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19:13, 22 April 2014: 70.60.236.198 (talk) triggered filter 432, performing the action "edit" on The Subsiding of the Waters of the Deluge. Actions taken: Warn; Filter description: Starting new line with lowercase letters (examine)

Changes made in edit

girls are cool
{{Infobox Artwork
| image_file = Thomas Cole - Subsiding of the Waters of the Deluge - Smithsonian.jpg
| alt = Barren coastal landscape shortly after the Biblical Food as seen through the mouth of a cave on land. Noah's Ark is visible floating in the distance.
| image_size = 250px
| title = The Subsiding of the Waters of the Deluge
| artist = [[Thomas Cole]]
| year = 1829
| type = [[Oil painting|Oil]] on [[canvas]]
| accession = 1983.40
| height_metric = 90.8
| width_metric = 121.4
| height_imperial = {{frac|35|3|4}}
| width_imperial = {{frac|47|3|4}}
| metric_unit = cm
| imperial_unit = in
| city = Washington, D.C.
| museum = [[Smithsonian American Art Museum]]
}}
'''''The Subsiding of the Waters of the Deluge''''' is an 1829 [[painting]] by English-born American artist [[Thomas Cole]] depicting the aftermath of the [[Great Flood]].

The painting is an 90.8 x 121.4 cm [[oil on canvas]]. It is on display at the [[Smithsonian American Art Museum]] in [[Washington, D.C.]].

==Background==
Cole collected extensive notes on geology and consulted geologists and other scientists such as [[Benjamin Silliman]] to gather background information on what the world might have looked like after the Biblical Flood.<ref>{{cite book|last=Perry|first=Claire|title=The Great American Hall of Wonders: Art, Science, and Invention in the Nineteenth Century|publisher=Smithsonian American Art Museum|location=Washington, D.C.|isbn=978-1-904-832-97-3}}</ref>

==Description==
The painting shows a barren rocky coastscape as seen from the viewpoint of a cavern. A waterfall created by the receding waters of the Flood flows towards the sea. Debris such as broken trees, a destroyed mast, and even a skull are seen upon the coast. The land has been striped of soil. The sky outside the cavern is bright and in the distance floats an Ark and a dove flies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.}}</ref>

==Interpretation==
The painting is interpreted as representing rebirth and redemption through destruction.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=53}}</ref> The cleansing nature of the Flood is meant to represent America as a "New Eden" free of the abusive power of the European monarchies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.|quote=For Thomas Cole, this story of the Biblical flood was a veiled reference to his adopted country, the United States. Washed clean of the corruptions of European monarchy, the new democracy awakens to a promising future.}}</ref>

==History==
In 1829 and 1831 the painting was on exhibit at the [[National Academy of Design]]. It was subsequently lost until 1974.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=54|quote=''Subsiding of the Waters'', exhibited at the National Academy of Design in 1829 and again in 1831, was lost throughout most of this century, not coming to light until 1974.}}</ref>

==References==
<references />

==External links==
*[http://americanart.si.edu/collections/search/artwork/?id=5080 Collection listing at the Smithsonian American Art Museum]

{{DEFAULTSORT:Subsiding of the Waters of the Deluge, The}}
[[Category:Paintings by Thomas Cole]]
[[Category:1829 paintings]]
[[Category:Paintings of the Smithsonian American Art Museum]]
[[Category:Masterpiece Museum]]

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Action (action)
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Old page wikitext, before the edit (old_wikitext)
'{{Infobox Artwork | image_file = Thomas Cole - Subsiding of the Waters of the Deluge - Smithsonian.jpg | alt = Barren coastal landscape shortly after the Biblical Food as seen through the mouth of a cave on land. Noah's Ark is visible floating in the distance. | image_size = 250px | title = The Subsiding of the Waters of the Deluge | artist = [[Thomas Cole]] | year = 1829 | type = [[Oil painting|Oil]] on [[canvas]] | accession = 1983.40 | height_metric = 90.8 | width_metric = 121.4 | height_imperial = {{frac|35|3|4}} | width_imperial = {{frac|47|3|4}} | metric_unit = cm | imperial_unit = in | city = Washington, D.C. | museum = [[Smithsonian American Art Museum]] }} '''''The Subsiding of the Waters of the Deluge''''' is an 1829 [[painting]] by English-born American artist [[Thomas Cole]] depicting the aftermath of the [[Great Flood]]. The painting is an 90.8 x 121.4&nbsp;cm [[oil on canvas]]. It is on display at the [[Smithsonian American Art Museum]] in [[Washington, D.C.]]. ==Background== Cole collected extensive notes on geology and consulted geologists and other scientists such as [[Benjamin Silliman]] to gather background information on what the world might have looked like after the Biblical Flood.<ref>{{cite book|last=Perry|first=Claire|title=The Great American Hall of Wonders: Art, Science, and Invention in the Nineteenth Century|publisher=Smithsonian American Art Museum|location=Washington, D.C.|isbn=978-1-904-832-97-3}}</ref> ==Description== The painting shows a barren rocky coastscape as seen from the viewpoint of a cavern. A waterfall created by the receding waters of the Flood flows towards the sea. Debris such as broken trees, a destroyed mast, and even a skull are seen upon the coast. The land has been striped of soil. The sky outside the cavern is bright and in the distance floats an Ark and a dove flies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.}}</ref> ==Interpretation== The painting is interpreted as representing rebirth and redemption through destruction.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=53}}</ref> The cleansing nature of the Flood is meant to represent America as a "New Eden" free of the abusive power of the European monarchies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.|quote=For Thomas Cole, this story of the Biblical flood was a veiled reference to his adopted country, the United States. Washed clean of the corruptions of European monarchy, the new democracy awakens to a promising future.}}</ref> ==History== In 1829 and 1831 the painting was on exhibit at the [[National Academy of Design]]. It was subsequently lost until 1974.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=54|quote=''Subsiding of the Waters'', exhibited at the National Academy of Design in 1829 and again in 1831, was lost throughout most of this century, not coming to light until 1974.}}</ref> ==References== <references /> ==External links== *[http://americanart.si.edu/collections/search/artwork/?id=5080 Collection listing at the Smithsonian American Art Museum] {{DEFAULTSORT:Subsiding of the Waters of the Deluge, The}} [[Category:Paintings by Thomas Cole]] [[Category:1829 paintings]] [[Category:Paintings of the Smithsonian American Art Museum]] [[Category:Masterpiece Museum]]'
New page wikitext, after the edit (new_wikitext)
'girls are cool'
Unified diff of changes made by edit (edit_diff)
'@@ -1,45 +1 @@ -{{Infobox Artwork -| image_file = Thomas Cole - Subsiding of the Waters of the Deluge - Smithsonian.jpg -| alt = Barren coastal landscape shortly after the Biblical Food as seen through the mouth of a cave on land. Noah's Ark is visible floating in the distance. -| image_size = 250px -| title = The Subsiding of the Waters of the Deluge -| artist = [[Thomas Cole]] -| year = 1829 -| type = [[Oil painting|Oil]] on [[canvas]] -| accession = 1983.40 -| height_metric = 90.8 -| width_metric = 121.4 -| height_imperial = {{frac|35|3|4}} -| width_imperial = {{frac|47|3|4}} -| metric_unit = cm -| imperial_unit = in -| city = Washington, D.C. -| museum = [[Smithsonian American Art Museum]] -}} -'''''The Subsiding of the Waters of the Deluge''''' is an 1829 [[painting]] by English-born American artist [[Thomas Cole]] depicting the aftermath of the [[Great Flood]]. - -The painting is an 90.8 x 121.4&nbsp;cm [[oil on canvas]]. It is on display at the [[Smithsonian American Art Museum]] in [[Washington, D.C.]]. - -==Background== -Cole collected extensive notes on geology and consulted geologists and other scientists such as [[Benjamin Silliman]] to gather background information on what the world might have looked like after the Biblical Flood.<ref>{{cite book|last=Perry|first=Claire|title=The Great American Hall of Wonders: Art, Science, and Invention in the Nineteenth Century|publisher=Smithsonian American Art Museum|location=Washington, D.C.|isbn=978-1-904-832-97-3}}</ref> - -==Description== -The painting shows a barren rocky coastscape as seen from the viewpoint of a cavern. A waterfall created by the receding waters of the Flood flows towards the sea. Debris such as broken trees, a destroyed mast, and even a skull are seen upon the coast. The land has been striped of soil. The sky outside the cavern is bright and in the distance floats an Ark and a dove flies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.}}</ref> - -==Interpretation== -The painting is interpreted as representing rebirth and redemption through destruction.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=53}}</ref> The cleansing nature of the Flood is meant to represent America as a "New Eden" free of the abusive power of the European monarchies.<ref>{{cite book|last=Pastan|first=Amy|title=Young America: Treasures from the Smithsonian American Art Museum|year=1999|publisher=Watson-Guptill Publications|location=New York|isbn=0-8230-0193-8|pages=26|edition=1. publ., 1. print.|quote=For Thomas Cole, this story of the Biblical flood was a veiled reference to his adopted country, the United States. Washed clean of the corruptions of European monarchy, the new democracy awakens to a promising future.}}</ref> - -==History== -In 1829 and 1831 the painting was on exhibit at the [[National Academy of Design]]. It was subsequently lost until 1974.<ref>{{cite book|last=Miller|first=Angela|title=The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875|year=1993|publisher=Cornell University Press|location=Ithaca, N.Y.|isbn=0-8014-2830-0|edition=1. publ.|page=54|quote=''Subsiding of the Waters'', exhibited at the National Academy of Design in 1829 and again in 1831, was lost throughout most of this century, not coming to light until 1974.}}</ref> - -==References== -<references /> - -==External links== -*[http://americanart.si.edu/collections/search/artwork/?id=5080 Collection listing at the Smithsonian American Art Museum] - -{{DEFAULTSORT:Subsiding of the Waters of the Deluge, The}} -[[Category:Paintings by Thomas Cole]] -[[Category:1829 paintings]] -[[Category:Paintings of the Smithsonian American Art Museum]] -[[Category:Masterpiece Museum]] +girls are cool '
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