean of the corruptions of European monarchy, the new democracy awakens to a promising future.}}</ref>
==History==
In 1829 and 1831 the painting was on exhibit at the [[National Academy of Design]]. It was subsequently lost until 1974.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=54|quote=''Subsiding of the Waters'', exhibited at the National Academy of Design in 1829 and again in 1831, was lost throughout most of this century, not coming to light until 1974.}}</ref>
==References==
<references />
==External links==
*[http://americanart.si.edu/collections/search/artwork/?id=5080 Collection listing at the Smithsonian American Art Museum]
{{DEFAULTSORT:Subsiding of the Waters of the Deluge, The}}
[[Category:Paintings by Thomas Cole]]
[[Category:1829 paintings]]
[[Category:Paintings of the Smithsonian American Art Museum]]
[[Category:Masterpiece Museum]]' |
New page wikitext, after the edit (new_wikitext ) | 'penis
8=============================================D' |
Unified diff of changes made by edit (edit_diff ) | '@@ -1,45 +1,3 @@
-{{Infobox Artwork
-| image_file = Thomas Cole - Subsiding of the Waters of the Deluge - Smithsonian.jpg
-| alt = Barren coastal landscape shortly after the Biblical Food as seen through the mouth of a cave on land. Noah's Ark is visible floating in the distance.
-| image_size = 250px
-| title = The Subsiding of the Waters of the Deluge
-| artist = [[Thomas Cole]]
-| year = 1829
-| type = [[Oil painting|Oil]] on [[canvas]]
-| accession = 1983.40
-| height_metric = 90.8
-| width_metric = 121.4
-| height_imperial = {{frac|35|3|4}}
-| width_imperial = {{frac|47|3|4}}
-| metric_unit = cm
-| imperial_unit = in
-| city = Washington, D.C.
-| museum = [[Smithsonian American Art Museum]]
-}}
-'''''The Subsiding of the Waters of the Deluge''''' is an 1829 [[painting]] by English-born American artist [[Thomas Cole]] depicting the aftermath of the [[Great Flood]].
+penis
-The painting is an 90.8 x 121.4 cm [[oil on canvas]]. It is on display at the [[Smithsonian American Art Museum]] in [[Washington, D.C.]].
-
-==Background==
-Cole collected extensive notes on geology and consulted geologists and other scientists such as [[Benjamin Silliman]] to gather background information on what the world might have looked like after the Biblical Flood.<ref>{{cite book|last=Perry|first=Claire|title=The Great American Hall of Wonders: Art, Science, and Invention in the Nineteenth Century|publisher=Smithsonian American Art Museum|location=Washington, D.C.|isbn=978-1-904-832-97-3}}</ref>
-
-==Description==
-The painting shows a barren rocky coastscape as seen from the viewpoint of a cavern. A waterfall created by the receding waters of the Flood flows towards the sea. Debris such as broken trees, a destroyed mast, and even a skull are seen upon the coast. The land has been striped of soil. The sky outside the cavern is bright and in the distance floats an Ark and a dove flies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.}}</ref>
-
-==Interpretation==
-The painting is interpreted as representing rebirth and redemption through destruction.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=53}}</ref> The cleansing nature of the Flood is meant to represent America as a "New Eden" free of the abusive power of the European monarchies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.|quote=For Thomas Cole, this story of the Biblical flood was a veiled reference to his adopted country, the United States. Washed clean of the corruptions of European monarchy, the new democracy awakens to a promising future.}}</ref>
-
-==History==
-In 1829 and 1831 the painting was on exhibit at the [[National Academy of Design]]. It was subsequently lost until 1974.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=54|quote=''Subsiding of the Waters'', exhibited at the National Academy of Design in 1829 and again in 1831, was lost throughout most of this century, not coming to light until 1974.}}</ref>
-
-==References==
-<references />
-
-==External links==
-*[http://americanart.si.edu/collections/search/artwork/?id=5080 Collection listing at the Smithsonian American Art Museum]
-
-{{DEFAULTSORT:Subsiding of the Waters of the Deluge, The}}
-[[Category:Paintings by Thomas Cole]]
-[[Category:1829 paintings]]
-[[Category:Paintings of the Smithsonian American Art Museum]]
-[[Category:Masterpiece Museum]]
+8=============================================D
' |
Lines removed in edit (removed_lines ) | [
0 => '{{Infobox Artwork',
1 => '| image_file = Thomas Cole - Subsiding of the Waters of the Deluge - Smithsonian.jpg',
2 => '| alt = Barren coastal landscape shortly after the Biblical Food as seen through the mouth of a cave on land. Noah's Ark is visible floating in the distance. ',
3 => '| image_size = 250px',
4 => '| title = The Subsiding of the Waters of the Deluge',
5 => '| artist = [[Thomas Cole]]',
6 => '| year = 1829',
7 => '| type = [[Oil painting|Oil]] on [[canvas]]',
8 => '| accession = 1983.40',
9 => '| height_metric = 90.8',
10 => '| width_metric = 121.4',
11 => '| height_imperial = {{frac|35|3|4}}',
12 => '| width_imperial = {{frac|47|3|4}}',
13 => '| metric_unit = cm',
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15 => '| city = Washington, D.C.',
16 => '| museum = [[Smithsonian American Art Museum]]',
17 => '}}',
18 => ''''''The Subsiding of the Waters of the Deluge''''' is an 1829 [[painting]] by English-born American artist [[Thomas Cole]] depicting the aftermath of the [[Great Flood]].',
19 => 'The painting is an 90.8 x 121.4 cm [[oil on canvas]]. It is on display at the [[Smithsonian American Art Museum]] in [[Washington, D.C.]].',
20 => false,
21 => '==Background==',
22 => 'Cole collected extensive notes on geology and consulted geologists and other scientists such as [[Benjamin Silliman]] to gather background information on what the world might have looked like after the Biblical Flood.<ref>{{cite book|last=Perry|first=Claire|title=The Great American Hall of Wonders: Art, Science, and Invention in the Nineteenth Century|publisher=Smithsonian American Art Museum|location=Washington, D.C.|isbn=978-1-904-832-97-3}}</ref>',
23 => false,
24 => '==Description==',
25 => 'The painting shows a barren rocky coastscape as seen from the viewpoint of a cavern. A waterfall created by the receding waters of the Flood flows towards the sea. Debris such as broken trees, a destroyed mast, and even a skull are seen upon the coast. The land has been striped of soil. The sky outside the cavern is bright and in the distance floats an Ark and a dove flies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.}}</ref>',
26 => false,
27 => '==Interpretation==',
28 => 'The painting is interpreted as representing rebirth and redemption through destruction.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=53}}</ref> The cleansing nature of the Flood is meant to represent America as a "New Eden" free of the abusive power of the European monarchies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.|quote=For Thomas Cole, this story of the Biblical flood was a veiled reference to his adopted country, the United States. Washed clean of the corruptions of European monarchy, the new democracy awakens to a promising future.}}</ref>',
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30 => '==History==',
31 => 'In 1829 and 1831 the painting was on exhibit at the [[National Academy of Design]]. It was subsequently lost until 1974.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=54|quote=''Subsiding of the Waters'', exhibited at the National Academy of Design in 1829 and again in 1831, was lost throughout most of this century, not coming to light until 1974.}}</ref>',
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36 => '==External links==',
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38 => false,
39 => '{{DEFAULTSORT:Subsiding of the Waters of the Deluge, The}}',
40 => '[[Category:Paintings by Thomas Cole]]',
41 => '[[Category:1829 paintings]]',
42 => '[[Category:Paintings of the Smithsonian American Art Museum]]',
43 => '[[Category:Masterpiece Museum]]'
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