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'''Randy Hall''' is an American singer, guitarist, and record producer who collaborated with [[Miles Davis]] during the 1980s. Hall helped Davis arrange ''[[The Man With The Horn]]'', and its title track featured lead vocals by Hall, who also played guitar, [[synthesizer]] and [[celesta]] on the track.
'''Randy Hall''' is an American singer, guitarist, and record producer who collaborated with [[Miles Davis]] during the 1980s. Hall helped Davis arrange ''[[The Man With The Horn]]'', and its title track featured lead vocals by Hall, who also played guitar, [[synthesizer]] and [[celesta]] on the track.<ref name="Allmusic">{{cite web|last1=Kellman|first1=Andy|title=Artist Biography|url=https://www.allmusic.com/artist/randy-hall-mn0001602326/biography|publisher=[[Allmusic]]|accessdate=September 12, 2020}}</ref>

==Career==
==Career==
===Early career===
===Early career===
Randy Hall grew up in [[Chicago]]. His first instrument was the [[piano]], but at the age of 13 he switched to guitar, taking lessons from British [[jazz guitar]]ist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to [[Wes Montgomery]], whereby the thumb is used as a [[Guitar pick|pick]]. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD ''[[A Tribute to Miles]]''.
Randy Hall grew up in [[Chicago]]. His first instrument was the [[piano]], but at the age of 13 he switched to guitar,<ref name="Allmusic"/> taking lessons from British [[jazz guitar]]ist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to [[Wes Montgomery]], whereby the thumb is used as a [[Guitar pick|pick]]. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD ''[[A Tribute to Miles]]''.


Hall met Miles's nephew (and future drummer) Vince Wilburn Jr in [[kindergarten]] and the two became lifelong friends. Wilburn's mother Dorothy, was Miles's sister. The two friends started playing together and at the age of 16 joined a local band called Time, Space and Distance.
Hall met Miles's nephew (and future drummer) Vince Wilburn Jr in [[kindergarten]] and the two became lifelong friends. Wilburn's mother Dorothy, was Miles's sister. The two friends started playing together and at the age of 16 joined a local band called Time, Space and Distance.
Miles Davis's record label, [[Columbia Records]], flew four of the AL7 band members - Hall, Wilburn, Crews, and Irving - from Chicago to [[New York City]], booked them iton a top-flight hotel and arranged recording sessions. Glenn Burris later joined the four and although he was at many of the sessions, he did not play. Instead, the four Chicago musicians were joined by a young saxophonist [[Bill Evans (saxophonist)|Bill Evans]], who had been recommended to Miles by ex-band member [[Dave Liebman]].
Miles Davis's record label, [[Columbia Records]], flew four of the AL7 band members - Hall, Wilburn, Crews, and Irving - from Chicago to [[New York City]], booked them iton a top-flight hotel and arranged recording sessions. Glenn Burris later joined the four and although he was at many of the sessions, he did not play. Instead, the four Chicago musicians were joined by a young saxophonist [[Bill Evans (saxophonist)|Bill Evans]], who had been recommended to Miles by ex-band member [[Dave Liebman]].


The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris. Another was "The Man With The Horn," a tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track.
The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris.<ref name="Allmusic"/> Another was "The Man With The Horn," a tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track.


The release of ''The Man With the Horn'' gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band [[Pleasure (American band)|Pleasure]]. Occasionally, Hall was asked by Miles Davis to compose some songs.<ref>Cole, George, ''The Last Miles'' (University of Michigan Press 2005)</ref>
The release of ''The Man With the Horn'' gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band [[Pleasure (American band)|Pleasure]].<ref name="Allmusic"/> Occasionally, Hall was asked by Miles Davis to compose some songs.<ref>Cole, George, ''The Last Miles'' (University of Michigan Press 2005)</ref>


===Post-Miles Davis===
===Post-Miles Davis===
After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album, ''I Belong to You'', produced by [[Ray Parker, Jr.]] (of [[Raydio]] and "[[Ghostbusters (song)|Ghostbusters]]" fame). The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in [[Los Angeles]], recording a follow-up solo album, ''Love You Like A Stranger''. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with [[Warner Bros. Records]], with Warner's head of jazz [[Tommy LiPuma]] given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros.
After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album, ''I Belong to You'', produced by [[Ray Parker, Jr.]] (of [[Raydio]] and "[[Ghostbusters (song)|Ghostbusters]]" fame).<ref name="Allmusic"/> The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in [[Los Angeles]], recording a follow-up solo album, ''Love You Like A Stranger''. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with [[Warner Bros. Records]], with Warner's head of jazz [[Tommy LiPuma]] given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros.


Hall decided to work with a number of people from the ''Love You Like A Stranger'' sessions on the new Miles Davis album. One of these people was Atalla Zane Giles, who had played guitar, keyboards, bass and sang on the album. Giles was asked to compose, arrange and produce the new album with Hall. Engineer Reggie Dozier was asked to join the project, as were keyboardist Adam Holzman (who later joined Davis's band), bassist Cornelius Mims, percussionist [[Steve Reid]], Burris and Wilburn. More than a dozen tunes were recorded during the sessions, which took place between October 1985 and January 1986, and the plan was to release an album called ''Rubberband''. One of the tracks was called "Give It Up," the same name as a hit tune for Pleasure.
Hall decided to work with a number of people from the ''Love You Like A Stranger'' sessions on the new Miles Davis album. One of these people was Atalla Zane Giles, who had played guitar, keyboards, bass and sang on the album. Giles was asked to compose, arrange and produce the new album with Hall. Engineer Reggie Dozier was asked to join the project, as were keyboardist Adam Holzman (who later joined Davis's band), bassist Cornelius Mims, percussionist [[Steve Reid]], Burris and Wilburn. More than a dozen tunes were recorded during the sessions, which took place between October 1985 and January 1986, and the plan was to release an album called ''Rubberband''. One of the tracks was called "Give It Up," the same name as a hit tune for Pleasure.
! Album Name
! Album Name
! Label
! Label
! style="width:45px;"|<sup>[[Top R&B/Hip-Hop Albums|US R&B]]</sup><ref>{{cite web|url=https://rareandobscuremusic.wordpress.com/2011/10/06/randy-hall/|title=Randy Hall|website=rareandobscuremusic|accessdate=September 12, 2020}}</ref>
|-
|-
| 1984
| 1984
| ''I Belong To You''
| ''I Belong To You''
| rowspan="2"| [[MCA Records]]
| rowspan="2"| [[MCA Records]]
| align=center | 30
|-
|-
| 1988
| 1988
| ''Love You Like A Stranger''
| ''Love You Like A Stranger''
| align=center | —
|-
|-
|}
|}
! Year
! Year
! Song
! Song
! style="width:45px;"|<sup>[[Hot R&B/Hip-Hop Songs|US R&B]]</sup><ref>[https://www.musicvf.com/songs.php?page=artist&artist=Randy+Hall US R&B Chart Information]. MusicVF.com. Retrieved 8 February 2020</ref>
! style="width:45px;"|<sup>[[Hot R&B/Hip-Hop Songs|US R&B]]</sup><ref>{{cite web|url=https://www.musicvf.com/songs.php?page=artist&artist=Randy+Hall|title=Randy Hall Top Songs / Chart Singles Discography|website=Music VF|accessdate=February 8, 2020}}</ref>
|-
|-
|rowspan="2"| 1984
|rowspan="2"| 1984
|-
|-
|}
|}
<ref>[https://www.discogs.com/artist/279709-Randy-Hall?filter_anv=0&type=Releases Album and Singles Discography]. Discogs.com. Retrieved 15 December 2019</ref>


==References==
==References==
<!--- See [[Wikipedia:Footnotes]] on how to create references using <ref></ref> tags which will then appear here automatically -->
<!--- See [[Wikipedia:Footnotes]] on how to create references using <ref></ref> tags which will then appear here automatically -->
{{Reflist|30em}}
{{Reflist}}


== External links ==
==External links==
* [https://www.discogs.com/artist/279709-Randy-Hall?filter_anv=0&type=Releases Album and Singles Discography] at [[Discogs]].
* [http://www.thelastmiles.com/associates-randy-hall.php Randy Hall: Miles's Associates: The Last Miles: The Music Of Miles Davis 1980 - 1991: A book by George Cole]
* [http://www.thelastmiles.com/associates-randy-hall.php Randy Hall: Miles's Associates: The Last Miles: The Music Of Miles Davis 1980 - 1991: A book by George Cole]
* [https://web.archive.org/web/20060103164835/http://www.thesoulofamsterdam.com/randy-hall-biography-discography.htm Randy Hall - Biography and Discography]
* [https://web.archive.org/web/20060103164835/http://www.thesoulofamsterdam.com/randy-hall-biography-discography.htm Randy Hall - Biography and Discography]

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'{{short description|American musician}} {{Infobox musical artist | name = Randy Hall | landscape = <!-- yes, if wide image, otherwise leave blank --> | background = solo_singer | birth_date = | birth_place = [[Chicago, Illinois, United States]] | genre = {{flat list| *[[Disco]] *[[Contemporary R&B|R&B]] *[[Soul music|Soul]] *[[Funk]] }} | occupation = {{flat list| *Singer *Songwriter *Producer }} | instrument = {{flat list| *Vocals *Guitar }} | years_active = 1975-present | label = {{flat list| *[[MCA Records]] * Six Nine Records }} }} '''Randy Hall''' is an American singer, guitarist, and record producer who collaborated with [[Miles Davis]] during the 1980s. Hall helped Davis arrange ''[[The Man With The Horn]]'', and its title track featured lead vocals by Hall, who also played guitar, [[synthesizer]] and [[celesta]] on the track. ==Career== ===Early career=== Randy Hall grew up in [[Chicago]]. His first instrument was the [[piano]], but at the age of 13 he switched to guitar, taking lessons from British [[jazz guitar]]ist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to [[Wes Montgomery]], whereby the thumb is used as a [[Guitar pick|pick]]. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD ''[[A Tribute to Miles]]''. Hall met Miles's nephew (and future drummer) Vince Wilburn Jr in [[kindergarten]] and the two became lifelong friends. Wilburn's mother Dorothy, was Miles's sister. The two friends started playing together and at the age of 16 joined a local band called Time, Space and Distance. That soon gained them a reputation around Chicago and they did session work for local groups, including [[the Dells]]. When Hall and Wilburn were around 17 years old, [[Pete Cosey]], who had played in Miles's band from 1973 to 1975, began giving them lessons. They did gigs with him, festivals, and other events. Pete played bass and Randy played guitar. In 1975, Hall went to study music at the [[Berklee College of Music]] in Boston. When Hall returned to Chicago, he joined a new band called [[Data (band)|Data]], which included Wilburn, bassist Richard Patterson, keyboardist [[Robert Irving III]], and saxophonist Glenn Burris. All of these musicians later worked with [[Miles Davis]], with Patterson becoming the last bassist in a Miles Davis band and the others working on Davis' comeback album ''[[The Man With The Horn]]''. Irving and Wilburn also joined Davis' band in the 1980s. Hall, Irving and Wilburn performed with other local musicians, including bassist [[Darryl Jones]] (who joined Miles's band in 1983) and guitarist [[Jean-Paul Bourelly]], who played on the Amandla album. In 1979, [[Data (band)|Data]] disbanded and a new band was formed, AL7, which included Hall, Wilburn, Irving, Burris, bassist Felton Crews (who also joined Miles's band) and Hall's sister Saundra, a vocalist. AL7 performed part-time, their main preoccupation being rehearsing and writing material. They also worked with arranger Tom Washington (known as Tom Tom 84), who was connected with another local band, [[Earth, Wind & Fire]]. Tom Tom 84 recorded several demos with AL7, including a track called "Space," which had been written by Robert Irving III.<ref>[http://www.thelastmiles.com/associates-randy-hall.php Cole, George (2006-07-17). "Miles's Associates: Randy Hall". The Last Miles.]</ref> ===Collaboration with Miles Davis=== Miles Davis's record label, [[Columbia Records]], flew four of the AL7 band members - Hall, Wilburn, Crews, and Irving - from Chicago to [[New York City]], booked them iton a top-flight hotel and arranged recording sessions. Glenn Burris later joined the four and although he was at many of the sessions, he did not play. Instead, the four Chicago musicians were joined by a young saxophonist [[Bill Evans (saxophonist)|Bill Evans]], who had been recommended to Miles by ex-band member [[Dave Liebman]]. The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris. Another was "The Man With The Horn," a tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track. The release of ''The Man With the Horn'' gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band [[Pleasure (American band)|Pleasure]]. Occasionally, Hall was asked by Miles Davis to compose some songs.<ref>Cole, George, ''The Last Miles'' (University of Michigan Press 2005)</ref> ===Post-Miles Davis=== After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album, ''I Belong to You'', produced by [[Ray Parker, Jr.]] (of [[Raydio]] and "[[Ghostbusters (song)|Ghostbusters]]" fame). The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in [[Los Angeles]], recording a follow-up solo album, ''Love You Like A Stranger''. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with [[Warner Bros. Records]], with Warner's head of jazz [[Tommy LiPuma]] given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros. Hall decided to work with a number of people from the ''Love You Like A Stranger'' sessions on the new Miles Davis album. One of these people was Atalla Zane Giles, who had played guitar, keyboards, bass and sang on the album. Giles was asked to compose, arrange and produce the new album with Hall. Engineer Reggie Dozier was asked to join the project, as were keyboardist Adam Holzman (who later joined Davis's band), bassist Cornelius Mims, percussionist [[Steve Reid]], Burris and Wilburn. More than a dozen tunes were recorded during the sessions, which took place between October 1985 and January 1986, and the plan was to release an album called ''Rubberband''. One of the tracks was called "Give It Up," the same name as a hit tune for Pleasure. The Rubberband material was never released. Davis later worked work with [[Marcus Miller]] to record ''[[Tutu (album)|Tutu]]''. Davis's performances from a couple of the Rubberband sessions were used to create new tracks on the ''[[Doo-Bop]]'' album. Two tunes from the Rubberband sessions were due to appear on a retrospective set called ''The Last Word'', but were ultimately not included. In more recent years Hall has been working with Elliott Small. Hall produced, wrote the music, and played piano and guitar on Small's album ''This Season's Collection''. Hall also wrote the lyrics for two songs on the album: "Share Your Love" and "Delightful". Hall currently lives in [[Las Vegas Valley|Las Vegas]], where he has a production studio, and he performs locally, nationally, and internationally.<ref>[https://web.archive.org/web/20060103164835/http://www.thesoulofamsterdam.com/randy-hall-biography-discography.htm Hellingh, Andreas (2006-07-17). "Randy Hall - Biography and Discography". The Soul of Amsterdam.]</ref> ==Discography== ===Albums=== {| class="wikitable" |- ! Year ! Album Name ! Label |- | 1984 | ''I Belong To You'' | rowspan="2"| [[MCA Records]] |- | 1988 | ''Love You Like A Stranger'' |- |} ===Singles=== {| class="wikitable" |- ! Year ! Song ! style="width:45px;"|<sup>[[Hot R&B/Hip-Hop Songs|US R&B]]</sup><ref>[https://www.musicvf.com/songs.php?page=artist&artist=Randy+Hall US R&B Chart Information]. MusicVF.com. Retrieved 8 February 2020</ref> |- |rowspan="2"| 1984 | "A Gentleman" | align=center | 60 |- | "I've Been Watching You" | align=center | 18 |- |rowspan="2"| 1988 | "Slow Starter" | align=center | 36 |- | "As Long As I Can Last" | align=center | — |- |rowspan="2"| 2019 | "DJ's Need Love Too / Callin' For Love" | align=center | — |- | "How Do You Want Your Love" | align=center | — |- |rowspan="1"| 2020 | "A New Way Of Love" | align=center | — |- |} <ref>[https://www.discogs.com/artist/279709-Randy-Hall?filter_anv=0&type=Releases Album and Singles Discography]. Discogs.com. Retrieved 15 December 2019</ref> ==References== <!--- See [[Wikipedia:Footnotes]] on how to create references using <ref></ref> tags which will then appear here automatically --> {{Reflist|30em}} == External links == * [http://www.thelastmiles.com/associates-randy-hall.php Randy Hall: Miles's Associates: The Last Miles: The Music Of Miles Davis 1980 - 1991: A book by George Cole] * [https://web.archive.org/web/20060103164835/http://www.thesoulofamsterdam.com/randy-hall-biography-discography.htm Randy Hall - Biography and Discography] * [https://www.facebook.com/randy.hall.904/ Facebook Profile] {{Authority control}} {{DEFAULTSORT:Hall, Randy}} [[Category:Living people]] [[Category:African-American musicians]] [[Category:American jazz composers]] [[Category:American male jazz composers]] [[Category:Songwriters from Illinois]] [[Category:Columbia Records artists]] [[Category:Jazz musicians from Illinois]] [[Category:Berklee College of Music alumni]] [[Category:American music arrangers]] [[Category:Year of birth missing (living people)]]'
New page wikitext, after the edit (new_wikitext)
'{{short description|American musician}} {{Infobox musical artist | name = Randy Hall | landscape = <!-- yes, if wide image, otherwise leave blank --> | background = solo_singer | birth_date = | birth_place = [[Chicago, Illinois, United States]] | genre = {{flat list| *[[Disco]] *[[Contemporary R&B|R&B]] *[[Soul music|Soul]] *[[Funk]] }} | occupation = {{flat list| *Singer *Songwriter *Producer }} | instrument = {{flat list| *Vocals *Guitar }} | years_active = 1975-present | label = {{flat list| *[[MCA Records]] * Six Nine Records }} }} '''Randy Hall''' is an American singer, guitarist, and record producer who collaborated with [[Miles Davis]] during the 1980s. Hall helped Davis arrange ''[[The Man With The Horn]]'', and its title track featured lead vocals by Hall, who also played guitar, [[synthesizer]] and [[celesta]] on the track.<ref name="Allmusic">{{cite web|last1=Kellman|first1=Andy|title=Artist Biography|url=https://www.allmusic.com/artist/randy-hall-mn0001602326/biography|publisher=[[Allmusic]]|accessdate=September 12, 2020}}</ref> ==Career== ===Early career=== Randy Hall grew up in [[Chicago]]. His first instrument was the [[piano]], but at the age of 13 he switched to guitar,<ref name="Allmusic"/> taking lessons from British [[jazz guitar]]ist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to [[Wes Montgomery]], whereby the thumb is used as a [[Guitar pick|pick]]. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD ''[[A Tribute to Miles]]''. Hall met Miles's nephew (and future drummer) Vince Wilburn Jr in [[kindergarten]] and the two became lifelong friends. Wilburn's mother Dorothy, was Miles's sister. The two friends started playing together and at the age of 16 joined a local band called Time, Space and Distance. That soon gained them a reputation around Chicago and they did session work for local groups, including [[the Dells]]. When Hall and Wilburn were around 17 years old, [[Pete Cosey]], who had played in Miles's band from 1973 to 1975, began giving them lessons. They did gigs with him, festivals, and other events. Pete played bass and Randy played guitar. In 1975, Hall went to study music at the [[Berklee College of Music]] in Boston. When Hall returned to Chicago, he joined a new band called [[Data (band)|Data]], which included Wilburn, bassist Richard Patterson, keyboardist [[Robert Irving III]], and saxophonist Glenn Burris. All of these musicians later worked with [[Miles Davis]], with Patterson becoming the last bassist in a Miles Davis band and the others working on Davis' comeback album ''[[The Man With The Horn]]''. Irving and Wilburn also joined Davis' band in the 1980s. Hall, Irving and Wilburn performed with other local musicians, including bassist [[Darryl Jones]] (who joined Miles's band in 1983) and guitarist [[Jean-Paul Bourelly]], who played on the Amandla album. In 1979, [[Data (band)|Data]] disbanded and a new band was formed, AL7, which included Hall, Wilburn, Irving, Burris, bassist Felton Crews (who also joined Miles's band) and Hall's sister Saundra, a vocalist. AL7 performed part-time, their main preoccupation being rehearsing and writing material. They also worked with arranger Tom Washington (known as Tom Tom 84), who was connected with another local band, [[Earth, Wind & Fire]]. Tom Tom 84 recorded several demos with AL7, including a track called "Space," which had been written by Robert Irving III.<ref>[http://www.thelastmiles.com/associates-randy-hall.php Cole, George (2006-07-17). "Miles's Associates: Randy Hall". The Last Miles.]</ref> ===Collaboration with Miles Davis=== Miles Davis's record label, [[Columbia Records]], flew four of the AL7 band members - Hall, Wilburn, Crews, and Irving - from Chicago to [[New York City]], booked them iton a top-flight hotel and arranged recording sessions. Glenn Burris later joined the four and although he was at many of the sessions, he did not play. Instead, the four Chicago musicians were joined by a young saxophonist [[Bill Evans (saxophonist)|Bill Evans]], who had been recommended to Miles by ex-band member [[Dave Liebman]]. The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris.<ref name="Allmusic"/> Another was "The Man With The Horn," a tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track. The release of ''The Man With the Horn'' gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band [[Pleasure (American band)|Pleasure]].<ref name="Allmusic"/> Occasionally, Hall was asked by Miles Davis to compose some songs.<ref>Cole, George, ''The Last Miles'' (University of Michigan Press 2005)</ref> ===Post-Miles Davis=== After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album, ''I Belong to You'', produced by [[Ray Parker, Jr.]] (of [[Raydio]] and "[[Ghostbusters (song)|Ghostbusters]]" fame).<ref name="Allmusic"/> The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in [[Los Angeles]], recording a follow-up solo album, ''Love You Like A Stranger''. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with [[Warner Bros. Records]], with Warner's head of jazz [[Tommy LiPuma]] given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros. Hall decided to work with a number of people from the ''Love You Like A Stranger'' sessions on the new Miles Davis album. One of these people was Atalla Zane Giles, who had played guitar, keyboards, bass and sang on the album. Giles was asked to compose, arrange and produce the new album with Hall. Engineer Reggie Dozier was asked to join the project, as were keyboardist Adam Holzman (who later joined Davis's band), bassist Cornelius Mims, percussionist [[Steve Reid]], Burris and Wilburn. More than a dozen tunes were recorded during the sessions, which took place between October 1985 and January 1986, and the plan was to release an album called ''Rubberband''. One of the tracks was called "Give It Up," the same name as a hit tune for Pleasure. The Rubberband material was never released. Davis later worked work with [[Marcus Miller]] to record ''[[Tutu (album)|Tutu]]''. Davis's performances from a couple of the Rubberband sessions were used to create new tracks on the ''[[Doo-Bop]]'' album. Two tunes from the Rubberband sessions were due to appear on a retrospective set called ''The Last Word'', but were ultimately not included. In more recent years Hall has been working with Elliott Small. Hall produced, wrote the music, and played piano and guitar on Small's album ''This Season's Collection''. Hall also wrote the lyrics for two songs on the album: "Share Your Love" and "Delightful". Hall currently lives in [[Las Vegas Valley|Las Vegas]], where he has a production studio, and he performs locally, nationally, and internationally.<ref>[https://web.archive.org/web/20060103164835/http://www.thesoulofamsterdam.com/randy-hall-biography-discography.htm Hellingh, Andreas (2006-07-17). "Randy Hall - Biography and Discography". The Soul of Amsterdam.]</ref> ==Discography== ===Albums=== {| class="wikitable" |- ! Year ! Album Name ! Label ! style="width:45px;"|<sup>[[Top R&B/Hip-Hop Albums|US R&B]]</sup><ref>{{cite web|url=https://rareandobscuremusic.wordpress.com/2011/10/06/randy-hall/|title=Randy Hall|website=rareandobscuremusic|accessdate=September 12, 2020}}</ref> |- | 1984 | ''I Belong To You'' | rowspan="2"| [[MCA Records]] | align=center | 30 |- | 1988 | ''Love You Like A Stranger'' | align=center | — |- |} ===Singles=== {| class="wikitable" |- ! Year ! Song ! style="width:45px;"|<sup>[[Hot R&B/Hip-Hop Songs|US R&B]]</sup><ref>{{cite web|url=https://www.musicvf.com/songs.php?page=artist&artist=Randy+Hall|title=Randy Hall Top Songs / Chart Singles Discography|website=Music VF|accessdate=February 8, 2020}}</ref> |- |rowspan="2"| 1984 | "A Gentleman" | align=center | 60 |- | "I've Been Watching You" | align=center | 18 |- |rowspan="2"| 1988 | "Slow Starter" | align=center | 36 |- | "As Long As I Can Last" | align=center | — |- |rowspan="2"| 2019 | "DJ's Need Love Too / Callin' For Love" | align=center | — |- | "How Do You Want Your Love" | align=center | — |- |rowspan="1"| 2020 | "A New Way Of Love" | align=center | — |- |} ==References== <!--- See [[Wikipedia:Footnotes]] on how to create references using <ref></ref> tags which will then appear here automatically --> {{Reflist}} ==External links== * [https://www.discogs.com/artist/279709-Randy-Hall?filter_anv=0&type=Releases Album and Singles Discography] at [[Discogs]]. * [http://www.thelastmiles.com/associates-randy-hall.php Randy Hall: Miles's Associates: The Last Miles: The Music Of Miles Davis 1980 - 1991: A book by George Cole] * [https://web.archive.org/web/20060103164835/http://www.thesoulofamsterdam.com/randy-hall-biography-discography.htm Randy Hall - Biography and Discography] * [https://www.facebook.com/randy.hall.904/ Facebook Profile] {{Authority control}} {{DEFAULTSORT:Hall, Randy}} [[Category:Living people]] [[Category:African-American musicians]] [[Category:American jazz composers]] [[Category:American male jazz composers]] [[Category:Songwriters from Illinois]] [[Category:Columbia Records artists]] [[Category:Jazz musicians from Illinois]] [[Category:Berklee College of Music alumni]] [[Category:American music arrangers]] [[Category:Year of birth missing (living people)]]'
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'@@ -28,9 +28,8 @@ }} -'''Randy Hall''' is an American singer, guitarist, and record producer who collaborated with [[Miles Davis]] during the 1980s. Hall helped Davis arrange ''[[The Man With The Horn]]'', and its title track featured lead vocals by Hall, who also played guitar, [[synthesizer]] and [[celesta]] on the track. - +'''Randy Hall''' is an American singer, guitarist, and record producer who collaborated with [[Miles Davis]] during the 1980s. Hall helped Davis arrange ''[[The Man With The Horn]]'', and its title track featured lead vocals by Hall, who also played guitar, [[synthesizer]] and [[celesta]] on the track.<ref name="Allmusic">{{cite web|last1=Kellman|first1=Andy|title=Artist Biography|url=https://www.allmusic.com/artist/randy-hall-mn0001602326/biography|publisher=[[Allmusic]]|accessdate=September 12, 2020}}</ref> ==Career== ===Early career=== -Randy Hall grew up in [[Chicago]]. His first instrument was the [[piano]], but at the age of 13 he switched to guitar, taking lessons from British [[jazz guitar]]ist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to [[Wes Montgomery]], whereby the thumb is used as a [[Guitar pick|pick]]. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD ''[[A Tribute to Miles]]''. +Randy Hall grew up in [[Chicago]]. His first instrument was the [[piano]], but at the age of 13 he switched to guitar,<ref name="Allmusic"/> taking lessons from British [[jazz guitar]]ist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to [[Wes Montgomery]], whereby the thumb is used as a [[Guitar pick|pick]]. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD ''[[A Tribute to Miles]]''. Hall met Miles's nephew (and future drummer) Vince Wilburn Jr in [[kindergarten]] and the two became lifelong friends. Wilburn's mother Dorothy, was Miles's sister. The two friends started playing together and at the age of 16 joined a local band called Time, Space and Distance. @@ -45,10 +44,10 @@ Miles Davis's record label, [[Columbia Records]], flew four of the AL7 band members - Hall, Wilburn, Crews, and Irving - from Chicago to [[New York City]], booked them iton a top-flight hotel and arranged recording sessions. Glenn Burris later joined the four and although he was at many of the sessions, he did not play. Instead, the four Chicago musicians were joined by a young saxophonist [[Bill Evans (saxophonist)|Bill Evans]], who had been recommended to Miles by ex-band member [[Dave Liebman]]. -The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris. Another was "The Man With The Horn," a tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track. +The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris.<ref name="Allmusic"/> Another was "The Man With The Horn," a tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track. -The release of ''The Man With the Horn'' gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band [[Pleasure (American band)|Pleasure]]. Occasionally, Hall was asked by Miles Davis to compose some songs.<ref>Cole, George, ''The Last Miles'' (University of Michigan Press 2005)</ref> +The release of ''The Man With the Horn'' gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band [[Pleasure (American band)|Pleasure]].<ref name="Allmusic"/> Occasionally, Hall was asked by Miles Davis to compose some songs.<ref>Cole, George, ''The Last Miles'' (University of Michigan Press 2005)</ref> ===Post-Miles Davis=== -After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album, ''I Belong to You'', produced by [[Ray Parker, Jr.]] (of [[Raydio]] and "[[Ghostbusters (song)|Ghostbusters]]" fame). The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in [[Los Angeles]], recording a follow-up solo album, ''Love You Like A Stranger''. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with [[Warner Bros. Records]], with Warner's head of jazz [[Tommy LiPuma]] given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros. +After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album, ''I Belong to You'', produced by [[Ray Parker, Jr.]] (of [[Raydio]] and "[[Ghostbusters (song)|Ghostbusters]]" fame).<ref name="Allmusic"/> The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in [[Los Angeles]], recording a follow-up solo album, ''Love You Like A Stranger''. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with [[Warner Bros. Records]], with Warner's head of jazz [[Tommy LiPuma]] given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros. Hall decided to work with a number of people from the ''Love You Like A Stranger'' sessions on the new Miles Davis album. One of these people was Atalla Zane Giles, who had played guitar, keyboards, bass and sang on the album. Giles was asked to compose, arrange and produce the new album with Hall. Engineer Reggie Dozier was asked to join the project, as were keyboardist Adam Holzman (who later joined Davis's band), bassist Cornelius Mims, percussionist [[Steve Reid]], Burris and Wilburn. More than a dozen tunes were recorded during the sessions, which took place between October 1985 and January 1986, and the plan was to release an album called ''Rubberband''. One of the tracks was called "Give It Up," the same name as a hit tune for Pleasure. @@ -67,11 +66,14 @@ ! Album Name ! Label +! style="width:45px;"|<sup>[[Top R&B/Hip-Hop Albums|US R&B]]</sup><ref>{{cite web|url=https://rareandobscuremusic.wordpress.com/2011/10/06/randy-hall/|title=Randy Hall|website=rareandobscuremusic|accessdate=September 12, 2020}}</ref> |- | 1984 | ''I Belong To You'' | rowspan="2"| [[MCA Records]] +| align=center | 30 |- | 1988 | ''Love You Like A Stranger'' +| align=center | — |- |} @@ -82,5 +84,5 @@ ! Year ! Song -! style="width:45px;"|<sup>[[Hot R&B/Hip-Hop Songs|US R&B]]</sup><ref>[https://www.musicvf.com/songs.php?page=artist&artist=Randy+Hall US R&B Chart Information]. MusicVF.com. Retrieved 8 February 2020</ref> +! style="width:45px;"|<sup>[[Hot R&B/Hip-Hop Songs|US R&B]]</sup><ref>{{cite web|url=https://www.musicvf.com/songs.php?page=artist&artist=Randy+Hall|title=Randy Hall Top Songs / Chart Singles Discography|website=Music VF|accessdate=February 8, 2020}}</ref> |- |rowspan="2"| 1984 @@ -110,11 +112,11 @@ |- |} -<ref>[https://www.discogs.com/artist/279709-Randy-Hall?filter_anv=0&type=Releases Album and Singles Discography]. Discogs.com. Retrieved 15 December 2019</ref> ==References== <!--- See [[Wikipedia:Footnotes]] on how to create references using <ref></ref> tags which will then appear here automatically --> -{{Reflist|30em}} +{{Reflist}} -== External links == +==External links== +* [https://www.discogs.com/artist/279709-Randy-Hall?filter_anv=0&type=Releases Album and Singles Discography] at [[Discogs]]. * [http://www.thelastmiles.com/associates-randy-hall.php Randy Hall: Miles's Associates: The Last Miles: The Music Of Miles Davis 1980 - 1991: A book by George Cole] * [https://web.archive.org/web/20060103164835/http://www.thesoulofamsterdam.com/randy-hall-biography-discography.htm Randy Hall - Biography and Discography] '
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[ 0 => ''''Randy Hall''' is an American singer, guitarist, and record producer who collaborated with [[Miles Davis]] during the 1980s. Hall helped Davis arrange ''[[The Man With The Horn]]'', and its title track featured lead vocals by Hall, who also played guitar, [[synthesizer]] and [[celesta]] on the track.<ref name="Allmusic">{{cite web|last1=Kellman|first1=Andy|title=Artist Biography|url=https://www.allmusic.com/artist/randy-hall-mn0001602326/biography|publisher=[[Allmusic]]|accessdate=September 12, 2020}}</ref>', 1 => 'Randy Hall grew up in [[Chicago]]. His first instrument was the [[piano]], but at the age of 13 he switched to guitar,<ref name="Allmusic"/> taking lessons from British [[jazz guitar]]ist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to [[Wes Montgomery]], whereby the thumb is used as a [[Guitar pick|pick]]. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD ''[[A Tribute to Miles]]''.', 2 => 'The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris.<ref name="Allmusic"/> Another was "The Man With The Horn," a tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track.', 3 => 'The release of ''The Man With the Horn'' gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band [[Pleasure (American band)|Pleasure]].<ref name="Allmusic"/> Occasionally, Hall was asked by Miles Davis to compose some songs.<ref>Cole, George, ''The Last Miles'' (University of Michigan Press 2005)</ref>', 4 => 'After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album, ''I Belong to You'', produced by [[Ray Parker, Jr.]] (of [[Raydio]] and "[[Ghostbusters (song)|Ghostbusters]]" fame).<ref name="Allmusic"/> The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in [[Los Angeles]], recording a follow-up solo album, ''Love You Like A Stranger''. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with [[Warner Bros. Records]], with Warner's head of jazz [[Tommy LiPuma]] given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros.', 5 => '! style="width:45px;"|<sup>[[Top R&B/Hip-Hop Albums|US R&B]]</sup><ref>{{cite web|url=https://rareandobscuremusic.wordpress.com/2011/10/06/randy-hall/|title=Randy Hall|website=rareandobscuremusic|accessdate=September 12, 2020}}</ref>', 6 => '| align=center | 30', 7 => '| align=center | —', 8 => '! style="width:45px;"|<sup>[[Hot R&B/Hip-Hop Songs|US R&B]]</sup><ref>{{cite web|url=https://www.musicvf.com/songs.php?page=artist&artist=Randy+Hall|title=Randy Hall Top Songs / Chart Singles Discography|website=Music VF|accessdate=February 8, 2020}}</ref>', 9 => '{{Reflist}}', 10 => '==External links==', 11 => '* [https://www.discogs.com/artist/279709-Randy-Hall?filter_anv=0&type=Releases Album and Singles Discography] at [[Discogs]].' ]
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[ 0 => ''''Randy Hall''' is an American singer, guitarist, and record producer who collaborated with [[Miles Davis]] during the 1980s. Hall helped Davis arrange ''[[The Man With The Horn]]'', and its title track featured lead vocals by Hall, who also played guitar, [[synthesizer]] and [[celesta]] on the track.', 1 => '', 2 => 'Randy Hall grew up in [[Chicago]]. His first instrument was the [[piano]], but at the age of 13 he switched to guitar, taking lessons from British [[jazz guitar]]ist Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to [[Wes Montgomery]], whereby the thumb is used as a [[Guitar pick|pick]]. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD ''[[A Tribute to Miles]]''.', 3 => 'The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris. Another was "The Man With The Horn," a tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track.', 4 => 'The release of ''The Man With the Horn'' gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band [[Pleasure (American band)|Pleasure]]. Occasionally, Hall was asked by Miles Davis to compose some songs.<ref>Cole, George, ''The Last Miles'' (University of Michigan Press 2005)</ref>', 5 => 'After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album, ''I Belong to You'', produced by [[Ray Parker, Jr.]] (of [[Raydio]] and "[[Ghostbusters (song)|Ghostbusters]]" fame). The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in [[Los Angeles]], recording a follow-up solo album, ''Love You Like A Stranger''. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with [[Warner Bros. Records]], with Warner's head of jazz [[Tommy LiPuma]] given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros.', 6 => '! style="width:45px;"|<sup>[[Hot R&B/Hip-Hop Songs|US R&B]]</sup><ref>[https://www.musicvf.com/songs.php?page=artist&artist=Randy+Hall US R&B Chart Information]. MusicVF.com. Retrieved 8 February 2020</ref>', 7 => '<ref>[https://www.discogs.com/artist/279709-Randy-Hall?filter_anv=0&type=Releases Album and Singles Discography]. Discogs.com. Retrieved 15 December 2019</ref>', 8 => '{{Reflist|30em}}', 9 => '== External links ==' ]
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