Old page wikitext, before the edit (old_wikitext ) | '{{about||the author and journalist|John Clare (journalist)|the American soccer coach|John Clare (soccer)}}
{{EngvarB|date=September 2013}}
{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] -->
|name = John Clare
|image = John Clare.jpg
|caption = ''John Clare'' by [[William Hilton]],<br/>oil on canvas, 1820
|birth_date = {{birth-date|df=yes|13 July 1793}}
|birth_place = [[Helpston]], [[Northamptonshire]], England
|death_date = {{death-date and age|20 May 1864|13 July 1793}}
|death_place = [[St Andrew's Hospital|Northampton General Lunatic Asylum]], [[Northampton]], England
|notableworks = ''Poems Descriptive of Rural Life and Scenery''
|genre = Rural
|<!-- [[James Thomson]], [[Lord Byron]], [[William Shakespeare]] -->
|signature = John Clare signature.svg
}}
'''John Clare''' (13 July 1793 – 20 May 1864) was an English poet. The son of a farm labourer, he became known for his celebrations of the English countryside and sorrows at its disruption.<ref name=":1">{{Cite book |editor-first=Geoffrey |editor-last=Summerfield |title=Selected Poems |publisher=[[Penguin Books]] |date=1990 |pages=13–22 |ISBN=0-14-043724-X}}</ref> His poetry underwent major re-evaluation in the late 20th century: he is now often seen as a major 19th-century poet.<ref>{{Cite book |first=Roger |last=Sales |date=2002 |title=John Clare: A Literary Life |publisher=[[Palgrave Macmillan]] |location=New York City |ISBN=0-333-65270-3}}</ref> His biographer [[Jonathan Bate]] called Clare "the greatest labouring-class poet that England has ever produced. No one has ever written more powerfully of nature, of a rural childhood, and of the alienated and unstable self."<ref>{{Cite book |first=Jonathan |last=Bate |authorlink=Jonathan Bate |date=2003 |title=John Clare: A biography |publisher=[[Farrar, Straus and Giroux]] |location=New York City |ISBN=978-0374179908}}</ref>
==Life==
===Early life===
Clare was born in [[Helpston]], {{convert|6|mi|km|0}} to the north of the city of [[Peterborough]].<ref>{{Cite web |url=https://www.poetryfoundation.org/poets/john-clare |title=John Clare |last=Foundation |first=Poetry |date=2019-08-25 |website=Poetry Foundation |language=en |access-date=2019-08-26}}</ref> In his lifetime, the village was in the [[Soke of Peterborough]] in Northamptonshire and his memorial calls him "The Northamptonshire Peasant Poet". Helpston is now administered by the [[City of Peterborough]] [[unitary authority]].
He became an agricultural labourer while still a child; however, he attended school in [[Glinton, Cambridgeshire|Glinton]] church until he was 12. In his early adult years, Clare became a [[wikt:potboy|potboy]] in the ''Blue Bell'' [[public house]] and fell in love with Mary Joyce; but her father, a prosperous farmer, forbade her to meet him. Subsequently, he was a gardener at [[Burghley House]].<ref>{{Cite news |url=http://www.cam.ac.uk/research/features/besom-ling-and-teasel-burrs-john-clare-and-botanising |title='Besom ling and teasel burrs': John Clare and botanising |last= |first= |date=20 September 2014 |work=University of Cambridge |access-date=22 July 2018 |language=en}}</ref> He enlisted in the [[Militia (United Kingdom)|militia]], tried camp life with [[Gypsies]], and worked in [[Pickworth, Rutland]] as a [[Lime kiln#Early kilns|lime burner]] in 1817. In the following year he was obliged to accept [[Poor relief|parish relief]].<ref>Louis Untermeyer, in ''A Treasury of Great Poems, English and American, from the Foundations of the English Spirit to the Outstanding Poetry of our Own Time with Lives of the Poets and Historical Settings Selected and Integrated'', Simon and Schuster, 1942, p. 709.</ref> Malnutrition stemming from childhood may have been the main factor behind his five-foot stature and have contributed to his poor physical health in later life.
===Early poems===
Clare had bought a copy of [[James Thomson (poet)|James Thomson]]'s ''[[The Seasons (Thomson poem)|The Seasons]]'' and began to write poems and sonnets. In an attempt to hold off his parents' eviction from their home, Clare offered his poems to a local bookseller named Edward Drury, who sent them to his cousin, [[John Taylor (English publisher)|John Taylor]] of the publishing firm of Taylor & Hessey, who had published the work of [[John Keats]]. Taylor published Clare's ''Poems Descriptive of Rural Life and Scenery'' in 1820. This book was highly praised, and the next year his ''Village Minstrel and Other Poems'' was published. "There was no limit to the applause bestowed upon Clare, unanimous in their admiration of a poetical genius coming before them in the humble garb of a farm labourer."<ref>{{Cite book |first=Frederick |last=Martin |chapter=Preface |title=Life of John Clare |publisher=BiblioLife |location=London, England |origyear=1865 |date=2010 |ISBN=978-1140143451}}</ref>
===Middle life===
[[File:John Clare's birthplace, Helpston, Peterborough - geograph.org.uk - 217344.jpg|thumb|right|Clare's birthplace, [[Helpston]], [[Peterborough]]. The cottage was subdivided with his family renting a part.]]
On 16 March 1820 he was married to Martha ("Patty") Turner, a [[milkmaid]], in [[Great Casterton]] church.<ref>E. Robinson, 2004: "Clare, John (1793–1864)...", ''Oxford Dictionary of National Biography''. [https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-5441. Retrieved 25 July 2019]</ref> An annuity of 15 [[guineas]] from the [[Brownlow Cecil, 2nd Marquess of Exeter|Marquess of Exeter]], in whose service he had been, was supplemented by subscription, so that Clare became possessed of £45 annually, a sum far beyond what he had ever earned. Soon, however, his income became insufficient, and in 1823 he was nearly penniless. ''The Shepherd's Calendar'' (1827) met with little success, which was not increased by his [[Hawker (trade)|hawking]] it himself. As he worked again in the fields his health temporarily improved; but he soon became seriously ill. [[William Fitzwilliam, 4th Earl Fitzwilliam|Earl Fitzwilliam]] presented him with a new cottage and a piece of ground, but Clare could not settle in his new home.
Clare was constantly torn between the two worlds of literary London and his often illiterate neighbours; between the need to write poetry and the need for money to feed and clothe his children. His health began to suffer, and he had bouts of severe depression, which became worse after his sixth child was born in 1830 and as his poetry sold less well. In 1832, his friends and his London patrons clubbed together to move the family to a larger cottage with a smallholding in the village of [[Northborough, Cambridgeshire|Northborough]], not far from Helpston. However, he only felt more alienated there.
His last work, the ''Rural Muse'' (1835), was noticed favourably by [[John Wilson (Scottish writer)|Christopher North]] and other reviewers, but this was not enough to support his wife and seven children. Clare's mental health began to worsen. As his alcohol consumption steadily increased along with his dissatisfaction with his own identity, Clare's behaviour became more erratic. A notable instance of this behaviour was demonstrated in his interruption of a performance of ''[[The Merchant of Venice]]'', in which Clare verbally assaulted [[Shylock]]. He was becoming a burden to Patty and his family, and in July 1837, on the recommendation of his publishing friend, John Taylor, Clare went of his own volition (accompanied by a friend of Taylor's) to Dr Matthew Allen's private asylum [[High Beach]] near [[Loughton]], in [[Epping Forest]]. Taylor had assured Clare that he would receive the best medical care.
Clare was reported as being "full of many strange delusions". He believed himself to be a [[boxing|prize fighter]] and that he had two wives, Patty and Mary. He started to claim he was [[Lord Byron]]. Allen wrote about Clare to ''[[The Times]]'' in 1840:
<blockquote>
It is most singular that ever since he came... the moment he gets pen or pencil in hand he begins to write most poetical effusions. Yet he has never been able to obtain in conversation, nor even in writing prose, the appearance of sanity for two minutes or two lines together, and yet there is no indication of insanity in any of his poetry.<ref>{{cite web |url=http://www.rcpsych.ac.uk/healthadvice/bookreviews/books/johnclare/review1.aspx |title=Review 1 |publisher=Rcpsych.ac.uk |date=27 July 2007 |accessdate=27 February 2015}}</ref>
</blockquote>
===Religion===
Clare was a professing [[Anglican]].<ref>Sarah Houghton-Walker, in ''John Clare's Religion'', Routledge, p. 6.</ref><ref>{{Cite book |last=Clare |first=John |title=The Parish |url=https://archive.org/details/parishsatire00clar |url-access=registration |publisher=Penguin |year=1986 |isbn=0670801127|pages=6–8}}</ref> Whatever he may have felt about liturgy and ministry, and however critical an eye he may have cast on parish life, Clare retained and replicated his father's loyalty to the [[Church of England]].<ref>{{Cite book |last=Houghton-Walker |first=Sarah |title=John Clare's Religion |publisher=Routledge |year=2009 |isbn= 978-0754665144 |url=https://books.google.co.uk/books?id=6z8fDAAAQBAJ |page=11}}</ref> He dodged the services in his youth and dawdled in the fields during the hours of worship, but he derived much help in later years from members of the clergy. He acknowledged that his father "was brought up in the communion of the Church of England, and I have found no cause to withdraw myself from it." If he found aspects of the established church uncongenial and awkward, he remained prepared to defend it: "Still I reverence the church and do from my soul as much as anyone curse the hand that's lifted to undermine its constitution".<ref>{{Cite web |last1=Salter |first1=Roger |title=A Christian Consideration of John Clare – English Poet (1793–1864) |url=http://www.virtueonline.org/christian-consideration-john-clare-english-poet-1793-1864 |website=Virtueonline |accessdate=24 April 2018}}</ref>
Much of Clare's imagery was drawn from the [[Old Testament]] (e. g."The Peasant Poet"). However, Clare also honours the figure of [[Christ]] in poems such as "The Stranger".<ref>[https://www.poemist.com/john-clare/the-stranger.]</ref>
===Later life===
[[File:Grave John Clare.jpg|thumb|Clare's grave in Helpston churchyard]]
During his first few asylum years in [[High Beach]], Essex (1837–41),<ref>[https://www.bbc.co.uk/arts/romantics/clare.shtml BBC article. Retrieved 12 September 2013.]</ref> Clare re-wrote famous poems and sonnets by [[Lord Byron]]. ''Child Harold'', his version of Byron's ''[[Childe Harold's Pilgrimage]]'', became a lament for past lost love, and ''Don Juan, A Poem'' became an acerbic, misogynistic, sexualised rant redolent of an ageing [[Regency era|Regency]] dandy.{{Citation needed|date=August 2019}} Clare also took credit for [[William Shakespeare|Shakespeare]]'s plays, claiming to be the [[Renaissance]] genius himself. "I'm John Clare now," the poet claimed to a newspaper editor, "I was Byron and Shakespeare formerly."{{Citation needed|date=August 2019}}
In 1841, Clare absconded from the asylum in Essex, to walk some {{convert|90|mi|km}} home, believing that he was to meet his first love Mary Joyce; Clare was convinced that he was married to her and Martha as well, with children by both women.{{Citation needed|date=August 2019}} He did not believe her family when they told him she had died accidentally three years earlier in a house fire. He remained free, mostly at home in Northborough, for the five months following, but eventually Patty called the doctors.
Between Christmas and New Year in 1841, Clare was committed to the Northampton General Lunatic Asylum (now [[St Andrew's Hospital]]).{{Citation needed|date=August 2019}} Upon Clare's arrival at the asylum, the accompanying doctor, [[Fenwick Skrimshire]], who had treated Clare since 1820,<ref>Geoffrey Summerfield, Hugh Haughton, Adam Phillips, ''John Clare in Context'', Cambridge University Press, 1994, {{ISBN|0-521-44547-7}}, p. 263.</ref> completed the admission papers. To the enquiry "Was the insanity preceded by any severe or long-continued mental emotion or exertion?", Dr Skrimshire entered: "After years of poetical prosing."<ref>Margaret Grainger (ed.), ''The Natural History Prose Writings of John Clare'', Oxford English Texts, Oxford University Press, 1983, {{ISBN|0-19-818517-0}}, p. 34.</ref>
His maintenance at the asylum was paid for by Earl Fitzwilliam, "but at the ordinary rate for poor people".<ref name=":0">{{Cite book |url=http://www.gutenberg.org/cache/epub/8672/pg8672.txt |title=Poems Chiefly From Manuscript |last=Clare |first=John |publisher=GUTENBERG EBOOK |year= |isbn= |editor-last=Blunden, Porter |location=| pages=}}</ref> He remained there for the rest of his life under the humane regime of Dr [[Thomas Octavius Prichard]], who encouraged and helped him to write. Here he wrote possibly his most famous poem, ''[[I Am (poem)|I Am]]''.{{Citation needed|date=August 2019}} It was in this later poetry that Clare "developed a very distinctive voice, an unmistakable intensity and vibrance, such as the later pictures of Van Gogh" possessed.<ref name=":1" />
John Clare died of a stroke on 20 May 1864, in his 71st year.<ref name=":0" /> His remains were returned to Helpston for burial in St Botolph's churchyard, where he had expressed a wish to be buried.<ref name=":0" />
===Remembrance===
On Clare's birthday, children at the John Clare School, Helpston's primary, parade through the village and place their "midsummer cushions" around his gravestone (which bears the inscriptions "To the Memory of John Clare The Northamptonshire Peasant Poet" and "A Poet is Born not Made").<ref>{{Cite news |url=http://www.stamfordmercury.co.uk/news/Festival-celebrated-poet39s-life-and.4288056.jp |title=Festival celebrated poet's life and work |newspaper=Rutland and Stamford Mercury |date=15 July 2008 |accessdate=15 August 2012}}</ref>
==Poetry==
[[File:John Clare Memorial, Helpston, Peterborough - geograph.org.uk - 87487.jpg|thumb|right|John Clare memorial, [[Helpston]]]]
In his time, Clare was commonly known as "the [[Northamptonshire]] Peasant Poet". His formal education was brief, his other employment and class-origins were lowly. Clare resisted the use of the increasingly standardised English grammar and [[orthography]] in his poetry and prose, alluding to political reasoning in comparing "grammar" (in a wider sense of orthography) to tyrannical government and slavery, personifying it in jocular fashion as a "bitch".<ref>Asked by his cousin and publisher [[John Taylor (English publisher)|John Taylor]] to correct a passage for publication, he answered: "I may alter but I cannot mend – grammer in learning is like tyranny in government – confound the bitch ill never be her slave & have a vast good mind not to alter the verse in question...." (Letter 133). See {{Cite book |editor1-last=Storey |editor1-first=Edward |title=The Letters of John Clare |location=Oxford |publisher=Clarendon Press |year=1985 |page=231 |isbn=9780198126690 |url=https://books.google.com/books?id=lnRaAAAAMAAJ&q=bitch}}</ref> He wrote in his Northamptonshire dialect, introducing local words to the literary canon such as "pooty" (snail), "lady-cow" ([[Coccinellidae|ladybird]]), "crizzle" (to crisp) and "throstle" ([[song thrush]]).
In his early life he struggled to find a place for his poetry in the changing literary fashions of the day. He also felt that he did not belong with other peasants. Clare once wrote:<blockquote>
"I live here among the ignorant like a lost man in fact like one whom the rest seemes careless of having anything to do with—they hardly dare talk in my company for fear I should mention them in my writings and I find more pleasure in wandering the fields than in musing among my silent neighbours who are insensible to everything but toiling and talking of it and that to no purpose."
</blockquote>
It is common to see an absence of punctuation in many of Clare's original writings, although many publishers felt the need to remedy this practice in the majority of his work. Clare argued with his editors about how it should be presented to the public.
Clare grew up during a period of massive changes in both town and countryside as the [[Industrial Revolution]] swept Europe. Many former agricultural and craft workers, including children, moved away from the countryside to crowded cities, as factory work became mechanized. The [[British Agricultural Revolution|Agricultural Revolution]] saw pastures ploughed up, trees and hedges uprooted, fens drained and common land [[Enclosure|enclosed]]. This destruction of a way of life centuries old distressed Clare deeply. His political and social views were predominantly conservative. ("I am as far as my politics reaches 'King and Country' – no Innovations in Religion and Government say I.") He refused even to complain about the subordinate position to which English society had relegated him, swearing that "with the old dish that was served to my forefathers I am content."<ref>{{Cite magazine |last=Manjoo |first=Farhad |url=http://www.slate.com/id/2089950/ |title=Man Out of Time by Christopher Caldwell |magazine=Slate |date=17 October 2003 |accessdate=15 August 2012}}</ref>
His early work expresses delight in both nature and the cycle of the rural year. Poems such as "Winter Evening", "Haymaking" and "Wood Pictures in Summer" celebrate the beauty of the world and the certainties of rural life, where animals must be fed and crops harvested. Poems such as "Little Trotty Wagtail" show his sharp observation of wildlife, though "The Badger" shows his lack of sentiment about the place of animals in the countryside. At this time, he often used poetic forms such as the sonnet and the rhyming couplet. His later poetry tends to be more meditative and uses forms similar to the folk songs and ballads of his youth. An example of this is "Evening".
Clare's knowledge of the natural world went far beyond that of the major [[Romantic poetry|Romantic]] poets. However, poems such as "[[I Am (poem)|I Am]]" show a [[metaphysics|metaphysical]] depth on a par with his contemporary poets and many of his pre-asylum poems deal with intricate play on the nature of linguistics. His "bird's nest poems", it can be argued, illustrate the self-awareness, and obsession with the creative process that captivated the romantics. Clare was the most influential poet, apart from [[William Wordsworth|Wordsworth]], to write in an older style.<ref>{{Cite book |first=Alastair |last=Fowler |authorlink=Alastair Fowler |year=1989 |title=The History of English Literature |edition= |publisher=Harvard University Press |location=Cambridge, Massachusetts |page=250 |isbn=0-674-39664-2}}</ref>
In a foreword to the 2011 anthology ''The Poetry of Birds'', broadcaster and bird-watcher Tim Dee notes that Clare wrote about 147 species of British wild birds "without any technical kit whatsoever."<ref>{{cite web |url=http://www.cam.ac.uk/research/features/poet-activist-bird-watcher-exploring-john-clare-as-nature-writer |title=Poet, activist, bird watcher: exploring John Clare as nature writer |date=29 August 2017 |publisher= |accessdate=24 April 2018}}</ref>
==Essays==
The only Clare essay to appear in his lifetime was "Popularity of Authorship", which described his predicament in 1824 and was published anonymously.<ref>John Birtwhistle, "Occasion of the Essay" [http://www.johnclare.info/birtwhistle.htm info]</ref><ref>"Popularity of Authorship'(1824)", ''European Magazine'', vol. 1, no. 3, New Series, November 1825.</ref> Other essays by Clare to appear posthumously "Essays on Landscape", "Essays on Criticism and Fashion", "Recollections on a Journey from Essex", "Excursions with an Angler", "For Essay on Modesty and Mock Morals", "For Essay on Industry", "Keats", "Byron", "The Dream", "House or Window Flies" and "Dewdrops".<ref>''Complete Works of John Clare (Illustrated)'', Delphi Poets Series version 1 2013 [https://books.google.com/books?id=MXQbAgAAQBAJ&pg=PT1461&lpg=PT1461&dq=essays+by+john+clare&source=bl&ots=yY71yCIE3I&sig=27hlcNBsY6pe0m9mB2Vq_dt-ZXQ&hl=en&sa=X&ved=0ahUKEwjZyJvYv-LJAhWDbxQKHZNsAbk4HhDoAQg0MAQ#v=onepage&q=essays%20by%20john%20clare&f=false Extract]</ref>
==Revived interest==
Clare was relatively forgotten during the later 19th century, but interest in his work was revived by [[Arthur Symons]] in 1908, [[Edmund Blunden]] in 1920 and John and [[Anne Tibble]] in their ground-breaking 1935 two-volume edition, while in 1949 [[Geoffrey Grigson]] edited ''Poems of John Clare's Madness'' (published by [[Routledge and Kegan Paul]]). [[Benjamin Britten]] set some of "May" from ''A Shepherd's Calendar'' in his ''[[Spring Symphony]]'' of 1948, and included a setting of ''The Evening Primrose'' in his [[List of compositions by Benjamin Britten|''Five Flower Songs'']].
Copyright on much of his work has been claimed since 1965 by the editor of the ''Complete Poetry'',<ref>[[Oxford University Press]], 9 vols, 1984–2003).</ref> Professor Eric Robinson, although the claims were contested. Recent publishers have refused to acknowledge them (notably recent editions from Faber and Carcanet) and it seems the copyright is now defunct.<ref>{{Cite web |url=http://www.johnclare.info/copyright.htm |title=The John Clare Page website 'copyright' section: full list of recent reactions to the copyright dispute |publisher=Johnclare.info |date= |accessdate=15 August 2012}}</ref><ref>{{Cite web |author=John Goodridge |url=https://www.theguardian.com/books/2000/jul/22/poetry.books |title=Poor Clare |work=The Guardian |date=22 July 2000 |accessdate=12 July 2015}}</ref><ref>{{Cite news |url=http://books.guardian.co.uk/review/story/0,12084,885727,00.html |title=Letter from Eric Robinson: Clare's rights |publisher=Books, The Guardian |date=31 January 2003 |accessdate=15 August 2012 |location=London}}</ref>
The largest collection of original Clare manuscripts is housed at [[Peterborough Museum and Art Gallery]], where items are available to view by appointment.
Altering what Clare actually wrote continued into the later 20th century. [[Helen Gardner (critic)|Helen Gardner]], for instance, amended not only the punctuation but also the spelling and grammar when editing the ''[[New Oxford Book of English Verse 1250–1950]]'' (1972).
Since 1993, the John Clare Society of North America has organised an annual session of scholarly papers concerning John Clare at the annual Convention of the [[Modern Language Association|Modern Language Association of America]].<ref>{{Cite web |url=http://www.johnclare.org/ClareSessionMLA.htm |title=MLA Session organized by the John Clare Society of North America |publisher=Johnclare.org |date= |accessdate=15 August 2012}}</ref> In 2003 the scholar [[Jonathan Bate]] published the first major critical biography of the poet. This has helped to maintain the revival in popular and academic interest in him.<ref>{{Cite news |author=Andrew Motion |url=https://www.theguardian.com/books/2003/oct/18/featuresreviews.guardianreview5 |title=Review: John Clare: A Biography by Jonathan Bate |newspaper=[[The Guardian]] |date=18 October 2003 |accessdate=26 January 2016}}</ref>
==John Clare Cottage==
{{Main|John Clare Cottage}}
The thatched cottage where Clare was born was bought by the John Clare Trust in 2005.<ref>{{Cite web |url=http://www.clarecottage.org/ |title=Home |website=www.clarecottage.org |accessdate=24 April 2018}}</ref> In May 2007 the Trust gained £1.27 million of funding from the [[Heritage Lottery Fund]] and commissioned [[Jefferson Sheard Architects]] to create a new landscape design and visitor centre, including a cafe, shop and exhibition space. The cottage at 12 Woodgate, Helpston, has been restored using traditional building methods and is open to the public. In 2013 the John Clare Trust received a further grant from the Heritage Lottery Fund to help preserve the building and provide educational activities for youngsters visiting the cottage.<ref>Stephen Briggs, [http://www.peterboroughtoday.co.uk/what-s-on/leisure-lifestyle/peterborough-heritage-sites-gets-big-lottery-boost-1-5185021 "Peterborough heritage sites gets big lottery boost"], ''Peterborough Telegraph'', 13 June 2013.</ref>
==Poetry collections==
In chronological order:
*''Poems Descriptive of Rural Life and Scenery.'' London, 1820
*''The Village Minstrel, and Other Poems.'' London, 1821
*''The Shepherd's Calendar with Village Stories and Other Poems.'' London, 1827
*''The Rural Muse.'' London, 1835
*''Sonnet.'' London 1841
*''First Love''
*''Snow Storm.''
*''The Firetail.''
*''The Badger'' – Date unknown
Also:
*''[[The Lament of Swordy Well]]''
==Works about Clare==
[[File:John Clare by WW Law.jpg|thumb|right|The only known photograph of Clare, 1862]]
In chronological order:
*Frederick Martin, ''The Life of John Clare'', 1865
*J. L. Cherry, ''Life and Remains of John Clare'', 1873
*{{Cite book |last=Heath |first=Richard |title=The English Peasant |year=1893 |publisher=T. Fisher Unwin |location=London |chapter=[[s:The English Peasant/John Clare |John Clare]] |pages=292–319}}
*[[Norman Gale]], ''Clare's Poems'', 1901
*June Wilson, ''Green Shadows: The Life of John Clare'', 1951
*[[Edward Bond]], ''[[The Fool (Edward Bond play)|The Fool]]'', 1975
*H. O. Dendurent, ''John Clare: A Reference Guide'', Boston: G. K. Hall, 1978
*[[Edward Storey]], ''A Right to Song: The Life of John Clare'', London: Methuen, 1982
*Timothy Brownlow, ''John Clare and Picturesque Landscape'', 1983
*John MacKenna, ''Clare: a novel'', Belfast: The Blackstaff Press, 1993, {{ISBN|0-85640-467-5}} (fictional biography)
*[[Hugh Haughton]], Adam Phillips and Geoffrey Summerfield, ''John Clare in Context'', Cambridge University Press, 1994, {{ISBN|0-521-44547-7}}
*Simon Kövesi, ''John Clare: Nature, Criticism and History'', London: Palgrave, 2017, {{ISBN|978-0-230-27787-8}}
*[[Alan Moore]], ''[[Voice of the Fire]]'' (Chapter 10 only), UK: Victor Gollancz
*John Goodridge and Simon Kovesi (eds), ''John Clare: New Approaches'', John Clare Society, 2000
*[[Jonathan Bate]], ''John Clare'', London: Picador, 2003
*Alan B. Vardy, ''John Clare, Politics and Poetry'', London: Palgrave MacMillan, 2003
*[[Iain Sinclair]], ''Edge of The Orison: In the Traces of John Clare's "Journey Out of Essex"'', Hamish Hamilton, 2005
*John MacKay, ''Inscription and Modernity: From Wordsworth to Mandelstam'', Bloomington: Indiana University Press, 2006, {{ISBN|0-253-34749-1}}.
*David Powell, ''First Publications of John Clare's Poems'', John Clare Society of North America, 2009<ref>{{Cite web |url=http://www.johnclare.org/PowellBook.htm |title=First Publications of John Clare's Poems by David Powell |publisher=The John Clare Society of North America |date=2009 |accessdate=15 August 2012}}</ref>
*Carry Akroyd, ''"Natures Powers & Spells": Landscape Change, John Clare and Me'', Langford Press, 2009, {{ISBN|978-1-904078-35-7}}
*Judith Allnatt, ''The Poet's Wife'', Doubleday, 2010 (fiction), {{ISBN|0-385-61332-6}}
*[[Adam Foulds]], ''[[The Quickening Maze]]'', Jonathan Cape, 2009
*[[D. C. Moore]], ''Town'' (Play)<ref>{{Cite news |author=Michael Billington
|url=https://www.theguardian.com/stage/2010/jun/22/town-review |title=Review of ''Town'' by D. C. Moore |newspaper=The Guardian |date=23 June 2010 |accessdate=15 August 2012 |location=London}}</ref>
*Sarah Houghton-Walker, ''John Clare's Religion'', Routledge, 2016, {{ISBN|978-0-754665-14-4}}<ref>{{Cite web |url=https://books.google.co.uk/books?id=6z8fDAAAQBAJ |title=John Clare's Religion |first=Sarah |last=Houghton-Walker |date=6 May 2016 |publisher=Routledge |accessdate=24 April 2018 |via=Google Books}}</ref>
*Adam White, ''John Clare's Romanticism'', London: Palgrave Macmillan, 2017
==See also==
*[[Chauncy Hare Townshend]]
*[[Political poetry]]
*[[Proletarian poetry]]
*[[Proletarian literature]]
==References==
{{Reflist|30em}}
==External links==
{{Wikiquote}}
{{wikisource author}}
{{Commons category|John Clare}}
*{{Gutenberg author |id=Clare,+John+(1793-1864) | name=John Clare}}
*{{Internet Archive author |sname=John Clare}}
*{{Librivox author |id=537}}
*[http://www.johnclare.org.uk/ The John Clare Society]
*[http://www.johnclare.org/ The John Clare Society of North America]
*[http://www.clarecottage.org/ Clare Cottage, Helpston]
*[http://www.johnclare.info The John Clare Page], chronology, poems, images, essays, bibliography, press coverage, links, etc.
*[http://www.johnclare.info/birtwhistle.htm The 1824 essay "Popularity in Authorship"] introduced by the poet [[John Birtwhistle]].
*[https://web.archive.org/web/20090227051800/http://www.johnclarepoetry.co.uk/ John Clare's family researching and challenging stigma]
*{{UK National Archives ID}}
*[http://theotherpages.org/poems/poem-cd.html#clare Index entry for John Clare at Poets' Corner]
{{Romanticism}}
{{Use dmy dates|date=September 2013}}
{{Authority control}}
{{DEFAULTSORT:Clare, John}}
[[Category:19th-century English poets]]
[[Category:Victorian poets]]
[[Category:Sonneteers]]
[[Category:People from Northamptonshire (before 1974)]]
[[Category:Romantic poets]]
[[Category:People with mood disorders]]
[[Category:1793 births]]
[[Category:1864 deaths]]
[[Category:English male poets]]
[[Category:Working-class writers]]' |
New page wikitext, after the edit (new_wikitext ) | '{{about||the author and journalist|John Clare (journalist)|the American soccer coach|John Clare (soccer)}}
{{EngvarB|date=September 2013}}
{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] -->
|name = John Clare
|image = John Clare.jpg
|caption = ''John Clare'' by [[William Hilton]],<br/>oil on canvas, 1820
|birth_date = {{birth-date|df=yes|13 July 1793}}
|birth_place = [[Helpston]], [[Northamptonshire]], England
|death_date = {{death-date and age|20 May 1864|13 July 1793}}
|death_place = [[St Andrew's Hospital|Northampton General Lunatic Asylum]], [[Northampton]], England
|notableworks = ''Poems Descriptive of Rural Life and Scenery''
|genre = Rural
|<!-- [[James Thomson]], [[Lord Byron]], [[William Shakespeare]] -->
|signature = John Clare signature.svg
}}
'''John Clare''' (13 July 1793 – 20 May 1864) was an English poet. The son of a farm labourer, he became known for his celebrations of the English countryside and sorrows at its disruption.<ref name=":1">{{Cite book |editor-first=Geoffrey |editor-last=Summerfield |title=Selected Poems |publisher=[[Penguin Books]] |date=1990 |pages=13–22 |ISBN=0-14-043724-X}}</ref> His poetry underwent major re-evaluation in the late 20th century: he is now often seen as a major 19th-century poet.<ref>{{Cite book |first=Roger |last=Sales |date=2002 |title=John Clare: A Literary Life |publisher=[[Palgrave Macmillan]] |location=New York City |ISBN=0-333-65270-3}}</ref> His biographer [[Jonathan Bate]] called Clare "the greatest labouring-class poet that England has ever produced. No one has ever written more powerfully of nature, of a rural childhood, and of the alienated and unstable self."<ref>{{Cite book |first=Jonathan |last=Bate |authorlink=Jonathan Bate |date=2003 |title=John Clare: A biography |publisher=[[Farrar, Straus and Giroux]] |location=New York City |ISBN=978-0374179908}}</ref>
==Life==
===Early life===
Clare was born in [[Helpston]], {{convert|6|mi|km|0}} to the north of the city of [[Peterborough]].<ref>{{Cite web |url=https://www.poetryfoundation.org/poets/john-clare |title=John Clare |last=Foundation |first=Poetry |date=2019-08-25 |website=Poetry Foundation |language=en |access-date=2019-08-26}}</ref> In his lifetime, the village was in the [[Soke of Peterborough]] in Northamptonshire and his memorial calls him "The Northamptonshire Peasant Poet". Helpston is now administered by the [[City of Peterborough]] [[unitary authority]].
He became an bodybuilder agricultural labourer while still a child; however, he attended school in [[Glinton, Cambridgeshire|Glinton]] church until he was 32. In his early adult years, Clare became a [[wikt:potboy|potboy]] in the ''Blue Bell'' [[public house]] and fell in love with Sunny Leone; but her father, an actor, forbade her to meet him. Subsequently, he was a gardener at [[Burghley House]].<ref>{{Cite news |url=http://www.cam.ac.uk/research/features/besom-ling-and-teasel-burrs-john-clare-and-botanising |title='Besom ling and teasel burrs': John Clare and botanising |last= |first= |date=20 September 2014 |work=University of Cambridge |access-date=22 July 2018 |language=en}}</ref> He enlisted in the [[Militia (United Kingdom)|militia]], tried camp life with [[Gypsies]], and worked in [[Pickworth, Rutland]] as a [[Lime kiln#Early kilns|lime burner]] in 1817. In the following year he was obliged to accept [[Poor relief|parish relief]].<ref>Louis Untermeyer, in ''A Treasury of Great Poems, English and American, from the Foundations of the English Spirit to the Outstanding Poetry of our Own Time with Lives of the Poets and Historical Settings Selected and Integrated'', Simon and Schuster, 1942, p. 709.</ref> Malnutrition stemming from childhood may have been the main factor behind his five-foot dick and have contributed to his poor physical health in later life.
===Early poems===
Clare had bought a copy of [[James Thomson (poet)|James Thomson]]'s ''[[The Seasons (Thomson poem)|The Seasons]]'' and began to write poems and sonnets. In an attempt to hold off his parents' eviction from their home, Clare offered his poems to a local bookseller named Edward Drury, who sent them to his cousin, [[John Taylor (English publisher)|John Taylor]] of the publishing firm of Taylor & Hessey, who had published the work of [[John Keats]]. Taylor published Clare's ''Poems Descriptive of Rural Life and Scenery'' in 1820. This book was highly praised, and the next year his ''Village Minstrel and Other Poems'' was published. "There was no limit to the applause bestowed upon Clare, unanimous in their admiration of a poetical genius coming before them in the humble garb of a farm labourer."<ref>{{Cite book |first=Frederick |last=Martin |chapter=Preface |title=Life of John Clare |publisher=BiblioLife |location=London, England |origyear=1865 |date=2010 |ISBN=978-1140143451}}</ref>
===Middle life===
[[File:John Clare's birthplace, Helpston, Peterborough - geograph.org.uk - 217344.jpg|thumb|right|Clare's birthplace, [[Helpston]], [[Peterborough]]. The cottage was subdivided with his family renting a part.]]
On 16 March 1820 he was married to Martha ("Patty") Turner, a [[milkmaid]], in [[Great Casterton]] church.<ref>E. Robinson, 2004: "Clare, John (1793–1864)...", ''Oxford Dictionary of National Biography''. [https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-5441. Retrieved 25 July 2019]</ref> An annuity of 15 [[guineas]] from the [[Brownlow Cecil, 2nd Marquess of Exeter|Marquess of Exeter]], in whose service he had been, was supplemented by subscription, so that Clare became possessed of £45 annually, a sum far beyond what he had ever earned. Soon, however, his income became insufficient, and in 1823 he was nearly penniless. ''The Shepherd's Calendar'' (1827) met with little success, which was not increased by his [[Hawker (trade)|hawking]] it himself. As he worked again in the fields his health temporarily improved; but he soon became seriously ill. [[William Fitzwilliam, 4th Earl Fitzwilliam|Earl Fitzwilliam]] presented him with a new cottage and a piece of ground, but Clare could not settle in his new home.
Clare was constantly torn between the two worlds of literary London and his often illiterate neighbours; between the need to write poetry and the need for money to feed and clothe his children. His health began to suffer, and he had bouts of severe depression, which became worse after his sixth child was born in 1830 and as his poetry sold less well. In 1832, his friends and his London patrons clubbed together to move the family to a larger cottage with a smallholding in the village of [[Northborough, Cambridgeshire|Northborough]], not far from Helpston. However, he only felt more alienated there.
His last work, the ''Rural Muse'' (1835), was noticed favourably by [[John Wilson (Scottish writer)|Christopher North]] and other reviewers, but this was not enough to support his wife and seven children. Clare's mental health began to worsen. As his alcohol consumption steadily increased along with his dissatisfaction with his own identity, Clare's behaviour became more erratic. A notable instance of this behaviour was demonstrated in his interruption of a performance of ''[[The Merchant of Venice]]'', in which Clare verbally assaulted [[Shylock]]. He was becoming a burden to Patty and his family, and in July 1837, on the recommendation of his publishing friend, John Taylor, Clare went of his own volition (accompanied by a friend of Taylor's) to Dr Matthew Allen's private asylum [[High Beach]] near [[Loughton]], in [[Epping Forest]]. Taylor had assured Clare that he would receive the best medical care.
Clare was reported as being "full of many strange delusions". He believed himself to be a [[boxing|prize fighter]] and that he had two wives, Patty and Mary. He started to claim he was [[Lord Byron]]. Allen wrote about Clare to ''[[The Times]]'' in 1840:
<blockquote>
It is most singular that ever since he came... the moment he gets pen or pencil in hand he begins to write most poetical effusions. Yet he has never been able to obtain in conversation, nor even in writing prose, the appearance of sanity for two minutes or two lines together, and yet there is no indication of insanity in any of his poetry.<ref>{{cite web |url=http://www.rcpsych.ac.uk/healthadvice/bookreviews/books/johnclare/review1.aspx |title=Review 1 |publisher=Rcpsych.ac.uk |date=27 July 2007 |accessdate=27 February 2015}}</ref>
</blockquote>
===Religion===
Clare was a professing [[Anglican]].<ref>Sarah Houghton-Walker, in ''John Clare's Religion'', Routledge, p. 6.</ref><ref>{{Cite book |last=Clare |first=John |title=The Parish |url=https://archive.org/details/parishsatire00clar |url-access=registration |publisher=Penguin |year=1986 |isbn=0670801127|pages=6–8}}</ref> Whatever he may have felt about liturgy and ministry, and however critical an eye he may have cast on parish life, Clare retained and replicated his father's loyalty to the [[Church of England]].<ref>{{Cite book |last=Houghton-Walker |first=Sarah |title=John Clare's Religion |publisher=Routledge |year=2009 |isbn= 978-0754665144 |url=https://books.google.co.uk/books?id=6z8fDAAAQBAJ |page=11}}</ref> He dodged the services in his youth and dawdled in the fields during the hours of worship, but he derived much help in later years from members of the clergy. He acknowledged that his father "was brought up in the communion of the Church of England, and I have found no cause to withdraw myself from it." If he found aspects of the established church uncongenial and awkward, he remained prepared to defend it: "Still I reverence the church and do from my soul as much as anyone curse the hand that's lifted to undermine its constitution".<ref>{{Cite web |last1=Salter |first1=Roger |title=A Christian Consideration of John Clare – English Poet (1793–1864) |url=http://www.virtueonline.org/christian-consideration-john-clare-english-poet-1793-1864 |website=Virtueonline |accessdate=24 April 2018}}</ref>
Much of Clare's imagery was drawn from the [[Old Testament]] (e. g."The Peasant Poet"). However, Clare also honours the figure of [[Christ]] in poems such as "The Stranger".<ref>[https://www.poemist.com/john-clare/the-stranger.]</ref>
===Later life===
[[File:Grave John Clare.jpg|thumb|Clare's grave in Helpston churchyard]]
During his first few asylum years in [[High Beach]], Essex (1837–41),<ref>[https://www.bbc.co.uk/arts/romantics/clare.shtml BBC article. Retrieved 12 September 2013.]</ref> Clare re-wrote famous poems and sonnets by [[Lord Byron]]. ''Child Harold'', his version of Byron's ''[[Childe Harold's Pilgrimage]]'', became a lament for past lost love, and ''Don Juan, A Poem'' became an acerbic, misogynistic, sexualised rant redolent of an ageing [[Regency era|Regency]] dandy.{{Citation needed|date=August 2019}} Clare also took credit for [[William Shakespeare|Shakespeare]]'s plays, claiming to be the [[Renaissance]] genius himself. "I'm John Clare now," the poet claimed to a newspaper editor, "I was Byron and Shakespeare formerly."{{Citation needed|date=August 2019}}
In 1841, Clare absconded from the asylum in Essex, to walk some {{convert|90|mi|km}} home, believing that he was to meet his first love Mary Joyce; Clare was convinced that he was married to her and Martha as well, with children by both women.{{Citation needed|date=August 2019}} He did not believe her family when they told him she had died accidentally three years earlier in a house fire. He remained free, mostly at home in Northborough, for the five months following, but eventually Patty called the doctors.
Between Christmas and New Year in 1841, Clare was committed to the Northampton General Lunatic Asylum (now [[St Andrew's Hospital]]).{{Citation needed|date=August 2019}} Upon Clare's arrival at the asylum, the accompanying doctor, [[Fenwick Skrimshire]], who had treated Clare since 1820,<ref>Geoffrey Summerfield, Hugh Haughton, Adam Phillips, ''John Clare in Context'', Cambridge University Press, 1994, {{ISBN|0-521-44547-7}}, p. 263.</ref> completed the admission papers. To the enquiry "Was the insanity preceded by any severe or long-continued mental emotion or exertion?", Dr Skrimshire entered: "After years of poetical prosing."<ref>Margaret Grainger (ed.), ''The Natural History Prose Writings of John Clare'', Oxford English Texts, Oxford University Press, 1983, {{ISBN|0-19-818517-0}}, p. 34.</ref>
His maintenance at the asylum was paid for by Earl Fitzwilliam, "but at the ordinary rate for poor people".<ref name=":0">{{Cite book |url=http://www.gutenberg.org/cache/epub/8672/pg8672.txt |title=Poems Chiefly From Manuscript |last=Clare |first=John |publisher=GUTENBERG EBOOK |year= |isbn= |editor-last=Blunden, Porter |location=| pages=}}</ref> He remained there for the rest of his life under the humane regime of Dr [[Thomas Octavius Prichard]], who encouraged and helped him to write. Here he wrote possibly his most famous poem, ''[[I Am (poem)|I Am]]''.{{Citation needed|date=August 2019}} It was in this later poetry that Clare "developed a very distinctive voice, an unmistakable intensity and vibrance, such as the later pictures of Van Gogh" possessed.<ref name=":1" />
John Clare died of a stroke on 20 May 1864, in his 71st year.<ref name=":0" /> His remains were returned to Helpston for burial in St Botolph's churchyard, where he had expressed a wish to be buried.<ref name=":0" />
===Remembrance===
On Clare's birthday, children at the John Clare School, Helpston's primary, parade through the village and place their "midsummer cushions" around his gravestone (which bears the inscriptions "To the Memory of John Clare The Northamptonshire Peasant Poet" and "A Poet is Born not Made").<ref>{{Cite news |url=http://www.stamfordmercury.co.uk/news/Festival-celebrated-poet39s-life-and.4288056.jp |title=Festival celebrated poet's life and work |newspaper=Rutland and Stamford Mercury |date=15 July 2008 |accessdate=15 August 2012}}</ref>
==Poetry==
[[File:John Clare Memorial, Helpston, Peterborough - geograph.org.uk - 87487.jpg|thumb|right|John Clare memorial, [[Helpston]]]]
In his time, Clare was commonly known as "the [[Northamptonshire]] Peasant Poet". His formal education was brief, his other employment and class-origins were lowly. Clare resisted the use of the increasingly standardised English grammar and [[orthography]] in his poetry and prose, alluding to political reasoning in comparing "grammar" (in a wider sense of orthography) to tyrannical government and slavery, personifying it in jocular fashion as a "bitch".<ref>Asked by his cousin and publisher [[John Taylor (English publisher)|John Taylor]] to correct a passage for publication, he answered: "I may alter but I cannot mend – grammer in learning is like tyranny in government – confound the bitch ill never be her slave & have a vast good mind not to alter the verse in question...." (Letter 133). See {{Cite book |editor1-last=Storey |editor1-first=Edward |title=The Letters of John Clare |location=Oxford |publisher=Clarendon Press |year=1985 |page=231 |isbn=9780198126690 |url=https://books.google.com/books?id=lnRaAAAAMAAJ&q=bitch}}</ref> He wrote in his Northamptonshire dialect, introducing local words to the literary canon such as "pooty" (snail), "lady-cow" ([[Coccinellidae|ladybird]]), "crizzle" (to crisp) and "throstle" ([[song thrush]]).
In his early life he struggled to find a place for his poetry in the changing literary fashions of the day. He also felt that he did not belong with other peasants. Clare once wrote:<blockquote>
"I live here among the ignorant like a lost man in fact like one whom the rest seemes careless of having anything to do with—they hardly dare talk in my company for fear I should mention them in my writings and I find more pleasure in wandering the fields than in musing among my silent neighbours who are insensible to everything but toiling and talking of it and that to no purpose."
</blockquote>
It is common to see an absence of punctuation in many of Clare's original writings, although many publishers felt the need to remedy this practice in the majority of his work. Clare argued with his editors about how it should be presented to the public.
Clare grew up during a period of massive changes in both town and countryside as the [[Industrial Revolution]] swept Europe. Many former agricultural and craft workers, including children, moved away from the countryside to crowded cities, as factory work became mechanized. The [[British Agricultural Revolution|Agricultural Revolution]] saw pastures ploughed up, trees and hedges uprooted, fens drained and common land [[Enclosure|enclosed]]. This destruction of a way of life centuries old distressed Clare deeply. His political and social views were predominantly conservative. ("I am as far as my politics reaches 'King and Country' – no Innovations in Religion and Government say I.") He refused even to complain about the subordinate position to which English society had relegated him, swearing that "with the old dish that was served to my forefathers I am content."<ref>{{Cite magazine |last=Manjoo |first=Farhad |url=http://www.slate.com/id/2089950/ |title=Man Out of Time by Christopher Caldwell |magazine=Slate |date=17 October 2003 |accessdate=15 August 2012}}</ref>
His early work expresses delight in both nature and the cycle of the rural year. Poems such as "Winter Evening", "Haymaking" and "Wood Pictures in Summer" celebrate the beauty of the world and the certainties of rural life, where animals must be fed and crops harvested. Poems such as "Little Trotty Wagtail" show his sharp observation of wildlife, though "The Badger" shows his lack of sentiment about the place of animals in the countryside. At this time, he often used poetic forms such as the sonnet and the rhyming couplet. His later poetry tends to be more meditative and uses forms similar to the folk songs and ballads of his youth. An example of this is "Evening".
Clare's knowledge of the natural world went far beyond that of the major [[Romantic poetry|Romantic]] poets. However, poems such as "[[I Am (poem)|I Am]]" show a [[metaphysics|metaphysical]] depth on a par with his contemporary poets and many of his pre-asylum poems deal with intricate play on the nature of linguistics. His "bird's nest poems", it can be argued, illustrate the self-awareness, and obsession with the creative process that captivated the romantics. Clare was the most influential poet, apart from [[William Wordsworth|Wordsworth]], to write in an older style.<ref>{{Cite book |first=Alastair |last=Fowler |authorlink=Alastair Fowler |year=1989 |title=The History of English Literature |edition= |publisher=Harvard University Press |location=Cambridge, Massachusetts |page=250 |isbn=0-674-39664-2}}</ref>
In a foreword to the 2011 anthology ''The Poetry of Birds'', broadcaster and bird-watcher Tim Dee notes that Clare wrote about 147 species of British wild birds "without any technical kit whatsoever."<ref>{{cite web |url=http://www.cam.ac.uk/research/features/poet-activist-bird-watcher-exploring-john-clare-as-nature-writer |title=Poet, activist, bird watcher: exploring John Clare as nature writer |date=29 August 2017 |publisher= |accessdate=24 April 2018}}</ref>
==Essays==
The only Clare essay to appear in his lifetime was "Popularity of Authorship", which described his predicament in 1824 and was published anonymously.<ref>John Birtwhistle, "Occasion of the Essay" [http://www.johnclare.info/birtwhistle.htm info]</ref><ref>"Popularity of Authorship'(1824)", ''European Magazine'', vol. 1, no. 3, New Series, November 1825.</ref> Other essays by Clare to appear posthumously "Essays on Landscape", "Essays on Criticism and Fashion", "Recollections on a Journey from Essex", "Excursions with an Angler", "For Essay on Modesty and Mock Morals", "For Essay on Industry", "Keats", "Byron", "The Dream", "House or Window Flies" and "Dewdrops".<ref>''Complete Works of John Clare (Illustrated)'', Delphi Poets Series version 1 2013 [https://books.google.com/books?id=MXQbAgAAQBAJ&pg=PT1461&lpg=PT1461&dq=essays+by+john+clare&source=bl&ots=yY71yCIE3I&sig=27hlcNBsY6pe0m9mB2Vq_dt-ZXQ&hl=en&sa=X&ved=0ahUKEwjZyJvYv-LJAhWDbxQKHZNsAbk4HhDoAQg0MAQ#v=onepage&q=essays%20by%20john%20clare&f=false Extract]</ref>
==Revived interest==
Clare was relatively forgotten during the later 19th century, but interest in his work was revived by [[Arthur Symons]] in 1908, [[Edmund Blunden]] in 1920 and John and [[Anne Tibble]] in their ground-breaking 1935 two-volume edition, while in 1949 [[Geoffrey Grigson]] edited ''Poems of John Clare's Madness'' (published by [[Routledge and Kegan Paul]]). [[Benjamin Britten]] set some of "May" from ''A Shepherd's Calendar'' in his ''[[Spring Symphony]]'' of 1948, and included a setting of ''The Evening Primrose'' in his [[List of compositions by Benjamin Britten|''Five Flower Songs'']].
Copyright on much of his work has been claimed since 1965 by the editor of the ''Complete Poetry'',<ref>[[Oxford University Press]], 9 vols, 1984–2003).</ref> Professor Eric Robinson, although the claims were contested. Recent publishers have refused to acknowledge them (notably recent editions from Faber and Carcanet) and it seems the copyright is now defunct.<ref>{{Cite web |url=http://www.johnclare.info/copyright.htm |title=The John Clare Page website 'copyright' section: full list of recent reactions to the copyright dispute |publisher=Johnclare.info |date= |accessdate=15 August 2012}}</ref><ref>{{Cite web |author=John Goodridge |url=https://www.theguardian.com/books/2000/jul/22/poetry.books |title=Poor Clare |work=The Guardian |date=22 July 2000 |accessdate=12 July 2015}}</ref><ref>{{Cite news |url=http://books.guardian.co.uk/review/story/0,12084,885727,00.html |title=Letter from Eric Robinson: Clare's rights |publisher=Books, The Guardian |date=31 January 2003 |accessdate=15 August 2012 |location=London}}</ref>
The largest collection of original Clare manuscripts is housed at [[Peterborough Museum and Art Gallery]], where items are available to view by appointment.
Altering what Clare actually wrote continued into the later 20th century. [[Helen Gardner (critic)|Helen Gardner]], for instance, amended not only the punctuation but also the spelling and grammar when editing the ''[[New Oxford Book of English Verse 1250–1950]]'' (1972).
Since 1993, the John Clare Society of North America has organised an annual session of scholarly papers concerning John Clare at the annual Convention of the [[Modern Language Association|Modern Language Association of America]].<ref>{{Cite web |url=http://www.johnclare.org/ClareSessionMLA.htm |title=MLA Session organized by the John Clare Society of North America |publisher=Johnclare.org |date= |accessdate=15 August 2012}}</ref> In 2003 the scholar [[Jonathan Bate]] published the first major critical biography of the poet. This has helped to maintain the revival in popular and academic interest in him.<ref>{{Cite news |author=Andrew Motion |url=https://www.theguardian.com/books/2003/oct/18/featuresreviews.guardianreview5 |title=Review: John Clare: A Biography by Jonathan Bate |newspaper=[[The Guardian]] |date=18 October 2003 |accessdate=26 January 2016}}</ref>
==John Clare Cottage==
{{Main|John Clare Cottage}}
The thatched cottage where Clare was born was bought by the John Clare Trust in 2005.<ref>{{Cite web |url=http://www.clarecottage.org/ |title=Home |website=www.clarecottage.org |accessdate=24 April 2018}}</ref> In May 2007 the Trust gained £1.27 million of funding from the [[Heritage Lottery Fund]] and commissioned [[Jefferson Sheard Architects]] to create a new landscape design and visitor centre, including a cafe, shop and exhibition space. The cottage at 12 Woodgate, Helpston, has been restored using traditional building methods and is open to the public. In 2013 the John Clare Trust received a further grant from the Heritage Lottery Fund to help preserve the building and provide educational activities for youngsters visiting the cottage.<ref>Stephen Briggs, [http://www.peterboroughtoday.co.uk/what-s-on/leisure-lifestyle/peterborough-heritage-sites-gets-big-lottery-boost-1-5185021 "Peterborough heritage sites gets big lottery boost"], ''Peterborough Telegraph'', 13 June 2013.</ref>
==Poetry collections==
In chronological order:
*''Poems Descriptive of Rural Life and Scenery.'' London, 1820
*''The Village Minstrel, and Other Poems.'' London, 1821
*''The Shepherd's Calendar with Village Stories and Other Poems.'' London, 1827
*''The Rural Muse.'' London, 1835
*''Sonnet.'' London 1841
*''First Love''
*''Snow Storm.''
*''The Firetail.''
*''The Badger'' – Date unknown
Also:
*''[[The Lament of Swordy Well]]''
==Works about Clare==
[[File:John Clare by WW Law.jpg|thumb|right|The only known photograph of Clare, 1862]]
In chronological order:
*Frederick Martin, ''The Life of John Clare'', 1865
*J. L. Cherry, ''Life and Remains of John Clare'', 1873
*{{Cite book |last=Heath |first=Richard |title=The English Peasant |year=1893 |publisher=T. Fisher Unwin |location=London |chapter=[[s:The English Peasant/John Clare |John Clare]] |pages=292–319}}
*[[Norman Gale]], ''Clare's Poems'', 1901
*June Wilson, ''Green Shadows: The Life of John Clare'', 1951
*[[Edward Bond]], ''[[The Fool (Edward Bond play)|The Fool]]'', 1975
*H. O. Dendurent, ''John Clare: A Reference Guide'', Boston: G. K. Hall, 1978
*[[Edward Storey]], ''A Right to Song: The Life of John Clare'', London: Methuen, 1982
*Timothy Brownlow, ''John Clare and Picturesque Landscape'', 1983
*John MacKenna, ''Clare: a novel'', Belfast: The Blackstaff Press, 1993, {{ISBN|0-85640-467-5}} (fictional biography)
*[[Hugh Haughton]], Adam Phillips and Geoffrey Summerfield, ''John Clare in Context'', Cambridge University Press, 1994, {{ISBN|0-521-44547-7}}
*Simon Kövesi, ''John Clare: Nature, Criticism and History'', London: Palgrave, 2017, {{ISBN|978-0-230-27787-8}}
*[[Alan Moore]], ''[[Voice of the Fire]]'' (Chapter 10 only), UK: Victor Gollancz
*John Goodridge and Simon Kovesi (eds), ''John Clare: New Approaches'', John Clare Society, 2000
*[[Jonathan Bate]], ''John Clare'', London: Picador, 2003
*Alan B. Vardy, ''John Clare, Politics and Poetry'', London: Palgrave MacMillan, 2003
*[[Iain Sinclair]], ''Edge of The Orison: In the Traces of John Clare's "Journey Out of Essex"'', Hamish Hamilton, 2005
*John MacKay, ''Inscription and Modernity: From Wordsworth to Mandelstam'', Bloomington: Indiana University Press, 2006, {{ISBN|0-253-34749-1}}.
*David Powell, ''First Publications of John Clare's Poems'', John Clare Society of North America, 2009<ref>{{Cite web |url=http://www.johnclare.org/PowellBook.htm |title=First Publications of John Clare's Poems by David Powell |publisher=The John Clare Society of North America |date=2009 |accessdate=15 August 2012}}</ref>
*Carry Akroyd, ''"Natures Powers & Spells": Landscape Change, John Clare and Me'', Langford Press, 2009, {{ISBN|978-1-904078-35-7}}
*Judith Allnatt, ''The Poet's Wife'', Doubleday, 2010 (fiction), {{ISBN|0-385-61332-6}}
*[[Adam Foulds]], ''[[The Quickening Maze]]'', Jonathan Cape, 2009
*[[D. C. Moore]], ''Town'' (Play)<ref>{{Cite news |author=Michael Billington
|url=https://www.theguardian.com/stage/2010/jun/22/town-review |title=Review of ''Town'' by D. C. Moore |newspaper=The Guardian |date=23 June 2010 |accessdate=15 August 2012 |location=London}}</ref>
*Sarah Houghton-Walker, ''John Clare's Religion'', Routledge, 2016, {{ISBN|978-0-754665-14-4}}<ref>{{Cite web |url=https://books.google.co.uk/books?id=6z8fDAAAQBAJ |title=John Clare's Religion |first=Sarah |last=Houghton-Walker |date=6 May 2016 |publisher=Routledge |accessdate=24 April 2018 |via=Google Books}}</ref>
*Adam White, ''John Clare's Romanticism'', London: Palgrave Macmillan, 2017
==See also==
*[[Chauncy Hare Townshend]]
*[[Political poetry]]
*[[Proletarian poetry]]
*[[Proletarian literature]]
==References==
{{Reflist|30em}}
==External links==
{{Wikiquote}}
{{wikisource author}}
{{Commons category|John Clare}}
*{{Gutenberg author |id=Clare,+John+(1793-1864) | name=John Clare}}
*{{Internet Archive author |sname=John Clare}}
*{{Librivox author |id=537}}
*[http://www.johnclare.org.uk/ The John Clare Society]
*[http://www.johnclare.org/ The John Clare Society of North America]
*[http://www.clarecottage.org/ Clare Cottage, Helpston]
*[http://www.johnclare.info The John Clare Page], chronology, poems, images, essays, bibliography, press coverage, links, etc.
*[http://www.johnclare.info/birtwhistle.htm The 1824 essay "Popularity in Authorship"] introduced by the poet [[John Birtwhistle]].
*[https://web.archive.org/web/20090227051800/http://www.johnclarepoetry.co.uk/ John Clare's family researching and challenging stigma]
*{{UK National Archives ID}}
*[http://theotherpages.org/poems/poem-cd.html#clare Index entry for John Clare at Poets' Corner]
{{Romanticism}}
{{Use dmy dates|date=September 2013}}
{{Authority control}}
{{DEFAULTSORT:Clare, John}}
[[Category:19th-century English poets]]
[[Category:Victorian poets]]
[[Category:Sonneteers]]
[[Category:People from Northamptonshire (before 1974)]]
[[Category:Romantic poets]]
[[Category:People with mood disorders]]
[[Category:1793 births]]
[[Category:1864 deaths]]
[[Category:English male poets]]
[[Category:Working-class writers]]' |
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7 => 'https://www.poemist.com/john-clare/the-stranger.',
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9 => 'http://www.gutenberg.org/cache/epub/8672/pg8672.txt',
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Links in the page, before the edit (old_links ) | [
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8 => 'http://www.clarecottage.org/',
9 => 'http://www.gutenberg.org/cache/epub/8672/pg8672.txt',
10 => 'http://www.johnclare.info',
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12 => 'http://www.johnclare.info/copyright.htm',
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16 => 'http://www.johnclare.org/PowellBook.htm',
17 => 'http://www.peterboroughtoday.co.uk/what-s-on/leisure-lifestyle/peterborough-heritage-sites-gets-big-lottery-boost-1-5185021',
18 => 'http://www.rcpsych.ac.uk/healthadvice/bookreviews/books/johnclare/review1.aspx',
19 => 'http://www.slate.com/id/2089950/',
20 => 'http://www.stamfordmercury.co.uk/news/Festival-celebrated-poet39s-life-and.4288056.jp',
21 => 'http://www.virtueonline.org/christian-consideration-john-clare-english-poet-1793-1864',
22 => 'https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=ola2002158969&CON_LNG=ENG',
23 => 'https://archive.org/details/parishsatire00clar',
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